A poignant story of a resourceful Nigerian woman who overcomes strict tribal domination of women and countless setbacks to achieve an independent life for herself and her children.

    This trip to Tumble Creek — middle-of-nowhere Australia — is just a blip, a trip out of time, to visit her sister and niece and farewell her beloved Uncle. But barely hours into her stay, she disturbs an intruder in her uncle's house, is questioned by police, and finds a pair of fluffy pink stilettos in the bedroom. Things are not all they seem in Tumble Creek, and much as she tries not to, Jennifer is sucked in to the mystery surrounding her uncle. Who is his girlfriend Veronica, and why is she not here? What are the locals hiding? And why can she not get sexy local Calum McGregor out of her mind? All is not what it seems in this sleepy, small town, and as Jennifer unravels its mysteries, she might just be tying herself to Tumble Creek forever.

    Let the people of West Mills say what they will; the neighbors’ gossip won’t keep Knot from what she loves best: cheap moonshine, nineteenth-century literature, and the company of men. And yet, Knot is starting to learn that her freedom comes at a high price. Alone in her one-room shack, ostracized from her relatives and cut off from her hometown, Knot turns to her neighbor, Otis Lee Loving, in search of some semblance of family and home. Otis Lee is eager to help. A lifelong fixer, Otis Lee is determined to steer his friends and family away from decisions that will cause them heartache and ridicule. After his failed attempt as a teenager to help his older sister, Otis Lee discovers a possible path to redemption in the chaos Knot brings to his doorstep. But while he’s busy trying to fix Knot’s life, Otis Lee finds himself powerless to repair the many troubles within his own family, as the long-buried secrets of his troubled past begin to come to light.Set in an African American community in rural North Carolina from 1941 to 1987, In West Mills is a magnificent, big-hearted small-town story about family, friendship, storytelling, and the redemptive power of love.

    Ghetto-born, Winter is the young, wealthy daughter of a prominent Brooklyn drug-dealing family. Quick-witted, sexy, and business-minded, she knows and loves the streets like the curves of her own body. But when a cold Winter wind blows her life in a direction she doesn't want to go, her street smarts and seductive skills are put to the test of a lifetime. Unwilling to lose, this ghetto girl will do anything to stay on top. Featuring a Special Collector’s Edition Reader’s Guide—including an author Q&A, detailed character analyses, and the author’s own remarks about the meaning of her story.

    Chamoiseau's exquisitely rendered new novel is an adventure for all time, one that fearlessly portrays the demonic cruelties of the slave trade and its human costs in vivid, sometimes hallucinatory prose. Offering a loving and mischievous tribute to the creole culture of Martinique and brilliantly translated by Linda Coverdale, this novel takes us on a unique and moving journey into the heart of Caribbean history.

    Like Salman Rushdie's Midnight's Children or Gabriel Garcia Marquez's One Hundred Years of Solitude, it combines brilliant narrative technique with a fresh vision to create an essential work of world literature.The narrator, Azaro, is an abiku, a spirit child, who in the Yoruba tradition of Nigeria exists between life and death. The life he foresees for himself and the tale he tells is full of sadness and tragedy, but inexplicably he is born with a smile on his face. Nearly called back to the land of the dead, he is resurrected. But in their efforts to save their child, Azaro's loving parents are made destitute. The tension between the land of the living, with its violence and political struggles, and the temptations of the carefree kingdom of the spirits propels this latter-day Lazarus's story.

    In Chicago, Ruth Tuttle, an Ivy-League educated Black engineer, is married to a kind and successful man. He’s eager to start a family, but Ruth is uncertain. She has never gotten over the baby she gave birth to—and was forced to leave behind—when she was a teenager. She had promised her family she’d never look back, but Ruth knows that to move forward, she must make peace with the past.Returning home, Ruth discovers the Indiana factory town of her youth is plagued by unemployment, racism, and despair. As she begins digging into the past, she unexpectedly befriends Midnight, a young white boy who is also adrift and looking for connection. Just as Ruth is about to uncover a burning secret her family desperately wants to keep hidden, a traumatic incident strains the town’s already searing racial tensions, sending Ruth and Midnight on a collision course that could upend both their lives.Powerful and revealing, The Kindest Lie captures the heartbreaking divide between Black and white communities and offers both an unflinching view of motherhood in contemporary America and the never-ending quest to achieve the American Dream.

    Awarded the prestigious Prix des cinq continents upon publication as the best book written in French outside of France, Eve Out of her Ruins is a harrowing account of the violent reality of life in her native country by the figurehead of Mauritian literature.The book featurues an original introduction by Nobel Prize winner J.M.G. Le Clézio, who declares Devi "a truly great writer."Ananda Devi (b. 1957, Trois-Boutiques, Mauritius) is a novelist and scholar. She has published eight novels as well as short stories and poetry, and was featured at the PEN World Voices Festival in New York in 2015. She was made a Chevalier des Arts et des Lettres by the French Government in 2010.

    Libya, 1979. Nine-year-old Suleiman’s days are circumscribed by the narrow rituals of childhood: outings to the ruins surrounding Tripoli, games with friends played under the burning sun, exotic gifts from his father’s constant business trips abroad. But his nights have come to revolve around his mother’s increasingly disturbing bedside stories full of old family bitterness. And then one day Suleiman sees his father across the square of a busy marketplace, his face wrapped in a pair of dark sunglasses. Wasn’t he supposed to be away on business yet again? Why is he going into that strange building with the green shutters? Why did he lie? Suleiman is soon caught up in a world he cannot hope to understand—where the sound of the telephone ringing becomes a portent of grave danger; where his mother frantically burns his father’s cherished books; where a stranger full of sinister questions sits outside in a parked car all day; where his best friend’s father can disappear overnight, next to be seen publicly interrogated on state television. In the Country of Men is a stunning depiction of a child confronted with the private fallout of a public nightmare. But above all, it is a debut of rare insight and literary grace.

    Set in both the windswept countryside of Norfolk and the violent townships of South Africa, this is a story of what happens when trust is broken, secrets become buried and lives torn apart.

    Inspired by actual 19th-century court records, Unconfessed is a breathtaking literary tour de force. They called her Sila van den Kaap, slave woman of Jacobus Stephanus Van der Wat of Plettenberg Bay, South Africa. A woman moved from master to master, farm to farm, and—driven by the horrors of slavery to commit an unspeakable crime—from prison to prison. A woman fit for hanging . . . condemned to death on April 30, 1823, but whose sentence the English, having recently wrested authority from the Dutch settlers, saw fit to commute to a lengthy term on the notorious Robben Island. Sila spends her days in the prison quarry, breaking stones for Cape Town’s streets and walls. She remembers the day her childhood ended, when slave catchers came “whipping the air and the ground and we were like deer whipped into the smaller and smaller circle of our fear.” Sila remembers her masters, especially Oumiesies (“old Missus”), who in her will granted Sila her freedom, but Theron, Oumiesies’ vicious and mercenary son, destroys the will and with it Sila’s life. Sila remembers her children, with joy and with pain, and imagines herself a great bird that could sweep them up in her wings and set them safely on a branch above all harm. Unconfessed is an epic novel that connects the reader to the unimaginable through the force of poetry and a far-reaching imagination.

    a tale of a young man’s continuing struggle to gain acceptance amongst his people, and to break the cycle of alienation and violence that plagues his life. Imaro is heroic fantasy like it’s never been done before. Based on Africa, and African traditions and legends, Charles Saunders has created Nyumbani (which means “home” in Swahili), an amalgam of the real, the semi-real, and the unreal. Imaro is the name of the larger-than-life warrior, an outcast, who travels across Nyumbani, searching for a home. Like his contemporaries, Karl Edward Wagner (Kane) and Michael Moorcock (Elric), Charles Saunders brings something new to the traditional heroic fantasy tale. A broad knowledge of, and passion for, the history and myths of Africa led to the creation of a heroic fantasy character the likes of which the world has never seen. Imaro is no Tarzan… no Conan… Imaro is a warrior out of African legend.Saunders' novel fuses the narrative style of fantasy fiction with a pre-colonial, alternate Africa. Inspired by and directly addresses the alienation of growing up an African American fan of Science Fiction and Fantasy, which to this day remains a very ethnically homogonous genre. It addresses this both structurally (via its unique setting) and thematically (via its alienated, tribeless hero-protagonist). The tribal tensions and histories presented in this fantasy novel reflect actual African tribal histories and tensions, and provide a unique perspective to current and recent conflicts in Africa, particularly the Rwandan genocide and the ongoing conflict in The Sudan.

    . . one of the continent's greatest living writers" (The Guardian).It's not easy being Tokumisa Nzambe po Mose yamoyindo abotami namboka ya Bakoko. There's that long name of his for a start, which means, "Let us thank God, the black Moses is born on the lands of the ancestors." Most people just call him Moses. Then there's the orphanage where he lives, run by a malicious political stooge, Dieudonne Ngoulmoumako, and where he's terrorized by two fellow orphans--the twins Songi-Songi and Tala-Tala.But after Moses exacts revenge on the twins by lacing their food with hot pepper, the twins take Moses under their wing, escape the orphanage, and move to the bustling port town of Pointe-Noire, where they form a gang that survives on petty theft. What follows is a funny, moving, larger-than-life tale that chronicles Moses's ultimately tragic journey through the Pointe-Noire underworld and the politically repressive world of Congo-Brazzaville in the 1970s and 80s.Mabanckou's vivid portrayal of Moses's mental collapse echoes the work of Hugo, Dickens, and Brian DePalma's Scarface, confirming Mabanckou's status as one of our great storytellers. Black Moses is a vital new extension of his cycle of Pointe-Noire novels that stand out as one of the grandest, funniest, fictional projects of our time.

    Thirteen-year-old Zahrah Tsami feels like a normal girl -- she grows her own flora computer, has mirrors sewn onto her clothes, and stays clear of the Forbidden Greeny Jungle. But unlike other kids in the village of Kirki, Zahrah was born with the telling dadalocks. Only her best friend, Dari, isn't afraid of her, even when something unusual begins happening -- something that definitely makes Zahrah different. The two friends investigate, edging closer and closer to danger. When Dari's life is threatened. Zahrah must face her worst fears alone, including the very thing that makes her different.In this exciting debut novel by Nnedi Okorafor-Mbachu, things aren't always what they seem -- monkeys tell fortunes, plants offer wisdom, and a teenage girl is the only one who stands a chance at saving her best friend's life.-from the Hardcover edition

    Leave them alone long enough, and it gets real hard to tell them apart.”Elena Alvarez is living a cursed life. From the deadly fire she accidentally set as a child, to her mother’s abandonment, and now to an unwanted pregnancy, she knows better than most that small actions can have terrible consequences. Driven to the high mountains surrounding Leadville, Colorado by her latest bad decision, she’s intent on putting off the future. Perhaps there she can just hide in her grandmother’s isolated cabin and wait for something—anything—to make her next choice for her.Instead, she is confronted by reflections of her own troubles wherever she turns—the recent widower and his two children adrift in a changed world, Elena’s own mysterious family history, and the interwoven lives within the town itself. Bit by bit, Elena begins to question her understanding of cause and effect, reexamining the tragedies she’s held on to and the wounds she’s refused to let heal.But when the children go missing, Elena’s fragile new peace is shattered. It’s only at the prospect of fresh loss and blame that she will discover the truth of the terrible burdens we take upon ourselves, the way tragedy and redemption are inevitably intertwined—and how curses can sometimes lead to blessings, however disguised.