You have to know Lynne, he is one of those easy going guys that just do everything well. Lynne was on his second tour in Vietnam when he came to SOG recon. He was a grunt in the 173rd Airborne on the first tour and returning to Vietnam and SOG recon as a SP4 right out of Special Forces Training Group. So there was nothing special that prepared him for the day that Spike Team Alabama invaded a division base camp. But that day Lynne became a 10 (Team Leader) in one of the most successful small unit actions against a large enemy concentrations in military history. There have been a lot of lobsided "last stands" in military history, but there has been one that I know of where a small Special Forces led team completely outfought (with the dead enemies weapons and ammo) and out maneuvered a division on their own ground. ST Alabama lost two men in the fight and according to an enemy survivor of that engagement the NVA lost 80% of a division (a large portion was KBA called by the team and covey rider). That was Lynne's first mission in SOG recon, read this book to find out the rest and when you are done you will be waiting for his next book.To order this book contact Lynne Black at idahonezero@msn.com the cost is $25.00 (includes S&H).

    Seeing the pilot is having a hard time keeping up, one of the Chinese mercenaries called Nungs, says to the team leader, "Let's kill the Dai Uy." Dai Uy is Vietnamese for captain.Read on to see what happened.

    Their mission: to find and engage an enemy battalion that was thought to be operating in an enemy-controlled area north of Quon Loi, Vietnam.   Now Donahue bears witness to the horrific events of that day and the exceptional grit and heroism of his teammates. Blackjack-34 is a magnificent tribute to the warriors of the Mobile Guerrilla Force―their courage and willingness to press on, no matter what the odds.

    . . is strikingly different. Michael's poems are interior, fragmentary, and austere, often stripped down to single-word lines; they seethe with incipient violence. Matthew's are effusive, ecstatic, and all-embracing, spilling over with pop-cultural references and exuberant carnality." —The New YorkerIdentical twins Michael and Matthew Dickman once invented their own language. Now they have invented an exhilarating book of poem-plays about the fifty states. Pointed, comic, and surreal, these one-page vignettes feature unusual staging and an eclectic cast of characters—landforms, lobsters, and historical figures including Duke Ellington, Sacajawea, Judy Garland, and Kenneth Koch, the avant-garde spirit informing this book introduced by playwright John Guare."Lucky in Kansas"Judy Garland: This is always the worst partTin Man: The coming backJudy Garland: Yes, it fucking sucks, it's depressing as shitThe Lion: Well, we're lucky to still be employed at this farmStraw Man: I wouldn't call it luckyThe Lion: We were lucky to get backStraw Man: That's not really lucky either I don't think you know what lucky meansJudy Garland: It's funny what you missTin Man: The runningJudy Garland: The flyingTin Man: The flying monkeysJudy Garland: The beautiful flying monkeys above the endless emeralds the unbelievably green worldMichael Dickman and Matthew Dickman are identical twins who were born and raised in Portland, Oregon. Michael received the 2010 James Laughlin Award for his second collection Flies (Copper Canyon Press, 2011). Matthew won the prestigious APR/Honickman Award for his debut volume, All-American Poem.

    However there comes a time in every writer’s life when the need to have one’s work appreciated by others overcomes the reticence of their nature. With this book, I have reached the point where I can let you, the reader, enter. See me. Maybe some of the poems here will resonate with you, and that understanding, that secret “yes, I know what she means”, from a stranger, is what I seek.

    That brutal experience prompted him to write a searing, critically acclaimed novel about the surreal experiences of the battle to wrest control of Vietnam’s ancient Imperial capital from regiments of fanatical North Vietnamese Army soldiers. Now he’s taken a long second look at that fight and revised his original work into an even more powerful narrative of one of the Vietnam War’s most brutal battles. The story is told through the eyes of a veteran Marine Corps Combat Correspondent with the observational skills and off-beat attitude to relate what he sees from the close-quarter, house-to-house meat-grinder of the southside to the epic assault on the enemy-infested walls of the city’s medieval Citadel in a voice that reflects the Code of the Grunt: Just do it—or die trying. There it is.

    Originally published against government wishes in Vietnam because of its non-heroic, non-ideological tone, The Sorrow of War has won worldwide acclaim and become an international bestseller

    Fiction

    Throughout a century of conflict he remained convinced that wars simply don’t work. In his writings, Stafford showed it is possible—and crucial—to think independently when fanatics act, and to speak for reconciliation when nations take sides. He believed it was a failure of imagination to only see two options: to fight or to run away.This book gathers the evidence of a lifetime’s commitment to nonviolence, including an account of Stafford’s near-hanging at the hands of American patriots. In excerpts from his daily journal from 1951-1991, Stafford uses questions, alternative views of history, lyric invitations, and direct assessments of our political habits to suggest another way than war. Many of these statements are published here for the first time, together with a generous selection of Stafford’s pacifist poems and interviews from elusive sources.Stafford provides an alternative approach to a nation’s military habit, our current administration’s aggressive instincts, and our legacy of armed ventures in Europe, the Pacific, Korea, Vietnam, the Persian Gulf, Afghanistan, and beyond.

    Since its publication in the early nineteenth century, this long narrative poem has stood unchallenged as the supreme masterpiece of Vietnamese literature. Thông’s new and absorbingly readable translation (on pages facing the Vietnamese text) is illuminated by notes that give comparative passages from the Chinese novel on which the poem was based, details on Chinese allusions, and literal translations with background information explaining Vietnamese proverbs and folk sayings.

    Marine Corps units in urban combat in Hue City during the 1968 Communist Tet Offensive. The focus of the story is on small units and individual fighting men as they grapple with advancing through the unfamiliar terrain across an urban battlefield. Fire in the Streets spent many years on official U.S. Marine Corps professional reading lists as the best example of modern military operations in urban terrain.

    Bob Dylan sings about a journey ‘all the way from New Orleans to Jerusalem…’ as way of apotheizing, scrutinizing, and recognizing the world we live in. Laura Scott is on the way.”—Alan Cheuse“A story as hot, sticky, and dangerous as Midnight in the Garden of Good and Evil, seen through an imagination as kaleidoscopic as Kelly Link's.”—Steve Himmer, The Bee-Loud Glade“Something hazy is happening in Fat City. Laura Ellen Scott dials up loads of laughs amid the local color and NOLA cuisine in this madcap romp of a novel where last wishes come true, Elvis is back under newly orange clouds, coffee cups are bottomless, and street punks wear capes.”—Richard Peabody, editor Gargoyle MagazineWhat if your most fervent wish could come true, and all you had to do was…die first. Recovering from a bitter divorce, middle-aged Victor Swaim wants nothing more than to live a carefree, drunken existence in New Orleans, making capes and corsets, and lusting for Pebbles, the girl who lives across the street.But, after a series of deathbed wishes come true—including the curing of cancer, the elimination of cats, the return of Elvis (1967 vintage), the clouds turning orange, mothers growing third eyes and cups of coffee becoming bottomless—the hysteria that grows around “Death Wishing” forces Victor into action. Along with his entrepreneurial son Val and his libertine friend Martine, Victor must battle the apocalyptics who have seduced Pebbles away from her true vocation of singing the blues (very badly) while at the same time confronting his mortal identity: just what would he wish for the world without him in it?

    government launched "Operation Babylift," a highly publicized plan to evacuate nearly three thousand displaced Vietnamese children and place them with adoptive families overseas. Chaotic from start to finish, the mission gripped the world-with a traumatic plane crash, international media snapping pictures of bewildered children traveling to their new homes, and families clamoring to adopt the waifs.Often presented as a great humanitarian effort, Operation Babylift provided an opportunity for national catharsis following the trauma of the American experience in Vietnam. Now, thirty-five years after the war ended, Dana Sachs examines this unprecedented event more carefully, revealing how a single public-policy gesture irrevocably altered thousands of lives, not always for the better. Though most of the children were orphans, many were not, and the rescue offered no possibility for families to later reunite. With sensitivity and balance, Sachs deepens her account by including multiple perspectives: birth mothers making the wrenching decision to relinquish their children; orphanage workers, military personnel, and doctors trying to "save" them; politicians and judges attempting to untangle the controversies; adoptive families waiting anxiously for their new sons and daughters; and the children themselves, struggling to understand. In particular, the book follows one such child, Anh Hansen, who left Vietnam through Operation Babylift and, decades later, returned to reunite with her birth mother. Through Anh's story, and those of many others, The Life We Were Given will inspire impassioned discussion and spur dialogue on the human cost of war, international adoption and aid efforts, and U.S. involvement in Vietnam.

    In it, we encounter several poems that feature his typically striking yet somber exactitude, a style of perception and depiction always unclouded by sentiment. Other poems find Hughes returning to the Yorkshire landscape of his childhood, recounting the tragic effects of World War I, or revisiting the dire plight of that region's coal miners and textile workers. Wolfwatching is an unflinching book about the struggles of this world, struggles both physical and spiritual, both in and out of nature.

    Asian & Asian American Studies. Translated from the Japanese by Sawako Nakayasu. The first comprehensive collection of one of Japan's foremost modernists to appear in English translation, THE COLLECTED POEMS OF CHIKA SAGAWA is an essential book. The project received a grant from the Japan Foundation, and poems from it have appeared in Poetry, Asymptote, Fascicle, and elsewhere.