One brilliant anecdote tells of an innkeeper who generously says there's plenty of room for Mary and Joseph, while another child, jealous of Joseph's starring role, allows Mary to come in but not Joseph, who can 'push off' ... There's the baby Jesus who suddenly pipes up with 'My name is Tammy, are you my Mommy?' and funniest of all, Mary who tells Joseph, 'I'm having a baby - oh and it's not yours'.Gervase Phinn's A Wayne in a Manger is the perfect gift this Christmas.'Gervase Phinn's memoirs have made him a hero in school staff-rooms' Daily Telegraph Gervase Phinn is an author and educator from Rotherham who, after teaching for fourteen years in a variety of schools, moved to North Yorkshire to be a school inspector. He has written autobiographies, novels, plays, collections of poetry and stories, as well as a number of books about education. He holds five fellowships, honorary doctorates from Hull, Leicester and Sheffield Hallam universities, and is a patron of a number of children's charities and organizations. He is married with four adult children. His books include The Other Side of the Dale, Over Hill and Dale, Head Over Heels in the Dales, The Heart of the Dales, Up and Down in the Dales and Trouble at the Little Village School.

    Yum! I hope you like it.

    This debut full-length poetry collection by Ben Mirov was the winning manuscript in the 2009 Caketrain Chapbook Competition, as judged by Michael Burkard.

    At once melancholic and jubilant, Jackson considers the journey of humanity, with all its foibles, as a sacred pattern of discovery reconciled by art and the imagination. From “The Absurd Man at Fourteen”He punched her again, a woman called the house,some yelling then us out the door leavingthe kitchen phone cord swinging.

    Howard (famous for Conan the Barbarian), and Clarence E. Mulford (creator of Hopalong Cassidy), and many more!HIS KIND OF HELLION, by Johnston McCulleyTEXAS JOHN ALDEN, by Robert E. HowardTHE OUTCASTS OF POKER FLAT, by Bret HarteTHIEVES OF BLACK ROCK DESERT, by Bill AnsonTHE RATTLER ROUNDUP, by Lee BondLEFT FER THE BUZZARDS, by Allan R. BosworthHORSESHOES AREN’T ALWAYS LUCKY, by Sam BrantGUN-WHIPPED! by Carmony GoveA 22-GUN RANGER WALKS, by Raymond S. SpearsRANGER STYLE, by J. Allan DunnPLUMB AMUSING, by Jackson ColeNO REPORT, by S. Omar BarkerEL TIRO DI GRACIA, by Colin CameronTHE PHILOSOPHY OF GRAY EACLE, by Wolcott LeClear BeardSIXGUNS TO BOWIE, by Robert J. HoganDESERT JUDGMENT, by E. Hoffmann PriceTHE TRAIL TRAP, by T.W. FordGUN-QUEEN OF THE SPANISH GRANT, by Joseph ChadwickHOPALONG’S HOP, by Clarence E. MulfordDEMONS OF DISASTER, by Johnston McCulleyWAR ON BEAR CREEK, by Robert E. HowardBRAND OF THE RED WARRIOR, by Ike BooneFETCH ME BRANNON’S EARS, by Seven AndertonTHE LUCK OF ROARING CAMP, by Bret HarteINVITATION BY BULLET, by Ernest HaycoxAnd don't forget to check out all the other volumes in the "Megapack" series! Search on "Megapack" in the ebook store to see the complete list...covering adventure stories, military, fantasy, ghost stories, and more!

    Rita Dove, Pulitzer Prize-winning poet and former U .S. Poet Laureate, introduces readers to the most significant and compelling poems of the past hundred years. Selecting from the canon of American poetry throughout the twentieth century, Dove has created an anthology that represents the full spectrum of aesthetic sensibilities-from styles and voices to themes and cultures-while balancing important poems with significant periods of each poet. Featuring poems both classic and contemporary, this collection reflects both a dynamic and cohesive portrait of modern American poetry and outlines its trajectory over the past century.

    He came of age during the Haight-Ashbury period and has been called “the last of the Beats.” His early books became required reading for the hip generation, and on its publication Trout Fishing in America became an international bestseller. An indescribable romp, the novel is best summed up in one word: mayonnaise. This new edition includes an introduction by the poet Billy Collins, who first encountered Brautigan’s work as a student in California.

    From falling in love to overcoming adversity, celebrating a new born or learning to live with dignity: here is a book to inspire and to thrill through life's most magical moments. From William Shakespeare to Carol Ann Duffy, our most popular and best loved poets and poems are gathered in one essential collection, alongside many lesser known treasures that are waiting to be discovered. These are poems that help you to see the miraculous in the commonplace and turn the everyday into the exceptional - to discover, in Kipling's words, that yours is the Earth and everything that's in it.

    Or she is and she isn’t. If you just want to boss people around, you’re a control freak, but if you can joke about it, then your bossiness is leavened by a yeast that’s all too infrequent in contemporary poetry, that of humor.”—New York Times“Shaughnessy’s voice is smart, sexy, self-aware, hip . . . consistently wry, and ever savvy.”—Harvard Review“Brenda Shaughnessy . . . writes like the love-child of Mina Loy and Frank O’Hara.”—Exquisite Corpse"In its worried acceptance of contradiction, its absolute refusal of sentimentality and its acute awareness of time's 'scarce infinity,' this is a brilliant, beautiful and essential continuation of the metaphysical verse tradition." —Publishers Weekly, starred review“Human Dark with Sugar is both wonderfully inventive (studded with the strangenesses of ‘snownovas’ and ‘flukeprints’) and emotionally precise. Her ‘I’ is madly multidexterous—urgent, comic, mischievous—and the result is a new topography of the debates between heart and head.”—Matthea Harvey, a judge for the Laughlin Award"Seriously playful, sexy, sharp-edged, and absolutely commanding throughout....Here you'll meet an 'I' boldly ready to take on the world and just itching to give 'You' some smart directives. So listen up."—Library JournalIn her second book, winner of the prestigious James Laughlin Award, Brenda Shaughnessy taps into themes that have inspired era after era of poets. Love. Sex. Pain. The heavens. The loss of time. The weird miracle of perception. Part confessional, part New York School, and part just plain lover of the English language, Shaughnessy distills the big questions into sharp rhythms and alluring lyrics. “You’re a tool, moon. / Now, noon. There’s a hero.”Master of diverse dictions, she dwells here on quirky words, mouthfuls of consonance and assonance—anodyne, astrolabe, alizarin—then catches her readers up short with a string of powerful monosyllables. “I’ll take / a year of that. Just give it back to me.” In addition to its verbal play, Human Dark With Sugar demonstrates the poet’s ease in a variety of genres, from “Three Sorries” (in which the speaker concludes, “I’m not sorry. Not sorry at all”), to a sequence of prose poems on a lover’s body, to the discussion of a disturbing dream. In this caffeine jolt of a book, Shaughnessy confirms her status as a poet of intoxicating lines, pointed, poignant comments on love, and compelling abstract images —not the least of which is human dark with sugar.Brenda Shaughnessy was raised in California and is an MFA graduate of Columbia University. She is the poetry editor for Tin House and has taught at several colleges, including Eugene Lang College and Princeton University. She lives in Brooklyn.

    G. Sebald, and Joseph Conrad. The prefatory lyric, "Burial Practice," imagines the posthumous narrative of "then’s" that follows an individual's extinction; in the poem "Aria," a stagehand steps onto the floorboards to wax poetic after the curtain has dropped on an opera; and the extended sequence of "Circle" poems obliquely revisits Dante's ethical landscape of the afterlife.Many of these poems were written while Srikanth Reddy worked for a rural literacy program in the south of India, a fact reflected in the imagined postcolonial world of lyrics such as "Monsoon Eclogue" and "Thieves’ Market." Yet the collection moves beyond the identity politics and ressentiment of postcolonial and Asian-American writings by addressing the fugitive dreams of shared experience in poems such as "Fundamentals of Esperanto." Mobilizing traditional literary forms such as terza rima and the villanelle while simultaneously exploring the poetics of prose and other "formless" modes, Facts for Visitors re-negotiates the impasse between traditional and experimental approaches to writing in contemporary American poetry.

    In THE REALLY FUNNY THING ABOUT APATHY, Chelsea Martin's charming but merciless prose employs mathematical paradoxes and theories of infinity to examine the inner workings of the bored and culturally over-stimulated while they idly consider the meaning of life. Overwhelmed and assaulted by their own inner monologues, these characters stumble through a series of external events, obsessing over the possible connections and ultimately assigning deep meaning to them.

    This special edition, sensitively illustrated with delicate drawings by Paul Saunders, is intended as a lasting keepsake for those mourning a loved one.

    But now that I’m home to take the helm, I find out my parents have gone and hired some corporate wannabe with a fancy degree to help. I’m determined to send her packing until I get a good look at her.Though she represents everything I hate, I find myself drawn to her. She’s a temptation that’s hard to resist.OliveHelping the family-run apple orchard reach the next level seems like a good stepping stone for bigger and better things. It would go a whole lot better if the owners’ son didn’t question my every decision.And it would be a whole lot easier if he wasn’t so good looking.I’m here to do a job, but maybe it wouldn’t hurt to mix a little pleasure with business.Instalove Fall Festival is a series of standalone short, sweet, and steamy romances filled with the best parts of Autumn and happily ever afters. Read this series if you love strong, protective heroes and confident, curvy heroines who find true love, and maybe some hot apple cider along the way. No cliffhangers! No cheating!

    Divided into four sections: love, loss, acceptance, and growth- the content serves the purpose of making you feel and finding the light at the end of the tunnel.

    In this profoundly beautiful and intensely moving lament, artist and writer Karen Green conjures the inscrutable space of love and loss, clarity and contradiction, sense and madness. She summons memory and the machination of the interior mind with the emotional acuity of music as she charts her passage through the devastation of her husband's suicide. In crystalline fragments of text, Green's voice is paradoxically confessional and non-confessional: moments in her journey are devastating but also luminous, exacting in sensation but also ambiguous and layered in meaning. Her world is haunted by the unnameable, and yet she renders that world with poetic precision in her struggle to make sense of not only of death but of living. In counterpoint, tiny visual collages punctuate the text, each made of salvaged language and scraps of the material world-pages torn from books, bits of paper refuse, drawings and photographs, old postage stamps and the albums which classify them. Each collage — and the creative act of making it — evinces the reassembling of life. A breathtaking lyric elegy, Bough Down uses music and silence, color and its absence, authority of experience and the doubt that trembles at its center to fulfill a humane artistic vision. This is a lapidary, keenly observed work, awash with the honesty of an open heart.