He vows to sit in the hollow where the mortar fell and play Albinoni’s Adagio once a day for each of the twenty-two victims. The Adagio had been re-created from a fragment after the only extant score was firebombed in the Dresden Music Library, but the fact that it had been rebuilt by a different composer into something new and worthwhile gives the cellist hope. Meanwhile, Kenan steels himself for his weekly walk through the dangerous streets to collect water for his family on the other side of town, and Dragan, a man Kenan doesn’t know, tries to make his way towards the source of the free meal he knows is waiting. Both men are almost paralyzed with fear, uncertain when the next shot will land on the bridges or streets they must cross, unwilling to talk to their old friends of what life was once like before divisions were unleashed on their city. Then there is “Arrow,” the pseudonymous name of a gifted female sniper, who is asked to protect the cellist from a hidden shooter who is out to kill him as he plays his memorial to the victims. In this beautiful and unforgettable novel, Steven Galloway has taken an extraordinary, imaginative leap to create a story that speaks powerfully to the dignity and generosity of the human spirit under extraordinary duress.

    After the overwhelming interest generated by the original limited letterpress edition of Execution Poems, Gaspereau Press released this trade edition which went on to win Canada's highest literary honour in 2001. The jurors of the Governor General's Literary Award called this book "raging, gristly, public — and unflinchingly beautiful," and remarked on Clarke's "explosive, original language."In 1949, George and Rufus Hamilton were hanged for the murder of a taxi driver in Fredericton, New Brunswick. Fifty years later, Clarke has written, in his abundant style, a series of poems that embody both damnation and redemption, offering convoluted triumphs alongside tragedy and blurring the line between perpetrator and victim. What Clarke presents in Execution Poems is uncomfortable. He reminds us of racism and poverty; of their brutal, tragic results. He reminds us of society's vengefulness. He blurs the line between the perpetrator and the victim — a line we'd prefer remain simple and clear. At the heart of it, Clarke is frustrating the notion that society deals any better with these issues today than it did in the 1940s.

    Her best friend Rose is waiting for Augusta to call as soon as she hears. Through Rose, we begin to learn the story of Augusta's sometimes harsh, sometimes magical life: the startling vision of her mother's early death; the loneliness of her marriage to Karl and her battle with Karl's detestable father, Olaf. We are told of her gentle, platonic affair with a church minister, of her not-so-platonic affair with a man from the town, and the birth of her only child. We also learn of the special affinity between Rose and Augusta, who share the delights and exasperations of old age.Just as The Cure for Death by Lightning offers recipes and remedies, A Recipe for Bees is saturated with bee lore, and is full of rich domestic detail, wondrous imagery culled from rural kitchens and gardens, shining insights into ageing, family and friendship. And at its heart, is the life, death and resurrection of an extraordinary marriage

    Hogtown is dead. A shining metropolis lives." -- Peter C. NewmanIn the last sixty years, Toronto has been transformed from a provincial town to significant urban heavyweight. Few cities have experienced such sustained growth, and the packed streets of North America’s fourth-largest city are a far cry from the origins of the city as "Little York," which was comprised of the lieutenant-governor’s muddy tent --which he shared with his wife and many children -- and some barracks. Between then and now, fervent Orangemen have imposed strict morals on the growing provincial town, and an influx of immigrants changed the face of the city.Allan Levine delves into the character of a city that strives to balance urban development with the preservation of its distinct neighbourhoods, to maintain its status without losing its individuality. Its inhabitants have fought tooth and nail to prevent an expressway being built to the downtown core, have called in the army to clear the city of snow after a blizzard and consistently pack the Maple Leafs' arena every game, win or lose, making the hockey team the most valuable franchise in the NHL. The city can also claim one of the first Canadian politicians to stand up for gay rights, a store owner who almost single-handedly preserved theatre in Toronto, and then there’s Mayor Rob Ford...With the same eye for character, anecdote and circumstance that made Peter Ackroyd's London and Colin Jones's Paris so successful, Levine's captivating prose integrates the sights, sounds and feel of Toronto with a broad historical perspective, linking the city's present with its past through themes such as politics, transportation, public health, ethnic diversity and sports. Toronto invites readers to discover the city’s lively spirit over four centuries and to wander purposefully through the city's many unique neighbourhoods, where they can encounter the striking and peculiar characters who have inhabited them: the powerful and powerless, the entrepreneurs and the entertainers, and the moral and the corrupt, all of whom have contributed to Toronto's collective identity.

    Before long, however, she realizes that her feelings for this charismatic, extremely guarded stranger are far from straightforward. In the meantime, her troubled teenage patient, Annie, runs away from home and soon will reinvent herself in New York as an aspiring and ruthless actress, as unencumbered as humanly possible by any personal attachments. And Mitch, Grace’s ex-husband, who is a therapist as well, leaves the woman he’s desperately in love with to attend to a struggling native community in the bleak Arctic. We follow these four compelling, complex characters from Montreal and New York to Hollywood and Rwanda, each of them with a consciousness that is utterly distinct and urgently convincing. With razor-sharp emotional intelligence, Inside poignantly explores the many dangers as well as the imperative of making ourselves available to—and responsible for—those dearest to us.

    Brett understands both tall tales and rigorous science as he explores the small mixed farm—meditating on the perfection of the egg and the nature of soil while also offering a scathing critique of agribusiness and the horror of modern slaughterhouses. Whether discussing the uses and misuses of gates, examining the energy of seeds, or bantering with his family, farm hands, and neighbours, he remains aware of the miracles of life, birth, and death that confront the rural world every day.Trauma Farm tells a story that is passionate, practical, and frequently hilarious, providing an unforgettable portrait of one farm and our separation from the natural world, as well as a common-sense analysis of rural life.

    Bantam brings three generations into sharp focus – Kay’s own, her father’s, and his own father’s – to show us how the body holds its own story. Kay shows how old injuries can emerge years later; how we bear and absorb the loss of friends; how we celebrate and welcome new life; and how we how we embody our times, whether we want to or not. Bantam crosses borders, from Rannoch Moor to the Somme, from Brexit to Bronte country. Who are we? Who might we want to be? These are poems that sing of what connects us, and lament what divides us; poems that send daylight into the dark that threatens to overwhelm us – and could not be more necessary to the times in which we live."

    Running the show (or so she thinks) is priggish administrator Annabelle Walker, charged with keeping the residents happy, or at least as happy as is required to keep a tidy profit flowing to far-away investors.But not all residents of the Idyll Inn choose to acquiesce. Sylvia Lodge, one of the Idyll Inn’s first residents, prides herself on her steely backbone, despite crippling arthritis. Affluently widowed, she has selected the Idyll Inn as a less objectionable alternative to a perilous dwindling at home. She coolly refuses to be bossed, certainly not by Annabelle Walker (about whose family Sylvia keeps a dark secret), or by her estranged daughter, Nancy, from whom she keeps yet another, even more explosive, secret. Sylvia is determined to unapologetically lay claim to her lifetime of choices, responsibilities and blame, not yet aware that her icy solitude will shortly be broken by the company of three soon-to-be-intimate friends.Given the facility’s small population, the Idyll Inn’s new inhabitants are bound to have crossed paths. And indeed many have. Wheelchair-confined George Hammond, once a handsome shoe store—owner with a stay-at-home wife and adored daughter, long ago cupped Sylvia’s feet in his hands and admired her well-formed calves. He has done far more with Greta Bauer, his former clerk, whose loneliness as a young immigrant widow with children rendered her available for a comfortable and seemingly uncomplicated affair. Now deposited under the same roof by absent children, the former lovers are in a position to reflect on the consequences of their choices.Completing the newly formed coterie of friends is tiny Ruth Friedman, a retired Children’s Aid worker who keeps many of the city’s darkest secrets, and whose passionate late-in-life marriage to fellow social worker Bernard did not include children of their own. Now also widowed, her grief unfathomably deep, she has taken to cheerfully reading horrifying news stories aloud to her new friends, who are soon to discover that these daily doses of gloom are less for their edification than they are in service of a desperate project for which Ruth needs their complicity.In the wryly funny and wholly compassionate Exit Lines, acclaimed author Joan Barfoot once again treats her readers to an intimate encounter with some fascinating characters engaged in the fight of their lives. Sylvia, George, Greta and Ruth are at times tender, angry, hilarious and deeply flawed, but always utterly and captivatingly human. How do we treat the elderly in our liveYs? How do we intend to grow old ourselves? Will we ever come to the end of longing? Exit Lines brings to the surface these and other fundamental questions about the nature of life, and its closing.

    Iris, a young hostess, is forced to pull a double despite resolving to avoid the charming chef and his wealthy restaurateur wife. Just tables over, Damian, a hungover and self-loathing server, is trying to navigate a potential punch-up with a pair of lit customers who remain oblivious to the rising temperature in the dining room. Meanwhile Olive, a young woman far from her northern home, watches it all unfurl from the fast and frozen street.Through rolling blackouts, we glimpse the truth behind the shroud of scathing lies and unrelenting abuse, and discover that resilience proves most enduring in the dead of this winter’s tale.

    John Moodie is an ebullient man with a weakness for money-making schemes, and he is convinced that riches await them in the New World. It is the 1830s, and despite their dreams, Susanna is woefully unprepared for life in the wilderness.Susanna Moodie’s true story of hardship and survival in a log cabin deep in the bush is part of our national mythology. Now, respected writer and editor Cecily Ross gives us an unprecedented fictional portrait of Susanna—the sister, the wife, the mother, the writer—a woman confronting both the wilds of Canada and the wilderness of her own heart. Told through imagined lost diaries, the novel explores Susanna’s complex inner life from childhood through to the worst challenges of pioneering in a harsh and unforgiving landscape with her devoted but hapless and often absent spouse.Part love story, part coming-of-age narrative, this captivating novel brings to vivid life Moodie’s courage, wit and strength, as well as her moments of despair. The Lost Diaries of Susanna Moodie shows how one woman, against all odds and adversity, prevails and makes this savage and beautiful land her own.

    He makes a deal with a crusty old Scot, Angus McLintock — an engineering professor who will do anything, anything, to avoid teaching English to engineers — to let his name stand in the election. No need to campaign, certain to lose - or is he?

    The banal finality of this event triggers an introspective voyage through the events of her life and how she became who she is: wife of business executive Rick, citizen of the suburb of Rowanwood, mother to two accomplished daughters in university. Before Betty Friedan coined the term feminine mystique, The Torontonians told a classic feminist story of suburban ennui and existential self-discovery, tracing a detailed portrait of femininity in the 1950s through the eyes of its perceptive and thoughtful heroine. The book is also a unique contemporary meditation on community and social ties from a time when Canada's major cities were just beginning to spread out into suburban sprawl.

    Guest Edited by Catherine Leroux and Madeleine Thien.2017 marks the 150th anniversary of the Canadian Confederation, when the British colonies of Canada, Nova Scotia and New Brunswick were united.In this special issue of Granta, we celebrate the diversity of social, political and literary life in Canada, the largest country in the western hemisphere, and one of the few where the experiment of multiculturalism appears to have workedBringing you the best new fiction, reportage, photography, poetry and memoir from Canada, this issue showcases the best of both the English and French literary communities, throwing a spotlight on an enigmatic nation with a rich literary heritage.

    Although their work conjures the texture of wind and the broad spaces of the sky, these poems are not serenely pastoral. Rather, Myles' sparse blank verse is concerned with the diaphanous qualities of perception, as if her momentary experiences were as slippery and translucent as clouds. A sometimes brutal loneliness and urgent but stoic sensuality results, finding its expression in simple colors: orange, grey, yellow, white, rose.

    Who better to capture the mythical nation's enigmatic spirit? The result is a sumptuous treasure box of history, legend, and fantasy. Inside, the curious will find the very postcards and stamps Mr. Bantock created for this commission, along with a book -- not much larger than a passport -- in which he introduces the history, philosophy, customs, and traditions of this mysterious nomadic tribe.Visit griffinandsabine.com!