Free spirit Abby Hayes is flying into New York City to visit her mother before jetting off again. Both end up in Gander, Canada, when their flight is diverted because of 9/11. For ninety-six hours they share a rollercoaster of emotions and find themselves drawn to one another. Will their nascent connection survive everyday life when they return home?

    So why does everyone have a problem with it? They think the way she looks and acts means she’s trying to be a boy—that she should quit trying to be something she’s not. If she dresses like a girl, and does what her folks want, it will show respect. If she takes orders and does what her friend Colby wants, it will show her loyalty. But respect and loyalty, Pen discovers, are empty words. Old-world parents, disintegrating friendships, and strong feelings for other girls drive Pen to see the truth—that in order to be who she truly wants to be, she’ll have to man up.

    Read it and prepare for your next date."—James Van Praagh, New York Times bestselling author, Talking to Heaven "Every story is the truth and every truthful moment is a hilarious journey! It's as if you're listening to your best friend at a coffee shop and watching a stand—up take command of the stage. You won't be disappointed as you travel this refreshingly funny road of 'horrible dates!'"—Debra Wilson, actress/comedian, MADtv "Eddie's book is an emotional catharsis for anyone who has ever come home from one horrible date and wondered, What the hell was that? This book is laugh–out–loud hilarious and extremely well written."—Chad Allen, writer, producer, actor, activist What I have to tell you in this book will seem almost unreal. But you are going to have to keep reminding yourself that these are actual real dates. For everyone who can empathize and knows what it's like to be on at lease one crappy date, this book is for you. For everyone who wants that dinner back or sat through a boring, horrible movie only to determine that the person you were with was a complete and utter tsunami, this book is for you. For everyone else, buckle your seat belt and turn off your phone, because a massive car wreck is about to begin.

    On social networks and dating sites, his image and identity—a forty-year-old straight white male—had been used to hook countless women into believing in lies of love and romance. Was it all an ironic cosmic joke? Almost a decade prior, William himself had been living a lie that had lasted for more than twenty years. His secret? He was a gay man, a fact he hid from his wife and two daughters for almost as long as he had hidden it from himself.In this emotional and unflinchingly honest memoir of coming out of the closet late in life, owning up to the past, and facing the future, William Dameron confronts steroid addiction, the shame and homophobia of his childhood, the sledgehammer of secrets that slowly tore his marriage apart, and his love for a gay father of three that would once again challenge the boundaries of trust. At the true heart of The Lie is a universal story about turning self-doubt into self-acceptance and about pain, anger, and the long journey of both seeking and giving forgiveness.

    The extraordinary sequence at the heart of this book taps into the radical power of the sonnet form, bending it into a kind of metaphysical and psychological outcry. Beginning in the cramped space of selfhood―in the bedroom, cluttered with doubts, and in the throes of marital loss―these poems edge toward the clarity of “what I can know and admit to knowing.” In song and in silence, Ford inhabits the rooms of anguish and redemption with scouring exactness. This is poetry that “can break open, // it can break your life, it will break you // until you remain.” If You Have to Go is Ford’s most luminous and moving collection.

    A speeding ticket, a towed car, and a broken heel are all working against her laid-back vibe. To top it all off, her birth mother, whom she’s never met, has requested contact. The only bright spot is an impromptu date with a beautiful and mysterious brunette.Jessica Lennox is what you would call a high-powered executive. She’s the head of a multimillion-dollar advertising firm in New York City, and it didn’t happen by accident. But when the blonde head turner from the wine bistro turns out to be her number one competitor, her life gets infinitely more complex.Is New York big enough for both Brooklyn and Jessica? Maybe it’s just time they experienced it together...

    Of words, yes. Of well crafted images ("your name tucked under my tongue, an unraveling string that pulls & pulls".) But more than just that, this book thrills and pulls you in, showing you a history, a lineage, an invitation into Wee’s room, both in its cleanest and messiest moments. This is a stunning work by a powerful writer. The work in this book grabs on to all of the right emotions, and never lets go.”— Hanif Willis-AbdurraqibAuthor of The Crown Ain’t Worth Much*“Natalie Wee’s writing is indicative of a wordsmith-master utilizing all her tools with precision. Wee says the words we think, and then reshapes them, out loud, into beautiful origami-like gifts that hit you like “stray bullets splinter technicolour lovers.” The intricacies of her images walk a fine line that hover closely over genius, and the supernatural. From her well thought-out use of white space, enjambments, and form, Our Bodies and Other Fine Machines tells tales of hurt, pain, lust, love and all that lurks between leaving the “unsayable hung in our mouths.”— Chelene Knight,Managing Editor of Room Magazine*“This debut is breathtaking. Wee’s writing drops you into her world and you do not want to leave. Her portrait of girlhood from an outsider still feels as intimate and relentlessly soft as any old Polaroid plucked from your mother’s scrapbook. The poetry here is raw and refined, bloody and delicate, a whole body of work that turns our elusive moments into fine tuned pieces of machinery. Rarely do I find myself in awe of the beauty of language, both diction and visually. Even the shape of Wee’s words are gorgeous.Though this is Wee’s first collection, she writes with a steady hand and a steadier voice. Wee’s perspective is genuine, honest, and highly crafted. Our Bodies & Other Fine Machines is a bouquet arranged with every blossom and thorn for us to witness.”— Alex Dang!,Author of Are You Proud of Me?*“In Our Bodies & Other Fine Machines, Natalie Wee asks, “What is it like to be made a person / instead of a stranger’s dim shadow?” and reveals, “my bones are heavy with the weight of never having been seen at all.” It is with just such rigor and grace that Wee demands sight throughout this collection. Illuminating myriad ways queer women of color are silenced, dismissed, and unseen, she uses her vibrant voice as a call to attention. At times demure, yet always potent: “Mine was not a magic / of large curses but small misfortunes,” Wee opens a necessary and vulnerable space for the silenced. “My hands have made / some good mistakes,” she confides, but warns, “Do not mistake my silence / for subservience.” These pages are alive with determination to be heard, seen, understood. There is an urgency here one cannot escape, expressed entirely in Wee’s own careful and knowing language. More than remarkable, this book is necessary.”— Jeanann Verlee,Author of Racing Hummingbirds and Said the Manic to the Muse

    But a secret Jason has been keeping from his sister threatens to tear the siblings apart…right when they need each other most. Scott is waiting to hear about his girlfriend, Aimee, who was on a bus with her theater group when the bridge went down. Their relationship has been rocky, but Scott knows that if he can just see Aimee one more time, if she can just make it through this ordeal and he can tell her he loves her, everything will be all right. And then there’s Skyler, whose sister Kate—the sister who is more like a mother, the sister who is basically Skyler’s everything—was crossing the bridge when it collapsed. As the minutes tick by without a word from the hospital staff, Skyler is left to wonder how she can possibly move through life without the one person who makes her feel strong when she’s at her weakest.

    Born during the time of Jane Austen... Set to marry for advancement, but escaped their fates by becoming vampires. Now vampires in the 21st century, hunted by a sect of rogue hunters and governed by an ancient Romanian and Bulgarian vampire myth, the sisters live in a small beach town of California where they meet Keegan Knowles, a mysterious boy. For hundreds of years they've shared clothes, books, and their home, but will they share the same boy or is it there going to be war?The Stoker Sisters, was the Award-Winning Finalist in Women's Literature of the 2011 International Book Awards, where Kailin Gow won first place overall in Fiction Horror, joining winners from St. Martin's Press, Simon & Shuster, Zondervan, and Random House. She joins other winners such as Bishop Desmond Tutu and Rick Warren in the 2011 International Book Awards. Disclaimer: Author has no affiliation with the awards organization and just entered the awards contest just like any other awards contest.

    Brown’s poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we’ve become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown’s mastery, and his invention of the duplex―a combination of the sonnet, the ghazal, and the blues―testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while revelling in a celebration of contradiction.

    A former Syrian refugee himself, Ramadan unveils an enthralling tale of courage that weaves through the mountains of Syria, the valleys of Lebanon, the encircling seas of Turkey, the heat of Egypt and finally, the hope of a new home in Canada.Inspired by Arabian Tales of One Thousand and One Nights, The Clothesline Swing tells the epic story of two lovers anchored to the memory of a dying Syria. One is a Hakawati, a storyteller, keeping life in forward motion by relaying remembered fables to his dying partner. Each night he weaves stories of his childhood in Damascus, of the cruelty he has endured for his sexuality, of leaving home, of war, of his fated meeting with his lover. Meanwhile Death himself, in his dark cloak, shares the house with the two men, eavesdropping on their secrets as he awaits their final undoing.Winner of the Canadian Authors Association's Fred Kerner Award for Best Overall Fiction Book.Winner of Independent Publisher Gold Medal - LGBT FictionFinalist for the Lambda Literary Award - Gay Fiction - 2018.Shortlisted for The OLA's Evergreen Award - 2018Longlisted for Canada Reads - 2018Top Ten Books in 2017 by Toronto StarBest 100 Books by The Globe and Mail.

    A double edged gift that has given him fantastic insight into the human mind, and prevented him from making a real connection to the people around him. He has no idea where this “gift” comes from or why it was given to him, but he’s about to find out. One night on his way home from work, Cameron is approached by a mysterious man with purple eyes whose thoughts he cannot hear. Little does Cameron know, that man has come from somewhere far away to awaken him to his destiny.What happens next sends Cameron on a mission that spans the Universe. Discovering the reasons behind his “gift” and his purpose on Earth.

    In compensating for her father's brusqueness, Noelle idolized her nurturing tomboy mother and her conservative grandma who tried to turn her into "a little lady." At age fourteen, Noelle's mom told her the family secret: "Dad likes to wear women's clothes." As Noelle copes with a turbulent adolescence, her father begins to metamorphose into the loving parent she had always longed for—only now outfitted in pedal pushers and pink lipstick.

    Sports writer and on-air personality Mark Spector pays tribute to the province's hockey heyday with a unique blend of humour and homage.     "I hated every single guy on the Oilers, 'cause they all hated me." --Tim Hunter, the Calgary Flames     In the 1980s, the province of Alberta was home to the two best hockey teams in the NHL. Aptly dubbed "Death Valley" due to the sheer talent and ability of its players, the province not only begat rivalry with other NHL teams, but also sparked fierce competition within its own borders. Thus began The Battle of Alberta, the historic struggle between the Edmonton Oilers and the Calgary Flames.     In The Battle of Alberta, veteran sports journalist Mark Spector presents homage to Albertan hockey, and the two teams that inspired one of the most bitter competitions in NHL history. Through exclusive interviews with coaches, trainers, and players, Spector provides an unbiased, often hilarious look at the brawls, the clashes, and the schemes.      A chronicle of an unforgettable time in hockey history (filled with never-before-seen photographs), The Battle of Alberta is guaranteed to entertain fans and educate newcomers alike.

    Ammons, ancient Kumeyaay Bird Songs, and Beyoncé’s visual albums. It follows Teebs, a reservation-born, queer NDN weirdo, trying to figure out his impulses/desires/history in the midst of Brooklyn rooftops, privacy in the age of the Internet, street harassment, suicide, boys boys boys, literature, colonialism, religion, leaving one's 20s, and a love/hate relationship with English. He’s plagued by an indecision, unsure of which obsessions, attractions, and impulses are essentially his, and which are the result of Christian conversion, hetero-patriarchal/colonialist white supremacy, homophobia, Bacardi, gummy candy, and not getting laid. IRL asks, what happens to a modern, queer indigenous person a few generations after his ancestors were alienated from their language, their religion, and their history? Teebs feels compelled towards “boys, burgers,booze,” though he begins to suspect there is perhaps a more ancient goddess calling to him behind art, behind music, behind poetry.