The powerful story of a shepherd and petty trafficker struggling to maintain hope as he wrestles with the grim realities of daily life, it is the first novel ever written in the Arabic dialect Moghrebi, faithfully recorded and translated into English by Bowles. Straightforward yet rich in complex emotions, it is a fascinating inside look at an unfamiliar culture—harsh and startling, yet interwoven with a poignant, poetic beauty.

    I believe, Andre Breton said, in the future resolution of the states of dream and reality--in appearance so contradictory--in a sort of absolute reality, or "

    Louis has ever seen. Did Deputy Chris Hummel and Deputy Wade Childers simply pull over the wrong reckless driver, or did someone target these two for a more sinister reason? Lieutenant George Hastings is the primary investigator on the case, along with his detective Bobby Cain, an inexperienced but connected detective who is ambitious and impolitic. Hastings and Cain dissect the lives the two murdered officers, focusing in on Hummel after they learn that he did a year-long stint with narcotics undercover and helped put away one of the biggest meth dealers in the area. But what they uncover is much bigger than one bitter dealer's revenge, and much more personal. With The Betrayers, James Patrick Hunt decisively marks his territory as a crime novelist to rival the best writers on the shelf today.

    Coot cat Reverend Ivan Stang, high holy of the Church of the SubGenius, has compiled a bestiary of American creeps and crazies so that you can write to them and receive mail that is weird, horrible, wonderfully absurd, or a combination of all three. Each entry has a paragraph or two and the last known mailing address of some fringe loonies. The book is only current through 1988, though; the only thing wrong with it is that it's high time for an update--with URLs, of course. Let's see ... there are catalogs of perpetual motion machines; brochures from South American flying saucer cults; something called "The Battle Cry of Aggressive Christianity" (Christian, not likely--aggressive, you bet); and bizarre roundups such as "News of the Weird," the Church of Beaver Cleaver, and so on. What makes this book so funny is the author's willingness to list (and ridicule) any group, no matter how repulsive. This means, too, that High Weirdness contains a group to offend everyone; consider yourself warned. In fact, if you aren't offended by some of these groups, you must be pretty offensive yourself. So there.

    But, throughout his career, Robert Maxwell also nurtured another, more driving, and—until now—altogether hidden ambition, and that was to spy for Israel's Mossad. In the end, as Gordon Thomas, an author who has long been trolling the murky waters of international intelligence, shows in this gripping narrative, the conflict between the tycoon's public interests and spy's secret pursuits led to his mystifying death, officially by drowning, in November 1991, offshore of the Canary Islands. According to Thomas's well-placed sources in Israel, Washington, and London, Maxwell first came into Mossad's orbit in the 1970s, when the crack Israeli spy organization stole from the United States its most sophisticated piece of intelligence-gathering software, Enhanced Promis. Of it Mossad made an electronic Trojan horse, secretly amassing strictly classified information from inside the very organizations worldwide to which they were selling it. Mossad's representative for these extremely sensitive transactions costing tens of millions of dollars in China, Russia, India, and twenty other countries was Robert Maxwell. Only Maxwell was also helping himself to some of Mossad's profits—as well as 750 million from his employees' pension fund—in desperate attempts to maintain his empire and to meet the demands of increasingly intolerant creditors. Aboard his yacht that November night in 1991 Maxwell no doubt still clung to the hope of a bailout by Mossad. But Mossad's spy masters could not afford to smile on blackmail. This book reveals all the shocking reasons why. Eight pages of black-and-white photographs add to this astonishing tale of international intrigue, espionage, the Mossad, and murder.

    A pungent and lyrical portrait of mid-'60s black protest."-- Kirkus Reviews With a new introduction by Woodie King Jr.This 1965 novel is a remarkable narrative of childhood and youth, structured on the themes of Dante's Inferno: violence, incontinence, fraud, treachery. With a poet's skill Baraka creates the atmosphere of hell, and with dramatic power he reconstructs the brutality of the black slums of Newark, a small Southern town, and New York City. The episodes contained within the novel represent both states of mind and states of the soul--lyrical, fragmentary, and allusive.

    Jerry Rubin has written The Communist Manifesto of our era. Do It! is a Declaration of War between the generations - calling on kids to leave their homes, burn down their schools and create a new society upon the ashes of the old. Do It! is a prose poem singing the inside saga of the movement; Do It! is a prose poem singing the inside saga of the movement; Do It! is a handbook for American revolutionaries comparable to Che Guevara's Guerrilla Warfare; it is a frenzied emotional symphony for a new social disorder; a comic book for seven-year-olds; a tribute to insanity. Jerry Rubin came into the world in a Marine's uniform. He wore a clean face, suit and bow tie while working as a sports reporter. He died - and was reincarnated as an agitator playing and wreaking havoc from Berkeley to New York. He was thrown out of Congress for coming there half-nude with live ammunition. He helped found the Yippies, those dope-crazed Godless insurrectionists. He is on trial in Chicago with seven other conspirators for destroying the Democratic Convention. This book is the most important political statement made by a white revolutionary in America today. Eldrige Cleaver, Black Panther leader in exile, has written an Introduction to it from Algeria. Media magician Quentin Fiore has designed the book with more than 100 pictures, cartoons and mind-zaps. Do It! is to be danced to. Read aloud. Studied. Memorized. Debated. Burned. Swallowed. Eaten.

    The story is ostensibly about a marooned space traveller's attempt to get a spare part for his starship, the Intrepid III. He has a robotic guard, programmed to guard him against all planetary dangers. But soon he discovers that the robot has not been programmed for the planet where they are, with comic results. However, the narrative later descends into a mass of diversions, non-sequiturs and meditations on the nature of authorship. Eventually the diversions take over the book to the extent that the author openly introduces an increasingly bizarre succession of deus ex machina in an attempt to get the novel back on track, but eventually admits defeat.Representative quote:Mishkin wondered what a spaceship looked like. What could you compare a spaceship to? Itself? "The spaceship looked utterly like itself." ... He decided to buy a toy spaceship and describe that.

    Even worse, they didn't own an English-to-Portuguese dictionary. What they did have, though, was a Portuguese-to-French dictionary, and a French-to-English dictionary. The linguistic train wreck that ensued is a classic of unintentional humor, now revived in the first newly selected edition in a century. Armed with Fonseca and Carolino's guide, a Portuguese traveler can insult a barber ("What news tell me? All hairs dresser are newsmonger"), complain about the orchestra ("It is a noise which to cleve the head"), go hunting ("let aim it! let make fire him"), and consult a handy selection of truly mystifying "Idiotisms and Proverbs."

    L. Moore '75 essay by Lester del Rey Shambleau [Northwest Smith] '33 novelette by C. L. Moore Black Thirst [Northwest Smith] '34 novelette by C. L. Moore The Bright Illusion '34 story by C. L. Moore Black God's Kiss [Jirel of Joiry] '34 novelette by C. L. Moore Tryst in Time '36 novelette by C. L. Moore Greater Than Gods '39 novelette by C. L. Moore Fruit of Knowledge '40 novelette by C. L. Moore No Woman Born '44 novelette by C. L. Moore Daemon '46 story by C. L. Moore Vintage Season '46 novella by Henry Kuttner & C. L. Moore Afterword--Footnote to Shambleau & Others '75 essay by C. L. Moore

    276 pages, 1972, SBN 684-12530-7; New York, America and Canada

    1997. New York City is a maximum security prison. A master criminal's mission: to rescue the captive U.S. President

    -- Breakthroughs in forensic science: A curious cause of death : Dorothy Dandridge -- The visible and invisible murderer : the case of Sal Mineo -- One last laugh : Freddie Prinze -- Murder in Hollywood : Dorothy Stratten -- An "impossible" drowning : Dennis Wilson -- Prescription for death : Elvis Presley. -- The "Detective of death": The missing baby -- All in the same boat -- The "accidental" lover -- The funhouse corpse. -- Forensic puzzles of the past: Custer's last stand -- The death of Napoleon -- Did Hitler escape? -- Who was Jack the Ripper? -- The return of the Ripper. -- The dangling man : the case of Roberto Calvi, "the Vatican banker."

    It had its differences; its ice goblins, its curious furry lorrin, its thickening water, and its unearthly tides, but for a young man like Alika-Drove thinking of a vacation by the sea these oddities were the norm.But this vacation was different. Rax was coming into the ascendant and Rax, that cold second sun, was the equivalent of evil, of Satan and of Hell. And as its time drew near everything began to get warped and sinister...until for Alika-Drove it would be either the harsh brutal end of his innocence or the end of his world forever.

    Campbell, Jr., Award for best young science fiction writer. One summer day in the 1920s, Haverstock's Traveling Curiosus and Wondershow rides into a small Midwestern town. Haverstock's show is a presentation of mysterious wonders: feats of magic, strange creatures, and frightening powers. Three teenage girls attend the opening performance that evening which, for each, promises love and threatens death. The three girls are drawn to the show and its performers-a lusty centaur, Angel the magical albino boy, the rowdy stage hands-but frightened by the enigmatic owner, Haverstock. The girls at first try to dismiss these marvels as trickery, but it becomes all too real, too vivid to be other than nightmare reality. Each feels the force of the show and its power to alter everyday lives: Francine is drawn embarrassingly to the centaur, Rose makes an assignation with one of the hands and gets in trouble, and Evelyn is fascinated by the pathetic, mysterious Angel, The Boy Who Can Fly, and together they plan escape. No stranger or more disturbing vision of the dark side of carnival life has been handled with such grace or conviction since Bradbury's vintage period. With a poet's mastery of language Reamy brings his circus of characters to a startling, fantastic conclusion. ABOUT THE AUTHOR TOM REAMY, at the time of his sudden death, was one of the most popular young writers in the Science Fiction field in recent years. His style is in the fantastic tradition of Richard Matheson and Ray Bradbury, and BLIND VOICES, his only novel, demands comparison to such masterpieces as Bradbury's Dandelion Wine or Something Wicked This Way Comes.