She opens La Maison du Livre, Berlin's first French bookshop, attracting artists and diplomats, celebrities and poets. The shop becomes a haven for intellectual exchange as Nazi ideology begins to poison the culturally rich city. In 1935, the scene continues to darken. First come the new bureaucratic hurdles, followed by frequent police visits and book confiscations.Françoise's dream finally shatters on Kristallnacht in November 1938, as hundreds of Jewish shops and businesses are destroyed. La Maison du Livre is miraculously spared, but fear of persecution eventually forces Françoise on a desperate, lonely flight to Paris. When the city is bombed, she seeks refuge across southern France, witnessing countless horrors: children torn from their parents, mothers throwing themselves under buses. Secreted away from one safe house to the next, Françoise survives at the heroic hands of strangers risking their lives to protect her.Published quietly in 1945, then rediscovered nearly sixty years later in an attic.

    Nazism was finished in the bunker in Berlin and its death warrant signed on the bench at Nuremberg.”   That’s Milton Mayer, writing in a foreword to the 1966 edition of They Thought They Were Free. He’s right about the critics: the book was a finalist for the National Book Award in 1956. General readers may have been slower to take notice, but over time they did—what we’ve seen over decades is that any time people, across the political spectrum, start to feel that freedom is threatened, the book experiences a ripple of word-of-mouth interest. And that interest has never been more prominent or potent than what we’ve seen in the past year.  They Thought They Were Free is an eloquent and provocative examination of the development of fascism in Germany. Mayer’s book is a study of ten Germans and their lives from 1933-45, based on interviews he conducted after the war when he lived in Germany. Mayer had a position as a research professor at the University of Frankfurt and lived in a nearby small Hessian town which he disguised with the name “Kronenberg.” “These ten men were not men of distinction,” Mayer noted, but they had been members of the Nazi Party; Mayer wanted to discover what had made them Nazis. His discussions with them of Nazism, the rise of the Reich, and mass complicity with evil became the backbone of this book, an indictment of the ordinary German that is all the more powerful for its refusal to let the rest of us pretend that our moment, our society, our country are fundamentally immune.   A new foreword to this edition by eminent historian of the Reich Richard J. Evans puts the book in historical and contemporary context. We live in an age of fervid politics and hyperbolic rhetoric. They Thought They Were Free cuts through that, revealing instead the slow, quiet accretions of change, complicity, and abdication of moral authority that quietly mark the rise of evil.

    

    It was the same piece and the same pianist, when broadcasting was resumed six years later. The Pianist is Szpilman's account of the years inbetween, of the death and cruelty inflicted on the Jews of Warsaw and on Warsaw itself, related with a dispassionate restraint borne of shock. Szpilman, now 88, has not looked at his description since he wrote it in 1946 (the same time as Primo Levi's If This Is A Man?; it is too personally painful. The rest of us have no such excuse. Szpilman's family were deported to Treblinka, where they were exterminated; he survived only because a music-loving policeman recognised him. This was only the first in a series of fatefully lucky escapes that littered his life as he hid among the rubble and corpses of the Warsaw Ghetto, growing thinner and hungrier, yet condemned to live. Ironically it was a German officer, Wilm Hosenfeld, who saved Szpilman's life by bringing food and an eiderdown to the derelict ruin where he discovered him. Hosenfeld died seven years later in a Stalingrad labour camp, but portions of his diary, reprinted here, tell of his outraged incomprehension of the madness and evil he witnessed, thereby establishing an effective counterpoint to ground the nightmarish vision of the pianist in a desperate reality. Szpilman originally published his account in Poland in 1946, but it was almost immediately withdrawn by Stalin's Polish minions as it unashamedly described collaborations by Lithuanians, Ukrainians, Poles and Jews with the Nazis. In 1997 it was published in Germany after Szpilman's son found it on his father's bookcase. This admirably robust translation by Anthea Bell is the first in the English language. There were 3,500,000 Jews in Poland before the Nazi occupation; after it there were 240,000. Wladyslaw Szpilman's extraordinary account of his own miraculous survival offers a voice across the years for the faceless millions who lost their lives. --David Vincent

    Today we're accustomed to remembering the war through Hemingway’s For Whom the Bell Tolls and Robert Capa’s photographs. But Adam Hochschild has discovered some less familiar yet far more compelling characters who reveal the full tragedy and importance of the war: a fiery nineteen-year-old Kentucky woman who went to wartime Spain on her honeymoon, a Swarthmore College senior who was the first American casualty in the battle for Madrid, a pair of fiercely partisan, rivalrous New York Times reporters who covered the war from opposites sides, and a swashbuckling Texas oilman with Nazi sympathies who sold Franco almost all his oil — at reduced prices, and on credit.   It was in many ways the opening battle of World War II, and we still have much to learn from it. Spain in Our Hearts is Adam Hochschild at his very best.

    William Manchester's account of the rise and fall of the Krupp dynasty is history as it should be written, alive with all its terrifying power.

    One, a Polish-born woman from Bialystok, where virtually the entire Jewish community would soon be sent to the ghetto and from there to Hitler’s concentration camps, was determined not only to live but to live with pride and defiance. The other, a Russian-born intellectual and introvert, would eventually become a high-level censor under Stalin’s regime. At war’s end, both women found themselves in Moscow, where informers lurked on every corner and anti-Semitism reigned. It was there that Ester and Ruzya would first cross paths, there that they became the closest of friends and learned to trust each other with their lives. In this deeply moving family memoir, journalist Masha Gessen tells the story of her two beloved grandmothers: Ester, the quicksilver rebel who continually battled the forces of tyranny; Ruzya, a single mother who joined the Communist Party under duress and made the compromises the regime exacted of all its citizens. Both lost their first loves in the war. Both suffered unhappy unions. Both were gifted linguists who made their living as translators. And both had children—Ester a boy, and Ruzya a girl—who would grow up, fall in love, and have two children of their own: Masha and her younger brother.With grace, candor, and meticulous research, Gessen peels back the layers of secrecy surrounding her grandmothers’ lives. As she follows them through this remarkable period in history—from the Stalin purges to the Holocaust, from the rise of Zionism to the fall of communism—she describes how each of her grandmothers, and before them her great-grandfather, tried to navigate a dangerous line between conscience and compromise. Ester and Ruzya is a spellbinding work of storytelling, filled with political intrigue and passionate emotion, acts of courage and acts of betrayal. At once an intimate family chronicle and a fascinating historical tale, it interweaves the stories of two women with a brilliant vision of Russian history. The result is a memoir that reads like a novel—and an extraordinary testament to the bonds of family and the power of hope, love, and endurance.From the Hardcover edition.

    Brave, independent, and a lifelong rebel against her country's conservative, patriarchal society, Marie-Madeleine Fourcade was temperamentally made for the job. Her group's name was Alliance, but the Gestapo dubbed it Noah's Ark because its agents used the names of animals as their aliases. Marie-Madeleine's codename was Hedgehog.No other French spy network lasted as long or supplied as much crucial intelligence as Alliance--and as a result, the Gestapo pursued them relentlessly, capturing, torturing, and executing hundreds of its three thousand agents, including her own lover and many of her key spies. Fourcade had to move her headquarters every week, constantly changing her hair color, clothing, and identity, yet was still imprisoned twice by the Nazis. Both times she managed to escape, once by stripping naked and forcing her thin body through the bars of her cell. The mother of two young children, Marie-Madeleine hardly saw them during the war, so entirely engaged was she in her spy network, preferring they live far from her and out of harm's way. In Madame Fourcade's Secret War, Lynne Olson tells the tense, fascinating story of Fourcade and Alliance against the background of the developing war that split France in two and forced its citizens to live side by side with their hated German occupiers.

    11/1944. The European war is drawing to a close when the British government agrees to send a brigade of 5000 Jewish volunteers from Palestine to Europe to fight the German army. Among these soldiers are Israel Carmi, a veteran of the Haganah underground, one who serves one army but whose loyalties belong to another; Johanan Peltz, raised on a vast Polish estate, he dreams of returning home as a British officer & gentleman; & Arie Pinchuk, a former student who's returned to Europe with a secret agenda--to rescue his last remaining family member: the little sister he left behind. At the Senio River, Peitz leads the troops in a daring bayonet charge into the German line. When the hand-to-hand combat is finished, the brigade emerges triumphant. At a time when Jews are being victimized, these soldiers--yellow Stars of David emblazoned on their uniform sleeves--show that a Jewish army can fight back & win. But when the war ends they witness 1sthand the horrors their people have suffered in the concentration camps, they launch a calculating campaign of vengeance, forming secret squads to identify, locate & kill Nazi officers in hiding. Their own ferocity threatens to overwhelm them until a fortuitous encounter with an orphaned girl sets the men on a course of action--rescuing Jewish war orphans & transporting them to Palestine--that will not only change their lives but also alter the course of history. Blum has written his most harrowing book to date--a story that will make headlines as well as provoke debate about the moral elements of justice, the line between good & evil, & the possibility of redemption.

    This is without a doubt one of the most fascinating testimonies of that dark period, thanks to the author's ability not only to recount what he endured, but also to reflect on his feelings back then, in the camps. Existential difficulties preceded the deportation of Hungarian Jewry, yet nothing could have been worse than the extermination camps.Moshe was 15 years old when he arrived at Auschwitz-Birkenau, yet he passed the selection and survived. The Nazis sent the occupants of his barrack to their death, while he managed to slip out of their hands, and survived. He was sent to Buchenwald, worked in hard labor in the quarry, and survived. By joining a new work group, on the spur of the moment, he arrived at a labor camp in Magdeburg Germany, where he also managed to survive. There were 2,800 prisoners with him at Magdeburg, 400 remained when the Nazis dismantled the camp and returned its inhabitants to Buchenwald. Only 200 completed the journey, and when liberation day came only 40 survived, including the 17-year-old author.

    Later that year, the Jdische Kulturbund, or Jewish Cultural Association, was created to allow Jewish artists to perform for Jewish audiences. Here is the riveting and emotional story of Gunther Goldschmidt and Rosemarie Gumpert, two courageous Jewish musicians who struggled to perform under unimaginable circumstances and found themselves falling in love in a country bent on destroying them.

    Born in central Poland in the town of Radom, she found herself trapped in the ghetto at the age of fourteen, a slave laborer in an armaments factory in the summer of 1942, transported to Auschwitz in the summer of 1944, before being marched to a second armaments factory. She faced death many times; indeed she was certain that she would not survive. But she did. Many years later, when she began to share her past with Eve Keller, the two women rediscovered the world of the teenage girl Millie had been during the war. Most important, Millie revealed her most precious private memory: of a man to whom she was married for a few brief months. He was -- if not the love of her life -- her first great unconditional passion. He died, leaving Millie with a single photograph taken on their wedding day, and two rings of gold that affirm the presence of a great passion in the bleakest imaginable time.

    In the darkest years of Nazi occupation and genocide, Etty Hillesum remained a celebrant of life whose lucid intelligence, sympathy, and almost impossible gallantry were themselves a form of inner resistance. The adult counterpart to Anne Frank, Hillesum testifies to the possibility of awareness and compassion in the face of the most devastating challenge to one's humanity. She died at Auschwitz in 1943 at the age of twenty-nine.

    He had seen men die in front of him and walked with Jewish prisoners straight off the cattle-trucks from Bergen- Belsen. He had nearly drowned, narrowly avoided being savaged by Alsatian guard dogs, been beaten by a pathological member of the SS and had his hand broken by a guard whilst attempting to feed a Russian prisoner.The family kept going through three and a half years of imprisonment, reinforced by their strong sense of survival and their loving support for each other, before a dramatic and violent liberation by Allied forces ended their ordeal. Yet when they were eventually returned to Guernsey, it was to find that their tranquil home had been stricken and scarred by Nazi occupation.Told through Steven Matthews’ own memories, as well as writing from his mother’s diaries and previously unpublished photographs, The Day the Nazis Came is an utterly unique memoir. Depicting the world of Nazi prison camps through the eyes of a child – a world in which the real dangers often seemed trivial and every day was a new adventure – it tells not just of the prisoners’ plight, but provides an important and poignant reminder that not every German soldier was cruel and hateful. Above all, it pays tribute to the preciousness of childhood, and shows that human kindness may flower in the unlikeliest of places.

    government faced many difficult decisions, including what to do with the Third Reich’s scientific minds. These were the brains behind the Nazis’ once-indomitable war machine. So began Operation Paperclip, a decades-long, covert project to bring Hitler’s scientists and their families to the United States.Many of these men were accused of war crimes, and others had stood trial at Nuremberg; one was convicted of mass murder and slavery. They were also directly responsible for major advances in rocketry, medical treatments, and the U.S. space program. Was Operation Paperclip a moral outrage, or did it help America win the Cold War?Drawing on exclusive interviews with dozens of Paperclip family members, colleagues, and interrogators, and with access to German archival documents (including previously unseen papers made available by direct descendants of the Third Reich’s ranking members), files obtained through the Freedom of Information Act, and dossiers discovered in government archives and at Harvard University, Annie Jacobsen follows more than a dozen German scientists through their postwar lives and into a startling, complex, nefarious, and jealously guarded government secret of the twentieth century.In this definitive, controversial look at one of America’s most strategic, and disturbing, government programs, Jacobsen shows just how dark government can get in the name of national security.