Morgan arrived on the scene. He unleashed Takeshi Kovacs–private eye, soldier of fortune, and all-purpose antihero–into the body-swapping, hard-boiled, urban jungle of tomorrow in Altered Carbon, Broken Angels, and Woken Furies, winning the Philip K. Dick Award in the process. In Market Forces, he launched corporate gladiator Chris Faulkner into the brave new business of war-for-profit. Now, in Thirteen, Morgan radically reshapes and recharges science fiction yet again, with a new and unforgettable hero in Carl Marsalis: hybrid, hired gun, and a man without a country . . . or a planet.Marsalis is one of a new breed. Literally. Genetically engineered by the U.S. government to embody the naked aggression and primal survival skills that centuries of civilization have erased from humankind, Thirteens were intended to be the ultimate military fighting force. The project was scuttled, however, when a fearful public branded the supersoldiers dangerous mutants, dooming the Thirteens to forced exile on Earth’s distant, desolate Mars colony. But Marsalis found a way to slip back–and into a lucrative living as a bounty hunter and hit man before a police sting landed him in prison–a fate worse than Mars, and much more dangerous.Luckily, his “enhanced” life also seems to be a charmed one. A new chance at freedom beckons, courtesy of the government. All Marsalis has to do is use his superior skills to bring in another fugitive. But this one is no common criminal. He’s another Thirteen–one who’s already shanghaied a space shuttle, butchered its crew, and left a trail of bodies in his wake on a bloody cross-country spree. And like his pursuer, he was bred to fight to the death. Still, there’s no question Marsalis will take the job. Though it will draw him deep into violence, treachery, corruption, and painful confrontation with himself, anything is better than remaining a prisoner. The real question is: can he remain sane–and alive–long enough to succeed?2007 1st Ed Del Rey 9 8 7 6 5 4 3 2 1

    In the 24th century, the Company preserves works of art and extinct forms of life (for profit of course). It recruits orphans from the past, renders them all but immortal, and trains them to serve the Company, Dr. Zeus. One of these is Mendoza the botanist. She is sent to Elizabethan England to collect samples from the garden of Sir Walter Iden. But while there, she meets Nicholas Harpole, with whom she falls in love. And that love sounds great bells of change that will echo down the centuries, and through the succeeding novels of The Company.

    Herbert's next Dune book, Dune Messiah, picked up the story several years later after Paul's armies had conquered the galaxy. But what happened between Dune and Dune Messiah? How did Paul create his empire and become the Messiah? Following in the footsteps of Frank Herbert, New York Times bestselling authors Brian Herbert and Kevin J. Anderson are answering these questions in Paul of Dune.The Muad'Dib's jihad is in full swing. His warrior legions march from victory to victory. But beneath the joy of victory there are dangerous undercurrents. Paul, like nearly every great conqueror, has enemies--those who would betray him to steal the awesome power he commands. . . .And Paul himself begins to have doubts: Is the jihad getting out of his control? Has he created anarchy? Has he been betrayed by those he loves and trusts the most? And most of all, he wonders: Am I going mad?Paul of Dune is a novel everyone will want to read and no one will be able to forget.

    The sole legacy of that war was the weapon that ended it: the death machines, the BERSERKERS. Guided by self-aware computers more intelligent than any human, these world-sized battlecraft carved a swath of death through the galaxy--until they arrived at the outskirts of the fledgling Empire of Man.These are the stories of the frail creatures who must meet this monstrous and implacable enemy--and who, by fighting it to a standstill, become the saviors of all living things.

    It was edited by Harlan Ellison, illustrated by Ed Emshwiller. Like its predecessor, Again, Dangerous Visions and the 46 stories within it received many awards. The Word for World Is Forest, by Ursula K. Le Guin, won a Hugo for Best Novella. When It Changed by Joanna Russ won a Nebula Award for Best Short Story. For a 2nd time, Ellison received a special Hugo for editing the anthology. Again, Dangerous Visions was to be followed by a 3rd anthology, The Last Dangerous Visions. At this point, Ellison has said that it will probably never see the light of day.Introduction: An Assault of New Dreamers by Harlan Ellison The Counterpoint of View by John Heidenry Ching Witch! by Ross Rocklynne The Word for World Is Forest by Ursula K. Le Guin For Value Received by Andrew J. Offutt Mathoms from the Time Closet: 1/Robot's Story, 2/Against the Lafayette Escadrille, 3/Loco Parentis by Gene Wolfe Time Travel for Pedestrians by Ray Nelson Christ, Old Student in a New School (poem) by Ray Bradbury King of the Hill by Chad Oliver The 10:00 Report Is Brought to You by... by Edward Bryant The Funeral by Kate Wilhelm Harry the Hare by James B. Hemesath When It Changed by Joanna Russ The Big Space Fuck by Kurt Vonnegut Bounty by T.L. Sherred Still-Life by K.M. O'Donnell (Barry N. Malzberg) Stoned Counsel by H.H. Hollis Monitored Dreams & Strategic Cremations: 1/The Bisquit Position, 2/The Girl with Rapid Eye Movements by Bernard Wolfe With a Finger in My I by David Gerrold In the Barn by Piers Anthony Soundless Evening by Lee Hoffman [█] by Gahan Wilson The Test-Tube Creature, Afterward by Joan Bernott And the Sea Like Mirrors by Gregory Benford Bed Sheets Are White by Evelyn Lief Tissue: At the Fitting Shop & 53rd American Dream by James Sallis Elouise and the Doctors of the Planet Pergamon by Josephine Saxton Chuck Berry, Won't You Please Come Home by Ken McCullough Epiphany for Aliens by David Kerr Eye of the Beholder by Burt K. Filer Moth Race by Richard Hill In re Glover by Leonard Tushnet Zero Gee by Ben Bova A Mouse in the Walls of the Global Village by Dean R. Koontz Getting Along by James Blish & Judith Ann Lawrence Totenbüch by Parra y FiguéredoThings Lost by Thomas M. Disch With the Bentfin Boomer Boys on Little Old New Alabama by Richard A. Lupoff Lamia Mutable by M. John Harrison Last Train to Kankakee by Robin Scott Empire of the Sun by Andrew Weiner Ozymandias by Terry Carr The Milk of Paradise by James Tiptree, Jr.

    Matters of privacy and government intrusion, post-Tinder romance, nihilistic terrorism, artificial consciousness, synthetic biology, and much more are tackled with authority and brash playfulness by New York Times bestselling author Rob Reid.Meet Phluttr—a diabolically addictive new social network and a villainess, heroine, enemy, and/or bestie to millions. Phluttr has ingested every fact and message ever sent to, from, and about her innumerable users. Her capabilities astound her makers—and they don’t even know the tenth of it. But what’s the purpose of this stunning creation? Is it a front for something even darker and more powerful than the NSA? A bid to create a trillion-dollar market by becoming “The UberX of Sex”? Or a reckless experiment that could spawn the digital equivalent of a middle-school mean girl with enough charisma, dirt, and cunning to bend the entire planet to her will?Phluttr has it in her to become the greatest gossip, flirt, or matchmaker in history. Or she could cure cancer, bring back Seinfeld, then start a nuclear war. Whatever she does, it’s not up to us. But a motley band of Silicon Valley entrepreneurs, venture capitalists, and engineers might be able to influence her.After On achieves the literary singularity—fusing speculative satire and astonishing reality into a sharp-witted, ferociously believable, IMAX-wide view of our digital age.

    The ultimate warriors, they are known for their deadly rages, unbreakable honor, and fierce independence. No man rules the Dorsai, but their mastery of the art of war has made them the most valuable mercenaries in the known universe. Donal Graeme is Dorsai, taller and harder than any ordinary man. But he is different as well, with talents that maze even his fellow Dorsai. And once he ventures out into the stars, the future will never be the same.

    Yes, that seemed normal enough---but what was this talk about "death trauma"?Thus was Thomas Blaine introduced to the year 2110, where science had discovered the technique of transferring a man's consciousness from one body to another. Where a man's mind could be snatched from the past, when his body was at the point of death, and brought forward into a "host body" in this fantastic future world. But that was only a small part of it. For the future had proved the reality of life after death, and discovered worlds beyond or simultaneous with our own---worlds where, through scientific techniques, a man could live again, in another body, when he died here. And in the process, the reality of ghosts, poltergeists, and zombies was also established. What did it all mean? How had this discovery of what they called the "hereafter" shaped the world of 2110? Thomas Blaine found himself living in a future where the discoveries and techniques imagined by people of his time, while having come about, were completely overwhelmed by discoveries no one had ever dreamed of.

    The Empire forces his high Kirlian aura into alien bodies - wheeled Polarian, slave to insectoid Canopian, tri-sex Spica water world, on dragon to court emulating Elizabeth I. From Andromeda, conquerors bent on destroying the galaxy, follows equally brilliant enemy assassin - female.

    The book describes a history of life in the universe, dwarfing in scale Stapledon's previous book, Last and First Men (1930), a history of the human species over two billion years. Star Maker tackles philosophical themes such as the essence of life, of birth, decay and death, and the relationship between creation and creator. A pervading theme is that of progressive unity within and between different civilizations. Some of the elements and themes briefly discussed prefigure later fiction concerning genetic engineering and alien life forms. Arthur C. Clarke considered Star Maker to be one of the finest works of science fiction ever written.

    At least that was the theory American scientists were exploring in an effort to explain the new sources of knowledge the Russians possessed. Perhaps Russian scientists had discovered how to transport themselves back in time in order to learn long-forgotten secrets of the past. That was why young Ross Murdock, above average in intelligence but a belligerently independent nonconformist, found himself on a "hush-hush" government project at a secret base in the Arctic. The very qualities that made him a menace in civilized society were valuable traits in a man who must successfully act the part of a merchant trader of the Beaker people during the Bronze Age.For once they were transferred by time machine to the remote Baltic region where the Russian post was located, Ross and his partner Ashe were swept into a fantastic action-filled adventure involving Russians, superstitious prehistoric men, and the aliens of a lost galactic civilization that demanded every ounce of courage the Americans possessed.Approx. 7 hours

    Billions had died, billions more were doomed. Moons, planets, the very stars themselves, faced destruction, cold-blooded, brutal, and worse, random. The Idirans fought for their Faith; the Culture for its moral right to exist. Principles were at stake. There could be no surrender.Within the cosmic conflict, an individual crusade. Deep within a fabled labyrinth on a barren world, a Planet of the Dead proscribed to mortals, lay a fugitive Mind. Both the Culture and the Idirans sought it. It was the fate of Horza, the Changer, and his motley crew of unpredictable mercenaries, human and machine, actually to find it, and with it their own destruction.

    Against his better judgment, he accepts an assignment to crack the Marshall Titov, a top-secret orbital station operated by the European Space Agency. But what Matt will discover there will propel him on an extraordinary and quite unexpected journey.Gregor Cairns is an exobiology student and descendant of one of Terra Nova's first families. Hopelessly infatuated with a lovely young trader's daughter, he is unaware that his research partner, Elizabeth, has fallen in love with him. Together, Gregor and Elizabeth confront the great work his family began three centuries earlier-to rediscover the secret of interstellar travel.Ranging from a gritty near-future Earth to a distant alien world, Cosmonaut Keep is contemporary science fiction at its highest level, a visionary epic filled with daring individuals seeking a place for themselves in a vast, complex, and enigmatic universe. Cosmonaut Keep is a 2002 Hugo Award Nominee for Best Novel.

    A legend as old as the stars rules this constructed world; When the seventh seventh seventh human Heptarch is crowned, he will be the Kristos and will bring eternal salvation . . . or the destruction of the cosmos.Patience is the only daughter of the rightful Heptarch, but she, like her father before her, serves the usurper who has destroyed her family. For she has learned the true ruler's honor.Duty to one's race is more important than duty to one's self. But the time for prudence has passed, and that which has slept for ages has awakened. And Patience must journey to the heartsoul of this planet to confront her destiny . . . and her world's.

    Phaethon, of Radamanthus House, is attending a glorious party at his family mansion celebrating the thousand-year anniversary of the High Transcendence. There he meets an old man who accuses him of being an imposter, and then a being from Neptune who claims to be an old friend. The Neptunian tells him that essential parts of his memory were removed and stored by the very government that Phaethon believes to be wholly honorable. It shakes his faith. Is he indeed an exile from himself? He can't resist investigating, even though to do so could mean the loss of his inheritance, his very place in society. His quest must be to regain his true identity and fulfill the destiny he chose for himself.The Golden Age is just the beginning of Phaethon's story, which will continue in The Phoenix Exultant, forthcoming from Tor.