But both are isolated members of the opulent Cavendish household and, spirited young women, they instantly recognise kindred spirits in each other. So when Nora is unfairly flung on to the streets by Leah's grasping brother-in-law, Leah follows her, defiantly declaring her intention to move into a house in Liverpool's docklands, alongside Nora and her impoverished family. But nothing can prepare Leah for the squalor that greets her in Oil Street. Nor for the impact of meeting Sean Maguire, Nora's proud and handsome Irish neighbour...

    Now Exeter is set to become the UK Capital of Culture and the ambitious Lord Mayor wants to turn things around. But when a young man's (dead) body is found in the centre of town, things get murky.Detective Roger LeCarre is a character never seen before in modern fiction - a tough but troubled detective with a drink problem and a marriage in trouble. Can he find out who killed the young man, save the city and change his energy provider before the new more expensive tariff kicks in?Filled with drama, eroticism and very specific Wikipedia-sourced information on Devon, Once Upon A Crime is a thriller which demands to be read.

    Morlan, Robert Silverberg, Michael Swanwick, Jane Yolen and many others. Supplementing the stories are the editors' invaluable overviews of the year in fantastic fiction, Edward Bryant's witty roundup of the year's fantasy films, and a long list of Honorable Mentions —all of which adds up to an invaluable reference source, and a font of fabulous reading.Table of ContentsThe beautiful uncut hair of graves -- David Morrell In carnation -- Nancy Springer The somewhere doors -- Fred Chappell Poe at the end -- (poem) / -- R.H.W. Dillard Angels in love -- Kathe Koja Vivian -- Midori Snyder True love -- K.W. Jeter The second most beautiful woman in the world -- A.R. Morlan The swordsman whose name was not death -- Ellen Kushner The ragthorn -- Robert Holdstock and Garry Kilworth The smell -- Patrick McGrath The tenth scholar -- Steve Rasnic Tem and Melanie Tem Fisher death -- (poem) / -- Jessica Amanda Salmonson Walk in sable -- (poem) / -- Jessica Amanda Salmonson The cut man -- Norman Partridge The kind men like -- Karl Edward Wagner The coon suit -- Terry Bisson Queen Christina and the windsurfer -- Alison Fell Chui Chai -- S.P. Somtow Mama gone -- Jane Yolen Peter -- Pat Murphy Our lady of the harbour -- Charles de Lint The visitor's book -- Stephen Gallagher At the end of the day -- Steve Rasnic Tem The monster -- Nina Katerli Hummers -- Lisa Mason Santa's way -- James Powell Call home -- Dennis Etchison The Braille Encyclopedia -- Grant Morrison The poisoned story -- Rosario Ferre Blood -- Janice Galloway Dogstar man -- Nancy Willard Persistence of memory -- Joanne Greenberg You'll never eat lunch on this continent again -- Adam Gopnik The glamour -- Thomas Ligotti The peony lantern -- Kara Dalkey To be a hero -- (poem) / -- Nancy Springer The same in any language -- Ramsey Campbell Teratisms -- Kathe Koja The life of a poet -- Kobo Abe The witch of Wilton Falls -- Gloria Ericson Home by the sea -- Pat Cadigan Pish, posh, said hieronymus bosch -- (poem) / -- Nancy Willard The ash of memory, the dust of desire -- Poppy Z. Brite The pavilion of frozen women -- S.P. Somtow Moon songs --Carol Emshwiller The afternoon of June 8, 1991 -- Ian Frazier Gwydion and the dragon -- C.J. Cherryh A story must be held -- (poem) / -- Jane Yolen The Ogre's wife -- Pierrette Fleutiaux.

    These thrilling novels demonstrate this acclaimed author’s magic of invention and mastery of storytelling.Twenty years have passed since Grianne Ohmsford denounced her former life as the dreaded Ilse Witch. Fulfilling the destiny predicted for her, she has established the Third Druid Council and dedicated herself to its goals of peace and defense of the Four Lands. But the intrigue, treachery, and sinister deeds that have haunted Druid history for generations continue to thrive. And despite her devotion to the greater good as Ard Rhys, the High Druid of Paranor, Grianne still has bitter enemies who will stop at nothing to see her deposed—or destroyed.As wicked plots are hatched, the Ard Rhys suddenly disappears in the dead of night and without a trace. Now, barely a step ahead of the malevolent forces at work, Grianne’s brave nephew, Pen Ohmsford, embarks on a dangerous mission to find and deliver the High Druid of Shannara from wherever she may be held.With no shortage of adventure, exhilaration, suspense, and enchantment, the High Druid of Shannara trilogy proves why Terry Brooks is one of the most beloved fantasy authors of all time.

    Divan of Shah represents an unconscious longing for union within. It is beautifully illustrated and a wonderful amalgamation of some of Shah’s brilliant work filled with the raw emotion of love as if he himself has spilled his heart onto a canvas and has painted love itself. Shah has tapped into the collective unexplored and perhaps his own realm of dreams.The book meticulously presents so many aspects of love in specific detail which harkens one’s appreciation for love even more than before and some examples of love we may have taken for granted. It shows the limitless power and ways love presents itself and how it can change one’s life for the better or worse.This one is a thoughtful collection of poetic lines that invites the reader into the dimension of love, which happens to be the idea of a reflective mirror having no color yet for all colors of the embodiment are reflected back.never make a lady crypearls are not meant to flowlet them reside within celestial eyesfor even paradise unveils its reflectionthrough the radiance of their glow

    In an improbable performance that the New York Times called "the greatest moment in the history of the Fall Classic," Larsen, an otherwise mediocre journeyman pitcher, retired twenty-seven straight Dodger batters to clinch a perfect game and, to date, the only postseason no-hitter ever witnessed in major league baseball. Here, Lew Paper delivers a masterful pitch-by-pitch account of that fateful day and the extraordinary lives of the players on the field- seven of whom would later be inducted into the Hall of Fame. Meticulously researched and relying on dozens of interviews, Paper's gripping narrative recreates Larsen's feat in a pitching duel that featured legendary figures such as Mickey Mantle, Jackie Robinson, Yogi Berra, and Roy Campanella. More than just the story of a single game, Perfect is a window into baseball's glorious past.

    Adult readers only!

    MyLiteratureLab icons are found in the margins of the text along with a list of media assets at the front of the anthology. The most popular Literature anthology continues to bring students the finest literature from fables to poetweets. The Twelfth Edition of "Literature: An Introductiuon to Fiction, Poetry, Drama, and Writing," edited" "by X. J. Kennedy and Dana Gioia, includes eleven new stories from students' favorite authors: ZZ Packer's "Brownies," Ray Bradbury's, "The Sound of Thunder," Anne Tyler's, "Teenage Wasteland," David Leavitt's, "A Place I've Never Been" and Isabel Allende's "The Judge's Wife." More than 60 new accessible and engaging poems have been added including former Iraqi soldier Brian Turner's "The Hurt Locker," Katha Pollit's "The Mind-Body Problem" as well as poetweets from Lawrence Bridges and Robert Pinsky. In addition, there are new poems from Kay Ryan, Benjamin Alire Saenz, H. D, Gary Snyder, Joy Harjo, Tami Haaland, Robert Hayden, Denise Levertov, and William Carlos Williams. Three new one-act plays help "ease" students into the study of this genre. The new plays include two comedies-- David Ives's, "Sure Thing" and Jane Martin's "Beauty"--as well as Edward Bok Lee's experimental drama "El Santo Americano." In addition, Milcha Sanchez-Scott's" The Cuban Swimmer "has been added." "

    Showcasing this cutting-edge talent, Poe’s Children now brings the best of the genre’s stories to a wider audience. Featuring tales from such writers as Neil Gaiman and Jonathan Carroll, Poe’s Children is Peter Straub’s tribute to the imaginative power of storytelling. Each previously published story has been selected by Straub to represent what he thinks is the most interesting development in our literature during the last two decades.Selections range from the early Stephen King psychological thriller “The Ballad of the Flexible Bullet,” in which an editor confronts an author’s belief that his typewriter is inhabited by supernatural creatures, to “The Man on the Ceiling,” Melanie and Steve Rasnic Tem’s award-winning surreal tale of night terrors, woven with daylight fears that haunt a family. Other selections include National Book Award finalist Dan Chaon’s “The Bees”; Peter Straub’s “Little Red’s Tango,” the legend of a music aficionado whose past is as mysterious as the ghostly visitors to his Manhattan apartment; Elizabeth Hand’s visionary and shocking “Cleopatra Brimstone”; Thomas Ligotti’s brilliant, mind-stretching “Notes on the Writing of Horror: A Story”; and “Body,” Brian Evenson’s disturbing twist on correctional facilities.Crossing boundaries and packed with imaginative chills, Poe’s Children bears all the telltale signs of fearless, addictive fiction.

    They do, however, reveal some interesting things about his insomnia and persistent fears (he hates darkness), his literary sources, work habits (he writes two hours a day, seven days a week) and how his scary novels are linked to his childhood insecurities and feelings of inadequacy. The interviews, conducted by various journalists over the past decade, originally ran in media ranging from Penthouse to the Baltimore Sun. Shrugging off critics who dismiss his work as derivative, King explains his fascination with the horrific and calls himself a good writer, not a great one. His comments on his novels and their movie adaptations are often astute, as when he interprets Carrie as a parable of women's consciousness or pans Stanley Kubrick's frigid direction of The Shining.

    Includes the following Agatha Christie mysteries:And Then There Were None (1939)Death on the Nile (1937)The Murder of Roger Ackroyd (1926)Witness for the Prosecution (1924)

    Nearly 800 masterpieces by 115 American poetics are included in this single volume beginning with Anne Bradstreet. Read the graceful love poetry of Emily Dickinson, the powerful voice of Walt Whitman, the dark musings of Edgar Allan Poe; poems by T.S. Eliot, Robert Lowell, Henry Wadsworth Longfellow, Henry David Thoreau, Herman Melville, Langston Hughes, Theodore Roethke, Sylvia Plath, Robert Frost, Carl Sandburg, Gertrude Stein, E.E. Cummings, Edna St. Vincent Millay, Ogden Nash, Anne Sexton, Hart Crane, Erica Jong, Adrienne Rich, among others. Fully indexed by poet, title, and first line. Sure to bring years of browsing and reading pleasure.

    This simple way to manage your household income and expenses includes a stylish cover, coin purse, places for your checkbook and check register, memo pad, debit card holders, and extra cash-management envelopes.

    In addition to works by Edgar Allan Poe, Arthur Conan Doyle, Bram Stoker, Wilkie Collins!, and other well-known writers, it features several sensationalized retellings of famous folk legends and accounts of notorious highwaymen. The book includes two full-length novels: the original 1818 text of Frankenstein, which was considered more shocking before Mary Shelley toned down its gruesomeness for the better-known 1831 edition, and Sweeney Todd: The Demon Barber of Fleet Street, a genuine penny dreadful that has served as the foundation for all accounts of Sweeney Todd written since. The book will appeal to readers who are currently enjoying the literary horror mash-ups featured on the hit Sky Atlantic series Penny Dreadful.Includes: - Aurelia, or, The Tale of a Ghoul by E.T.A. Hoffman

    Mark Twain, started writing as a young reporter for various newspapers and magazines and later saw fit to issue in book form. Many pieces appeared in rare, first printings, only to be dropped in subsequent editions; for this reason, readers will encounter a number of yarns and tall tales unavailable elsewhere, even in the collected works. More unvarnished than his short stories or novels, and more willing to indulge in fun for its own sake, these sketches comprise a substantial share of his literary apprenticeship and legacy. As brilliant, representative nuggets of Twain's humor in its purest form, they carry the imprint of Twain's wit, imagination, and humanism, his fresh and always idiomatic prose. From 1862's "Curing a Cold" to 1904's "Italian Without a Master," this collection allows readers to share Twain's vision of life as a strange and comic affair. No one interested in American humor (or in need of a good laugh) can long remain indifferent to this uproarious book.