Successive chapters focus on debates around Forster's liberal-humanism, with essays from F. R. Leavis, Lionel Trilling and Malcolm Bradbury; on the indeterminacy and ambiguity of the text, with extracts from essays by Gillian Beer, Robert Barratt, Wendy Moffat and Jo-Ann Hoeppner Moran; and on the sexual politics of Forster's work, with writings from Elaine Showalter, Frances L. Restuccia and Eve Dawkins Poll. The Guide concludes with essays from Jeffrey Meyers and Jenny Sharpe, who read A Passage to India in terms of its engagement with British imperialism.

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    Wessex was the "partly-real, partly-dream" county that formed the backdrop for most of Hardy's writings—named after an Anglo-Saxon kingdom and modeled on the real counties of Berkshire, Devon, Dorset, Hampshire, Somerset, and Wiltshire. The poems deal with classic Hardy themes of disappointment in love and life, and the struggle to live a meaningful life in an indifferent world. Although Hardy's poetry was not as well received as his fiction, he continued to publish collections until his death, and thanks in part to the influence of Philip Larkin, he is increasingly realized as a poet of great stature.

    The action-packed storylines retain all the impact of the authors' own words; photos and narrative illustrations help readers to absorb the full flavor of the original novels. Fact-filled boxes examine the books' themes, characters, and each author's life and times. 20,000 Leagues Under the Sea includes a map of the journey and explores marine life and oceanography in Jules Verne's time. A specially researched map of Crusoe's exotic island gives facts on its flora and fauna.

    This guide introduces and sets in context, the range of critical arguments that have been generated by this work.

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    In the earlier play Ostrovsky had adopted a satiric tone that proved him a worthy disciple of Gogol, the great founder of Russian realism. Not one lovable character appears in that gloomy picture of merchant life in Moscow; even the old mother repels us by her stupidity more than she attracts us by her kindliness. No ray of light penetrates the "realm of darkness" -- to borrow a famous phrase from a Russian critic -- conjured up before us by the young dramatist. In Poverty Is No Crime we see the other side of the medal. Ostrovsky had now been affected by the Slavophile school of writers and thinkers, who found in the traditions of Russian society treasures of kindliness and love that they contrasted with the superficial glitter of Western civilization. Life in Russia is varied as elsewhere, and Ostrovsky could change his tone without doing violence to realistic truth. The tradesmen had not wholly lost the patriarchal charm of their peasant fathers. A poor apprentice is the hero of Poverty Is No Crime, and a wealthy manufacturer the villain of the piece. Good-heartedness is the touchstone by which Ostrovsky tries character, and this may be hidden beneath even a drunken and degraded exterior. The scapegrace, Lyubim Tortsov, has a sound Russian soul, and at the end of the play rouses his hard, grasping brother, who has been infatuated by a passion for aping foreign fashions, to his native Russian worth. Alexander Ostrovsky (1823-1886) was an early Russian Realist whose work led to the founding of the Moscow Arts Theatre and to the career of Stanislavsky. He has been acknowledged to be the greatest of the Russian dramatists.

    Charles John Huffam Dickens (7 February 1812 - 9 June 1870) was an English writer and social critic. He created some of the world's most memorable fictional characters and is generally regarded as the greatest novelist of the Victorian period. During his life, his works enjoyed unprecedented fame, and by the twentieth century his literary genius was broadly acknowledged by critics and scholars. His novels and short stories continue to be widely popular. Born in Portsmouth, England, Dickens was forced to leave school to work in a factory when his father was thrown into debtors' prison. Although he had little formal education, his early impoverishment drove him to succeed. Over his career he edited a weekly journal for 20 years, wrote 15 novels, five novellas and hundreds of short stories and non-fiction articles, lectured and performed extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, education, and other social reforms. Dickens sprang to fame with the 1836 serial publication of The Pickwick Papers. Within a few years he had become an international literary celebrity, famous for his humour, satire, and keen observation of character and society. His novels, most published in monthly or weekly installments, pioneered the serial publication of narrative fiction, which became the dominant Victorian mode for novel publication. The installment format allowed Dickens to evaluate his audience's reaction, and he often modified his plot and character development based on such feedback. For example, when his wife's chiropodist expressed distress at the way Miss Mowcher in David Copperfield seemed to reflect her disabilities, Dickens went on to improve the character with positive features. Fagin in Oliver Twist apparently mirrors the famous fence Ikey Solomon; His caricature of Leigh Hunt in the figure of Mr Skimpole in Bleak House was likewise toned down on advice from some of his friends, as they read episodes. In the same novel, both Lawrence Boythorne and Mooney the beadle are drawn from real life-Boythorne from Walter Savage Landor and Mooney from 'Looney', a beadle at Salisbury Square. His plots were carefully constructed, and Dickens often wove in elements from topical events into his narratives. Masses of the illiterate poor chipped in ha'pennies to have each new monthly episode read to them, opening up and inspiring a new class of readers.

    And the rumours are true: Jack Havoc, charismatic outlaw, knife-wielding killer and ingenious jail-breaker, is on the loose once again. As Havoc stalks the smog-cloaked alleyways of the city, it falls to Albert Campion to hunt down the fugitive and put a stop to his rampage – before it’s too late… The Tiger in the Smoke can rank with any of the great thrillers in English literature. It conveys an understanding of goodness and evil more assuredly than any of them. More than an outstanding mystery, Margery Allingham has created a major novel. Traitor's Purse Celebrated amateur detective Albert Campion awakes in hospital accused of attacking a police officer and suffering from acute amnesia. All he can remember is that he was on a mission of vital importance to His Majesty’s government before his accident. On the run from the police and unable to recognise even his faithful servant or his beloved fiancee, Campion struggles desperately to put the pieces together while the very fate of England is at stake. Tightly plotted and perfectly drawn, Traitor’s Purse is an enduring classic of wartime fiction. Sweet Danger Nestled along the Adriatic coastline, the kingdom of Averna has suddenly – and suspiciously – become the hottest property in Europe, and Albert Campion is given the task of recovering the long-missing proofs of ownership. His mission takes him from the French Riviera to the sleepy village of Pontisbright, where he meets the flame-haired Amanda Fitton. Her family claim to be the rightful heirs to the principality, and insist on joining Campion’s quest. Unfortunately for them, a criminal financier and his heavies are also on the trail – the clock is ticking for Campion and his cohorts to outwit the thugs and solve the mystery of Averna.

    Opening with a chapter on how Emily BrontA's masterpiece was received in the nineteenth century, the "Guide" links together a selection of extracts that demonstrate the major critical developments of the twentieth century -- from humanism through formalism to deconstruction. Within this general framework, subsequent chapters focus on psychoanalytic readings, source studies, readings using discourse theory, work on dissemination, and political readings from Marxist, postcolonialist, and feminist points of view.

    Deserted by a selfish man, and driven to the workhouse, young Annabel and her midwife mother face a harsh and hopeless future.A critical situation for the workhouse governor then opens a door of deliverance for them both, but it seems that revenge and bitterness hound their every step.A harrowing story of stolen love, rich and poor, faith, family, and fearful odds, Born A Workhouse Child, will keep your heart pounding and your hopes soaring to the end.Join Dolly Price for her most heart-warming Victorian romance yet, and follow Annabel’s courageous quest to discover the real meaning of love, faith, and family.

    

    According to Wikipedia: "Jack London (12 January, 1876 – 22 November, 1916) was an American author who wrote The Call of the Wild and other books. A pioneer in the then-burgeoning world of commercial magazine fiction, he was one of the first Americans to make a lucrative career exclusively from writing."