Footsteps is a wonderful exploration of the ties between biographers and their subjects, filled with passion and revelation.

    The only full biography of the celebrated cult figure and underground poet/novelist.

    It is a wonderful place to visit and to live in. Packed with fact, anecdote, and insight, A Traveller’s History of Paris offers a complete history of Paris and the people who have shaped its destiny, from its earliest settlement as the Roman village of Lutetia Parisiorum with a few hundred inhabitants, to 20 centuries later when Paris is a city of well over two million—nearly one-fifth of the population of France. This handy paperback is fully indexed and includes a Chronology of Major Events, as well as sections on Notre-Dame and historic churches, Modernism, parks, bridges, cemeteries, museums and galleries, the Metro, and the environs. Illustrated with line drawings and historical maps, this is an invaluable book for all visitors to read and enjoy.

    J. Christopher Herold tells the fascinating story of the Napoleonic world in all its aspects — political, cultural, military, commercial, and social. Napoleon’s rise from common origins to enormous political and military power, as well as his ultimate defeat, influenced our modern age in thousands of ways, from the map of Europe to the metric system, from styles of dress and dictators to new conventions of personal behavior.

    But the journey that led him there was neither inevitable nor smooth.  This authoritative biography focuses on the evolution of Napoleon as a leader and debunks many of the myths that are often repeated about him—sensational myths often propagated by Napoleon himself. Here, Philip Dwyer sheds new light on Napoleon’s inner life—especially his darker side and his passions—to reveal a ruthless, manipulative, driven man whose character has been disguised by the public image he carefully fashioned to suit the purposes of his ambition. Dwyer focuses acutely on Napoleon’s formative years, from his Corsican origins to his French education, from his melancholy youth to his flirtation with radicals of the French Revolution, from his first military campaigns in Italy and Egypt to the political-military coup that brought him to power in 1799. One of the first truly modern politicians, Napoleon was a master of “spin,” using the media to project an idealized image of himself. Dwyer’s biography of the young Napoleon provides a fascinating new perspective on one of the great figures of modern history.

    In this appealing and luminous collection of short essays, Roland Barthes examines the mundane and exposes hidden texts, causing the reader to look afresh at the famous landmark and symbol of Paris, and also at the Tour de France, the visit to Paris of Billy Graham, the flooding of the Seine—and other shared events and aspects of everyday experience.

    Ever in search of new verbal challenges, he wrote one novel entirely without the letter e; and in 1978 he published the monumental, structurally complex Life A User's Manual, which many critics have placed (in the words of The Boston Globe) "on the level of Joyce, Proust, Mann, Kafka, and Nabokov."In Georges Perec: A Life in Words, David Bellos, Perec's award-winning English translator, introduces the enigmatic figure behind these remarkable works, showing how Perec's experiences led to such masterpieces as Life, the celebrated Things, and the harrowing W or The Memory of Childhood the latter inspired by his parents' deaths during World War II (one of them at Aucshwitz) and by his own sense of guilt as a survivor.Using unpublished documents and firsthand interviews, Bellos details Perec's tragic childhood, his difficult apprenticeship, his emergence into literary renown, and finally his death from cancer at age 46. He traces the influences of Perec's Polish-Jewish background, and of the friendships with such figures as Calvino, Raymond Queneau, Harry Mathews, and others that helped shape this extraordinary life. He offers privileged insights, born of many years' reflection and study, into Perec's vertiginous works. He situates Perec as a primary figure of French intellectual life in the 1960s and 1970s, due in part to his collaborations with the radically inventive OuLiPo group (whose name condenses the emblematic phrase "Workshop of Potential Literature"). And he shows the painstaking process by which a phenomenally gifted writer, suffering from a sheltered past crippling emotional burden, reconstructed his life in the only way he knew how: in words.

    When the Nazis invade the city in the summer of 1940, Kitty and Etta begin working with the French Resistance to help British soldiers, left behind in France after its surrender, escape to freedom.

    A new generation of writers has appeared in Paris, among them Camus, Genet, Startre, and Cocteau, and every day, they can be seen writing at the marble-topped of the Cafe de Flore. Already in her thirties at the time. Leduc burns with hero-worship and an obsession to become a celebrated writer herself. When she finds a mentor in none other than Simone de Beauvoir, she is pulled into the center of Parisian literary life -- "a beehive gone mad. "In the no-holds-barred style that made her a legend, Leduc paints a vibrant picture of the brilliant minds around her -- and the dark passions and insecurities that drove her to write.

    You have to keep things close to your chest and be aware of what’s really important: the work, not everything around it. If you have faith in the work, then the people will come … it’s an artistic imperative, it has nothing to do with public perception or career or any of that crap. "The name, Swans, it’s synonymous with who I am, but it’s how it’s achieved and it’s achieved by people—those people need to have total commitment to making this sound and to making it utterly incisive and uncompromising. The work is everything and it has to—at least at the time—appear, to me, to be stellar. That’s the prerequisite. It’s an intangible thing where it really speaks and has some truth within it."—Michael Gira Over a span of some three and a half decades, Michael Gira’s Swans have risen from chaotic origins in the aftermath of New York’s No Wave scene to become one of the most acclaimed rock-orientated acts of recent years. The 1980s’ infamous ‘loudest band on the planet’ morphed repeatedly until collapsing exhausted, broken, and dispirited in the late 1990s. Swans returned triumphantly in 2010 to top end-of-year polls and achieve feted status among fans and critics alike as the great survivors and latter-day statesmen of the underground scene. Throughout, Gira’s desire has remained to create music of such intensity that the listener might forget flesh, get rid of the body, exist as pure energy—transcendent—inside of the sound. Through these pages, the musicians responsible tell the tale of one of the most significant bands of the US post-punk era. Drawing on more than 125 original interviews, Swans: Sacrifice And Transcendence is the ultimate companion to Swans and their work from the 1980s to the present day.

    As they discuss the merits of the piece and art in general, the father hears his children upstairs giggling. This childish mirth is barbaric and devastating to the father, for in their laughter he hears them mocking his "old-fashioned" viewpoint and the energy he wastes by collecting lifeless objects. In his mind, they have no respect for what has been of greatest importance in his life.

    For, in this stylish, erudite and frequently hilarious book, de Botton dips deeply into Proust’s life and work—his fiction, letter, and conversations—and distills from them that rare self-help manual: one that is actually helpful.Here, tendered in prose almost as luminous as it’s subject’s, is advice on cultivating friendships, suffering successfully, recognizing love and understanding why you should never sleep with someone on the first date. And here, too, is a generously perceptive literary biography that suggests that the master is as relevant today as he was in fin de siècle Paris. At once slyly ironic and genuinely wise, How Proust Can Change Your Life is an unqualified delight.

    Voltaire Almighty provides a lively look at the life and thought of one of the major forces behind European Enlightenment. A rebel from start to finish (1694-1778), Voltaire was an ailing and unwanted bastard child who refused to die; and when he did consent to expire some eighty-four years later, he secured a Christian burial despite a bishop’s ban. During much of his life Voltaire was the toast of society for his plays and verse, but his barbed wit and commitment to human reason got him into trouble. Jailed twice and eventually banished by the king, he was an outspoken critic of religious intolerance and persecution. His personal life was as colorful as his intellectual life. Of independent means and mind, Voltaire never married, but he had long-term affairs with two women: Emilie, who died after giving birth to the child of another lover, and his niece, Marie-Louise, with whom he spent the last twenty-five years of his life. The consummate outsider; a dissenter who craved acceptance while flamboyantly disdaining it; author of countless stories, poems, books, plays, treatises, and tracts as well as some twenty thousand letters to his friends: Voltaire lived a long, active life that makes for engaging and entertaining reading.

    From her birth (which she liked to tell people was in the Parisian streets, her mother shielded by two gendarmes) to her death (when her husband allegedly drove her corpse from the Cannes hospital where she died to her flat, lest her fans think that she had abandoned Paris) her life story was a rags-to-riches tale like no other. A street singer discovered by the nightclub owner who gave her the stage name Piaf (Sparrow), she rose to become a national heroine. Friends with Charlie Chaplin, Dwight D. Eisenhower, Jean Cocteau, Maurice Chevalier, and Marlene Dietrich, she was also at various times chief suspect for the murder of her mentor, an alcoholic and a drug addict. But she always seemed to embody, and still does, something of the spirit of Paris. Following her death in 1963, 40,000 people descended on Pere Lachaise Cemetery for her funeral, and, 40 years on, millions remain fans of her music.

    The astounding yet true story of the life of Ignacz Semmelweis provided Celine with a narrative whose appalling events and bizarre twists would have lain beyond credibility in a work of pure fiction. Semmelweis, now regarded as the father of antisepsis, was the first to diagnose correctly the cause of the staggering mortality rates in the lying-in hospital at Vienna. However, his colleagues rejected both his reasoning and his methods, thereby causing thousands of unnecessary deaths in maternity wards across Europe. This episode, one of the most infamous in the history of medicine, and its disastrous effects on Semmelweis himself, are the subject of Celine's semi-fictional evocation, one in which his violent descriptive genius is already apparent. The overriding theme of his later writing--a caustic despair verging on disgust for humanity--finds its first expression here, and yet he also reveals a more compassionate aspect to his character. Semmelweis was not published until 1936, after the novels that made Celine famous. -It is not every day we get a thesis such as Celine wrote on Semmelweis!- wrote Henry Miller of this volume.