Yngwie Malmsteen's revolutionary guitar style—combining elements of classical music with the speed and volume of heavy metal—made him a staple of the 80s rock scene. Decades later, he's still a legend among guitarists, having sold 11 million albums and influenced generations of rockers since. In Relentless, Malmsteen shares his personal story, from the moment he burst onto the scene seemingly out of nowhere in the early 80s to become a household name in the annals of heavy metal. Along the way, he talks about his first bands, going solo, his songwriting and recording process, and the seedy side of the rock business.

    Among recordings by bands such as Sonic Youth, Black Flag, Husker Du, The Minutemen, and R.E.M. was an album called "Sorry Ma . . . Forgot to Take Out the Trash", recorded by a scruffy, flannel-clad quartet from Minneapolis called The Replacements. Now, for the first time, all of the hearsay, half-truths, legends, and allegations associated with this maelstrom of a rock & roll band are unraveled in this oral history by longtime Twin Cities music journalist Jim Walsh.Through interviews with family, friends, and fans; former manager Peter Jesperson; Twin/Tone record label cofounder Paul Stark; and musicians around the nation influenced by the band, Walsh lays bare with painful clarity a tale that unfolds like a tragic comedy in three perfect acts. Celebrated by national publications, "the Mats" often seemed more hell-bent on sabotaging their status as critical darlings than parlaying it. With their markedly apolitical stance amid their decidedly political peers, their uncool embrace of "classic rock" influences like KISS and The Faces, and their Dionysian appetites (and the resulting tendency to literally fall on their own faces), The Replacements lasted 12 years despite themselves.From the bands founding to their rise through the local and national club circuits, their major label deal in 1985, and the slow and painful implosion that followed, The Replacements: All Over But the Shouting lays down the gripping oral history behind the little band that could--but didn't.

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    He not only wrote extensively and evocatively of the “mood, atmosphere and ephemeral terror” that enveloped the group and their doomed front man, Ian Curtis, but he was present when Curtis suffered his life-changing epileptic seizure following a London concert in April 1980 and was the only journalist permitted to view Curtis’ corpse. Joy Division: Piece By Piece encompasses his complete writings on the group, both contemporary and retrospective. In addition to collecting all of Morley’s classic works about the band, the book includes his eloquent Ian Curtis obituary and hindsight pieces on the group’s significance, framed by an extensive retrospective essay, as well as his reviews of the films 24 Hour Party People and Control. Morley, who emerged from Manchester at the same time as Joy Division, effortlessly evokes that city’s zeitgeist and psycho-geography to tell the story of this uniquely intense group.

    Based on interviews with former members Lou Reed, John Cale, and Sterling Morrison, as well as others from Andy Warhol's circle of artistic collaborators, Up-Tight is the definitive oral and visual history of the band and its revolutionary, often avant-garde music. Bockris and Malanga's intelligent and entertaining approach-which does not shy away from the drugs, sleaze, and controversy that enveloped the band seemingly from its inception-provides compulsive reading.

    I never understood that connection until I sat down to write. It was then that the magic started to flow.”Let Love Rule is a work of deep reflection. Lenny Kravitz looks back at his life with candor, self-scrutiny, and humor.“My life is all about opposites,” he writes. “Black and white. Jewish and Christian. The Jackson 5 and Led Zeppelin. I accepted my Gemini soul. I owned it. I adored it. Yins and yangs mingled in various parts of my heart and mind, giving me balance and fueling my curiosity and comfort.”Let Love Rule covers a vast canvas stretching from Manhattan’s Upper East Side, Brooklyn’s Bedford-Stuyvesant, Los Angeles’s Baldwin Hills, Beverly Hills, and finally to France, England and Germany.It’s the story of a wildly creative kid who, despite tough struggles at school and extreme tension at home, finds salvation in music.We see him grow as a musician and ultimately a master songwriter, producer, and performer. We also see Lenny’s spiritual growth―and the powerful way in which spirit informs his music.The cast of characters surrounding Lenny is extraordinary: his father, Sy, a high-powered news executive; his mother, Roxie Roker, a television star; and Lisa Bonet, the young actress who becomes his muse.The central character, of course, is Lenny, who, despite his great aspirational energy, turns down record deal after record deal until he finds his true voice.The creation of that voice, the same voice that is able to declare “Let Love Rule” to an international audience, is the very heart of this story.“Whether recording, performing, or writing a book,” says Lenny, “my art is about listening to the inspiration inside and then sharing it with people. Art must bring the world closer together.”

    Interviewees include band members Gregg Allman, Dickey Betts, Jaimoe, Butch Trucks, Warren Haynes, Derek Trucks, Oteil Burbridge, Chuck Leavell, Jack Pearson, Jimmy Herring, David Goldflies, and the late Allen Woody; plus Eric Clapton, Tom Dowd, Phil Walden, Billy Gibbons, Dr. John, and many other band friends and associates. One Way Out is the most complete exploration of the Allman Brothers music yet written, tracking the band's career from its 1969 formation through its historic 40th-anniversary star-studded Beacon run, right on up to today. Filled with musical and cultural insights that only these insiders can provide, it includes the most in-depth look at the acrimonious 2000 parting with founding guitarist Dickey Betts; an intense discussion of Betts and Duane Allman's revolutionary guitar styles; and thorough behind-the-scenes information on the recording of At Fillmore East, Layla, Eat a Peach, and other classic albums. You will not find this information anywhere else. The book also includes a highly opinionated discography with short reviews of over 50 albums, plus a bonus list of essential Southern rock albums.

    Learn all about Barrett's career as lead member of the original Pink Floyd, his subsequent release from the group, and solo career. A revealing investigation into the life of a reclusive cult genius.

    This one is making his.Rob Halford, front man of global iconic metal band Judas Priest, is a true "Metal God." Raised in Britain's hard-working, heavy industrial heartland, he and his music were forged in the Black Country. Confess, his full autobiography, is an unforgettable rock 'n' roll story-a journey from a Walsall council estate to musical fame via alcoholism, addiction, police cells, ill-fated sexual trysts, and bleak personal tragedy, through to rehab, coming out, redemption . . . and finding love. Now, he is telling his gospel truth. Told with Halford's trademark self-deprecating, deadpan Black Country humor, Confess is the story of an extraordinary five decades in the music industry. It is also the tale of unlikely encounters with everybody from Superman to Andy Warhol, Madonna, Jack Nicholson, and the Queen. More than anything else, it's a celebration of the fire and power of heavy metal. Rob Halford has decided to Confess. Because it's good for the soul.

    Though world famous and revered by classical music lovers everywhere, he guarded himself and his thoughts as carefully as his talent. Fascinated, author and filmmaker Bruno Monsaingeon tried vainly for years to interview the enigmatic pianist. Richter eventually yielded, granting Monsaingeon hours of taped conversation, unlimited access to his diaries and notebooks, and, ultimately, his friendship. This book is the product of that friendship.Richter reveals himself as a man and an artist. Unsentimentally and with his characteristic dry humor and intelligence, the musician describes his poignant childhood and spectacular career, including his tumultuous early days at the Moscow Conservatory and his triumphant 1960 tour of the United States. His laconic recounting of playing in the orchestra at Stalin's surreal, interminable state funeral is riveting. Most important for music lovers, Richter discusses his influences and views on musical interpretation. He describes his encounters with other great Russian performers and composers, including Prokoviev, Shostakovich, Oistrakh, and Gilels. Candid sections from his personal journals offer his sober and unguarded impressions of dozens of performances and recordings--both his own and those of other musicians.This volume offers readers the sizable pleasure of lingering in the thoughts and words of one of the most important pianists of the twentieth century. Unlike many other star performers, Richter was also an intellectual who had interesting things to say, particularly about the musician's proper role as interpreter of the composer's art. This alone makes the book worth reading. Sviatoslav Richter belongs on the shelves of everyone with a classical music collection and will also appeal to lovers of autobiography and admirers of Russian musical culture.

    Iggy Pop, Danny Fields, Dee Dee and Joey Ramone, Malcom McLaren, Jim Carroll, and scores of other famous and infamous punk figures lend their voices to this definitive account of that outrageous, explosive era. From its origins in the twilight years of Andy Warhol's New York reign to its last gasps as eighties corporate rock, the phenomenon known as punk is scrutinized, eulogized, and idealized by the people who were there and who made it happen.

    This is the story of my life in rock and roll -- and how the band that has meant everything to me came to define me. I'm looking forward to sharing it with you." Mick Fleetwood has been a member of the ever-evolving Fleetwood Mac, one of the world's most successful and adored bands, for over four decades. Here he tells the full and candid story of his life as one of music's greatest drummers and bandleaders, the cofounder of the deeply loved supergroup that bears his name and that of his bandmate and lifelong friend John McVie.In this intimate portrait of a life lived in music, Fleetwood vividly recalls his upbringing tapping along to every song playing on the radio, his experiences as a musician in '60s London, and the earliest permutation of the band featuring Peter Green.Play On sheds new light on Fleetwood Mac's raucous history, describing the highs and lows of being in the band that Fleetwood was determined to keep together. Here he reflects on the creation of landmark albums such as Rumours and Tusk, the great loves of his life, and the many incredible and outrageous moments of recording, touring, and living with Fleetwood Mac. Fleetwood describes these moments with honesty and immediacy, taking us to the very heart of this multilayered journey that has always been anchored in music.Through it all, from intense love to plaintive heartaches, from collaborations to confrontations, it's been the drive to play on that has prevailed. Now, then, and always, it's Fleetwood Mac.

    The first biography of the Carpenters to reveal the truth behind their public image and the consequences of the stardom that contributed to Karen's tragic death in 1983, told by an acclaimed biographer and friend of Karen and Richard.

    She also remained one of the most private of all the public figures of her time.In 1983 - at the age of seventy-five, her career cresting - the four-time Academy Award winner opened the door to biographer A. Scott Berg - then thirty-three - and began a special friendship, one that endured to the end of her illustrious life.From the start, Scott Berg felt that Katharine Hepburn intended his role to be not just that of a friend but also of a chronicler, a confidant who might record for posterity her thoughts and feelings. Over the next twenty years, Kate used their many hours together to reveal all that came to mind, often reflecting on the people and episodes of her past, occasionally on the meaning of life.Here are the stories from those countless intimate conversations, and much more. In addition to recording heretofore untold biographical details of her entire phenomenal career and her famous relationships with such men as Spencer Tracy and Howard Hughes, Kate Remembered also tells the amusing, often emotional story of one of the most touching friendships in her final years. Scott Berg provides his own memories of Katharine Hepburn offstage - quiet dinners in her town house in New York City, winter swims (she swam, he watched) in the Long Island Sound at Fenwick, her home in Connecticut, weekend visits with family members and dear friends...even some unusual appearances by the likes of Michael Jackson and Warren Beatty. Finally, Kate Remembered discusses the legendary actress's moving farewell, during which her mighty personality surrendered at last to her failing body - all the while remaining true to her courageous character.Kate Remembered is a book about love and friendship, family and career, Hollywood and Broadway - all punctuated by unforgettable lessons from an extraordinary life.

    This is his memoir of life at the heart of prog rock, art rock, & modern jazz. It is an honest, entertaining, well-written account of life on the road & in the studio.