Everywhere men are seduced by the fantastic exotic flower. But for wealthy merchant Cornelis Sandvoort, it is his young and beautiful wife, Sophia, who stirs his soul. She is the prize he desires, the woman he hopes will bring him the joy that not even his considerable fortune can buy.Cornelis yearns for an heir, but so far he and Sophia have failed to produce one. In a bid for immortality, he commissions a portrait of them both by the talented young painter Jan van Loos. But as Van Loos begins to capture Sophia's likeness on canvas, a slow passion begins to burn between the beautiful young wife and the talented artist. As the portrait unfolds, so a slow dance is begun among the household's inhabitants. Ambitions, desires, and dreams breed a grand deception--and as the lies multiply, events move toward a thrilling and tragic climax.In this richly imagined international bestseller, Deborah Moggach has created the rarest of novels--a lush, lyrical work of fiction that is also compulsively readable. Seldom has a novel so vividly evoked a time, a place, and a passion.

    Sophia is twenty-one years old, carries a newt -- Great Warty -- around in her pocket and marries -- in haste -- a young artist called Charles. Swept into bohemian London of the thirties, Sophia is ill-equipped to cope. Poverty, babies (however much loved) and her husband conspire to torment her. Hoping to add some spice to her life, Sophia takes up with the dismal, ageing art critic, Peregrine, and learns to repent her marriage -- and her affair -- at leisure. But in this case virtue is more than its own reward, for repentance brings an abrupt end to a life of unpaid bills, unsold pictures and unwashed crockery ...

    Arthur Calgary discovers that he alone could have provided an alibi in a scandalous murder trial. It ended in the conviction of Jacko Argyle. The victim was Jacko's own mother, and to make matters worse, he died in prison. But the young man's innocence means that someone else killed the Argyle matriarch, and would certainly kill again to remain in the shadows. Shaded in the moral ambiguity of murder, the provocative psychological puzzler of guilt, vengeance, and blood secrets is among Agatha Christie's personal favorites.

    The meager facts of his biography have been gleaned from a handful of legal documents. Yet Vermeer's extraordinary paintings of domestic life, with their subtle play of light and texture, have come to define the Dutch golden age. His portrait of the anonymous Girl with a Pearl Earring has exerted a particular fascination for centuries—and it is this magnetic painting that lies at the heart of Tracy Chevalier's second novel of the same title.Girl with a Pearl Earring centers on Vermeer's prosperous Delft household during the 1660s. When Griet, the novel's quietly perceptive heroine, is hired as a servant, turmoil follows. First, the 16-year-old narrator becomes increasingly intimate with her master. Then Vermeer employs her as his assistant—and ultimately has Griet sit for him as a model.

    The sort of atmosphere where mistakes could be made? For Maurice Castle it is the end of the line anyway and time for him to retire with his African wife, Sarah.The Human Factor is Greene’s most extensive attempt to incorporate into fiction what he had learned of espionage when recruited by MI6 during World War II . . . What it offers is a veteran excursion into Greene’s imaginative world . . . Sometimes seen as a brooding prober into the dark recesses of the soul where sins and scruples alike fester, he is equally at home in sending a narrative careering along at break-neck pace . . . Raising the demarcation line between ‘serious’ fiction and fast-plotted entertainment, Greene ensures that components of both jostle energizingly together in his pages.” –from the Introduction by Peter Kemp --

    Looking back on the hardships of his early life, where difficult days are faced with courage but the valleys swell with the sound of Welsh voices, it becomes clear that there is nowhere so green as the landscape of his own memory. An immediate bestseller on publication in 1939, How Green Was My Valley quickly became one of the best-loved novels of the twentieth century. Poetic and nostalgic, it is an elegy to a lost world.Richard Dafydd Vivian Llewellyn Lloyd (1906-1983), better known by his pen name Richard Llewellyn, claimed to have been born in St David's, Pembrokeshire, Wales; after his death he was discovered to have been born of Welsh parents in Hendon, Middlesex. His famous first novel How Green Was My Valley (1939) was begun in St David's from a draft he had written in India, and was later adapted into an Oscar-winning film by director John Ford. None But the Lonely Heart, his second novel, was published in 1943, and subsequently made into a film starring Cary Grant and Ethel Barrymore. As well as novels including Green, Green My Valley Now (1975) and I Stand on a Quiet Shore (1982), Llewellyn wrote two highly successful plays, Poison Pen and NooseIf you enjoyed How Green Was My Valley, you might like Barry Hines' A Kestrel for a Knave, also available in Penguin Modern Classics.'Vivid, eloquent, poetical, glowing with an inner flame of emotion'The Times Literary Supplement

    Evangeline Knapp is the perfect, compulsive housekeeper, while her husband, Lester, is a poet and a dreamer. Suddenly, through a nearly fatal accident, their roles are reversed: Lester is confined to home in a wheelchair and his wife must work to support the family. The changes that take place between husband and wife and particularly between parents and children are both fascinating and poignant.

    But his wife, Fanny, has no desire to share their newly inherited estate with Belle Dashwood's daughters. When she descends upon Norland Park with her Romanian nanny and her mood boards, the three Dashwood girls—Elinor, Marianne, and Margaret—are suddenly faced with the cruelties of life without their father, their home, or their money.As they come to terms with life without the status of their country house, the protection of the family name, or the comfort of an inheritance, Elinor and Marianne are confronted by the cold hard reality of a world where people's attitudes can change as drastically as their circumstances.With her sparkling wit, Joanna Trollope casts a clever, satirical eye on the tales of Elinor and Marianne Dashwood. Re-imagining Sense and Sensibility in a fresh, modern new light, she spins the novel's romance, bonnets, and betrothals into a wonderfully witty coming-of-age story about the stuff that really makes the world go around. For when it comes to money, some things never change. . . .

    Her over-the-top drama was one of the most popular novels of the mid-1800s and provides an interesting portrayal of both class- and gender issues as they intersect within the domestic sphere.

    Along with her friends the lanky Anais, the cheerful Marie and the prim Joubert twins Claudine wreaks havoc on her small school. Always clever, witty and charming Claudine is more than a match for her formidable headmistress as they fight for the attention of the pretty assistant Aimee. The horrors of examinations and good-humoured bullying are the backdrops in this immensely funny and delightful novel with which Colette established the captivating character of Claudine. Through the games, the fun and the intricacies of school life Claudine emerges as a true original; lyrical and intelligent she is one of the twentieth century's most beguiling emancipated women.

    'Two on a Tower' is Hardy's ninth novel and contains perhaps his most complete treatment of the theme of love across the class and age divide, and also the fullest expression of his fascination with astronomy and science. This story of passion and sacrifice begins when Lady Viviette Constantine discovers the handsome young astronomer Swithin St Cleeve on the lonely tower on her estate.Starring Maggie O'Neill as Lady Constantine, Blake Ritson as Swithin St Cleeve, Conrad Nelson as Parson Torkingham and with Amy Humphreys, Stephen Tomlin, Pauline Jefferson, Richard Heap and Carter Dowland. Directed by Stefan Escreet.

    Set on the obligatory English moor, on an isolated causeway, the story has as its hero Arthur Kipps, an up-and-coming young solicitor who has come north from London to attend the funeral and settle the affairs of Mrs. Alice Drablow of Eel Marsh House. The routine formalities he anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the deserted nursery, the eerie sound of a pony and trap, a child's scream in the fog, and most dreadfully--and for Kipps most tragically--The Woman In Black.The Woman In Black is both a brilliant exercise in atmosphere and controlled horror and a delicious spine-tingler--proof positive that this neglected genre, the ghost story, isn't dead after all.

    It is the story of the young Hollywood mogul Monroe Stahr, a character inspired by the life of boy-genius Irving Thalberg, and is an exposé of the studio system in its heyday.

    Apparently 'a fairly ordinary tale about the destruction of a happy marriage' (Nina Bawden) yet 'it makes compulsive reading' in its description of an ordinary family struck by disaster when the husband, in a moment of weak, mid-life vanity, runs off with a French girl. Dorothy Whipple is a superb stylist, with a calm intelligence in the tradition of Elizabeth Gaskell.

    When her employment agency sends her to the wrong address, her life takes an unexpected turn. The alluring nightclub singer, Delysia LaFosse, becomes her new employer, and Miss Pettigrew encounters a kind of glamour that she had only met before at the movies. Over the course of a single day, both women are changed forever.