When they find a headless corpse on their property they can't exactly call 911, so they simply move the body to another location. Let somebody else find it. Instead, the corpse reappears on their land. Clearly, someone is sending them a message, and it's getting riper by the day. But that's only half of the story...Enter authors Lisa Lutz and David Hayward-former real-life partners (professionally and personally) who have agreed to reunite for a tag- team mystery novel written in alternating chapters. One little problem: they disagree on pretty much every detail of how their novel should unfold. While the body count rises in Paul and Lacey's wildly unpredictable fictional world, so too does the intensity of Lisa and David's rivalry. The result is a literary brawl like no other, and a murder mystery every bit as unanticipated (and bloody).

    Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.

    It is here that the lives of two women, with two mysteries, will converge.Nineteen-year-old Night Vale pawn shop owner Jackie Fierro is given a paper marked "King City" by a mysterious man in a tan jacket holding a deer skin suitcase. Everything about him and his paper unsettles her, especially the fact that she can't seem to get the paper to leave her hand, and that no one who meets this man can remember anything about him. Jackie is determined to uncover the mystery of King City and the man in the tan jacket before she herself unravels.Night Vale PTA treasurer Diane Crayton's son, Josh, is moody and also a shape shifter. And lately Diane's started to see her son's father everywhere she goes, looking the same as the day he left years earlier, when they were both teenagers. Josh, looking different every time Diane sees him, shows a stronger and stronger interest in his estranged father, leading to a disaster Diane can see coming, even as she is helpless to prevent it.Diane's search to reconnect with her son and Jackie's search for her former routine life collide as they find themselves coming back to two words: "King City". It is King City that holds the key to both of their mysteries, and their futures...if they can ever find it.

    Too bad his superior plans to assign him to the Case Progression Unit, where the biggest threat he’ll face is a paper cut. But Peter’s prospects change in the aftermath of a puzzling murder, when he gains exclusive information from an eyewitness who happens to be a ghost. Peter’s ability to speak with the lingering dead brings him to the attention of Detective Chief Inspector Thomas Nightingale, who investigates crimes involving magic and other manifestations of the uncanny. Now, as a wave of brutal and bizarre murders engulfs the city, Peter is plunged into a world where gods and goddesses mingle with mortals and a long-dead evil is making a comeback on a rising tide of magic.

    In the wake of a wildly disastrous affair with her married archeology professor, Willie Upton arrives on the doorstep of her ancestral home in Templeton, New York, where her hippie-turned-born-again-Baptist mom, Vi, still lives. Willie expects to be able to hide in the place that has been home to her family for generations, but the monster's death changes the fabric of the quiet, picture-perfect town her ancestors founded. Even further, Willie learns that the story her mother had always told her about her father has all been a lie: he wasn't the random man from a free-love commune that Vi had led her to imagine, but someone else entirely. Someone from this very town. As Willie puts her archaeological skills to work digging for the truth about her lineage, she discovers that the secrets of her family run deep. Through letters, editorials, and journal entries, the dead rise up to tell their sides of the story as dark mysteries come to light, past and present blur, old stories are finally put to rest, and the shocking truth about more than one monster is revealed.

    Elizabeth, Joyce, Ibrahim and Ron might be pushing eighty but they still have a few tricks up their sleeves. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it’s too late?

    He is a compulsive liar, a sickly weakling in a town famous for begetting brutish giants. Then Lucy accepts employment assisting the majordomo of the remote, foreboding Castle Von Aux. While tending to his new post as undermajordomo, he soon discovers the place harbours many dark secrets, not least of which is the whereabouts of the castle's master, Baron Von Aux. Thus begins a tale of polite theft, bitter heartbreak, domestic mystery, and cold-blooded murder.Undermajordomo Minor is an ink-black comedy of manners, an adventure, and a mystery, and a searing portrayal of rural Alpine bad behaviour, but above all it is a love story. And Lucy must be careful, for love is a violent thing.

    There's a logical (Hiaasenian) explanation for that, but not for how and why it parted from its owner. Yancy thinks the boating-accident/shark-luncheon explanation is full of holes, and if he can prove murder, his commander might relieve him of Health Inspector duties, aka Roach Patrol. But first Yancy will negotiate an ever-surprising course of events--from the Keys to Miami to a Bahamian out island--with a crew of equally ever-surprising characters, including: the twitchy widow of the frozen arm; an avariciously idiotic real estate developer; a voodoo witch whose lovers are blinded-unto-death by her particularly peculiar charms; Yancy's new love, a kinky medical examiner; and the eponymous Bad Monkey, who earns his place among Hiaasen's greatest characters with hilariously wicked aplomb.

    His estranged family—bitter ex-wife Caroline, troubled teenage son Trenton, and unforgiving daughter Minna—have arrived for their inheritance. But the Walkers are not alone. Prim Alice and the cynical Sandra, long dead former residents bound to the house, linger within its claustrophobic walls. Jostling for space, memory, and supremacy, they observe the family, trading barbs and reminiscences about their past lives. Though their voices cannot be heard, Alice and Sandra speak through the house itself—in the hiss of the radiator, a creak in the stairs, the dimming of a light bulb. The living and dead are each haunted by painful truths that will soon surface with explosive force. When a new ghost appears, and Trenton begins to communicate with her, the spirit and human worlds collide—with cataclysmic results.

    As a gift for her husband, Alyssa Bradford approaches Eric Shaw to make a documentary about her father-in-law, Campbell Bradford, a 95-year-old billionaire whose past is wrapped in mystery. Eric grabs the job even though there are few clues to the man's past -- just the name of his hometown and an antique water bottle he's kept his entire life. In Bradford's hometown, Eric discovers an extraordinary history -- a glorious domed hotel where movie stars, presidents, athletes, and mobsters once mingled, and hot springs whose miraculous mineral water cured everything from insomnia to malaria. Neglected for years, the resort has been restored to its former grandeur just in time for Eric's stay. Just hours after his arrival, Eric experiences a frighteningly vivid vision. As the days pass, the frequency and intensity of his hallucinations increase and draw Eric deeper into the town's dark history. He discovers that something besides the hotel has been restored -- a long-forgotten evil that will stop at nothing to regain its lost glory. Brilliantly imagined and terrifyingly real, So Cold the River is a tale of irresistible suspense with a racing, unstoppable current.

    The Abernathys don't mean any harm by their flirtation with the underworld, but when they unknowingly call forth Satan himself, they create a gap in the universe. A gap in which a pair of enormous gates is visible. The gates to Hell. And there are some pretty terrifying beings just itching to get out...Can one small boy defeat evil? Can he harness the power of science, faith, and love to save the world as we know it?Bursting with imagination, The Gates is about the pull between good and evil, physics and fantasy. It is about a quirky and eccentric boy who is impossible not to love, and the unlikely cast of characters who give him the strength to stand up to a demonic power.John Connolly manages to re-create the magical and scary world of childhood that we've all left behind but so love to visit. And for those of you who thought you knew everything you could about particle physics and the universe, think again. This novel makes anything seem possible.

    Built from the spoils of a massive timber fortune, the legendary family mansion is constructed of giant, whole trees, and is set on a huge estate overlooking Puget Sound. Trevor’s bankrupt parents have begun a trial separation, and his father, Jones Riddell, has brought Trevor to Riddell House with a goal: to join forces with his sister, Serena, dispatch Grandpa Samuel—who is flickering in and out of dementia—to a graduated living facility, sell off the house and property for development into “tract housing for millionaires,” divide up the profits, and live happily ever after.But Trevor soon discovers there’s someone else living in Riddell House: a ghost with an agenda of his own. For while the land holds tremendous value, it is also burdened by the final wishes of the family patriarch, Elijah, who mandated it be allowed to return to untamed forestland as a penance for the millions of trees harvested over the decades by the Riddell Timber company. The ghost will not rest until Elijah’s wish is fulfilled, and Trevor’s willingness to face the past holds the key to his family’s future.A Sudden Light is a rich, atmospheric work that is at once a multigenerational family saga, a historical novel, a ghost story, and the story of a contemporary family’s struggle to connect with each other. A tribute to the natural beauty of the Pacific Northwest, it reflects Garth Stein’s outsized capacity for empathy and keen understanding of human motivation, and his rare ability to see the unseen: the universal threads that connect us all

    There, in his late wife's hometown, Hawley finds work as a fisherman, while Loo struggles to fit in at school and grows curious about her mother's mysterious death. Haunting them both are twelve scars Hawley carries on his body, from twelve bullets in his criminal past; a past that eventually spills over into his daughter's present, until together they must face a reckoning yet to come. This father-daughter epic weaves back and forth through time and across America, from Alaska to the Adirondacks. Both a coming-of-age novel and a literary thriller, The Twelve Lives of Samuel Hawley explores what it means to be a hero, and the cost we pay to protect the people we love most.

    Except, as Peter and Helen Radley know but their children have yet to find out, the Radleys happen to be a family of abstaining vampires. When one night Clara finds herself driven to commit a bloodthirsty act, her parents decide to explain a few things.

    a literary pirate; an individual capable of doing all that must be done in the universe of books that publishers, authors, and readers must not have a part inLondon, 1890—Pen Davenport is the most infamous bookaneer in Europe. A master of disguise, he makes his living stalking harbors, coffeehouses, and print shops for the latest manuscript to steal. But this golden age of publishing is on the verge of collapse. For a hundred years, loose copyright laws and a hungry reading public created a unique opportunity: books could easily be published without an author’s permission. Authors gained fame but suffered financially—Charles Dickens, Mark Twain, Robert Louis Stevenson, to name a few—but publishers reaped enormous profits while readers bought books inexpensively. Yet on the eve of the twentieth century, a new international treaty is signed to grind this literary underground to a sharp halt. The bookaneers are on the verge of extinction.From the author of The Dante Club, Matthew Pearl, The Last Bookaneer is the astonishing story of these literary thieves’ epic final heist. On the island of Samoa, a dying Robert Louis Stevenson labors over a new novel. The thought of one last book from the great author fires the imaginations of the bookaneers, and soon Davenport sets out for the South Pacific island. As always, Davenport is reluctantly accompanied by his assistant Fergins, who is whisked across the world for one final caper. Fergins soon discovers the supreme thrill of aiding Davenport in his quest to steal Stevenson’s manuscript and make a fortune before the new treaty ends the bookaneers’ trade forever. But Davenport is hardly the only bookaneer with a mind to pirate Stevenson’s last novel. His longtime adversary, the monstrous Belial, appears on the island, and soon Davenport, Fergins, and Belial find themselves embroiled in a conflict larger, perhaps, than literature itself.In The Last Bookaneer, Pearl crafts a finely wrought tale about a showdown between brilliant men in the last great act of their professions. It is nothing short of a page-turning journey to the heart of a lost era.