The lead character in most is Bitchy Bitch, the perma-nently PMS'd and PO'd embodiment of the female id, who also stars in her own series of cartoon shorts on the Oxygen Network's X-Chromosome animated series.The raunchiest collection, focusing on Bitchy's sexual excapades.

    Will Dipper and Mabel's summer be ruined? Find out in this fan novel as well as Mystery #1, The Axolotl, a demon who wants to revive Bill Cipher!

    The compendium includes many of Ryan's previously unpublished parodies.

    Cartoons provide a humorous view of the frustrations and rewards of parenthood as Wanda and Darryl adjust to life with young children Zoe and Ham.

    He daydreams about the day when his band records its first monster hit single and he and his bandmates all pile into his van for their cross-country, sold-out concert tour. Between naps, study hall, and band practice, Jeremy still manages to find time to be the star of this hugely popular comic strip.Jeremy is a good kid. He is intelligent and kind, yet he still has the attitude that one would expect from a teenager. His unpredictable mood swings and monosyllabic answers to his parents’ mild-mannered questions often leave them baffled and bemused.Zits was created in 1997 by Pulitzer Prize– and Reuben Award–winning editorial cartoonist Jim Borgman and Reuben Award–winning cartoonist/writer Jerry Scott. The creators, who are parents themselves, have a keen insight into the many physical and emotional changes that teens go through during adolescence, and they have the gift of addressing these common dilemmas with compassion and humor.

    So what happens to the 75 percent of cartoons that don't make the cut? Some go back in a drawer, others go up on the refrigerator or into the filing cabinet...but the very best of all the rejects can be found right here in these pages. "The Rejection Collection Vol. 2: The Cream of the Crap" is the ultimate scrap heap of creative misfires -- from the lowbrow and the dirty to the politically incorrect and the weird, these rejects represent the best of the worst...in the best possible sense of the word. Handpicked by editor Matthew Diffee, these hilarious cartoons are accompanied by handwritten questionnaires and photographed self-portraits, providing a rare glimpse into the minds of the artists behind the rejection. With appendices that explore the top ten reasons why cartoons are rejected and examine the solitary nature of the job of cartooning -- plus a special bonus section of questions asked of and answered by cartoon editor Robert Mankoff -- this sequel to "The Rejection Collection" offers even deeper insight into the exercise in frustration, patience, and amusement that is being a "New Yorker" cartoonist. Warped, wicked, and wildly funny, "The Rejection Collection Vol. 2 "will appeal to every "New Yorker" fan -- and everyone with a taste for the absurd.

    Imagine, if you will: · The easily assembled Pole-Dancing-Club-in-a- Briefcase for stranded businessmen · Christmas tree ornaments that provide surveillance to instantly tell Santa if you?ve been bad or good · A high-speed police response unit aptly named the Cop Catapult · The Arsehole Trap, which can clear an average size town of arseholes in a single day with its promise of Big Brother auditions Like a twenty-first-century Rube Goldberg on the wrong mix of meds, Andy Riley has created elaborate inventions that are often side-splittingly sociopathic and never short of patently hysterical.

    Sometimes it takes Europeans to make gold of tuckered-out American tropes.Add to those instances of inspired global cross-pollination the Spanish cartoonist Martí’s eye-popping The Cabbie, which spins off Martin Scorsese’s sordid urban-justice drama Taxi Driver with a graphic style that unapologetically appropriates and even refines the brutal slabs of black, squashed perspectives, and grotesque approach to human physiognomy (and its ability to withstand punishment) that define Chester Gould’s Dick Tracy.And as Art Spiegelman (who was the first to publish Martí’s work in English, in RAW magazine) notes in his introduction, while “Gould’s graphic black and white precision and his diagrammatic clarity live on in Martí’s work,” he points out that “more interestingly, perhaps, so does Gould’s depravity.” Indeed, if anything, The Cabbie is even more savage than the legendarily brutal Dick Tracy, with its pimps, whores, petty thieves, corrupt businessmen, all swirling around the ingenuously violent “Cabbie” whose self-administered “upstanding citizen” status entitles him — in his view — to even more shocking acts of violence — especially on his quest for the stolen coffin of his father, which he’s told includes his entire inheritance!

    The New Fighting Technique may have sprung from the crucible of cubicle culture----Rees created the strip while working a deathly boring temp job, harnessing the potential energy of his PowerPoint software, Internet connection, laser printer, and vast expanses of fallow hours into this Unstoppable ass-kicking phenomenon----but the result has less to do with clockwatching than with the explosive energy of freestyling gangsta rap, airborne Bruce Lee maneuvers, and a profane, deadpan sense of humor that just may establish David Rees as the Lenny Bruce of our times. As soon as Rees began faxing MNFTIU comics to friends, those friends were faxing it to friends who were faxing it to more friends. It was the birth of a genuine underground publishing sensation. Soon it was a regular serial, then there was merchandise, then a website that received 25 million hits last year.

    When that book, Brand Spanking New Day, came out we said we needed Opus, Bill the Cat, and all their friends more than ever before. Well, what was true then is even more true now!The residents of Bloom County are back to put their trademark tragi-comic spin on the horrors of the last year, so lock all your worries in the anxiety closet for a bit. Who knows? When you come back they may be just the tiniest bit funnier.

    This generous selection of pocket cartoons captures the sheer bewilderment and exasperation which have bedevilled us all since the referendum. Some of the cartoons favour one side or the other, but most celebrate (or at least commemorate) a period of unique bafflement. With the emphasis much more on ordinary people than on the politicians, The Penguin Book of Brexit Cartoons will bring together at Christmas-time even the most riven families.

    Will the “School Gyrls” collaboration with the Archies be a chart-topping hit or a resounding dud?

    In this outrageously funny and oddly wise guide to relationships, forty-five-year-old bachelor Will Forte shares his bulletproof advice for attracting-and retaining-a romantic partner of the fairer sex. Told in the form of 101 hand-drawn rules of thumb, the book takes on all the questions men are dying to know the answers to but are too afraid to ask: What activities are acceptable and not acceptable to do with a romantic interest's father? What animals, if any, should never be incorporated into foreplay? Should I claim to have collaborated with a famous poet? Combining wisdom, both practical and not, with idiosyncratic drawings so simple that even a romantically frustrated man-child could understand them, 101 Things to Definitely Not Do If You Want to Get a Chick gracefully answers these questions and ninety-eight others.

     Together, this dynamic duo adjusts to sharing the spotlight, the toys, and the affections of Mom and Dad, while exploring nature and its majesty, the couch and its cushions, and the cookie jar and its contents.

    I never miss a meal."-Dan Piraro, cartoonist of Bizarro We've all been forced to endure jobs we don't like. We get up, go to work, go to bed, and do it again. No one knows these pains better than Doug Savage, whose dream of being a cartoonist was eclipsed by his ho- hum office job. That is, until he started doodling chicken cartoons on Post-its and turned them into one of the Internet's most popular cartoon blogs. "Savage Chickens" is a collection of cartoons starring Doug's beloved chickens and their officemates that will get a laugh out of even the most jaded number-crunching colleague. Doug blends cynicism, optimism, and interactive activities to create a portable pep talk for the overworked and underappreciated that will keep you sane-and amused- during the morning bus ride, the meeting-filled Monday, the tenth load of laundry, the bathroom break, or the red-eye to the coast.Watch a Video