Edgings are essential adornments to the most popular knit and crochet pieces blankets, scarves, and afghans. But borders can do so much more; they give handmade goods a delightful finishing touch, serve as focal points, tidy uneven edges, and add handcrafted flair to store-bought apparel. Borders often require turning a corner shaping the edgings around a 90-degree angle without breaking the pattern. This is rarely simple; add too few stitches at a corner and the work rounds inward; too many stitches, and the piece begins to ruffle awkwardly.  Unfortunately, most published edging patterns fail to include specific instructions for turning the corner, leaving crafters to fend for themselves. Edie Eckman comes to the rescue in Around the Corner Crochet Borders, a collection of 150 colorful crochet frames, each with detailed instructions for working around a corner. Instructions are offered both as text and as charts for working in-the-round; back-and-forth charts are also included for when that method is more appropriate. Photographs of finished borders, each turning a 90-degree corner, allow readers to see the details up close. Borders range from the delicate to the flamboyant and are sure to appeal to a new generation of trend-setting crafters. Offering practical solutions to one of needlecrafts most vexing challenges, Around the Corner Crochet Borders is an essential addition to every crocheters reference library. With this book, marvelous crochet borders are just around the corner.

    With her signature fearlessness, honesty, and humor, Jeanne chronicles her long tenure in Hollywood and describes her life before, during, and away from the CBS soundstage."Not Young, Still Restless" follows Jeanne as she makes her way from small-town Taft, California, to the heart of the Los Angeles movie industry, where the list of her feature-film costars reads like a "Who's Who" of Hollywood's Golden Age--Maureen O'Hara, Raymond Burr, David Janssen, Robert Taylor, Tony Curtis, Shelley Winters, Glenn Ford, and Lee J. Cobb, to name just a few. Jeanne writes vividly of her first foray into the new phenomenon of television and how she found her home at "The Young and the Restless."Jeanne's story charts the ups and downs of a long and rich life, including the breakup of a marriage that produced the three great loves of her life--her daughter, Caren, and her sons Collin and the actor Corbin Bernsen--before it ended, leaving her a single working mother. She also speaks honestly and openly about her battles to overcome alcoholism, defeat breast cancer, and age gracefully in Hollywood, a process that made her the first reality-television star when her character's (and her own) face-lift was filmed live on "The Young and the Restless."In "Not Young, Still Restless," the Emmy Award-winning actress inspires readers with her ability not only to survive but thrive as an octogenarian in today's Hollywood.

    Elizabeth Horodowich, one of the leading historians of the city, tells the whole story, showing that Venice, alongside Florence and Rome, was one of the great Renaissance capitals. The book will also investigate the history of Venice as a multicultural trading city where Christians, Jews, and Muslims lived together at the crossroads between East and West. The narrative runs all the way to the present to the current problems with the sinking island.

    In this book, we get to hear Cavett's best tales, as he recounts great moments with the legendary entertainers who crossed his path and offers his own trenchant commentary on contemporary American culture and politics.

    Eight were first-generation immigrants. It was in recognition of the mixed European background of so many Americans that John Adams, Benjamin Franklin, and Thomas Jefferson proposed that the seal of the United States bear the national emblems of France, Germany, Holland, Ireland, Scotland, and England, thus "pointing out the countries from which these States have been peopled." Many came, as Thomas Paine stated, in search of asylum. But they also came with an intent to preserve and refresh aspects of life in their homelands. In 1776, Europe boasted a rich civilization, alive with dynamic ideas, flourishing arts, and promising concepts in science. The foundations of industry and business were established, and social reforms were being undertaken, which Europeans took with them as they colonized and traded. They had come in contact with Eastern civilizations, above all, China. Here, from award-winning historian Marshall B. Davidson, is the story of the world of 1776.

    The nefarious witch trials in Salem, Massachusetts represent a low point of American history, made famous in works by Longfellow, Nathaniel Hawthorne (himself a descendant of one of the judges), and Arthur Miller. The trials might have doomed Sewall to infamy except for a courageous act of contrition now commemorated in a mural that hangs beneath the golden dome of the Massachusetts State House picturing Sewall's public repentance. He was the only Salem witch judge to make amends.But, remarkably, the judge's story didn't end there. Once he realized his error, Sewall turned his attention to other pressing social issues. Struck by the injustice of the New England slave trade, a commerce in which his own relatives and neighbors were engaged, he authored "The Selling of Joseph," America's first antislavery tract. While his peers viewed Native Americans as savages, Sewall advocated for their essential rights and encouraged their education, even paying for several Indian youths to attend Harvard College. Finally, at a time when women were universally considered inferior to men, Sewall published an essay affirming the fundamental equality of the sexes. The text of that essay, composed at the deathbed of his daughter Hannah, is republished here for the first time.In Salem Witch Judge, acclaimed biographer Eve LaPlante, Sewall's great-great-great-great-great-great-granddaughter, draws on family lore, her ancestor's personal diaries, and archival documents to open a window onto life in colonial America, painting a portrait of a man traditionally vilified, but who was in fact an innovator and forefather who came to represent the best of the American spirit.

    Now she turns to the topic of home. As our country reels from the subprime mortgage meltdown and the resulting devastation of so many families and communities, Hill takes us inside this “crisis of home” and exposes its deep roots in race and gender inequities, which continue to imperil every American’s ability to achieve the American Dream.  In this period of recovery and its aftermath, what is at stake is the inclusive democracy the Constitution promises. The achievement of that ideal, Hill argues, depends on each American’s ability to secure a place that provides access to every opportunity our country offers. Building on the great strides of the women’s and civil rights movements, Hill presents concrete proposals that encourage us to broaden our thinking about home and to reimagine equality for America’s future.

    But it's only recently that scientists have pieced together the elusive, compelling saga of that epic migration. And the more we learn about them, the more we must marvel at the courage, adaptability, enterprise, and enduring resilience of the First Americans. Most of us know little about the early Americans and the wonders they achieved. Some of them learned to hunt forty-ton whales from dugout canoes; others built a vast system of canals that irrigated crops on tens of thousands of acres. Fully a thousand years before the pyramids at Giza went up, people on the Mississippi River were constructing even larger pyramidal earthworks, and later, a thousand miles to the north, others built a city that would remain the largest in North America until after the Revolutionary War. In the cradle of civilization that evolved in Central America, the Olmecs, Mayans, and Aztecs built complex cultures and dazzling cities whose monumental structures and works of art still have the power to awe and inspire. This book describes the peopling of North and Central America and examine their amazing societies - the farmers and cliff-dwellers of the Southwest United States, the mound-builders of the Midwest, the Northwest Coast whale-hunters with their potlatches and totem poles, and the mighty, gods-driven cultures of Mesoamerica. It is a saga as breathtaking as it is surprising.

    Bury's history is indispensable to anyone who seeks to understand the connection between the barbarian migrations of the third to the ninth century and the framework of modern Europe.

    memory. In recent years, the culture wars over the way that slavery is remembered and taught have reached a new crescendo. From the argument about the display of the Confederate flag over the state house in Columbia, South Carolina, to the dispute over Thomas Jefferson's relationship with his slave Sally Hemings and the ongoing debates about reparations, the questions grow ever more urgent and more difficult.Edited by noted historians James Oliver Horton and Lois E. Horton, this collection explores current controversies and offers a bracing analysis of how people remember their past and how the lessons they draw influence American politics and culture today. Bringing together some of the nation's most respected historians, including Ira Berlin, David W. Blight, and Gary B. Nash, this is a major contribution to the unsettling but crucial debate about the significance of slavery and its meaning for racial reconciliation.Contributors: Ira Berlin, University of MarylandDavid W. Blight, Yale UniversityJames Oliver Horton, George Washington UniversityLois E. Horton, George Mason UniversityBruce Levine, University of IllinoisEdward T. Linenthal, University of Wisconsin-OshkoshJoanne Melish, University of KentuckyGary B. Nash, University of California, Los AngelesDwight T. Pitcaithley, New Mexico State UniversityMarie Tyler-McGraw, Washington, D.C.John Michael Vlach, George Washington University

    That crusade almost wiped out the Cathars, a group of heretical Christians whose beliefs threatened the authority of the Catholic Church. But decades of harrowing repression-enforced by the ruthless Pope Boniface VIII , the Machiavellian French King Philip the Fair of France, and the pitiless grand inquisitor of Toulouse, Bernard Gui (the villain in The Name of the Rose)-had bred resentment. In the city of Carcassonne, anger at the abuses of the Inquisition reached a boiling point and a great orator and fearless rebel emerged to unite the resistance among Cathar and Catholic alike. The people rose up, led by the charismatic Franciscan friar Bernard Délicieux and for a time reclaimed control of their lives and communities. Having written the acclaimed chronicle of the Cathars The Perfect Heresy , Stephen O'Shea returns to the medieval world to chronicle a rare and remarkable story of personal courage and principle standing up to power, amidst the last vestiges of the endlessly fascinating Cathar world.Praise for The Perfect Heresy :"At once a cautionary tale about the corruption of temporal power...and an accounting of the power of faith ...It is also just a darn good read."-Baltimore Sun "An accessible, readable history with lessons ...that were not learned by broad humanity until it saw 20th-century tyrants applying the goals and methods of the Inquisition on a universal scale."-New York Times

    Their frowns followed her like a cloud, but she didn't care. Other girls may have worked happily, danced beautifully, or sewn themselves pretty dresses, but they could not climb or run or swim as well as she did, the silly, giggly, empty-headed creatures that they were. The entire village may have been frowning at her, but when she spotted the enemy forces camping under the Sacred Hill, they had no choice but to listen. Okwaho knew they were being watched. Whether by spirits or a wandering local, he could not ignore the feeling of the wary, frightened, hate-filled eyes staring out of the forest, burning his skin. But of course! Of course, the local woods distrusted them. He and his people were invaders, not coming to trade or engage in other peaceful dealings, but to raid these settlements. The enemies from the lands of the rising sun were bad, evil, impossible to understand. And yet… And yet, when the urge to prove himself lent him enough words to convince the leader of their party to send him and his friend on the mission of scouting the suspected hill, he could not have imagined what consequences this deviation from the well-planned road would lead them all into, the attackers and defenders alike.

    Blackface minstrelsy is the most popular form of entertainment in a nation about to be torn apart by the battle over slavery. Henry Sims, a fugitive slave and a brilliant musician, has escaped to Philadelphia, where he earns money living by his wits and performing on the street. He is befriended by James Douglass, leader of a popular minstrel troupe struggling to compete with dozens of similar ensembles, who imagines that Henry’s skill and magnetism might restore his troupe’s sagging fortunes.The problem is that black and white performers are not allowed to appear together onstage. Together, the two concoct a masquerade to protect Henry’s identity, and Henry creates a sensation in his first appearances with the troupe. Yet even as their plan begins to reverse the troupe’s decline, a brutal slave hunter named Tull Burton has been employed by Henry’s former master to track down the runaway and retrieve him, by any means necessary.Bursting with narrative tension and unforgettable characters, shot through with unexpected turns and insight, A Free State is a thrilling reimagining of the American story by a novelist at the height of his powers.

    Przemysl, Poland. No one has explained to three-year-old Renatka what war is. She knows her Tatus, a doctor, is away with the Polish Army, that her beautiful Mamusia is no longer allowed to work at the university, and that their frequent visitors-among them Great Aunt Zuzia and Uncle Julek with their gifts of melon and clothes-have stopped appearing. One morning Mamusia comes home with little yellow six-pointed stars for them to wear. Renatka thinks they will keep her family safe.In June of 1942, soldiers in gray-green uniforms take Renata, Mamusia, and grandmother Babcia to the Ghetto where they are crammed into one room with other frightened families. The adults are forced to work long hours at the factory and to survive on next to no food. One day Mamusia and Babcia do not return from their shifts. Six years old and utterly alone, Renata is passed from place to place and survives through the willingness of ordinary people to take the most deadly risks. Her unlikely blonde hair and blue eyes and other twists of fate save her life but stories become her salvation. Hans Christian Andersen's fairy tales transport her to an enchanted world; David Copperfield helps her cope on her own; and she longs for the family in Swallows and Amazons. A chronicle of the horrors of war, Let Me Tell You a Story is a powerful and moving memoir of growing up in a disturbing world, and of the magical discovery of books.

      It happened at 5:13 a.m. on April 18, 1906, in San Francisco. To this day, it remains one of the worst natural disasters in American history—and this definitive book brings the full story to vivid life.   Using previously unpublished documents from insurance companies, the military, and the Red Cross, as well as the stories of those who were there, The San Francisco Earthquake exposes villains and heroes; shows how the political powers tried to conceal the amount of damage caused by the earthquake; reveals how efforts to contain the fire actually spread it instead; and tells how the military executed people without trial. It also features personal stories of people who experienced it firsthand, including the great Italian tenor Enrico Caruso, the banker Amadeo Giannini, the writer-adventurer Jack London, the temperamental star John Barrymore, and the thousands of less famous in their struggle for survival.   From the authors of The Day the Bubble Burst, The San Francisco Earthquake is not only “gripping, can’t-put-it-down reading,” but an important look at how the city has handled catastrophe in the past—and how it may handle it in the future (Los Angeles Herald Examiner).