The history of art has been, successively, a history of artists and their works, of styles and stylistic change, of images--and now, of context and cultures. Art history at its best makes use of all these. 530 color illustrations. 782 b&w.

    One's first steps are always small: I had begun by hiding food under a fence."Through this intimate and compelling memoir, we are witness to the growth of a hero. Irene Gut was just a girl when the war began: seventeen, a Polish patriot, a student nurse, a good Catholic girl. As the war progressed, the soldiers of two countries stripped her of all she loved -- her family, her home, her innocence -- but the degradations only strengthened her will.She began to fight back. Irene was forced to work for the German Army, but her blond hair, her blue eyes, and her youth bought her the relatively safe job of waitress in an officers' dining room. She would use this Aryan mask as both a shield and a sword: She picked up snatches of conversation along with the Nazis' dirty dishes and passed the information to Jews in the ghetto. She raided the German Warenhaus for food and blankets. She smuggled people from the work camp into the forest. And, when she was made the housekeeper of a Nazi major, she successfully hid twelve Jews in the basement of his home until the Germans' defeat.This young woman was determined to deliver her friends from evil. It was as simple and as impossible as that.

    But they also confronted a terrible challenge - inside the camp were some 60,000 people, suffering from typhus, starvation and dysentery, who would die unless they received immediate medical attention.After Daybreak is the story of the army stretcher-bearers and ambulance drivers, medical students and relief workers who attempted to save the inmates of Belsen - with the war still raging and only the most primitive drugs and facilities available.Drawing on their diaries and letters, Ben Shephard reconstructs events at Belsen in the spring of 1945 - from the first horror of its discovery, through the agonising process of trying to save the survivors. In doing so he addresses the question of whether we should regard the relief of the camp as an epic of medical heroism - as the British believed - or see the failure to plan for Belsen and the undoubted mistakes that were made there as further evidence of Allied indifference to the fate of Europe's Jews - as some historians now argue. The result is a powerful and dramatic narrative, full of extraordinary incidents and characters, and an important contribution to medical history.

    Six weeks later he was sent home; ashes in an urn. Soon another letter arrived. "The Gestapo has notified your brothers and me that we are to be deported to the East--whatever that means." Hannelore knew: labor camps, starvation, beatings...How could Mama and her two younger brothers bear that? She made a decision: She would go home and be deported with her family. Despite the horrors she faced in eight labor and concentration camps, Hannelore met and fell in love with a Polish POW named Dick Hillman. Oskar Schindler was their one hope to survive. Schindler had a plan to take eleven hundred Jews to the safety of his new factory in Czechoslovakia. Incredibly both she and Dick were added to his list. But survival was not that simple. Weeks later Hannelore found herself, alone, outside the gates of Auschwitz, pushed toward the smoking crematoria. I Will Plant You a Lilac Tree is the remarkable true story of one young woman's nightmarish coming-of-age. But it is also a story about the surprising possibilities for hope and love in one of history's most brutal times.

    By demystifying the fantasies surrounding cancer, Sontag shows cancer for what it is--just a disease. Cancer, she argues, is not a curse, not a punishment, certainly not an embarrassment and, it is highly curable, if good treatment is followed.Almost a decade later, with the outbreak of a new, stigmatized disease replete with mystifications and punitive metaphors, Sontag wrote a sequel to Illness as Metaphor, extending the argument of the earlier book to the AIDS pandemic.These two essays now published together, Illness as Metaphor and AIDS and Its Metaphors, have been translated into many languages and continue to have an enormous influence on the thinking of medical professionals and, above all, on the lives of many thousands of patients and caregivers.

    Provides a balanced approach in examining Hitler's role in the history of the Third Reich. KEY TOPICS: Coverage ranges from the economic, social, and political forces that made possible the rise and growth of Nazism as well as the institutional, cultural, and social life of the Third Reich, the Second World War, and the Holocaust. Traces the rise of Hitler and the growth of the Nazi party in the context of the political, economic, and social problems of Weimar Germany. Presents Hitler from the perspective of the influences on his early development, character traits, oratorical skills, and his messianic pretensions. provides an analysis of Hitler's ideology based on extensive quotations from his writings and speeches. examines the social composition and membership of the Nazi party and its leaders. New topics include material on: culture and society in Nazi Germany; youth in Germany during World War II; an in-depth look at the Holocaust and anti-Semitism in Germany. MARKET: Appropriate as a reference book for history, political science, and literature professionals.

    In 1942 a young Frenchwoman living in Somerset with her three little girls answered a broadcast appeal for holiday photographs to be sent to the War Office. She was invited to London for an interview, and a startling proposition was put to her. Reluctantly she accepted it. In a few months she had been trained as a British agent and, under the name "Céline", infiltrated into Southern France. Her run there was short but lively. She worked with the Resistance Movement, organising sabotage and the reception of parachuted agents and supplies. After six months the Germans arrested her with her Commanding Officer, known as "Raoul". So began her long ordeal in prison and concentration-camp. The Gestapo put certain questions to her; she had nothing to say, even after they had pulled out all her toenails. But her replies on other matters were such as to draw suspicion from her Commanding Officer to herself. The Gestapo condemned her to death, but did not kill her. After a year in a Parisian prison she was moved to the infamous concentration-camp for women at Ravensbrück. There she was buried for three months in total darkness, and witnessed the mass execution of her fellow-prisoners in the spring of 1945. To save his skin, the Camp Commandant took her with him to meet the advancing Americans. So Odette Sanson lived to receive the George Cross, the highest British decoration for gallantry that can be awarded to a woman. She also holds the M.B.E. and the French Légion d'Honneur. In 1947 she became the wife of her 'chief', Captain Peter Churchill, D.S.O., M.C.Jerrard Tickell - the distinguished author of such widely popular novels as Appointment with Venus, Soldier from the Wars Returning and The Hero of Saint Roger - has told Odette's story with practised skill. His description of her last two years is particularly impressive for its attempt to suggest how a woman who had no hope to escape death could yet preserve her mind in peace. Odette has been filmed with Anna Neagle in the title-role.

    Alan Riding introduces a pageant of twentieth-century artists who lived and worked under the Nazis and explores the decisions each made about whether to stay or flee, collaborate or resist.We see Maurice Chevalier and Edith Piaf singing before French and German audiences; Picasso painting and occasionally selling his work from his Left Bank apartment; and Marcel Carne and Henri-Georges Clouzot, among others, directing movies in Paris studios (more than two hundred were produced during this time). We see that pro-Fascist writers such as Louis-Ferdinand Celine and Robert Brasillach flourished, but also that Camus's The Stranger was published and Sartre's play No Exit was first performed-ten days before the Normandy landings.Based on exhaustive research and extensive interviews, And the Show Went On sheds a clarifying light on a protean and problematic era in twentieth-century European cultural history.

    A delightful, well-written, and vastly informative ethnographic study, this is an account of Fernea's two-year stay in a tiny rural village in Iraq, where she assumed the dress and sheltered life of a harem woman.

    The small, poignant touches are riveting." -"Kirkus Discoveries""I think about what I want and what makes me happy, But orderly and quietly to myself. Because my thoughts tear down fortresses and walls, My thoughts are free. -German folk song, author unknown"The beautiful, safe, joyful places in young Tilli's imagination were her only refuge from the bombing that tore through the sky above her during World War II. Her thoughts were her only freedom from Hitler's Nazi tyranny, and they were her strength to survive after the war ended, when Russians invaded her tiny farming village in eastern Germany; forced her into months of hiding in a dark attic crawlspace; and took her innocence, her childhood, and nearly her life.Tilli's dreams-of a time when she could think and act freely, and travel, work, write, worship, and live however she wished-were what fueled the sixteen-year-old to courageously and single-handedly escape the terror of Stalin's harsh Communist rule and create her own happy ending in a free America.This true tale of sorrow and terror, hope and triumph, is Tilli's story-but it's also the story of the unthinkable suffering and untold bravery of countless innocent children who have lived through a war and its aftermath.

    At first, Lola secretly lives in the home of a Ukrainian woman. But when someone threatens to expose her to the Nazis, Lola must flee again, this time hiding with another family in a dirt hole beneath a barn. Struggling against cold and hunger, the hidden family lives under the constant threat of discovery. Lola has lost everything - her home and her family. All she has left is one article of clothing, a dress lovingly embroidered by her mother. Will Lola ever find safety - or freedom?

    One dark night, when she was only a baby, the Soviet secret police forcefully arrested Amy's father...and condemned him to the frigid wastelands of Siberia. Then as World War II began, the armies of the Third Reich invaded her small Russian village. Amy, a tender seven-year-old child, was taken by cattle car to a slave labor camp and witnessed firsthand the horrors of Hitler's Germany. As the war ends, Amy and her mother make a daring escape, with execution the likely verdict if they are captured. Over the years Amy wondered about her father. Was he still alive? Would she ever see him again? A true story, Goodbye Is Not Forever serves as a vivid confirmation of God's never-ending grace in the lives of his children

    In a post-civil rights era defined by deindustrialization and globalization, hip-hop crystallized a multiracial, polycultural generation's worldview, and transformed American politics and culture. But that epic story has never been told with this kind of breadth, insight, and style.Based on original interviews with DJs, b-boys, rappers, graffiti writers, activists, and gang members, with unforgettable portraits of many of hip-hop's forebears, founders, and mavericks, including DJ Kool Herc, Afrika Bambaataa, Chuck D, and Ice Cube, Can't Stop Won't Stop chronicles the events, the ideas, the music, and the art that marked the hip-hop generation's rise from the ashes of the 60's into the new millennium.

    This is a detailed description of the life of one helicopter pilot and what he did in the air, on the ground, with the people during his first tour in the Central Highlands while assigned to and flying for an Infantry Division, the Cambodia Invasion, and what it was really like living in Vietnam. The second tour was in the Saigon area with an Air Cavalry Troop and recounts live for Americans at the final months of the War, final cease fire events, prisoner exchanges, life on the ground, Saigon, the final flight of combat troops to leave Vietnam and the end of American combat operations and involvement. For those who want to know what it was like to be there -- without the hidden agenda, embellishment, or hype normally associated with the Vietnam War

    All she knew was that her great-grandparents, grandmother, and mother had fled their home city of Königsberg near the end of World War II, never to return. But everything changed when O'Donnell traveled to the city--now known as Kaliningrad, and a part of Russia--and called her grandmother, who uncharacteristically burst into tears. "I have so much to tell you," Inge said. In this transporting and illuminating book, the award-winning journalist vividly reconstructs the story of Inge's life from the rise of the Nazis through the brutal postwar years, from falling in love with a man who was sent to the Eastern Front just after she became pregnant with his child, to spearheading her family's flight as the Red Army closed in, her young daughter in tow. Ultimately, O'Donnell uncovers the act of violence that separated Inge from the man she loved; a terrible secret hidden for more than six decades.A captivating World War II saga, Inge's War is also a powerful reckoning with the meaning of German identity and inherited trauma. In retracing her grandmother's footsteps, O'Donnell not only discovers the remarkable story of a woman caught in the gears of history, but also comes face to face with her family's legacy of neutrality and inaction--and offers a rare glimpse into a reality too long buried by silence and shame.