. . I guarantee 254 pages of pure pleasure." -- Ann Landers"Strikingly honest . . . [Buchwald] grew up in orphanages and foster homes and never knew his mother who, shortly after he was born, entered a mental hospital and spent the rest of her life there . . . . But instead of becoming a sociopath, Buchwald became a professional funnyman and a national figure whose columns skewer pretense and politicians . . . . Score one for humor as a means of survival." -- The Washington Post Book World"

    It is fiercely compelling" EDMUND DE WAAL, author of The Hare with the Amber Eyes A poet's memoir of his mother that flows backwards through time, and through a tumultuous period of European history - a tender and yet unsparing autobiographical journey. In July 1975, George Szirtes' mother, Magda, died in an ambulance, on her way to hospital after attempting to take her own life. She was fifty-one years old. This memoir is an attempt to make sense of what came before, to re-construct who Magda Szirtes really was. The Photographer at Sixteen moves from her death, spooling backwards through her years as a mother, through sickness and exile in England, the family's flight from Hungary in 1956, her time in two concentration camps, her girlhood as an ambitious photographer and her vanished family in Transylvania.The woman who emerges, fleetingly, fragmentarily - with her absolutism, her contradictions, her beauty - is utterly captivating. What were the terrors and obsessions that drove her? The Photographer at Sixteen reveals a life that is at Magda Szirtes from the depths of the end to the comparable safety of the photographer's studio where she first appears as a small child. It is a book born of curiosity, guilt and love.

    Get noticed? Dance like a demon? Score with the opposite sex? Not just talk the talk but walk the talk as you walk? And achieve fame and fortune? This book won't just change your life - it will save it! The result is a book as zany and hilarious as Rhys Darby himself. Now is the time to act, people!' shouts Darby. 'Get off your ass and make sure you're on the invite list.' 'But just to start with: read this book!'

    A "riveting" and "unforgettable" (Kirkus Reviews) novel of war and friendship.

    These were just some of the hardships for the people who stayed at home in World War Two - the blitzed Brits.

    She planned to earn her living using her mind rather than her legs. She thought it'd be a useful stopgap while searching for a 'real' job. Today, six years on, she's still pedalling. 'It's my most enduring love affair; the career that's shaped my life, made me what I am, and entirely derailed any hope of a normal existence.' As she flies through the streets of the capital, dancing with the traffic, Chappell records the pain and pleasure-both mental and physical-of life on wheels: the hurtling, dangerous missions; the ebb and flow of seasonal work; the moments of fear and freedom, anger and exhaustion; the camaraderie of the courier tribe and its idiosyncratic characters; the conflict and harmony between bicycle and road, body and mind. At the same time it is a hymn to London; its changing skyline, its chaos and interconnectedness: 'the unlikeliest street corners will have some tattered threads of memory fluttering from them like a flag...It's almost as if the memories have overflowed from my head and scattered themselves about the city. Some parts of my life I can recall simply by thinking of them; others I think I'd remember better if I went back to a certain part of London and plucked them up from the tree I'd hung them from, or retraced them from the park bench I'd scratched them on, or snatched them up as they blew around in circles in an alleyway like a discarded carrier bag'. This is a book about discovery and belonging, connection and memory, choosing life's uncharted course and the delicious sensation of just riding.

    From his first political run-in in the first grade to his years working as presidential speechwriter for Jimmy Carter and top aide to Tip O'Neill, Matthews grew up loving his country and dreaming of his chance to protect it. As one of the most honest, brash, and in-your-face journalists on TV, he has finally gotten the chance. The host of television's Hardball and bestselling author of such classics as Hardball and Kennedy & Nixon, Matthews is a political cop who insists on the truth and nothing but. In this latest work, Now, Let Me Tell You What I Really Think, Chris Matthews is at his brilliant, blunt, bulldogged best. From the Cold War to the Clinton years, Matthews gives the straight-up account of what it means to be an American. Matthews tells us about his "God and Country" Catholic school education in Philadelphia complete with Cold War air-raid drills and his early enthusiasm for politics. He shares with us his life's adventures: two years in Africa with the Peace Corps, the challenge of running for Congress in his twenties, and his three decades deep in the "belly of the beast" of American politics. Matthews has made his name as a razor-sharp journalist who cross-examines the politicians in Washington and takes on the Los Angeles and New York elite who view America's heartland as "fly-over country." In Now, Let Me Tell You What I Really Think, Matthews rallies those who "work hard and play by the rules" and celebrates the wisdom learned from a U.S. Capitol policeman more than twenty years ago, "The little man loves his country, because it's all he's got." A hard-to-categorize maverick with an uncool love for his country, Matthews gives an irreverent look at who we are and whom we trust to lead us.

    This time, set in the 1970s, in classic Bennett country, Yorkshire. 'On the many occasions Midgley had killed his father, death had always come easily. He died promptly, painlessly and without a struggle. Looking back, Midgley could see that even in these imagined deaths he had failed his father. It was not like him to die like that. Nor did he.' Midgley is determined to deny his father a last occasion to be disappointed in him. He will do the right thing and sit by his father's bed-side in Intensive Care until he dies. But, even when he is unconscious, his father manages to make Midgley's life a misery. This is another classic story by Alan Bennett, with brilliant portraits of social hypocrisy and stifling family relationships.

    They concluded that the rumors grew, ironically, from Intrepid's last wartime case involving the first major Soviet intelligence defector of the new atomic age: Igor Gouzenko. Intrepid saved Gouzenko and found him sanctuary inside a Canadian spy school. Gouzenko was about to make more devastating disclosures than those concerning atomic espionage when the case was mysteriously terminated and Intrepid's organization dissolved.Unraveling the implications of Gouzenko's defection and Intrepid's removal from the case, tracing the steps of Dick Ellis and disclosing much new information regarding United States and Canadian postwar intelligence activities, Intrepid's Last Case is a story that for sheer excitement rivals the best spy fiction--and is all the more important because every word is true.Filled with never-before-revealed facts on the Soviet/Western nuclear war dance and a compelling portrayal of the mind of a professional spy, Intrepid's Last Case picks up where the first book ended, at the very roots of the cold war. It describes one of the most widespread cover-ups and bizarre betrayals in intelligence history. This is the incredible Intrepid against the KGB.

    Diana, Princess of Wales and Jacqueline Kennedy Onassis were two of these rare creatures. They were the most famous women of the twentieth century ~ admired, respected, even adored at times; rebuked, mocked and reviled at others. Separated by nationality and a generation apart, they led two surprisingly similar lives.Both were the daughters of acrimonious divorce. Both wed men twelve years their senior, men who needed "trophy brides" to advance their careers. Both married into powerful and domineering families, who tried, unsuccessfully, to tame their willful independence. Both inherited power through marriage and both rebelled within their official roles, forever crushing the archetype. And both revolutionized dynasties.And yet in many ways they were completely different: Jackie lived her life with an English "stiff upper lip" ~ never complaining, never explaining in the face of immense public curiosity. Diana lived her life with an American "quivering lower lip" ~ with televised tell-alls, exposing her family drama to a world eager for every detail.These two lives have been well documented but never before compared. And never before examined in the context of their times. Jay Mulvaney, author of Kennedy Weddings and Jackie: The Clothes of Camelot, probes the lives of these two twentieth century icons and discovers: The nature of their personalities forged from the cradle by their relationships with their fathers, Black Jack Bouvier and Johnny Spencer.·Their early years, and their early relationships with men.·Their marriages, and the truth behind the lies, the betrayals and the arrangements.·Their greatest achievements: motherhood.·Their prickly relationships with their august mothers-in-law, Rose Fitzgerald Kennedy and Queen Elizabeth II· Their lives as single women, working mothers.· Their roles as icons and archetypes.Graced with never before seen photographs from many private collections, and painstakingly researched, 0Diana and Jackie presents these two remarkable and unique women as they have never been seen before.

    Parlour games. Cocktails. Welcome to a glorious journey through the golden age of the country house party - and you are invited. Our host, celebrated historian Adrian Tinniswood, traces the evolution of this quintessentially British pastime from debauched royal tours to the flamboyant excess of the Bright Young Things. With cameos by the Jazz Age industrialist, the bibulous earl and the off-duty politician - whether in moated manor houses or ornate Palladian villas - Tinniswood gives a vivid insight into weekending etiquette and reveals the hidden lives of celebrity guests, from Nancy Astor to Winston Churchill, in all their drinking, feasting, gambling and fornicating. The result is a deliciously entertaining, star-studded, yet surprisingly moving portrait of a time when social conventions were being radically overhauled through the escapism of a generation haunted by war - and a uniquely fast-living period of English history. Praise for The Long Weekend:'Delicious, occasionally fantastical, revealing in ways that Downton Abbey never was. It is as if Tinniswood is at the biggest, wildest, most luxuriantly decadent party ever thrown, and he knows everyone.' Observer 'A deliciously jaunty and wonderfully knowledgeable book. Tinniswood displays a terrific insider's grasp of gossip . A meticulous, irresistible story.' Spectator 'Elegant, encyclopedic and entertaining . A confident and skilled historian who understands the mores of his era and wears his learning lightly . Deserves to be on every costume drama producer's bookshelf.' Times

    Summer, 1938. An adventurous and beautiful young American woman arrives at Oxford University, never expecting that her life -- and the entire world -- will soon change. When Maude Latham falls in love with her married literature tutor, Stephen Kendall, she learns that the Romantic poets had it right: Love is eternal. Yet just as she has fortified her conviction with the wisdom of the old poets, it is tested when World War II disrupts her perfect love affair. After Stephen joins the Royal Navy and disappears, Maude finds herself living through the war as a trauma nurse in a hospital. As time passes and the war progresses, Stephen’s disappearance forces Maude to question everything she knows about the man she loves and all that he has taught her about love itself.Emily Grayson takes readers into the turbulent history of World War II, exploring the lives of two lovers who are torn apart in the disorder and chaos that divided the world. A love story that is as deeply emotional as it is suspenseful, Waterloo Station is a timeless tale of faith and devotion that will touch everyone who reads it.

    'The Mitford Girls,' as John Betjeman called them, were one of the twentieth century's most controversial families; said to be always either in shrieks of laughter or floods of tears, they were glamorous, romantic and - especially in politics - extreme. Yet the teasing, often bordering on cruelty, the flamboyant contrasts and the violent disagreements, hid a powerful affection, subtle likenesses in character, and a powerful underlying unity.

    Robert Markham, an Englishman in Constantinople, is newly posted to the British legation with his imperious wife and overly curious son. Markham's hidden life is about to make itself known as he forgets familial and patriotic ties in order to absolve a deep-seated guilt. Twelve years before, he had been involved with an Armenian woman. On the evening of their engagement, the Armenian massacres erupted. Saved by his British citizenship, he witnessed the brutal rape and murder of his fiancee. Amid the breakdown of the Turkish empire, he now seeks revenge.

    This volume captures the musings of a mature Böll as he looks back with fondness and with anger on his formative years: as a student who avoided school but lived for his education on the street; and as a young man forced to grapple with the moral horror that was Hitler. "What's to Become of the Boy"—superbly translated by Leila Vennewitz—provides uncommon insight into Böll's maturation as an author and as a man.