A Sort of Introduction and Pseudo Reality Prevails

    But it is more: Peter Nadas has given us a superb contemporary psychological novel that comes to terms with the ghosts, corpses, and repressed nightmares of Europe's recent past. "A Book of Memories" is made up of three first-person narratives: the first that of a young Hungarian writer and his fated love for a German poet; we also learn of the narrator's adolescence in Budapest, when he experiences the downfall of his once-upper-class but now pro-Communist family and of his beloved but repudiated father, a state prosecutor who commits suicide after the 1956 uprising. A second memoir, alternating with the first, is a novel the narrator is composing about a refined Belle Epoque aesthete, whose anti-bourgeois transgressions seem like emotionally overcharged versions of the narrator's own experiences. A third voice is that of a childhood friend who, after the narrator's return to his homeland, offers an apparently more objective account of their friendship. Together these brilliantly colored lives are integrated in a powerful work of tragic intensity.

    Despite hundreds of potential witnesses, no one noticed when the girl was taken. Her distraught mother was left behind at the previous station in what seemed to be a coincidence. The train crew was alerted and kept a watchful eye on the sleeping child. But when the train pulled into Stockholm Central Station, the little girl had vanished. Inspector Alex Recht and his special team of federal investigators, assisted by the investigative analyst Fredrika Bergman, are assigned to what at first appears to be a classic custody fight. But when the child is found dead in the far north of Sweden with the word "unwanted" scribbled on her forehead, the case soon turns into the investigation team's worst nightmare - the pursuit of a brilliant and ruthless killer.

    After writing Fridthjof's Saga Tegner was considered the father of modern Swedish poetry. Fridthjof's Saga dates back to the 8th century in Iceland. King Beli had two sons, Helgi and Halfdan, and a daughter named Ingeborg. On the other side of the fjord, lived the king's friend whose son Frithjof was called "the bold" and he was the bravest among men. Frithjof had been raised together with Ingeborg by their foster-father Hilding. Both Beli and �orsteinn died in war whereupon Helgi and Halfdan ruled the kingdom. The two kings were jealous of Frithjof's excellent qualities and so they refused to let him marry Ingeborg. When Frithjof returned he burnt down Baldr's temple and went away and became a Viking. After three years, he came to king Ring. Just before the old king died, Frithjof's identity was apparent to everybody and the dying king appointed Frithjof Earl and made him the care-taker of Ring and Ingeborg's child. When Ring died, Frithjof and Ingeborg married and he became the king of Ringerike. Then he declared war on Ingeborg's brothers killing one of them and making the second his vassal.

    In their house by the Thames, she moves to the rhythms of her life as a society wife, but there is so much more to her than meets the eye. She has the fortitude to manage the house and garden, raise their children, and face unbearable sorrow by herself—in fact, she is sometimes in thrall to her own independence.As she prepares for another homecoming, Elizabeth looks forward to James’s triumphant return and the work she will undertake reading and editing his voluminous journals. But will the private life she’s been leading in his absence distract her from her role in aid of her husband’s grand ambitions? Can James find the compassion to support her as their family faces unimaginable loss, or must she endure life alone as he sails off toward another adventure?An intimate and sharply observed novel, The Homecoming is as revelatory as James Cook’s exploration of new frontiers and as richly rewarding as Elizabeth’s love for her family. With courage and strength, through recollection and imagination, author Anna Enquist brilliantly narrates Elizabeth’s compelling record of her life, painting a psychological portrait of an independent woman ahead of her time and closely acquainted with history.

    Or so the doctors say. But Nahid is not the type to trust anyone. She resents the cancer diagnosis she has been given and the doctor who has given it to her. Bubbling inside her is also resentment toward life as it turned out, and the fact that it will go on without her. She feels alone, alone with her illness and alone with her thoughts. She yearns yet fails to connect with her only daughter, Aram. As the rawness of death draws near, Nahid should want to protect Aram from pain. She knows she should. Yet what is a daughter but one born to share in her mother’s pain?At fifty, Nahid is no stranger to death. As a Marxist revolutionary in eighties Iran, she saw loved ones killed in the street and was forced to flee to Sweden. She and her husband abandoned their roots to build a new life in a new country. They told themselves they did it for their newborn daughter, so she could live free. But now as she stands on the precipice facing death, Nahid understands that what you thought you escaped will never let you go. And without roots, can you ever truly be free?

    The location is a small town in Northern France, near V., in the dead of the freezing winter. The war is still being fought in the trenches, within sight and sound of the town, but the men of the town have been spared the slaughter because they are needed in the local factory. One morning a beautiful ten year old girl, one of the three daughters of the innkeeper, is found strangled and dumped in the canal. Suspicion falls on two deserters who are picked up near the town. Their interrogation and sentencing is brutal and swift. Twenty years later, the narrator, a local policeman, puts together what actually happened. On the night the deserters were arrested and interrogated, he was sitting by the bedside of his dying wife. He believes that justice was not done and wants to set the record straight. But the death of the child was not the only crime committed in the town during those weeks. More than one record has to be set straight. Beautiful, like a fairy story almost, frozen in time, this novel has an hypnotic quality.

    His reveries lead him to tell two other tales--one of a doomed lighthouse keeper on a Swedish island and the other of a rivalry among Renaissance artists--and finally he tells a startling tale from his own youth. For readers of Michael Ondaatje and Isak Dinesen, Erik Fosnes Hansen's imaginative narration brings an original and searching inquiry into why things happen the way they do and suggests a theory of "seriality"--a half-science about the power of human connections.

    She thinks she may have killed her dad. Her brother’s barricaded himself in his room. Their mother, a successful actress, carries on as normal. We’re a family of light! she insists. But darkness seeps in everywhere and in their separate worlds each of them longs for togetherness. Welcome to America is an exquisite portrait of a sensitive, strong-willed child in the throes of trauma, a family on the brink of implosion, and the love that threatens to tear them apart.

    Will a phone call from Rome save his fate or seal it?CLIFF BOOTH – Rick’s stunt double, and the most infamous man on any movie set because he’s the only one there who might have gotten away with murder. . . .SHARON TATE – She left Texas to chase a movie-star dream, and found it. Sharon’s salad days are now spent on Cielo Drive, high in the Hollywood Hills.CHARLES MANSON – The ex-con’s got a bunch of zonked-out hippies thinking he’s their spiritual leader, but he’d trade it all to be a rock ‘n’ roll star.HOLLYWOOD 1969 – YOU SHOULDA BEEN THERE

    But their dream of starting over is nearly crushed at the outset: a fire devastates Ellis Island just as they arrive, and then the relentlessly harsh conditions and lack of work in the city make it impossible for Gustaf to support his family. An unexpected gift allows the Klars to make one more desperate move, this time to the Midwest and a place called Swede Hollow.Their new home is a cluster of rough-hewn shacks in a deep, wooded ravine on the edge of St. Paul, Minnesota. The Irish, Italian, and Swedish immigrants who live here are a hardscrabble lot usually absent from the familiar stories of Swedish American history. The men hire on as poorly paid day laborers for the Great Northern or Northern Pacific railroads or work at the nearby brewery, and the women clean houses, work at laundries, or sew clothing in stifling factories. Outsiders malign Swede Hollow as unsanitary and rife with disease, but the Klar family and their neighbors persevere in this neglected corner of the city—and consider it home.Extensively researched and beautifully written, Ola Larsmo’s award-winning novel vividly portrays a family and a community determined to survive. There are hardships, indignities, accidents, and harrowing encounters, but also acts of loyalty and kindness and moments of joy. This haunting story of a real place echoes the larger challenges of immigration in the twentieth century and today.

    She is promised a nicely furnished apartment inside the Unit, where she will make new friends, enjoy the state of the art recreation facilities, and live the few remaining days of her life in comfort with people who are just like her. Here, women over the age of fifty and men over sixty-single, childless, and without jobs in progressive industries--are sequestered for their final few years; they are considered outsiders.In the Unit they are expected to contribute themselves for drug and psychological testing, and ultimately donate their organs, little by little, until the final donation. Despite the ruthless nature of this practice, the ethos of this near-future society and the Unit is to take care of others, and Dorrit finds herself living under very pleasant conditions: well-housed, well-fed, and well-attended. She is resigned to her fate and discovers her days there to be rather consoling and peaceful.But when she meets a man inside the Unit and falls in love, the extraordinary becomes a reality and life suddenly turns unbearable. Dorrit is faced with compliance or escape, and...well, then what?

    Adolf Hitler wakes up from a 66-year sleep in his subterranean Berlin bunker to find the Germany he knew entirely changed: Internet-driven media spreads ideas in minutes and fumes celebrity obsession; immigration has produced multicultural neighborhoods bringing together people of varying race, ethnicity, and religion; and the most powerful person in government is a woman. Hitler is immediately recognized . . . as an impersonator of uncommon skill. The public assumes the fulminating leader of the Nazi party is a performer who is always in character, and soon his inevitable viral appeal begets YouTube stardom, begets television celebrity on a Turkish-born comedian's show. His bigoted rants are mistaken for a theatrical satire--exposing prejudice and misrepresentation--and his media success emboldens Hitler to start his own political party and set the country he finds a shambles back to rights. With daring and dark humor, Look Who's Back skewers the absurdity and depravity of the cult of personality in modern media culture.

    The people of Segu, the Bambara, are guided by their griots and priests; their lives are ruled by the elements. But even their soothsayers can only hint at the changes to come, for the battle of the soul of Africa has begun. From the east comes a new religion, Islam, and from the West, the slave trade. Segu follows the life of Dousika Traore, the king’s most trusted advisor, and his four sons, whose fates embody the forces tearing at the fabric of the nation. There is Tiekoro, who renounces his people’s religion and embraces Islam; Siga, who defends tradition, but becomes a merchant; Naba, who is kidnapped by slave traders; and Malobali, who becomes a mercenary and halfhearted Christian.Based on actual events, Segutransports the reader to a fascinating time in history, capturing the earthy spirituality, religious fervor, and violent nature of a people and a growing nation trying to cope with jihads, national rivalries, racism, amid the vagaries of commerce.

    Winner of the European Literary Prize for Best Novel, and a New York Times Notable Book of the Year. Translated by Ina Rilke. A Helen and Kurt Wolff Book