Full of seedy noir atmospherics and boasting an air of generalized delirium, the book starts by introducing us to a nameless young German who has just arrived in America, where he hopes to get over the collapse of his marriage. No sooner has he arrived however, than he discovers that his ex-wife is pursuing him. He flees, she follows, and soon the couple is running circles around each other across the length of America—from Philadelphia to St. Louis to the Arizona desert, and from Portland, Oregon, to L.A. Is it love or vengeance that they want from each other? Everything’s spectacularly unclear in a book that is travelogue, suspense story, domestic comedy, and Western showdown, with a totally unexpected Hollywood twist at the end. Above all, Short Letter, Long Farewell is a love letter to America, its landscapes and popular culture, the invitation and the threat of its newness and wildness and emptiness, with the promise of a new life—or the corpse of an old one—lying just around the corner.

    Even as he grounded his narratives in the intimate daily life of Germany, Broch was identifying the oceanic changes that would shortly sweep that life into the abyss.Whether he is writing about a neurotic army officer The Romantic, a disgruntled bookkeeper and would-be assassin The Anarchist, or an opportunistic war-deserter The Realist, Broch immerses himself in the twists of his characters psyches, and at the same time soars above them, to produce a prophetic portrait of a world tormented by its loss of faith, morals, and reason.

    The Stechlin is Fontane's last book and his political testament. Like Effi Briest, his great work on the place of women in Bismarck's empire, it is set at the apex of the Wilhelmine era, both in Berlin and on the estate of a Prussian Junker on the shores of Lake Stechlin. It is a significant historical and cultural document, probably the finest chronicle of the lifestyle of the German upper classes in the late nineteenth century; Fontane portrays the best in the life and ways of the passing Prussian aristocracy, while describing his hopes for the future of Germany and its nobility, which were never to be fully realized. Although this novel has been translated into many languages, it has never before been available in English; this edition thus fills an important gap in the significant works of European literature accessible to English readers.

    Trapped, he knows that Hitler has already lost the war ... yet he is suddenly galvanised by the thought that he is on the way to his death.As the train hurtles on, he riffs through prayers and memories, talks with other soldiers about what they've been through, and gazes desperately out the window at his country racing away. With mounting suspense, Andreas is gripped by one thought over all: Is there a way to defy his fate?

    This new novel by the internationally praised but not widely known Austrian writer is one of those—a book of mysterious dark beauty . . . . [It] is overwhelming; one wants to read it again, immediately, to re-experience its intricate innovations, not to let go of this masterful work."—John Rechy, Los Angeles Times"Rudolph is not obstructed by some malfunctions in part of his being—his being itself is a knot. And as Bernhard's narrative proceeds, we begin to register the dimensions of his crisis, its self-consuming circularity . . . . Where rage of this intensity is directed outward, we often find the sociopath; where inward, the suicide. Where it breaks out laterally, onto the page, we sometimes find a most unsettling artistic vision."—Sven Birkerts, The New Republic

    Its author, Hans Christian Andersen, made the literary fairy tale so much his own that even today no writer has surpassed him.This collection, with an introduction and fresh new renderings of the tales by Neil Philip, includes not just "The Little Mermaid" but also such favorites as "The Tinderbox," "The Emperor's New Clothes," "The Steadfast Tin Soldier," and "The Little Match Girl."Philip also includes some lesser known tales that reflect different facets of Andersen's genius, such as the tall tale "The Flying Trunk," with its witty story-within-a-story, the charming fantasy of "Little Ida's Flowers," the comic fable "The Collar," and a story about the magic of everyday reality, "The Gardener and His Master."A special feature of the book is the inclusion of several fairy tales of spiritual search and redemption, including "The Bell," "The Toad," and, of course, "The Little Mermaid."The book is illustrated throughout by Isabelle Brent's magical watercolors, lavishly embellished with gold leaf, making this handsome volume a book the whole family will treasure.

    Its fourteen-year-old heroine Wendla is killed by abortion pills. The young Moritz terrorized by the world around him and especially by his teachers shoots himself. The ending seems likely to be the suicide of Moritz's friend Melchior but in a confrontation with a mysterious stranger (the famous Masked Man) he finally manages to shed his illusions and face the consequences.

    Written by Karl May in 1891, when he was at the peak of his creativity. It was read by millions of avid adventure lovers and has never been out of print in its native language. Now you may enjoy this gripping adventure in English, thanks to the efforts of Herbert Windolf.

    "You've got to get the girl to fall in love with you!"The Beast's only chance to break the spell is for him to fall in love with Belle and earn her love in return.

    First, there are Kafka's own commentaries and entries in his diary. When he re-read the story, for instance, he noted that only he could penetrate to the core of the story which, much like a newborn child, "was covered with dirt and mucus as it came out of him"; he also commented in his diary that he wanted to write down all possible relationships within the story that were not clear to him when he originally wrote it. This is not surprising for a highly introverted writer like Kafka, but it does illustrate the enormous inner pressure under which he must have written "The judgment."

    I shall recount thirteen and a half of them in this book but keep quiet about the rest," says the narrator of Walter Moers’s epic adventure. "What about the Minipirates? What about the Hobgoblins, the Spiderwitch, the Babbling Billows, the Troglotroll, the Mountain Maggot… Mine is a tale of mortal danger and eternal love, of hair’s breadth, last-minute escapes." Welcome to the fantastic world of Zamonia, populated by all manner of extraordinary characters. It’s a land of imaginative lunacy and supreme adventure, wicked satire and epic fantasy, all mixed together, turned on its head, and lavishly illustrated by the author.

    A new edition for adults of the classic children's stories also includes a World War II-era parody entitled Struwwelhitler.

    Among the guests of the hotel is Doctor Otternschlag, a World War I veteran whose face has been sliced in half by a shell. Day after day he emerges to read the paper in the lobby, discreetly inquiring at the desk if the letter he’s been awaiting for years has arrived. Then there is Grusinskaya, a great ballerina now fighting a losing battle not so much against age as against her fear of it, who may or may not be made for Gaigern, a sleek professional thief. Herr Preysing also checks in, the director of a family firm that isn’t as flourishing as it appears, who would never imagine that Kringelein, his underling, a timorous petty clerk he’s bullied for years, has also come to Berlin, determined to live at last now that he’s received a medical death sentence. All these characters and more, with all their secrets and aspirations, come together and come alive in the pages of Baum’s delicious and disturbing masterpiece.

    Schiller wrote many philosophical papers on ethics and aesthetics. He developed the concept of the Schöne Seele (beautiful soul), a human being whose emotions have been educated by his reason, so that Pflicht und Neigung (duty and inclination) are no longer in conflict with one another; thus "beauty," for Schiller, is not merely a sensual experience, but a moral one as well: the Good is the Beautiful. His philosophical work was also particularly concerned with the question of human freedom, a preoccupation which also guided his historical researches. Schiller is considered by most Germans to be Germany's most important classical playwright. Critics have noted his innovative use of dramatic structure and his creation of new forms, such as the melodrama and the bourgeois tragedy. Amongst his famous works are Love and Intrigue (1784), Don Carlos (1787), The Minister (1796), The Death of Wallenstein (1799), The Piccolomini (1800) and Mary Stuart (1800).

    To prove he is who he claims to be, he confesses to three unsolved murders and recalls in great detail an adventuresome life in America and Mexico among cowboys and peasants, in back alleys and docks. He is consumed by "the morbid impulse to convince," but no one believes him. This is a harrowing account part Kafka, part Camus of the power of self-deception and the freedom that ultimately lies in self-acceptance. Simultaneously haunting and humorous, I'm Not Stiller has come to be recognized as "one of the major post-war works of fiction" and a masterpiece of German literature.