This is Pyne's masterpiece. I guarantee no reader will go wanting." - Michael ConnellyTimes may change, but crimes never do, and neither do the people who investigate them. A collection of three loosely connected crime novellas, each set in a distinct era, Catalina Eddy is a gritty, hard-boiled exploration into the immutable police underworld of Southern California. In The Big Empty, an obstinate Los Angeles detective investigates the murder of his estranged wife while fears of nuclear war and Communism grip the nation; in Losertown, a mid-career attorney in San Diego chases down a legendary drug kingpin but chafes against the Reagan Revolution policies of his new boss; and in Portuguese Bend, set in the present day, an undercover cop is paralyzed in a gunfight but determined to solve what may be her last case as a police officer in Long Beach. They are all, in one way or another, stuck in dreary endless loops of love, murder, and the quest for clarity, release, and redemption. Reminiscent of James Ellroy's grittiness and Raymond Chandler's dark wit, Catalina Eddy is Daniel Pyne's clever homage to--and skillful deconstruction of--traditional noir storytelling. Moody, enthralling, and keenly imagined, Catalina Eddy evokes the characters and ambiance of a singular, peculiar landscape with cinematic flair.

    Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources, and the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.

    Includes:Jim Shepard’s "Tedford and the Megalodon"Glen David Gold’s "The Tears of Squonk, and What Happened Thereafter"Dan Chaon’s "The Bees"Kelly Link’s "Catskin"Elmore Leonard’s "How Carlos Webster Changed His Name to Carl and Became a Famous Oklahoma Lawman"Carol Emshwiller’s "The General"Neil Gaiman’s "Closing Time"Nick Hornby’s "Otherwise Pandemonium"Stephen King’s "The Tale of Gray Dick"Michael Crichton’s "Blood Doesn’t Come Out"Laurie King’s "Weaving the Dark"Chris Offutt’s "Chuck’s Bucket"Dave Eggers’s "Up the Mountain Coming Down Slowly"Michael Moorcock’s "The Case of the Nazi Canary"Aimee Bender’s "The Case of the Salt and Pepper Shakers"Harlan Ellison’s "Goodbye to All That"Karen Joy Fowler’s "Private Grave 9"Rick Moody’s "The Albertine Notes"Michael Chabon’s "The Martian Agent, a Planetary Romance"Sherman Alexie’s "Ghost Dance"

    He lives in a small brick Tudor close to campus with his art buyer wife, Diane. His life is quiet, ordinary even. And he likes it that way. But it wasn't always quiet. Jake's distant past was a life on the streets, inflicting damage and suffering on more people than he can count. And now someone from his past, it seems, has come looking for him.A raw, gripping thriller about the price paid for past sins, John Rector's third novel is a live wire that crackles with the intensity of a man with nothing left to lose. When two men attack Jake in a parking lot and cut off his finger, he tries to dismiss it as an unlucky case of being in the wrong place at the wrong time. But when events take a more sinister turn and Diane goes missing, Jake knows he can no longer hide from the truth. As he embarks on a mission to find his wife, he realizes his dark past is refusing to stay buried and that his future is about to unfold in ways he could never have imagined.

    In "The New Daughter," a father comes to suspect that a burial mound on his land hides something very ancient, and very much alive; in "The Underbury Witches," two London detectives find themselves battling a particularly female evil in a town culled of its menfolk. And finally, private detective Charlie Parker returns in the long novella "The Reflecting Eye," in which the photograph of an unknown girl turns up in the mailbox of an abandoned house once occupied by an infamous killer. This discovery forces Parker to confront the possibility that the house is not as empty as it appears, and that something has been waiting in the darkness for its chance to kill again.

    In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and funny portrait of life in post—World War II America–a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. Here are tales both cautionary and hopeful, each brimming with Vonnegut's trademark humor and profound humanism. A family learns the downside of confiding their deepest secrets into a magical invention. A man finds himself in a Kafkaesque world of trouble after he runs afoul of the shady underworld boss who calls the shots in an upstate New York town. A quack psychiatrist turned "murder counselor" concocts a novel new outlet for his paranoid patients. While these stories reflect the anxieties of the postwar era that Vonnegut was so adept at capturing– and provide insight into the development of his early style–collectively, they have a timeless quality that makes them just as relevant today as when they were written. It's impossible to imagine any of these pieces flowing from the pen of another writer; each in its own way is unmistakably, quintessentially Vonnegut.Featuring a Foreword by author and longtime Vonnegut confidant Sidney Offit and illustrated with Vonnegut's characteristically insouciant line drawings, Look at the Birdie is an unexpected gift for readers who thought his unique voice had been stilled forever–and serves as a terrific introduction to his short fiction for anyone who has yet to experience his genius. Contents: Letter from Kurt Vonnegut, Jr., to Walter J. Miller, 1951. Confido F U B A R Shout About It from the Housetops Ed Luby's Key Club A Song for Selma Hall of Mirrors The Nice Little People Hello, Red Little Drops of Water The Petrified Ants The Honor of a Newsboy Look at the Birdie King and Queen of the Universe The Good Explainer

    Crime correspondent for the Evening Post. He didn't know it was going to be a season in hell. A dead little girl with a swan's wings stitched to her back. A gypsy camp in a ring of fire. Corruption everywhere you look.In Nineteen Seventy Four, David Peace brings passion and stylistic bravado to this terrifyingly intense journey into a secret history of sexual obsession, greed and sadism.

    "Gone" and "The Box" were honored with the prestigious Bram Stoker Award. Whether you are already familiar with Ketchum's unique brand of suspense or are experiencing it for the first time, here is a book no aficionado of fear can do without.Contents:1 · Introduction · in 5 · The Rifle · ss Cemetery Dance Win ’95 18 · The Box · ss Cemetery Dance Spr ’94 31 · Mail Order · ss Voices from the Night, ed. John Maclay, Maclay & Associates, 1994 45 · Luck · ss Skull Full of Spurs: A Roundup of Weird Westerns, ed. Jason Bovberg & Kirk Whitham, Dark Highway Press, 2000 56 · The Haunt · ss Cemetery Dance #34, 2001 70 · Megan’s Law · ss Subterranean Gallery, ed. Richard T. Chizmar & William K. Schafer, Subterranean Press, 1999 81 · If Memory Serves · ss Darkside, ed. John Pelan, Darkside Press, 1996 93 · Father and Son · ss, 2000 99 · The Business · ss Murder for Mother, ed. Martin H. Greenberg, Signet, 1994 109 · Mother and Daughter · ss The Spook (online) Aug, 2001 120 · When the Penny Drops · ss The Exit at Toledo Blade Boulevard, Obsidian Books, 1998 133 · Rabid Squirrels in Love · ss Cemetery Dance Spr ’97 143 · Sundays · ss, 2000 153 · Twins · ss * 168 · Amid the Walking Wounded · ss The UFO Files, ed. Ed Gorman & Martin H. Greenberg, DAW, 1998 183 · The Great San Diego Sleasy Bimbo Massacre · ss The Exit at Toledo Blade Boulevard, Obsidian Books, 1998 202 · The Holding Cell · ss Bizarre Bazaar #2 ’93 216 · The Work · ss, 1997 226 · The Best · ss, 2000 231 · Redemption · ss Night Screams, ed. Ed Gorman & Martin H. Greenberg, Roc, 1996 245 · The Exit at Toledo Blade Boulevard · ss The Exit at Toledo Blade Boulevard, Obsidian Books, 1998 259 · Chain Letter · ss The Exit at Toledo Blade Boulevard, Obsidian Books, 1998 267 · Forever · ss Imagination Fully Dilated 2, ed. Elizabeth Engstrom, IFD Publishing, 2000 281 · Gone · ss October Dreams, ed. Richard Chizmar & Robert Morrish, CD Publications, 2000 288 · Closing Time · na * 331 · The Rose · ss Deadly After Dark, ed. Jeff Gelb & Michael Garrett, Pocket, 1994 348 · The Turning · ss Vampire Detectives, ed. Martin H. Greenberg, DAW, 1995 354 · To Suit the Crime · ss Bizarre Sex & Other Crimes of Passion #1, ed. Stan Tal, Tal Publications ’92 363 · Lines: or Like Franco, Elvis Is Still Dead · ss * 372 · The Visitor · ss The Exit at Toledo Blade Boulevard, Obsidian Books, 1998 380 · Snakes · ss Fear Itself, ed. Jeff Gelb, Warner, 1995 400 · Firedance · ss Imagination Fully Dilated, ed. Alan M. Clark & Elizabeth Engstrom, CD Publications, 1998 413 · Afterword · aw

    We're talking over a hundred print pages of pure pulp perfection that'll cost you less than the paper it ain't printed on.Includes the Spinetingler-Award-winning "Seven Days of Rain," Derringer-Award finalist "The Big Score," and "The World Behind," which originally appeared in Ellery Queen's Mystery Magazine.Also included are "A Better Life," "The Well," "A Simple Kindness," "Eight Pounds," and "The Toll Collectors."

    Whether writing about the love (and conflict) between parents and children or between husband and wife, or about the struggles of aging single mothers or disheartened political organizers to make sense of the world, she brings the same unerring ear for the rhythm of life as it is actually lived.The Collected Stories is a 1994 National Book Award Finalist for Fiction.