One girl lived. No one believes her story. The police think she’s crazy. Her therapist thinks she’s suicidal. Everyone else thinks she’s a dangerous drunk. They’re all right—but did she see the killer? As the anniversary of the murders approaches, Faith Winters is released from the psychiatric hospital and yanked back to the last spot on earth she wants to be—her hometown where the slayings took place. Wracked by the lingering echoes of survivor’s guilt, Faith spirals into a black hole of alcoholism and wanton self-destruction. Finding no solace at the bottom of a bottle, Faith decides to track down her sister’s killer—and then discovers that she’s the one being hunted. How can one woman uncover the truth when everyone’s a suspect—including herself? From the mind of Wall Street Journal bestselling author Christopher Greyson comes a story with twists and turns that take the reader on a journey of light and dark, good and evil, to the edge of madness. The Girl Who Lived should come with a warning label: Once you start reading, you won’t be able to stop. Not since Girl on the Train and Gone Girl has a psychological thriller kept readers so addicted—and guessing right until the last page.

    Chris Shepard, a busy young doctor in Natchez, Mississippi, has never seen his new patient Alex Morse before. But the attractive young woman with the scarred face has come to Dr. Shepards office on a mission to catch a killer. This New York Times bestseller is available in a tall Premium Edition.

    The doctors and police, however, insist that he was alone at the scene. The shock of the accident must have made him imagine Lena, especially since his description of her resembles his late sister, Laura.Convinced that Lena is as real as he is, Rob teams up with Rebecca Lewis, a London-based PI who has a mysterious connection to Laura—and learns that even a close-knit community like the Isle of Man can hide dangerous secrets that will not stay safe forever.

    The sheriff, desperate for more positive press, makes Eve the youngest female homicide detective in the department’s history.Now Eve, with a lot to learn and resented by her colleagues, has to justify her new badge. Her chance comes when she and her burned-out, soon-to-retire partner are called to the blood-splattered home of a missing single mother and her two kids. The horrific carnage screams multiple murder—but there are no corpses.Eve has to rely on her instincts and tenacity to find the bodies and capture the vicious killer, all while battling her own insecurities and mounting pressure from the media, her bosses, and the bereaved family. It’s a deadly ordeal that will either prove her skills…or totally destroy her.

    Gretchen White is a specialist in antisocial personality disorders and violent crimes. She’s helped solve enough prominent cases for detective Patrick Shaughnessy that her own history is often overlooked: Gretchen is an admitted sociopath once suspected of killing her aunt. Shaughnessy still thinks Gretchen got away with murder. It’s not going to happen again.When a high-profile new case lands on Shaughnessy’s desk, it seems open and shut. Remorseless teenager Viola Kent is accused of killing her mother. Amid stories of childhood horrors and Viola’s cruel manipulations, the bad seed has already been found guilty by a rapt public. But Gretchen might be seeing something in Viola no one else does: herself.If Viola is a scapegoat, then who really did it? And what are they hiding? To find the truth, Gretchen must enter a void that is not only dark and cold-blooded, but also frighteningly familiar.

    Lydia Smith lives her life hiding in plain sight. A clerk at the Bright Ideas bookstore, she keeps a meticulously crafted existence among her beloved books, eccentric colleagues, and the BookFrogs.....the lost and lonely regulars who spend every day marauding the store’s overwhelmed shelves. But when Joey Molina, a young, beguiling BookFrog, kills himself in the bookstore’s upper room, Lydia’s life comes unglued. Always Joey’s favorite bookseller, Lydia has been bequeathed his meager worldly possessions. Trinkets and books; the detritus of a lonely, uncared for man. But when Lydia flips through his books she finds them defaced in ways both disturbing and inexplicable. They reveal the psyche of a young man on the verge of an emotional reckoning. And they seem to contain a hidden message. What did Joey know? And what does it have to do with Lydia? As Lydia untangles the mystery of Joey’s suicide, she unearths a long buried memory from her own violent childhood. Details from that one bloody night begin to circle back. Her distant father returns to the fold, along with an obsessive local cop, and the Hammerman, a murderer who came into Lydia’s life long ago and, as she soon discovers, never completely left.

    But the truth can’t stay hidden for long.Emma is a loving wife, a devoted mother…and an involuntary killer. For years she’s been hiding the dead body of the teacher who seduced her as a teen.It’s a secret that might have stayed buried if only her life had been less perfect. A promotion for Emma’s husband, Alex, means they can finally move to a bigger home with their young son. But with a buyer lined up for their old house, Emma can’t leave without destroying every last trace of her final revenge…Returning to the shallow grave in the garden, she finds it empty. The body is gone.Panicked, Emma confesses to her husband. But this is only the beginning. Soon, Alex will discover things about her he’ll wish he’d learned sooner. And others he’ll long to forget.

    Ostracised by her colleagues, her family and her partner, she begins to wonder if she really is losing her mind.And then she meets the next victim.So compulsive you can't stop reading.So chilling you won't stop talking about it.A pitch-black and devastatingly original psychological thriller.

    Everybody’s got a drawer somewhere with something hidden in it.On June 28, 1980—the hottest night of the year—Kelly Michelle Lund shoots and kills Oscar-nominated director John McFadden at a party in his home. . . . And instantly becomes a media sensation, her chilling smile fodder for national nightmares. For years, speculation swirls over the enigmatic seventeen-year-old’s motives, information she’s refused to share. Convicted of the murder, she loses her youth and her freedom—but keeps her secrets to herself.Thirty years later—and five years after her release from prison—the past has come back to haunt Kelly. Her father-in-law, movie legend Sterling Marshall, is found in a pool of blood in his home in the Hollywood Hills—dead from a shot to the head, just like his old friend John McFadden.Once again, Kelly is suspected of the high profile murder. But this time, she’s got some unexpected allies who believe she’s innocent—of both killings—and want to help her clear her name. But is she?Written with masterful precision and control, What Remains of Me brilliantly moves forward and back in time, playing out the murders side by side—interweaving subtle connections and peeling away layers of events to reveal the shocking truth.

    They had all taken turns to dig. An adult sized hole would have taken longer. An innocent life had been taken but the pact had been made. Their secrets would be buried, bound in blood …Years later, a headmistress is found brutally strangled, the first in a spate of gruesome murders which shock the Black Country.But when human remains are discovered at a former children’s home, disturbing secrets are also unearthed. D.I. Kim Stone fast realises she’s on the hunt for a twisted individual whose killing spree spans decades.As the body count rises, Kim needs to stop the murderer before they strike again. But to catch the killer, can Kim confront the demons of her own past before it’s too late? Fans of Rachel Abbott, Val McDermid and Mark Billingham will be gripped by this exceptional new voice in British crime fiction.

    Now she’s got two kids, a perfect husband, a picket fence, and a growing sense of dissatisfaction. Ray used to be a talented documentary photographer, but at age forty he finds himself in a dead-end job posing as a paparazzo pandering to celebrity-obsessed rich kids. Jack is a detective who can’t let go of a cold case—a local husband and father disappeared seventeen years ago, and Jack spends the anniversary every year visiting a house frozen in time, the missing man’s family still waiting, his slippers left by the recliner as if he might show up any moment to step into them. Three people living lives they never wanted, hiding secrets that even those closest to them would never suspect, will find that the past doesn’t recede. Even as the terrible consequences of long-ago events crash together in the present and threaten to ruin lives, they will come to the startling realization that they may not want to forget the past at all. And as each confronts the dark side of the American Dream—the boredom of a nice suburban life, the excitement of temptation, the desperation and hunger that can lurk behind even the prettiest facades—they will discover the hard truth that the line between one kind of life and another can be as whisper-thin as a heartbeat. With his trademark combination of page-turning thrills and unrivaled insight into the dark shadows that creep into even the happiest communities, Harlan Coben delivers a thriller that cements his status as the master of domestic suspense.

    But for Harper McClain, the timeless beauty and culture that distinguishes her home’s Southern heritage vanishes during the dark and dangerous nights. She wouldn’t have it any other way. Not even finding her mother brutally murdered in their home when she was twelve has made her love Savannah any less.Her mother’s killer was never found, and that unsolved murder left Harper with an obsession that drove her to become one of the best crime reporters in the state of Georgia. She spends her nights with the police, searching for criminals. Her latest investigation takes her to the scene of a homicide where the details are hauntingly familiar: a young girl being led from the scene by a detective, a female victim naked and stabbed multiple times in the kitchen, and no traces of any evidence pointing towards a suspect.Harper has seen all of this before in her own life. The similarities between the murder of Marie Whitney and her own mother’s death lead her to believe they’re both victims of the same killer. At last, she has the chance to find the murderer who’s eluded justice for fifteen years and make sure another little girl isn’t forever haunted by a senseless act of violence―even if it puts Harper in the killer’s cross-hairs…

    Instead, the victim turns out to be a woman he'd had an affair with before breaking it off to save his marriage. But there's a bigger problem: Liam has no memory of where he was or what he did on the night of the murder.Panicked, Liam turns to his brother, Sean, a homicide detective. Sean has his back, but incriminating evidence keeps piling up. From fingerprints to DNA, everything points to Liam, who must race against time and his department to uncover the truth - even if that truth is his own guilt. Yet as he digs deeper, dark secrets come to light, and Liam begins to suspect the killer might actually be Sean ...When the smoke clears in this harrowing family drama, who will be left standing?

    A few days before Christmas, his peace is shattered and he is thrust back into the murky world of murder when a young woman is found dead amongst the ancient ruins of the nearby Priory.When former local girl Dr Anna Taylor arrives back on the island as a police consultant, old memories swim to the surface making her confront her difficult past. She and Ryan struggle to work together to hunt a killer who hides in plain sight, while pagan ritual and small-town politics muddy the waters of their investigation.

    At The Seattle Mirror, he is competing for the single full-time job being offered through the paper's intense intern program. But unlike the program's other young reporters, who attended big name schools and worked at other big metro dailies, Wade put himself through community college, and lacked the same experience. Wade struggles with his haunting past as he pursues the story of Karen Harding, a college student whose car was found abandoned on a lonely stretch of highway in the Pacific Northwest. How could this beloved young woman with the altruistic nature simply vanish? Wade battles mounting odds and cut-throat competition to unearth the truth behind Karen Harding's disturbing case. Her disappearance is a story he cannot give up, never realizing the toll it could exact from him. The Dying Hour is a bone-chilling, mesmerizing page-turner that introduces readers to an all-too-human young hero who journeys into the darkest regions of the human heart to confront a nightmare. The International Thriller Writers (ITW), selected The Dying Hour as a finalist for a Thriller Award for Best Paperback Original, 2006. Rick Mofina is a former journalist who has interviewed murderers on death row, flown over L.A. with the LAPD and patrolled with the Royal Canadian Mounted Police near the Arctic. He's also reported from the Caribbean, Africa and Kuwait's border with Iraq. His books have been published in nearly 30 countries, including an illegal translation produced in Iran. His work has been praised by James Patterson, Dean Koontz, Michael Connelly, Lee Child, Tess Gerritsen, Jeffery Deaver, Sandra Brown, James Rollins, Brad Thor, Nick Stone, David Morrell, Allison Brennan, Heather Graham, Linwood Barclay, Peter Robinson, Håkan Nesser and Kay Hooper. The Crime Writers of Canada, The International Thriller Writers and The Private Eye Writers of America have listed his titles among the best in crime fiction. As a two-time winner of Canada's Arthur Ellis Award, a three-time Thriller Award finalist and a two-time Shamus Award finalist, the Library Journal calls him, “One of the best thriller writers in the business."