It was always winter in the garden, for no other season would venture there. Then one morning, a special child brought Spring back, and the giant's heart melted along with the snow.

    When the selfish townspeople of Hamelin refuse to pay the piper for spiriting away the hordes of rats that had plagued them, he exacts his revenge by luring away their greatest treasure, the children of the town.Excerpt from The Pied Piper of Hamelin The Pied Piper of Hamelin. I. Hamelin Town's in Brunswick, By famous Hanover city;The river Weser, deep and wide, Washes its wall on the southern side;A pleasanter spot you never spied;But, when begins my ditty, Almost five hundred years ago, To see the townsfolk suffer soFrom vermin, was a pity.

    In resourceful and humorous fashion, Elizabeth finds the dragon, outsmarts him, and rescues Ronald--who is less than pleased at her un-princess-like appearance. Full color.

    When Ivan-Tsarevitch, youngest son of the Tsar, goes on a quest for the amazing bird, he finds himself flying over mountains and woods on a talking wolf, confronting a wicked Baba Yaga, and rescuing an enchanted princess from Koshchei the Immortal. But when he returns from his magical journey, he brings home the most precious treasure of all. Gennady Spirin brings this original version of the Firebird tale from his native Russia and has illustrated it in his trademark rich, luminous style. This retelling of a classic is sure to become the new standard.

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    Raised on her nourishing milk, the boy becomes the strongest man in the land -- and the only one brave enough to battle the kingdom's bloodthirsty three-headed dragon. Yet it is wit, not just courage and might, that the hero must employ to win his true desire: the delicate hand of a princess already betrothed to another.Nothing could be more delicious than the marvelous quest that ensues -- a tale of romantic valor, stolen glory, and sweet justice. Caldecott Medalist Trina Schart Hyman has created a pictorial drama that is alive with good humor and splendid characters as forever memorable as Howard Pyle's timeless story. Here is a winning revival from the classic book The Wonder Clock that will surely be savored again and again.

    . . . The droll illustrations, with tones blended to luminescent shading, are complete and humorous themselves.' -- Association of Library Service to Children, ALA.

    In this rendition a tiger is proven to be a princess.

    So the question arises: Do we really need another edition of Puss? Presented with Fred Marcellino's magnificent interpretation of this nimble new translation of the authentic text, book lovers young and old are apt to decide that this Puss in Boots belongs on their shelf of special favorites.Long regarded as the preeminent designer of book jackets in America, Fred Marcellino provides an unstinting visual feast in his first full-color picture book. The eadventures of that rascal, Puss, and his master, the miller's sonare portrayed in a lavish series of illustrations that range from sumptuous grandeur to comedy both boisterous and sly.

    How could everyone in a castle - even the flies on the walls - sleep for a century and then wake up? This magical, beautifully illustrated tale begins when the king excludes the most difficult fairy of the kingdom from a feast celebrating the birth of his beautiful daughter Briar Rose. Furious, the fairy storms in and curses the baby, pronouncing that on her fifteenth birthday she will be pricked by a distaff (from a spinning wheel) and fall down dead. The youngest fairy softens the curse to a century-long sleep. Despite the fact that the king burns all the spinning wheels in the kingdom, 15-year-old Briar Rose finds herself in the tower where the evil fairy and her fate await her. The drama of the spell unfurls as she and the other inhabitants of the castle fall instantly asleep, from courtiers to kitchen maids. Thorny briars - moodily captured by Trina Schart Hyman's masterful paintbrush - grow up around the castle. Hyman depicts those who died attempting to break through the maze of thorns to reach the legendary sleeping beauty in a nightmarish illustration. But goodness and true love prevail when the perfect prince does finally find his way through the thick vines.Hyman won a Caldecott Medal for her work in Saint George and the Dragon by Margaret Hodges, and her version of The Sleeping Beauty makes us believe in the magic of the spell. The scenes inside the castle are alive with color and movement and rich with details that children will devour eagerly. Moods and expressions are rendered exquisitely, especially those of the wild, red-haired beauty Briar Rose. This wonderful read-aloud classic is one of Hyman's best.

    . . . A wonderful book--wry, touching, funny, and completely satisfying".--School Library Journal, starred review. Full color. IRA/CBC Teachers' Choice; winner of the Bologna Book Fair "Critici in Erba" Prize; School Library Journal Best Book.

    The stories are arranged in the order in which they were first published so they may be read in their proper sequence. A special section at the end of this volume contains four additional works by Beatrix Potter that were not published during her lifetime. Beautifully reissued with a newly designed slipcase and jacket--a truly stunning gift.

    100 illustrations.

    Readers young and old will be enchanted by the vision and mastery of Kinuko Y. Craft's luminous paintings, inspired by the lavish artwork of late seventeenth-century France and embellished with extraordinary borders and ornamentation.Rich with radiant color and astonishing detail, here is a dream come true for anyone who has ever believed in living happily ever after.

    A princess doomed by a witch to lose her “gravity” results in a silly heroine that has neither physical nor spiritual weight. George MacDonald’s masterful teaching on the subject of sacrificial love is delivered eloquently in the events and characters of this engaging story.