By the author of One Police Plaza. Reprint. K.

    When they don't pay it back, they get a visit from Joe Hope. — But now Joe's got troubles of his own. His teenage daughter's found dead, an apparent suicide. Then the police arrest him for murder. But for once, Joe's innocent--and with help from Scotland's hardest men (and one of Scotland's hardest women), he sets out to find who's framed him and deliver his own brutal brand of justice.

    Democracy Is in the Streets is the definitive history of the major people and ideas that shaped the New Left in America during that turbulent decade. Because the 1960s generation is now moving into positions of power in politics, education, the media, and business, their early history is crucial to our understanding. James Miller, in his new Preface, puts the 1960s and them into a context for our time, claiming that something of value did happen: "Most of the large questions raised by that moment of chaotic openness--political questions about the limits of freedom, and cultural questions, too, about the authority of the past and the anarchy of the new--are with us still."

    Following what was then conventional practice among church reformers, the Pope referred to his war of liberation as Christ's own war, to be fought in accordance with God's will and intentions.Urban II called this a war of liberation for two reasons: one, to free the church of Jerusalem from oppression and pillage by the Muslims and to liberate western churches in general; and two, to free the city of Jerusalem from the servitude into which it has fallen. This summons of the lay knight to the faith between 1095 and 1096 was Urban II's personal response to an appeal that had reached him from eastern Christians.In this classic work, Jonathan Riley-Smith, today one of the world's most renowned crusade historians, approaches this central and well-known topic of medieval history with freshness and impeccable research. Through the vivid presentation of a wide range of European chronicles and charter collections, Riley-Smith provides a striking illumination of crusader motives and responses and a thoughtful analysis of the mechanisms that made this expedition successful.

    It is funny as hell, and a wonderful subject for a book. Pronzini handles it beautifully. This book is hard to find and it is a must for collectors. If you find a copy, buy it at almost any price.

    There is no need for the latest gadgets or trips to “exotic” places. Amazing images can be captured everywhere, all the time, and with the simplest equipment. All you need is a camera, an interest in ordinary people doing everyday things, and—of course—this book. In Street Photography, acclaimed photographer Eric Kim shares everything you need to develop your own street photography skills: how to conquer your fear of shooting in public, tips on choosing your gear, and inspiring techniques to discover the beauty in the mundane. You’ll learn how to chase the all-important “decisive moment,” and even how to find your own style. As a bonus, you’ll get insights from renowned street photographers Ludmilla Morais, Blake Andrews, Thomas Leuthard, and Kramer O’Neill. Street photography is all about discovering the wonderful things most of us are too busy to notice. Let this book inspire you to hit the streets—and turn everyday moments into extraordinary photos! About the author Eric Kim is a street photographer whose blog and sold-out workshops have become today’s most popular resources for aspiring “streettogs.” Eric has exhibited at Gulf Photo Plus, the ThinkTank Gallery in Los Angeles, and Leica stores internationally, and has been featured in Popular Photographer, Black+White, VICE, pixelperfect.com, Salon.com, and on the BBC. He can be found at erickimphotography.com, as well as on Facebook, Twitter, Instagram, and YouTube. Eric lives in Berkeley, CA.

    Praised as one of the best collections of heartfelt and gut-wrenching horror written in recent history, it's a disturbing trip through the ages exploring the painful tragedies of life, love and loss.Each of the five masterfully written novellas included in THE END IN ALL BEGINNINGS examine complex themes running the gamut from the loss of childhood innocence, to the dreadful reality of survival after everything we hold dear is gone, to some of the most profound aspects of human tragedy.As one of the best storytellers of the modern age, John F.D. Taff takes readers on a skillfully balanced emotional journey into nostalgia, through personal pain and beyond the everyday terrors that are uncomfortably real over the course of the human lifetime. His straight-forward, nuanced writing style is at times darkly comedic, often deeply poetic and always accurate in the most terrifying of ways.Evoking the literary styles of horror legends Mary Shelley, Edgar Allen Poe and Bram Stoker, in THE END IN ALL BEGINNINGS also pays homage to modern genre masters Stephen King, Ramsey Campbell, Ray Bradbury, Rod Serling and Clive Barker, solidifying author John F.D. Taff as modern horror's new King of Pain.

    Grace Strasser-Mendana controls much of the country's wealth and knows virtually all of its secrets; Charlotte Douglas knows far too little. "Immaculate of history, innocent of politics," she has come to Boca Grande vaguely and vainly hoping to be reunited with her fugitive daughter. As imagined by Didion, her fate is at once utterly particular and fearfully emblematic of an age of conscienceless authority and unfathomable violence.

    And then the case went cold. By 2007, satellite trucks and reporters had long since abandoned the story of the congressman and the intern in search of other news, fresh scandals. Across the country, Chandra’s parents tried to resume their daily lives, desperately hoping that someday there might be a break in the investigation.And in Washington, the old game of who’s up and who’s down played on without interruption.But Chandra Levy haunted. Six years after the young intern’s disappearance, investigative editors of the Washington Post pitched two Pulitzer Prize– winning reporters their idea: Revisit the unsolved case and find out what happened to Chandra, a task that had eluded police and the FBI.Scott Higham and Sari Horwitz went to work. e result was a thirteen-part series in the Washington Post that focused on a prime suspect the police and the FBI had passed over years before. They had wrongly pursued Condit and chased numerous false leads, including a claim that Chandra had been kidnapped and taken to the Middle East.But the most likely culprit was far less glamorous: an immigrant from El Salvador, a young man in the clutches of alcohol, drugs, and violence who had been stalking the running paths of Rock Creek Park, assaulting female joggers at knifepoint. He had attacked again, even as the police and the press concentrated on a congressman romantically linked to the intern. Finding Chandra explores the bungled police efforts to locate the crime scene and catch a killer, the ambition and hubris of Washington’s power elite and press corps, the twisted culture of politics, the dark nature of political scandal, and the agony of parents struggling to comprehend the loss of a child. Above all, it is a quintessential portrait of a cast of outsiders who came to Washington with dreams of something better, only to be forever changed.

    They knew every president from Abraham Lincoln to Theodore Roosevelt and befriended Henry James, Mark Twain, Edith Wharton, and a host of other illustrious figures on both sides of the Atlantic.

    The custody battle over the couple's infant son makes this true story all the more tragic. 16 pages of photographs.

    The organic world, to Solnit, gives rise to the social, political, and philosophical landscapes we inhabit. As Eve Said to the Serpent skillfully weaves the natural world with the realm of art--its history, techniques, and criticism--to offer a remarkable compendium of Solnit's research and ruminations.The nineteen pieces in this book range from the intellectual formality of traditional art criticism to highly personal, lyrical meditations. All are distinguished by Solnit's vivid, original style that blends imaginative associations with penetrating insights. These thoughts produce quirky, intelligent, and wryly humorous content as Solnit ranges across disciplines to explore nuclear test sites, the meaning of national borders, deserts, clouds, and caves--as well as ideas of the feminine and the sublime as they relate to our physical and psychological terrains.Sixty images throughout the book display the work of the contemporary artists under discussion, including landscape photographers, performance artists, sculptors, and installation artists. Alongside her text, Solnit's gallery of images provides a vivid excursion into new ways of perceiving landscape, bodies, and art. Animals and the human body appear together with space and terra firma as Solnit reconfigures the blurred lines that define nature.

    For nearly forty years, the films of George A. Romero have presented viewers with hellish visions of our world overrun by flesh-eating ghouls. This study proves that Romero's films, like apocalyptic literature or Dante's Commedia, go beyond the surface experience of repulsion to probe deeper questions of human nature and purpose, often giving a chilling and darkly humorous critique of modern, secular America.

    This hilarious and informative book is designed for anyone who is sci-curious and wants to know more about the world around them, especially the elements of everyday science that other books ignore.

    She describes how communism dominated the intellectual life of the 1950s and how she, like nearly all communists, became disillusioned with extreme and rhetorical politics and left communism behind. Evoking the bohemian days of a young writer and single mother, Lessing speaks openly about her writing process, her friends and lovers, her involvement in the theater, and her political activities. Walking in the Shade is an invaluable social history as well as Doris Lessing's Sentimental Education.