"This is not possible, this isn't supposed to happen," he spoke out loud, well aware that the others couldn't hear him. He and his six passengers were going to die and there was no one in the universe that could save them.Splashdown tells a different story of first contact with extraterrestrials. L'atel is the pilot of an alien cargo ship who is illegally hauling passengers through our solar system when an accident forces them to crash-land on Earth.As L'atel and his passengers know, Earth is a primitive planet that has been placed off limits by the Ebens, the self appointed guardians of the galaxy. No outsider is allowed to land or even approach within one light year of Earth to protect its fragile culture. Or at least that is what the Ebens want the rest of the galaxy to believe.Soon L'atel and his passengers discover that all is not as it appears. The Ebens have secrets, and will go to any length to protect them, even if it means war, with the Earth as the battleground.Splashdown weaves a story to include many of the better known UFO and alien myths, as well as other conspiracy theories that are so popular in today's media. For example, Splashdown includes references to the 1947 Roswell New Mexico crash, the rumored 1954 meeting between aliens and President Eisenhower at Holloman Air Force Base, Project Serpo, the MJ12 documents as well as other lesser known events, such as, the Nuremberg Germany event of 1561. The novel also incorporates several historical events such as, the Kennedy assassination, the Cuban missile crisis, and the Watergate scandal resulting in a new and unique twist on the old aliens on Earth story.

    Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself.Michelangelo is a virtual unknown when he returns to Florence and wins the commission to carve what will become one of the most famous sculptures of all time: David. Even though his impoverished family shuns him for being an artist, he is desperate to support them. Living at the foot of his misshapen block of marble, Michelangelo struggles until the stone finally begins to speak. Working against an impossible deadline, he begins his feverish carving.Meanwhile, Leonardo’s life is falling apart: he loses the hoped-for David commission; he can’t seem to finish any project; he is obsessed with his ungainly flying machine; he almost dies in war; his engineering designs disastrously fail; and he is haunted by a woman he has seen in the market—a merchant’s wife, whom he is finally commissioned to paint. Her name is Lisa, and she becomes his muse.Leonardo despises Michelangelo for his youth and lack of sophistication. Michelangelo both loathes and worships Leonardo’s genius.Oil and Marble is the story of their nearly forgotten rivalry. Storey brings early 16th-century Florence alive, and has entered with extraordinary empathy into the minds and souls of two Renaissance masters. The book is an art history thriller.

    "What They Did There: Profiles From the Battle of Gettysburg" offers a unique view of its subject, telling the story of the battle not through convention narrative but via 170 mini-bios of not only combatants blue and gray, but of civilians, doctors, nurses, artists, photographers, Samaritans; saints, sinners and the moral terrain in-between.

    It focuses on critical analysis of the subject through a workbook section and self-quizzes along with prompts to explore the chapter's images and topics through the ArtStudy 2.0 CD-ROM, Web Site, and WebTutor? supplements.

    This is her story. A sensitive innocent, Hendrickje escapes the harsh realities of her garrison hometown to become a servant in Rembrandt's household. She soon becomes his lover and closest confidante, filling the void in his life resulting from the death of his wife and two of their children. "Reborn at twenty" in Rembrandt's studio as his model and lover, and enlightened by the positive values of beauty, truth, love, and art, Hendrickje is fated to discover the hypocrisy and fickleness of Amsterdam society, which ostracizes her and precipitates Rembrandt's final collapse.

    And her father’s wisdom and empathy are as unusual as his despised profession. It is 1659, the Thirty Years’ War has finally ended, and there hasn’t been a witchcraft mania in decades. But now, a drowning and gruesomely injured boy, tattooed with the mark of a witch, is pulled from a river and the villagers suspect the local midwife, Martha Stechlin.Jakob Kuisl is charged with extracting a confession from her and torturing her until he gets one. Convinced she is innocent, he, Magdalena, and her would-be suitor race against the clock to find the true killer. Approaching Walpurgisnacht, when witches are believed to dance in the forest and mate with the devil, another tattooed orphan is found dead and the town becomes frenzied. More than one person has spotted what looks like the devil—a man with a hand made only of bones. The hangman, his daughter, and the doctor’s son face a terrifying and very real enemy.Page Numbers Source ISBN: 054774501X

     Nothing could have prepared him for the reality he ended up facing. Placing his focus on the day to day existence of the soldiers in the trenches, Adams presents a grim picture of mud-coated billets, relentless artillery barrages, working parties, training and the art of military sniping. Just as it would have been for the soldiers’ lives, Adams heightens his work with an emotive account of his first night patrol, the detonation of mines, battlefield duels and being wounded whilst out wiring in No Man’s Land. Understated and striving for truth over melodrama, Nothing of Importance is the original memoir of the First World War — the only record published while the conflict was still being fought — and the definitive account of trench warfare. Bernard Adams (1890-1917) was a British Army officer, joining 1 Royal Welsh Fusiliers as a Lieutenant in November 1914. He was the first of a triumvirate of authors who, for a time, served simultaneously in the same battalion: the second was Siegfried Sassoon, the third Robert Graves. Written whilst convalescing in 1916, he did not live to see it published.

    Anger—mainly  at his father and stepmother—is what gets him there and what prevents him from making friends. Then, in the spring of 1897, it gets him kicked out and sent home. To avoid his family, Nate disappears on his bicycle every day. In this way he meets the breaker boys, who do dangerous, dirty work for his father, separating coal from debris. Nate admires these Polish immigrants, especially Johnny, and longs to become his friend. But the only way is for Nate to hide that he is the boss's son. As Nate and Johnny's friendship marches toward the moment of truth, Nate discovers that the mine workers are plotting a strike. Should he warn his family or protect his friend?This fascinating second novel features a hero who is blessed—or cursed—with the ability to see both sides of a painful issue and to accept that no one is impartial.

    Thrown together under the leadership of the ambitious Cezar, they are pronounced expendable.

    Perfect for the fans of Jo Cox and Lyn Andrews. When Cara Flowers' beloved grandmother dies she leaves her not only an enormous fortune but also a huge responsibility – to find their estranged family. Cara's quest leads her to the doors of the imposing Bilston workhouse where families are torn apart with no hope of a better life. Shocked by the appalling conditions, Cara vows to find a way to close the workhouse and rescue its residents. Fraught by countless hurdles her mission becomes personal when she is left asking why was she raised by her grandmother, and what has her missing mother got to do with the looming workhouse?

    King Charles II has returned from exile, but memories of the English Civil War still rankle. There are old scores to settle, and religious differences threaten to overturn a fragile peace. When Alice Ibbetson discovers a rare orchid, the Lady’s Slipper, growing in a wood belonging to Richard Wheeler, she is captivated by its beauty— though Wheeler, a Quaker, is determined to keep the flower where God intended it to grow.

    Kate Mitchell’s in the process of kicking her heroin addiction—with the help of alcohol—when a letter arrives informing her that her aunt in Ireland has passed away and bequeathed her a home near the ocean. This could be the start of a new and better life for Kate, far away from Brooklyn, where she and her surviving brothers are each struggling with their own dark pasts. But Aunt Mary didn’t die peacefully—quite the opposite. The pair of thugs responsible for her murder had plans for her house: namely, turning it into a lovely seaside meth lab. One of Mary’s killers, however, finds his focus shifting when he spots a photo of the dead woman’s American niece, who bears a striking resemblance to the late opera singer Maria Callas, the beloved object of his obsession. When Kate and her brothers arrive to claim her inheritance, they’re going to find something other than a piece of paradise . . . “Nobody writes like Ken Bruen, with his ear for lilting Irish prose and his taste for the kind of gallows humor heard only at the foot of the gallows.” —The New York Times “Bruen has a rich and mordant writing style, full of offbeat humor.” —Publishers Weekly

    The collection is based on works acquired directly from the artist by his brother. Among the treasures reproduced here are Potato Eaters, The Bedroom Self Portrait as an Artist, Wheatfield with Crows, and Harvest.

    Its architectural treasures crumble—foundations shift, marble ornaments fall—even as efforts to preserve them are underway. The City of Falling Angels opens on the evening of January 29, 1996, when a dramatic fire destroys the historic Fenice opera house. The loss of the Fenice, where five of Verdi's operas premiered, is a catastrophe for Venetians. Arriving in Venice three days after the fire, Berendt becomes a kind of detective—inquiring into the nature of life in this remarkable museum-city—while gradually revealing the truth about the fire.In the course of his investigations, Berendt introduces us to a rich cast of characters: a prominent Venetian poet whose shocking "suicide" prompts his skeptical friends to pursue a murder suspect on their own; the first family of American expatriates that loses possession of the family palace after four generations of ownership; an organization of high-society, partygoing Americans who raise money to preserve the art and architecture of Venice, while quarreling in public among themselves, questioning one another's motives and drawing startled Venetians into the fray; a contemporary Venetian surrealist painter and outrageous provocateur; the master glassblower of Venice; and numerous others-stool pigeons, scapegoats, hustlers, sleepwalkers, believers in Martians, the Plant Man, the Rat Man, and Henry James.Berendt tells a tale full of atmosphere and surprise as the stories build, one after the other, ultimately coming together to reveal a world as finely drawn as a still-life painting. The fire and its aftermath serve as a leitmotif that runs throughout, adding the elements of chaos, corruption, and crime and contributing to the ever-mounting suspense of this brilliant book.