But the ghoulish nature of his art—as well as extensive evidence—points to another name, one that’s left its bloody mark on the pages of history: Jack the Ripper. Cornwell has collected never-before-seen archival material—including a rare mortuary photo, personal correspondence and a will with a mysterious autopsy clause—and applied cutting-edge forensic science to open an old crime to new scrutiny.Incorporating material from Portrait of a Killer: Jack the Ripper—Case Closed, this new edition has been revised and expanded to include eight new chapters, detailed maps and hundreds of images that bring the sinister case to life.

    This book names him. Mad doctors, Russian lunatics, bungling midwives, railway policemen, failed barristers, weird artists, royal princes and white-eyed men. All of these and more have been put in the frame for the Whitechapel murders. Where ingenious invention and conspiracy theories have failed, common sense has floated out of the window.M.J. Trow, in this gripping historical reinvestigation, cuts through the fog of speculation, fantasy and obsession that has concealed the identity of the most famous serial murderer of all time.

    In June of 1860 three-year-old Saville Kent was found at the bottom of an outdoor privy with his throat slit. The crime horrified all England and led to a national obsession with detection, ironically destroying, in the process, the career of perhaps the greatest detective in the land.At the time, the detective was a relatively new invention; there were only eight detectives in all of England and rarely were they called out of London, but this crime was so shocking, as Kate Summerscale relates in her scintillating new book, that Scotland Yard sent its best man to investigate, Inspector Jonathan Whicher. Whicher quickly believed the unbelievable—that someone within the family was responsible for the murder of young Saville Kent. Without sufficient evidence or a confession, though, his case was circumstantial and he returned to London a broken man. Though he would be vindicated five years later, the real legacy of Jonathan Whicher lives on in fiction: the tough, quirky, knowing, and all-seeing detective that we know and love today…from the cryptic Sgt. Cuff in Wilkie Collins’s The Moonstone to Dashiell Hammett’s Sam Spade. The Suspicions of Mr. Whicher is a provocative work of nonfiction that reads like a Victorian thriller, and in it Kate Summerscale has fashioned a brilliant, multilayered narrative that is as cleverly constructed as it is beautifully written.

    Now a journalist is following them.When Stieg Larsson died, the author of The Girl with the Dragon Tattoo had been working on a true mystery that out-twisted his Millennium novels: the assassination on February 28, 1986, of Olof Palme, the Swedish prime minister. It was the first time in history that a head of state had been murdered without a clue who’d done it—and on a Stockholm street at point-blank range.Internationally known for his fictional far-right villains, Larsson was well acquainted with their real-life counterparts and documented extremist activities throughout the world. For years he’d been amassing evidence that linked their terrorist acts to what he called “one of the most astounding murder cases” he’d ever covered. Larsson’s archive was forgotten until journalist Jan Stocklassa was given exclusive access to the author’s secret project.In The Man Who Played with Fire, Stocklassa collects the pieces of Larsson’s true-crime puzzle to follow the trail of intrigue, espionage, and conspiracy begun by one of the world’s most famous thriller writers. Together they set out to solve a mystery that no one else could.

    But for every celebrity psychopath who’s gotten ink for spilling blood, there’s a bevy of all-but-forgotten homicidal fiends studding the bloody margins of U.S. history. The law gave them their just desserts, but now the hugely acclaimed author of The Serial Killer Files and The Whole Death Catalog gives them their dark due in this absolutely riveting true-crime treasury. Among America’s most cold-blooded you’ll meet   • Robert Irwin, “The Mad Sculptor”: He longed to use his carving skills on the woman he loved—but had to settle for making short work of her mother and sister instead.   • Peter Robinson, “The Tell-Tale Heart Killer”: It took two days and four tries for him to finish off his victim, but no time at all for keen-eyed cops to spot the fatal flaw in his floor plan.   • Anton Probst, “The Monster in the Shape of a Man”: The ax-murdering immigrant’s systematic slaughter of all eight members of a Pennsylvania farm family matched the savagery of the Manson murders a century later.   • Edward H. Ruloff, “The Man of Two Lives”: A genuine Jekyll and Hyde, his brilliant scholarship disguised his bloodthirsty brutality, and his oversized brain gave new meaning to “mastermind.”   Spurred by profit, passion, paranoia, or perverse pleasure, these killers—the Witch of Staten Island, the Smutty Nose Butcher, the Bluebeard of Quiet Dell, and many others—span three centuries and a host of harrowing murder methods. Dramatized in the pages of penny dreadfuls, sensationalized in tabloid headlines, and immortalized in “murder ballads” and classic fiction by Edgar Allan Poe and Theodore Dreiser, the demonic denizens of Psycho USA may be long gone to the gallows—but this insidiously irresistible slice of gothic Americana will ensure that they’ll no longer be forgotten.

    Ripperologist Robert House contends that we may have known the answer all along. The head of Scotland Yard's Criminal Investigation Department at the time of the murders thought Aaron Kozminski was guilty, but he lacked the legal proof to convict him. By exploring Kozminski's life, House builds a strong circumstantial case against him, showing not only that he had means, motive, and opportunity, but also that he fit the general profile of a serial killer as defined by the FBI today.The first book to explore the life of Aaron Kozminski, one of Scotland Yard's top suspects in the quest to identify Jack the Ripper, combines historical research and contemporary criminal profiling techniques to solve one of the most vexing criminal mysteries of all time. The book draws on a decade of research by the author, including trips to Poland and England to uncover Kozminski's past and details of the case.Includes a Foreword by Roy Hazelwood, a former FBI profiler and pioneer of profiling sexual predatorsFeatures dozens of photographs and illustrations.Building a thorough and convincing case that completes the work begun by Scotland Yard more than a century ago, this book is essential reading for anyone who wants to know who really committed Jack the Ripper's heinous and unforgettable crimes.

    These five canonical cases have been examined at length in Ripper literature, but other contemporary murders and attacks bearing strong resemblance to the gruesome Ripper slayings have received scant attention. These unsolved cases are the focus of this intriguing book.   The volume devotes separate chapters to a dozen female victims who were attacked during the years of Jack the Ripper’s murder spree. Their terrible stories—a few survived to bear witness, but most died of their wounds—illuminate key aspects of the Ripper case and the period: the gangs of London’s Whitechapel district, Victorian prostitutes, the public panic inspired by the crimes and fueled by journalists, medical practices of the day, police procedures and competency, and the probable existence of other serial killers. The book also considers crimes initially attributed to Jack the Ripper in other parts of Britain and the world, notably New York, Jamaica, and Nicaragua. In a final chapter, the drive to find the identity of the Ripper is examined, looking at contemporary and later suspects as well as several important theories, revealing the lengths to which some have gone to claim success in identifying Jack the Ripper.

    Not only does he build a powerful case against his suspect, Joseph Barnett, but Paley probably did more research than anyone else, with the result that his depiction of the East End of London c. 1888 is second to none, and has been singled out for its unrivalled richness and vividness. Paley has also been praised for his studious, unsensational account of the crimes, and his compassionate portraits of the Ripper’s victims. This is what some of the critics had to say. Writing in The Daily Mail (25/11/95), Val Hennessy wrote: "Bruce Paley's excellent book convinces me, for one, that Jack the Ripper has at last been nailed…Apart from convincingly identifying the Ripper, Paley's book paints an extraordinarily vivid picture of late 19th century London. It opens your eyes to the hopeless, harsh lives endured by single and deserted women, especially those with children, in the days before job opportunities and full time education." As such, Hennessey echoes the words of the esteemed writer Colin Wilson, who wrote in the foreword to Paley's book: "If I had to recommend a single book on Jack the Ripper to someone who knew nothing about the subject, I would unhesitatingly choose this one. Bruce Paley has captured the atmosphere of Whitechapel at the time of the murders - and indeed, London in the late 19th century - with a sense of living reality that no other writer on the case has achieved…[It is] the most evocative book on the period that I have ever read." Writing in the Guardian (22/11/06), Nancy Banks-Smith wrote: "[Jack the Ripper] was almost certainly Joseph Barnett, the live-in lover of the last victim, Mary Kelly, a theory convincingly argued by Bruce Paley in his book Jack the Ripper: The Simple Truth." Some years later, Adrian Morris, the editor of The Journal of the Whitechapel Society, declared Paley's book to be the best Jack the Ripper book of them all. "The immense strength of Paley's book," Morris wrote in February, 2010, "is that his suspect Barnett is perfectly placed to act as an almost unknowing device to explore the milieu of the East End with its poverty, exploitation and vice, whilst also drawing the reader into the soulless world of the victim...This Paley does brilliantly. His prose is powerful and, dare I say it beautiful. In Paley's words the Nietzschian hordes that are measured and understood as a value of history become material to act within a story that explores the full tragedy of the East End. Paley really does understand the East End A.D.1888, his words map out its DNA, his sentences tap out the arithmetic of existence. For one to understand the Whitechapel murders, one must understand the times. Nowhere can one do this better than in the chapters Paley devotes to this historical sociology. For Paley understands that while the Ripper was killing its womenfolk (albeit destitutes), the East End itself was eating its children in the jaws of poverty. Paley's excellent and wide ranging research underpins his descriptions. This is history with a poetical syncopation that adds to the subject matter in the mind of the reader. Paley describes the environs of Dorset Street and Miller's Court that takes some beating and is redolent of an informed approach that makes you feel he must have known the old place…I can only amplify [Colin Wilson's] endorsement uttered on the book's 1995 release by adding, without wishing to seem overly unctuous, that when compiling a booklist of authors that one would like to proffer to the uninitiated, soon-to-be initiated or just plain curious on the subject of the Whitechapel murders, I would advise that the list starts wit

    It would not stop there. Before long, the business had turned into a sprawling multinational conglomerate engaged in almost every conceivable aspect of criminal mayhem. Yachts carrying $100 million in cocaine. Safe houses in Hong Kong filled with gold bars. Shipments of methamphetamine from North Korea. Weapons deals with Iran. Mercenary armies in Somalia. Teams of hitmen in the Philippines. Encryption programs so advanced that the government could not break them.The man behind it all, pulling the strings from a laptop in Manila, was Paul Calder Le Roux—a reclusive programmer turned criminal genius who could only exist in the networked world of the twenty-first century, and the kind of self-made crime boss that American law enforcement had never imagined.For half a decade, DEA agents played a global game of cat-and-mouse with Le Roux as he left terror and chaos in his wake. Each time they came close, he would slip away. It would take relentless investigative work, and a shocking betrayal from within his organization, to catch him. And when he was finally caught, the story turned again, as Le Roux struck a deal to bring down his own organization and the people he had once employed.Award-winning investigative journalist Evan Ratliff spent four years piecing together this intricate puzzle, chasing LeRoux's empire and his shadowy henchmen around the world, conducting hundreds of interviews and uncovering thousands of documents. The result is a riveting, unprecedented account of a crime boss built by and for the digital age.Advance praise for The Mastermind“As directors, we spend countless hours imagining heightened plots and memorable characters that will leave a lasting impression on audiences. The true tale of obsession, genius, intrigue, and vengeance detailed in The Mastermind is as gripping and cinematic as anything we could endeavor to conjure up.”—Joe and Anthony Russo, directors of Captain America: The Winter Soldier, Captain America: Civil War, and Avengers: Infinity War“With his relentless and fearless reporting, Evan Ratliff has pried open a hidden world filled with high-tech gangsters and drug kingpins and double-crossers and stone-cold hitmen. The story is as fascinating as it is terrifying, and it is one that will hold you in its grip.”—David Grann, author of Killers of the Flower Moon“If truth is stranger than fiction, then The Mastermind is the truest book you’ll read this year. The only thing predictable about it is how quickly you’ll turn the pages.”—Noah Hawley, author of Before the Fall and creator of the TV series Fargo “This is a mesmerizing, absolutely bonkers story about a man as brilliant as he is villainous. You’ll find yourself sucked in, freaked out, and ultimately blown away by Ratliff's storytelling and tireless reporting. The Mastermind is a masterpiece.”—Nick Thompson, editor-in-chief, Wired

    And yet, very few of its readers know that the subject of the novel was inspired by a real-life case: the 1948 abduction of eleven-year-old Sally Horner.Weaving together suspenseful crime narrative, cultural and social history, and literary investigation, The Real Lolita tells Sally Horner’s full story for the very first time. Drawing upon extensive investigations, legal documents, public records, and interviews with remaining relatives, Sarah Weinman uncovers how much Nabokov knew of the Sally Horner case and the efforts he took to disguise that knowledge during the process of writing and publishing Lolita.Sally Horner’s story echoes the stories of countless girls and women who never had the chance to speak for themselves. By diving deeper in the publication history of Lolita and restoring Sally to her rightful place in the lore of the novel’s creation, The Real Lolita casts a new light on the dark inspiration for a modern classic.

    When a search yielded nothing, and all physical evidence had seemingly disappeared, authorities had little to go on—except a disturbing phone call five weeks later from Göran’s daughter Maria. She was sure that her sister, Sara, was somehow involved. At the heart of the alleged crime: Sara’s greed, her father’s land holdings, and his bitter feud with Sara’s idler boyfriend. With no body, there was no crime—and the case went as cold and dark as the forests of southern Sweden. But not for Therese Tang. For two years, this case was her obsession.A hard-working ex-model, mother of three, and Missing People investigator, Therese was willing to put her own safety at risk in order to uncover the truth. What she found was a nest of depraved secrets, lies, and betrayal. All she had to do now, in her relentless and dangerous pursuit of justice, was prove that it led to murder.

    1850. The Great Exhibition is being erected in Hyde Park and among the crowd watching the spectacle two people meet. For Iris, an aspiring artist, it is the encounter of a moment – forgotten seconds later, but for Silas, a collector entranced by the strange and beautiful, that meeting marks a new beginning. When Iris is asked to model for pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly her world begins to expand, to become a place of art and love.But Silas has only thought of one thing since their meeting, and his obsession is darkening . . .

    Investigators find her empty car on the edge of a deep, gloomy pond, the only clues some tire tracks nearby and a fur coat left in the car — strange for a frigid night. Her husband and daughter have no knowledge of her whereabouts, and England unleashes an unprecedented manhunt to find the up-and-coming mystery author. Eleven days later, she reappears, just as mysteriously as she disappeared, claiming amnesia and providing no explanations for her time away. The puzzle of those missing eleven days has persisted. With her trademark exploration into the shadows of history, acclaimed author Marie Benedict brings us into the world of Agatha Christie, imagining why such a brilliant woman would find herself at the center of such a murky story. What is real, and what is mystery? What role did her unfaithful husband play, and what was he not telling investigators? A master storyteller whose clever mind may never be matched, Agatha Christie’s untold history offers perhaps her greatest mystery of all.

    The extraordinarily wealthy 5th Duke of Portland had a mania for it, hiding in his carriage and building tunnels between buildings to avoid being seen. In 1897, an elderly widow asked the court to exhume the grave of her late father-in-law, T. C. Druce, under the suspicion that he’d led a double life as the 5th Duke. The eccentric duke, Anna Maria contended, had faked his death as Druce, and her son should inherit the Portland millions. Revealing a dark underbelly of Victorian society, Piu Marie Eatwell evokes an era when the rise of sensationalist media blurred every fact into fiction and when family secrets and fluid identities pushed class anxieties to new heights.

    The Bondurant Boys were a notorious gang of roughnecks and moonshiners who ran liquor through Franklin County, Virginia, during Prohibition and in the years after. Forrest, the eldest brother, is fierce, mythically indestructible, and the consummate businessman; Howard, the middle brother, is an ox of a man besieged by the horrors he witnessed in the Great War; and Jack, the youngest, has a taste for luxury and a dream to get out of Franklin. Driven and haunted, these men forge a business, fall in love, and struggle to stay afloat as they watch their family die, their father's business fail, and the world they know crumble beneath the Depression and drought.White mule, white lightning, firewater, popskull, wild cat, stump whiskey, or rotgut -- whatever you called it, Franklin County was awash in moonshine in the 1920s. When Sherwood Anderson, the journalist and author of "Winesburg, Ohio," was covering a story there, he christened it the "wettest county in the world." In the twilight of his career, Anderson finds himself driving along dusty red roads trying to find the Bondurant brothers, piece together the clues linking them to "The Great Franklin County Moonshine Conspiracy," and break open the silence that shrouds Franklin County.In vivid, muscular prose, Matt Bondurant brings these men -- their dark deeds, their long silences, their deep desires -- to life. His understanding of the passion, violence, and desperation at the center of this world is both heartbreaking and magnificent.