In the process she discovers a true calling for what she does, a deep abiding love for the city and people she serves, and a real connection to someone who cares for her.

    Naples awaited her, and Ferdinand, and a throne. Instead she finds herself in Milan, in her father’s castle, surrounded by hostile servants who treat her like a ghost. Whispers cling to her like spiderwebs, whispers that carry her dead mother’s name. And though he promised to give away his power, Milan is once again contorting around Prospero’s dark arts.With only Dorothea, her sole companion and confidant to aid her, Miranda must cut through the mystery and find the truth about her father, her mother, and herself.“Love and lust, mothers and monsters, magicians and masked balls, all delivered with Shakespearean panache.” —Nicola Griffith, author of Hild“Miranda in Milan is somehow both utterly charming and perfectly sinister, and altogether delightful. A pleasure for any lover of romance, myth, and magic—whether or not they're fans of the Bard.” —Cherie Priest, author of Boneshaker and I Am Princess XAt the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    The story begins with the death of the community's esteemed rabbi, which sets in motion plans for a memorial service and the search for a replacement. The rabbi's nephew and likely successor, Dovid, calls his cousin Ronit in New York to tell her that her father has died. Ronit, who left the community long ago to build a life for herself as a career woman, returns home when she hears the news, and her reappearance exposes tears in the fabric of the community.Steeped in Jewish philosophy and teachings, Disobedience is a perceptive and thoughtful exploration of the laws and practices that have governed Judaism for centuries, and continue to hold sway today. Throughout the novel, Alderman retells stories from the Torah -- Judaism's fundamental source -- and the interplay between these tales and the struggles of the novel's unique characters wields enormous power and wisdom, and will surely move readers to tears.

     She learned how to be strong again and break the shackles her old life had hobbled her with. While Paya is out making waves in London, Lenore is assigned as the driver for the contractor, McGrath, who is renovating a building for the Flotilla, which will allow people who had fallen upon hard times to have a place to call their own. The problem? Lenore finds McGrath to be the most infuriating, cocky, and egotistical woman on the planet. They mix like oil and water and Lenore wants nothing more than to throw a match on the mixture and be done with the woman. She just can’t figure out what it is that boils her blood around McGrath, though apparently all of her smug and smiling friends have an inkling… The Flotilla series is a spinoff of the bestselling London Harmony series.

    Through a string of narrative moments, Tea records a year lived in a world of girls: there's knife-wielding Marta, who introduces Michelle to a new world of radical sex; Willa, Michelle's tormented poet-girlfriend; Iris, the beautiful boy-dyke who ran away from the South in a dust cloud of drama; and Iris's ex, Magdalena Squalor, to whom Michelle turns when Iris breaks her heart. Valencia conveys a blend of youthful urgency and apocalyptic apathy.

    "What do you want from me?" she whispered.Suzanne pressed up into Sage's embrace, her body making demands on the skillful hands, commanding pleasure from the exciting mouth. "I need you to love me...as long as you possibly can".What was it about Sage Bristo that drew women to her? Maybe it was the tall, toned body and androgynous good looks. Perhaps they liked her confidence -- her movements and manner so sure and decisive. Or was it the air of mystery, the temptation of a challenge to unravel?Sage couldn't explain the attraction, but she had certainly benefited from it, at least physically. As her reputation as a Don Juana grew, so did her black book of admiring women. Women who wanted to spoil her, to own her, to please her. Women who would do anything for her. But never the woman she needed the most -- the one woman who could lead her through the realm of desire, to the thing she desires most...

    Since she never did find the story she was looking for all those years ago, she decided to write it.In Book I of the trilogy, Tamras arrives in Merin's house to begin her apprenticeship as a warrior, but her small stature causes many, including Tamras herself, to doubt that she will ever become a competent swordswoman. To make matters worse, the Lady Merin assigns her the position of companion, little more than a personal servant, to a woman who came to Merin's house, seemingly out of nowhere, the previous winter, and this stranger wants nothing to do with Tamras.

    In places the palimpsest is so heavily worked that the letters feel like braille. I like to keep my body rolled away from prying eyes, never unfold too much, tell the whole story. I didn't know that Louise would have reading hands. She has translated me into her own book.

    Not in high school, not in art school, and not since she’d gotten her work into major galleries across the country. It’s not that she doesn’t want it—she’s just never found the right woman—until a trip to the beach put her right onto Cammy’s canvas. The mysterious surfer in red. She’s charming and sexy, and Cammy can’t get her out of her mind… but there’s only one problem: The girl is 100% undeniably straight. Lei Castle is a real free spirit. She’s traveled the world with only her surfboard, and now she’s finally back home in the California. With her van set up on the beach, her only worry is how the waves are going to be that day. When Cammy shows up at her private cove the two are drawn into a close friendship, and Lei takes it upon herself to show the risk-averse painter how to have a little excitement. As Cammy falls deeper in love with her friend, it becomes harder and harder to keep her tremendous desires a secret. Will she suffer the pain of unrequited love for as long as they’re together? How can the tides of fate make an impossible love a reality?

    A war of words soon spirals into a forbidden and passionate love that covers many years.But as the years move on, troubled waters lie ahead.

    Each story gives you a glimpse into the life of a character who happens to be a lesbian. Some are in love. Some are in trouble. Some are just going about their day. And at some point during that day, each character will cross paths with another, and then you’ll get a glimpse into her life.A chef who’s losing part of her life; a teacher with a blind date; a stay-at-home-mom with a crush on her neighbor; a UPS driver who finds the courage to seize the day. Meet each of them, plus several others, in Slices of Life. Just like a good dessert, you’ll be left wanting more.

    Over the course of a single evening, an extraordinary range of characters passes through the Rushes, creating an unforgettable mosaic of individuals and constructing an ephemeral community. The descent into the depths of a sexual world culminates with one of the most shattering experiences in recent fiction. Out of the lives he explores, Rechy distills a moving human experience that will leave few readers untouched" -- Page 4 of cover.

    Tully Stephens wants only to survive her sophomore year. They soon realize how desperately they want each other, but that’s easier said than done.Tulley is a nineteen-year-old new initiate in the Gamma Alpha Epsilon sorority who has never loved a woman. Sue is the twenty-six-year-old resident adviser who jumps from bed to bed. Tulley is discovering her true self while Sue wants to discover more about the sexy young butch who’s invading her fantasies.A sorority house is never the ideal location for keeping a secret, especially when the secret is a blossoming affair. Can their love withstand the strain of the concealment? Will their time together always consist of stolen moments? Or will they complete their Initiation of Desire?

     Alizhan can’t see faces, but she can read minds. Her mysterious ability leaves her unable to touch or be touched without excruciating pain. Rescued from abandonment and raised by the wealthy and beautiful Iriyat ha-Varensi, Alizhan has grown up in isolation, using her gift to steal secrets from Iriyat’s rivals, the ruling class of Laalvur. But Iriyat keeps secrets of her own. When Alizhan discovers that she isn’t the only one of her kind, and that a deadly plot threatens everyone like her, there’s only one person she can trust. Ev liked having a secret. None of the other girls in the village had a thief-friend. Evreyet Umarsad—“Ev” to her parents and her one friend—longs to be the kind of hero she reads about in books. But the rest of the world feels impossibly far away from her life on a farm outside Laalvur. Ev will never lay eyes on the underground city of Adappyr, the stars of the Nightward Coast, or the venomous medusas that glow in the dark depths of the sea. At least on her weekly trip to the market, Ev gets to see her thief—the strange young woman who slips by her cart and playfully steals a handful of thornfruit. When the thief needs help, Ev doesn’t hesitate. Together, they uncover a conspiracy that draws them all over Laalvur and beyond. Thornfruit is the first book in The Gardener's Hand trilogy.

    This landmark work of scholarship offers an enlightening review of the shifting concept of "lesbian literature," followed by examples of six different genres: Romantic Friendship, Sexual Inversion, Exotic and Evil Lesbians, Lesbian Encoding, Lesbian Feminism, and Post-Lesbian Feminism.Faderman examines works as diverse as Willa Cather's My Antonia and Virginia Woolf's Orlando; poetry by Gertrude Stein and Amy Lowell; fiction by Carson McCullers, Helen Hull, and Alice Walker. In addition, Chloe Plus Olivia contains writing by men who focused on women's relationships. These writings are included in the early section of the book and were, in various ways, important to the development of lesbian literature, since men were far more likely than women to achieve publication in other centuries.It would be impossible to identify a single "great tradition" of lesbian writing, since it is in constant metamorphosis, reflecting changing social attitudes and women's voices. Chloe Plus Olivia, with its historical scope enhanced by Faderman's own personal search for a definition of lesbian literature, makes this the first book of its kind; it is certain to become the point of reference from which all subsequent studies of lesbian literature will begin.