Capturing the moment when her unique talent blossomed in a new direction, this new edition of her life-affirming, universal stories will allow her to be read by a another generation of readers. Wallace’s poetry and short stories have been anthologized, and have appeared in periodicals across the country. She won a National Magazine Award, the Pat Lowther Award, the Du Maurier Award for Poetry, and in 1989 she was named Regional Winner of the Commonwealth Poetry Prize in the U.K.

    Meagher and Susan Smith, all together under the same cover with the aim to satisfy your every literary taste. This incredible combination offers something for everyone — a smorgasbord of fiction unlike anything you’ll find anywhere else.A Native American raised on the Reservation ventures outside the comfort and familiarity of her own world to help a lost soul embrace the gifts that set her apart.A reluctantly wealthy woman uses all of her resources anonymously to help those who cannot help themselves.Three individuals, three aspects of the self, combine to create balance and harmony at last for a popular trio of characters.Two nomadic women from very different walks of life discover common ground — and a lot more — during a blackout in New York City.A traditional, old school butch must confront her community and her own belief system when she falls for a much younger transman.Five authors — five novellas. Outsiders — one remarkable book.

    Love After the End is a new young adult anthology edited by Joshua Whitehead (Lambda Literary Award winner, Jonny Appleseed) featuring short stories by Indigenous authors with Two-Spirit & Queer heroes, in utopian and dystopian settings.This is a sequel to the popular anthology, Love Beyond Body Space and Time (2019 AILA Youth Honor Book), and features several of the same authors returning, along with new voices!

    Fist of the Spider Woman is a revelatory anthology of horror stories by queer and transgressive women and others that disrupts reality as queer women know it, instilling both fear and arousal while turning traditional horror iconography on its head.In this collection, horror (including gothic, noir, and speculative writing) is defined as that which both titillates and terrorizes, forcing readers to confront who they are. Kristya Dunnion's "Homeland" reveals the horrors that lurk on your average night in a lesbian bar; Elizabeth Bachinsky’s “Postulation on the Violent Works of the Marquis de Sade” is a response to Sade from a feminist (yet kinky) perspective; and Amber Dawn’s “Here Lies the Last Lesbian Rental” is a paranormal fantasia about urban gentrification, set in a house rented by lesbians on the eve that it is sold to new owners.Subversive, witty, sexy—and scary—Fist of the Spider Woman poses two questions: “What do queer women fear the most?” and “What do queer women desire the most?”Amber Dawn is a writer, performance artist, and radical sex/gender activist who co-edited With a Rough Tongue: Femmes Write Porn.

    Here's what you'll find in this issue:"Jenny's House" is a great place to play, but an unexpected playmate makes for a dark session of show-and-tell.Three kids seek to steal from a traveling carnival and get more than they bargained for in "A Lullaby for Caliban"In "The Last Nephew", Nephew yearns to be free of Uncle's depredations, but when Uncle leaves his pocket watch behind one night, it gives him the key to his escape.Crossing "The Cornfield" is harrowing on the best of winter nights, but this night, Jack turns to see eyes in the darkness, and knows that something is following him...In "The Ginger Men", mother is baking a special ingredient into a treat for father, an ingredient that gives her pie dough a life of its own. Featuring stories by Ada Hoffmann, Julie Jansen, Mark Onspaugh, Mike Trier, and Elizabeth Twist.Be sure to check out the other volumes in this ongoing anthology series, and watch for new volumes coming soon!

    Set in Montreal, a typical metropolis where strangers meet under varying circumstances and either fall in love or break apart, Julie Maroh’s gentle hues and fanciful vignettes unearth the pleasures, surprises, and complexities of love.

    The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse and the healing power of storytelling. A book that resonates with uncompromising candor and incandescence, Trash is sure to captivate Allison's legion of readers and win her a devoted new following.

    In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty.One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as "a writer who wields his craft in absolutely unforgettable ways." With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.

    With winning directness, Jackie Kay captures her characters' greatest joy and greatest vulnerability, exposing the moments of tenderness, of shock, of bravery and of stupidity that accompany the search for love, the discovery of love and, most of all, love's loss. Jackie Kay's characters sing from the page - Daily Telegraph. So immediately engaging that it reads as though she is speaking to you at a bus stop - Irish Times. Jackie Kay's new book reveals her gift for capturing a voice ...at the heart of it is a faith in stories themselves: a belief that the most desolate history can be lent coherence if you tell it right - Times Literary Supplement. Kay's humour and optimism are transcendent - Sunday Herald.

    These twenty original stories tell of scary futures, magical adventures, and the joys and heartbreaks of teenage life. Featuring New York Times bestselling and award winning authors along with newer voices: Garth Nix, Sofia Samatar, William Alexander, Karen Healey, E.C. Myers, Tansy Rayner Roberts, Ken Liu, Vylar Kaftan, Sean Williams, Amal El-Mohtar, Jim C. Hines, Faith Mudge, John Chu, Alena McNamara, Tim Susman, Gabriela Lee, Dirk Flinthart, Holly Kench, Sean Eads, and Shveta Thakrar

    Evocative and passionately written, Vanishing brilliantly explores emotional and physical absences; the ways in which people leave and are left; and whether it’s ever possible to move on.

    Now Megan Mayhew Bergman, author of Birds of a Lesser Paradise, resurrects these women, lets them live in the reader's imagination, so we can explore their difficult choices. Nearly every story in this dazzling collection is based on a woman who attained some celebrity—she raced speed boats or was a conjoined twin in show business; a reclusive painter of renown; a member of the first all-female, integrated swing band. We see Lord Byron's illegitimate daughter, Allegra; Oscar Wilde's troubled niece, Dolly; West With the Night author Beryl Markham; Edna St. Vincent Millay's sister, Norma. These extraordinary stories travel the world, explore the past (and delve into the future), and portray fiercely independent women defined by their acts of bravery, creative impulses, and sometimes reckless decisions.The world hasn't always been kind to unusual women, but through Megan Mayhew Bergman's alluring depictions they finally receive the attention they deserve. Almost Famous Women is a gorgeous collection from an "accomplished writer of short fiction" (Booklist).

     Featuring stories by Amy Cross, Mike Duke, Matthew Brockmeyer, Lex H. Jones, J.C. Michael and Kevin J. Kennedy.

    These thirty-three short stories and poems, crafted with a deliberate delicacy, each capture the candid, private moments of women in love.Together, these stories and the women who inhabit them reveal an illuminating portrait of the sacred female romance, with all its nuances, complexities, burdens, and triumphs revealed. Violence, sickness, chaos, tenderness, beauty, and freedom adorn these pages in a mosaic of unforgettable moments, including a lesbian granddaughter discovering unexpected commonalities with her grandmother, a teenager’s tryst with her friend after disenchanting sex with a boy, and an old couple’s dreamy Sunday-morning ritual.Sweeping nearly every major Brazilian literary prize in 2016—including the Prêmio Jabuti and Prêmio Açorianos de Literatura—Amora has propelled Natália Borges Polesso to the forefront of the international literary world.

    They range from the tragically funny opening story “Emergency Contact” to the audacious, drug-fuelled rush of “Goodbye Porkpie Hat” to the deranged and thrilling extreme of “King Me.”The Beggar’s Garden is a powerful and affecting debut, written with an exceptional eye and ear and heart.