The Great Khan, Attila, overlord of the Scythian and Germani hordes is no more.The lands of Rome lie in ruin, razed by the Scourge of God.From the ashes of civilization a new power is destined to emerge. Warriors whose fearsome reputation would remain for more than a thousand years.On the plains of Pannonia a boy is born. A boy destined to shape history.Meet Ragnaris, the son of no man.

    This is great new saga about an archer and his family who fought for gold and treasure in an effort to rise in cruel and difficult feudal times - and how they did it. It will appeal to the fans of Bernard Cornwell, Jeffrey Archer, C.S. Forester. De Melo, Griff Hosker, Peter Darman, and Jerry Auteri. This is British and English action & adventure of the medieval war & military historical fiction variety at its action-packed best.

    This is the thrilling untold story of the young helicopter pilots -- most barely out of their teens -- who risked their lives during this brief but ferocious war. In April 1982 Harry Benson was a 21 year-old Royal Navy commando helicopter pilot, fresh out of training and one of the youngest helicopter pilots to serve in the Falklands War. These pilots, nicknamed 'junglies', flew most of the land-based missions in the Falklands in their Sea King and Wessex helicopters. Much of what happened in the war -- the politics, task force ships, Sea Harriers, landings, Paras and Marines -- is well-known and documented. But almost nothing is known of the young commando helicopter pilots and aircrewmen who made it all happen on land and sea. This is their 'Boys Own' story, told for the very first time. Harry Benson has interviewed forty of his former colleagues for the book creating a tale of skill, initiative, resourcefulness, humour, luck, and adventure. This is a fast-paced, meticulously researched and compelling account written by someone who was there, in the cockpit of a Wessex helicopter.  None of these pilots has spoken before about: - The two helicopter crashes and eventual rescue following a failed SAS mission high up on an in hospitable glacier in South Georgia - The harrowing story of the Exocet strike that sunk the transport ship Atlantic Conveyor - The daring missile raid on the Argentine high command in Port Stanley - The constant mortar fire faced while supporting troops and evacuating casualties - The hair-raising head-on attacks by Argentine jets on British helicopters - The extraordinary courage shown during the evacuation of the bombed landing ship 'Sir Galahad'  If you liked Apache, Vulcan 607 and Chickenhawk, you'll love Scram!  The word "Scram" was coined by Falklands helicopter pilots to warn other 'junglies' to go to ground or risk being shot down as Argentinean jets blasted through 'bomb alley'. The term has never been used before or since.

    Its dazzling virtuosity and spectacular live concerts made it hugely popular with fans during the 1970s, who saw bands such as King Crimson, Emerson, Lake and Palmer, Yes, Genesis, Pink Floyd, and Jethro Tull bring a new level of depth and sophistication to rock. On the other hand, critics branded the elaborate concerts of these bands as self- indulgent and materialistic. They viewed progressive rock's classical/rock fusion attempts as elitist, a betrayal of rock's populist origins. In Rocking the Classics, the first comprehensive study of progressive rock history, Edward Macan draws together cultural theory, musicology, and music criticism, illuminating how progressive rock served as a vital expression of the counterculture of the late 1960s and 1970s. Beginning with a description of the cultural conditions which gave birth to the progressive rock style, he examines how the hippies' fondness for hallucinogens, their contempt for Establishment-approved pop music, and their fascination with the music, art, and literature of high culture contributed to this exciting new genre. Covering a decade of music, Macan traces progressive rock's development from the mid- to late-sixties, when psychedelic bands such as the Moody Blues, Procol Harum, the Nice, and Pink Floyd laid the foundation of the progressive rock style, and proceeds to the emergence of the mature progressive rock style marked by the 1969 release of King Crimson's album In the Court of the Crimson King. This golden age reached its artistic and commercial zenith between 1970 and 1975 in the music of bands such as Jethro Tull, Yes, Genesis, ELP, Gentle Giant, Van der Graaf Generator, and Curved Air. In turn, Macan explores the conventions that govern progressive rock, including the visual dimensions of album cover art and concerts, lyrics and conceptual themes, and the importance of combining music, visual motif, and verbal expression to convey a coherent artistic vision. He examines the cultural history of progressive rock, considering its roots in a bohemian English subculture and its meteoric rise in popularity among a legion of fans in North America and continental Europe. Finally, he addresses issues of critical reception, arguing that the critics' largely negative reaction to progressive rock says far more about their own ambivalence to the legacy of the counterculture than it does about the music itself. An exciting tour through an era of extravagant, mind-bending, and culturally explosive music, Rocking the Classics sheds new light on the largely misunderstood genre of progressive rock.

    Proven with mathematics this book describes genuine ancient knowledge that conflicts with modern science but upholds the Biblical story of Genesis.

    She restores historic carousels -- her dream career -- working from her own studio in a former roller skating rink. Though black herself, she spent her first years in a Basque immigrant community in Nevada, the adopted child of a single mother. And after the mother's death, she was raised by her Aunt Joy in a Catholic Worker house.  Mirai has a lot going for her -- but then, why is everything suddenly falling apart? Her current, year-long carousel project is veering crazily out of control, in both schedule and budget. The guy who dumped her only months before has shown up married and -- as far as Mirai is concerned -- to the worst possible person. Her mother's death long ago is looking less and less like an accident. And Joy, the one person who has had her complete trust, may know more about that death than she has let Mirai believe.  Mirai knows how to restore a carousel, but can she restore relationships with those she loves? Can she strip the old paint of past wrongs to prepare her life for new, more vibrant colors? And will her eyes be clear enough to spot the brass ring when it finally comes within reach? ///////////////////////////////////////////////// Anne L. Watson, a retired historic preservation architecture consultant, is the author of several novels, plus books on such diverse subjects as soapmaking and baking with cookie molds. She currently lives in Friday Harbor, Washington, in the San Juan Islands, with her husband and fellow author, Aaron Shepard. ///////////////////////////////////////////////// SAMPLE Next morning, I picked out Will's car parked on the street in front of the coffee shop. No room for doubt -- Will had a real screamer of a car, an old red Mustang convertible. Not that he described it that way. His version started off with "1964-1/2" for the model year and "poppy red" for the color, then veered into details about the color of certain key engine parts -- at which point I had always zoned out so far, I didn't hear the rest of the speech. There it sat, parked at the curb in Peregrine Falls, Idaho, already collecting a few admirers. Not even counting the vanity plate -- ORGAN4U -- the car had so much of Will's personality attached to it, I felt mildly nauseated. As an alternative to kicking a fender, I slammed into the coffee shop. "Whoa, Mirai! Remember us?" The crew had gathered at the only big table in the Clearwater Cafe. I'd been so wrapped up in my own problems, I hadn't even seen them. They were all there -- Evangeline, Harvey, Mr. Papadakis. And Will. Neither fight nor flight was practical. I sat down at the table. The waitress hurried to me with a coffeepot and mug. I ordered the special and sipped my coffee. "Clearwater" was certainly the word for that coffee -- they must have named the restaurant after it. I glanced around the table, skipping over Will. Mr. Papadakis caught my eye. "What's the agenda?" he asked. "We'll go to the park as soon as we're done here. Check out the carousel, then have lunch with the committee. We have to give the owners a preliminary report tomorrow morning." Evangeline smiled. "How long are you staying?" she asked me. "All week. You?" "I'll stay awhile. I may want to work on things in place." In Evangeline's case, "awhile" could mean several months. She had an answering service, but no permanent address. At the moment, I envied her. Harvey shook his head. "I'm leaving tomorrow night. I'll come back later, when the work on the building starts. For now, a couple of days will do it." It was Will's turn, so I had to look toward him then. He sat quietly, holding a coffee cup. Will had never worn jewelry, but now a ring glinted on his finger. A plain gold ring on the fourth finger of his left hand. A wedding ring.

    But the artistically fertile relationship between rock and country music has--since their first encounter in the 1950s--been uneasy and often explosive.

    In both lives, they are drawn to the landmark Colorado Street Bridge, or "Suicide Bridge," as the locals call it, which suffered a lethal collapse during construction but still opened to fanfare in the early twentieth century automobile age. When the refurbished structure commemorates its 80th birthday, one of the planet's best known small towns is virtually unrecognizable from its romanticized, and somewhat invented, past.Wrought with warmth and wit, Jacobs' debut novel digs into Pasadena's most mysterious structure and the city itself. In their exploits around what was then America's highest, longest roadway, Nick Chance and his impish mutt interact with some of the big personalities from the Progressive Age, including Teddy Roosevelt, Upton Sinclair, Charles Fletcher Lummis, and Lilly and Adolphus Busch, whose gardens were once tabbed the "eighth wonder of the world." They cavort and often sow chaos at Cawston Ostrich Farm, the Mount Lowe Railway, the Hotel Green and even the Doo Dah Parade. But it's the secrets and turmoil around the concrete arches over the Arroyo Seco, and what it means for Nick's destiny, that propels this story of fable versus fact. While unearthing the truth about the Colorado Street Bridge, in all its eye-catching grandeur and unavoidable darkness, the characters of Arroyo paint a vivid picture of how the home of the Rose Bowl got its dramatic start.

    On the other hand, post-Apartheid dreams of progress and reform have, in part, collapsed into a morass of corruption, unemployment and criminal violence.A Short History of South Africa is a brief, general account of the history of this most complicated and fascinating country – from the first evidence of hominid existence to the wars of the 18th, 19th and 20th centuries that led to the establishment of modern South Africa, the horrors of Apartheid and the optimism following its collapse, as well as the prospects and challenges for the future.This readable and thorough account, illustrated with maps and photographs, is the culmination of a lifetime of researching and teaching the broad spectrum of South African history.Nattrass’s passion for her subject shines through, whether she is elucidating the reader on early humans in the cradle of humankind, or describing the tumultuous twentieth-century processes that shaped the democracy that is South Africa today.

    They offer a vivid picture of gold rush life, from accounts of "murders, fearful accidents, bloody deaths, a mob, whippings, a hanging, an attempt at suicide, and a fatal duel" to bars lined with "that eternal crimson calico which flushes the whole social life of the Golden State," and the rare and welcome luxury of oyster feasts. With the "wild grandeur and awful magnificence" of the Sierra as background, this classic account presents a picture of the gold rush that is at times humorous, at times empathetic, and always trustworthy.

    

    That's what preeminent baseball analyst Bill James and ESPN.com baseball columnist Rob Neyer realized over lunch more than a dozen years ago. Since then, they've been compiling the centerpiece of this book, the "Pitcher Census," which lists specific information for nearly two thousand pitchers, ranging throughout the history of professional baseball. The Guide also offers: A "dictionary" describing virtually every known pitchThe origins and development of baseball's most important pitchesTop ten lists: best fastballs, best spitballs, and everything in betweenBiographies of some of the great pitchers who have been overlookedMore knuckleballers and submariners than you ever thought existedAn open debate concerning pitcher abuse and durabilityA formula for predicting the Cy Young Award winnerSomething fresh and new: Bill James' "Pitcher Codes" The Neyer/James Guide to Pitchers is about understanding pitchers, and baseball's action always starts with the pitchers. It's also about entertaining debates and having a great deal of fun with the history of a game that obsesses so many.

    But he murders the beau and later rapes Hope Masters. Suffering from trauma and the Stockholm Syndrome, Hope thinks she's in love with him, although both he and she are accused of murder. This is a true crime story of the socialite and the sociopath that happened in the early 1970s.

    Many people think of them as "an awe-inspiring group of ascetic, fanatic, and inhuman supermen."Ernest R. Pope knew all too well how illusory this idea was. As senior correspondent for Reuters in Munich from 1936-1941, American Ernest Pope saw the cruel and outrageous behavior of Nazis in their native habitat. In Munich they ran wild, let their hair down, and indulged in every fantasy money and power could avail them. Pope has all the gossip...and the confirmed stories. HISTORY AS IT HAPPENED "I have seen the leading actors in the Nazi tragedy, playing their parts on the Bavarian stage. Long before the climax—the outbreak of the war—I knew what the denouement in Hitler's theater would be."Pope knew, saw, and/or interviewed all the top Nazis and dozens of lower-level officials, including some of Hitler's security. He saw the Nazis for what they were: a corrupt, debauched, all-to-human menace.Once back in the U.S., Pope let loose his frustration and ire at what he'd seen—but couldn't write about when he was reporting from Germany. With great humor and faced-paced prose, he writes of encounters with Hitler, Hess, Streicher, and many more.He was in Munich during the fated compromise with Chamberlain. He reported on the Nazi invasions of Austria and Czechoslovakia.He reported on Hitler's obsession with Dorothy van Bruck's "blitz-tease" and he knew Hitler's English girlfriend, Unity Mitford. AT THE CENTER OF ACTION Pope turns his savage wit and erudition on his former hosts. Fluent in Bavarian German dialect, Pope made many friends in Munich with citizens and officials alike. He heard jokes from Munichers that could get them thrown in a concentration camp and he poked fun at Nazis whenever he dared.On the Austrian border during Hitler's invasion of that country:Guard: “Heil Hitler! What are you doing here?” Pope: “Just enjoying the scenery.” Guard: “Why did you come to Kiefersfelden today?” Pope: “Well, I'll tell you. It's like this. I'm an American student, and I came to Munich when I read the fascinating travel prospectuses which invited me to ‘Visit the beautiful Alps.’ My friend and I have already seen the Alps at Garmisch, so we thought we might look at them today around Kufstein. They really are pretty, in spite of all the uniforms we didn't expect to find here. But I do think it is odd of you to ask me why I am here. For if I were walking in Central Park in New York, I would not expect a policeman to ask me why I wasn't feeding the pigeons in front of the Public Library.”You won't find another account like this of the Nazis in their favorite playground. INCLUDED CHAPTERS: DER FÜHRER AT PLAY MY FRIENDS THE GESTAPO PORTRAIT OF A NAZI GRAFTER HITLER DABBLES IN ART THE ONE-LEGGED BOSS OF BAVARIA CATHOLICISM IN THE NAZI CAPITAL LUNCH WITH JULIUS STREICHER And more Pope turns serious in the final chapters. As he left Germany, he knew he was saying goodbye to friends he would never see again.

    It is our turn," writes Conrad Black in this scintillating manifesto for how Canada can achieve an exalted role in world affairs. For over 400 years we have toiled in the shadows of our potential and achieved an indifferent recognition among other nations. Chipper, patient, and courteous, we have pursued an improbable destiny as a splendid nation in the northern section of the new world, a demi-continent of relatively good and ably self-governing people, but most would agree we have neither developed a vivid national personality nor realized our true potential. Our main chance, writes Black, is now before us and it is not in the usual realms of military or economic dominance. With the rest of the West engaged in a sterile and platitudinous left-right tug of war, Canada has the opportunity to lead the advanced world to its next stage of development in the arts of government. By transforming itself into a controlled and sensible public policy laboratory, it can forge new solutions to the tiresome problems besetting welfare, education, health care, foreign policy, and other governmental sectors the world over, and make an enormous contribution to the welfare of mankind. Canada has no excuse not to lead in this field, argues Black, who offers nineteen visionary policy proposals of his own. "This is the destiny, and the vocation, Canada could have, not in the next century, but in the next five years of imaginative government.