With the confict coming to an end, Michiel comes of age and learns of the stark difference between adventure fantasy and the ugly realities of war.This children’s classic is a thrilling and powerful adventure story that has left its mark on generations of children in the Netherlands but has been unavailable in the UK since the Seventies. ‘This exciting book has long been considered a classic inHolland. And anyone who has read this moving, powerfulstory can understand why’ Stiftung Lesen

    The dead man's cousin accuses the Queen of murder, and she is taken away, to be held until her trial by combat. If her knight-champion wins, Guenevere will be declared innocent and freed; if he loses, she will be burned to death as a murderer. She is unlikely to survive the trial. Most of Britain's mightiest knights were at the dinner, and therefore cannot fight for the Queen. Her champion and secret lover, the invincible Lancelot, has vanished. And, as Sir Kay realizes, trial by combat determines only is who is the better fighter, not who is guilty. Kay knows the Queen is innocent and an unsuspected murderer is loose in feud-filled Camelot--a murderer who intended to kill a person or persons other than the obscure knight Patrise, and who is poised to kill again. With the trial only days away, Kay joins with the great knights Gawaine and Gareth and their half-brother, King Arthur's bastard son Mordred, in two quests: to find the missing Lancelot, and to uncover the true murderer.- Cynthia Ward

    . . A profound portrayal of a group of people with no future.”—De Standaard der LetterenA comic novel on a very serious subject. Dimitri Verhulst, an investigative journalist, had himself locked up in the asylum-seekers center at Arendonk for several days for a Flemish magazine. He then wrote a magazine article, but the experience would not let go of him. He wrote this comic, unabashedly politically incorrect novel, which is told from the perspective of asylum-seeker Bipul Masli, a press photographer from Somalia. The action takes place in an asylum-seekers center in Belgium in the final weeks of 2001.

     The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them withliterature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    When twelve-year-old Lian Shui accompanies her mother to reeducation camp, no one imagines that Lian will receive an education. But detained along with her mother are some of China's greatest thinkers and they take an interest in young Lian. She in turn delivers lectures of her own to the creatures inhabiting a pond she dubs "The Lily Theater." These ideas inform her life when she returns to school and reunites with her best friend Kim, a peasant girl through whom Lian ultimately learns about the painful failings of Mao's teachings-and of life.

    This classic deck is now reprinted with enhanced cards and a booklet specially written for this new edition. The Arthurian Tarot Deck depicts characters and themes from the famous Celto-Arthurian legends, along with the four Hallows of the Quest for spiritual wholeness. * New edition of a classic deck. * Stunning artwork by Miranda Gray, a leading MBS artist. * Caitlín and John Matthews are Arthurian-legend and tarot experts.

    Anton stands on the banks of his beloved river years later, on the wintry eve of Holland's liberation, and mourns a lost world. David, his Jewish teammate and quiet obsession from that magical summer, has disappeared, and the boathouse is now derelict and deserted. Spare, lyrical, and nuanced, On the Water is quietly enormous, capturing a moment so precise and exact it is as if caught in amber -- a rowing club in Amsterdam and two of its competitors from very different backgrounds, set against the backdrop of the oncoming war. The menace of tragedy to come is subtly woven into the story of the two boys whose only concerns are practices, races, and themselves. In the end, all that is left for Anton is the memory of his supreme happiness that summer.

    Benson's edition of these important Middle English poems is here revised and updated by Professor Edward E. Foster, taking into account recent scholarship, to once again be available and accessible to students. The romances included here are two of the best, most significant Arthurian romances in Middle English, which complement each other in terms of style and content. While the Alliterative Morte Arthure belongs to the Alliterative Revival movement, replete with details of fourteenth century warfare, the Stanzaic Morte Arthur represents a briefer, quicker-paced, yet more sentimental English adaptation of the French Mort Artu. This edition-with contextualizing introductions, helpful glosses, plentiful notes, and useful glossary-comprises a great introduction to Middle English Arthuriana for students of the Middle Ages.

    This bilingual edition of the 15th-century poet's work incorporates recent scholarship.

    The story is told through the eyes of Bedivere, Arthur's milk brother and first companion, and covers the period from Arthur's childhood to his King-making and inevitable death.

    A well–received feature is the grouping by codex to emphasize the great importance of manuscript context in interpreting the poems. The full contents of the Exeter Book are represented, summarized where not translated, to facilitate appreciation of a complete Anglo-Saxon book. The introduction discusses the nature of the legacy, the poet's role, chronology, and especially of translations attempt a style acceptable to the modern ear yet close enough to aid parallel study of the old English text. A check–list of extant Anglo-Saxon poetry enhances the practical usefulness of the volume. The whole thus adds up to a substantial and now widely–cited survey of the Anglo–Saxon poetic achievement.

    You'll think this is a fairy tale. And it isn't".In the terrible years of tyrants and invaders, England's surviving pagans cry out for help to their deity -- and Mab, Queen of the Faery realms, creates for them a champion.Merlin. Half human, half Magic; raised in the love of his foster mother, Ambrosia, trained in sorcery by the gnome Frick, destined by Mab to lead England back to the Old Ways. But Mab, once beloved, has grown selfish and cruel, so Merlin turns against her.And their war of magic will change the world.

    They conjure up vibrant images of medieval Europe, of chivalry and of romance. But did Arthur really exist, or is Camelot only a dream?In this lavishly illustrated survey, Christopher Snyder examines the realities and the impact of the Arthurian legends on history and the arts. Medieval texts and the latest archaeological discoveries are used to piece together a picture of the fifth and sixth centuries, when Arthur was believed to have reigned as champion of the Britons. The stories of Arthur -- the so-called "Matter of Britain" -- took shape as Welsh and Briton bards sang of the exploits of Arthur and his knights, in turn inspiring French poets like Chrétien de Troyes to compose the first chivalric romances of the Middle Ages. Snyder traces the development of Arthurian literature in medieval Europe, showing how writers brought the stories of the Grail and Tristan into association with Arthur.The nineteenth-century revival of interset in Arthur reached its height in the poetry of Alfred Tennyson, the paintings of the Pre-Raphaelites and the operas of Richard Wagner, while in the twentieth century Camelot found new adherents through novels, movies and computer games. The account of recent developments includes recommendations of Arthurian Internet sites.Never before has one book attempted such a thorough exploration of King Arthur's world.

    S. Eliot as one of the chief sources for his great poem "The Waste Land," Jessie L. Weston's From Ritual to Romance remains a landmark of anthropological and mythological scholarship. In this book she explores the origins of the Grail legend, arguing that it dates back to a primitive vegetation cult and only later was shaped by Celtic and Christian lore.To prove her thesis, Weston unites folkloric and Christian elements by using printed texts to prove the parallels existing between each and every feature of the legend of the Holy Grail and the recorded symbolism of the ancient mystery cults. Specifically, she finds the origin of the Grail legend in a Gnostic text that served as a link between such cults and later Celtic and Christian elaborations of the myth.With erudition and critical acumen, the author provides illuminating insights into diverse aspects of the legend: the task of the hero; the freeing of the waters; medieval and modern forms of nature ritual; the symbols of the cult (cup, lance, sword, stone, etc.); the symbolism of the fisher king; the significance of such deities as Tammuz, Adonis, Mithra, and Attis; the meaning of the adventure of the Perilous Chapel in Grail romances; and much more.Awarded the Crawshay Prize in 1920, this scholarly yet highly readable study will interest any student of the Arthurian legends, mythology, ancient religion, and Eliot's poetry.

    An angel returns from Eden, his wings singed by the beauty of Adam and Eve’s world, longing for the pleasures of their flesh.