"How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" -- "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor. O'Connor had a shrewd insight to the darker side of man's nature and a mild appearance to go with it--and together those came together to become Chesterton's unassuming Father Brown. Chesterton loved the character, and the magazines he wrote for loved the stories. The Innocence of Father Brown was the first collection of them, and it's a great lot of fun.

    When she begins to bleed from her hands, feet, and side, the entire community is thrown into turmoil. Is Mariette a cunning sham, or sexually hysterical, or does God stalk her like a pitiless lover? Mariette in Ecstasy is a stunning immersion into the society of a small convent at the turn of the century, where a mysterious and ultimately harrowing world lies beneath the lovely, placid surface of everyday life. With Mariette In Ecstasy, critically acclaimed author Ron Hansen again powerfully demonstrates his gift for brilliantly recreating time and place. As intriguing as The Name Of The Rose, as sensually hypnotic as Marguerite Duras' The Lover, this is an intimate portrait of a fascinating young woman in the grip of an intractable fate, and it raises provocative questions about the complex nature of passionate faith. Exquisitely crafted, Mariette in Ecstasy is a spellbinding novel that marks a new level of achievement in one of our most gifted writers.~ from 1991 hardcover dustjacket

    The inventor of the world's first clock is punished for trying to measure God's greatest gift. He is banished to a cave for centuries and forced to listen to the voices of all who come after him seeking more days, more years. Eventually, with his soul nearly broken, Father Time is granted his freedom, along with a magical hourglass and a mission: a chance to redeem himself by teaching two earthly people the true meaning of time.He returns to our world - now dominated by the hour-counting he so innocently began - and commences a journey with two unlikely partners: one a teenage girl who is about to give up on life, the other a wealthy old businessman who wants to live forever. To save himself, he must save them both. And stop the world to do so.

    He was a gullible and excitable fellow, often so terrified by locals' stories of ghosts that he would hurry through the woods on his way home, singing to keep from hysterics. Until late one night, he finds that maybe they're not just stories. What is that dark, menacing figure riding behind him on a horse? And what does it have in its hands? And why wasn't schoolteacher Crane ever seen in Sleepy Hollow again?

    But no one knows about the early life of the Son of God, the missing years—except Biff, the Messiah's best bud, who has been resurrected to tell the story in the divinely hilarious yet heartfelt work "reminiscent of Vonnegut and Douglas Adams" (Philadelphia Inquirer).Verily, the story Biff has to tell is a miraculous one, filled with remarkable journeys, magic, healings, kung fu, corpse reanimations, demons, and hot babes. Even the considerable wiles and devotion of the Savior's pal may not be enough to divert Joshua from his tragic destiny. But there's no one who loves Josh more—except maybe "Maggie," Mary of Magdala—and Biff isn't about to let his extraordinary pal suffer and ascend without a fight.

    A short story about the universe and your place in it.

    Published the same year as her first novel, Adam Bede, this overlooked work displays the gifts for which George Eliot would become famous—gritty realism, psychological insight, and idealistic moralizing. It is unique from all her other writing, however, in that it represents the only time she ever used a first-person narrator, and it is the only time she wrote about the supernatural. The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can’t help trying to subvert his vividly glimpsed destiny, it is easy to read The Lifted Veil as being autobiographically revealing—of Eliot’s sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella’s publication). But it is easier still to read the story as the exciting and genuine precursor of a moody new form, as well as an absorbing early masterpiece of suspense.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    Jekyll and Mr. HydeMedical school students Fettes and Macfarlane are charged with the unenviable task of receiving and paying for the institution’s research cadavers. When Fettes recognizes the dead body of a woman he saw alive and well just the day before, he suspects murder. Macfarlane, however, insists that the authorities would never believe they had nothing to do with her death. Reluctantly, Fettes agrees to keep quiet, but soon regrets his decision when another familiar corpse turns up—and takes on a life of its own.

    She has nothing to sell except her only treasure--her long, beautiful brown hair. Set in New York at the turn of the twentieth century, this classic piece of American literature tells the story of a young couple and the sacrifices each must make to buy the other a gift. Beautiful, delicate watercolors by award-winning illustrator Lisbeth Zwerger add new poignancy and charm to this simple tale about the rewards of unselfish love.

    Set in the mid-19th century on New York City's Wall Street, it was also, perhaps, Herman Melville's most prescient story: what if a young man caught up in the rat race of commerce finally just said, "I would prefer not to"?The tale is one of the final works of fiction published by Melville before, slipping into despair over the continuing critical dismissal of his work after Moby-Dick, he abandoned publishing fiction. The work is presented here exactly as it was originally published in Putnam's magazine—to, sadly, critical disdain.

    

    Following the prides and passions of a group of Jews, Romans and Barbarians living at the time of the siege, the narrative is centered on an ill-fated romance between a steadfast slave girl, Hadassah, and Marcus, the brother of her owner and a handsome aristocrat. After surviving the massacre of her family and the destruction of Jerusalem by the Romans, Hadassah is captured and sold to a well-to-do merchant’s family. Brought to Rome, she is pressed into service as a personal slave to hedonistic Julia Valerian. Hadassah struggles to walk in the footsteps of Jesus and to treat her masters in a manner in keeping with His teachings, but she is forced to keep her religious identity a secret in order to survive. Confused and alone, she has only her faith to cling to as she tries to subtly bring God into the lives of her captors. Reckless, impulsive, and villainous, Julia tries to undermine Hadassah at every turn. But Julia’s brother, Marcus, is a different sort altogether. Is it possible for a love between Hadassah and Marcus to flourish considering not only their differing stations in life, but also the gap between Hadassah’s unrelenting faith and Marcus’ lack of belief in anything? Simultaneously, Atretes, a captured soldier from Germania, is forced to become a gladiator. This is the time of Rome’s decline and the decadence of a civilization on the verge of self-destruction serves as a powerful backdrop to the Barbarian’s struggle for survival in the arena.

    This literary rendering of the life of Jesus Christ has courted controversy since its publication by depicting a Christ far more human than the one seen in the Bible. He is a figure who is gloriously divine but earthy and human, a man like any other—subject to fear, doubt, and pain. In elegant, thoughtful prose Nikos Kazantzakis, one of the greats of modern literature, follows this Jesus as he struggles to live out God’s will for him, powerfully suggesting that it was Christ’s ultimate triumph over his flawed humanity, when he gave up the temptation to run from the cross and willingly laid down his life for mankind, that truly made him the venerable redeemer of men. “Spiritual dynamite.” —San Francisco Chronicle “A searing, soaring, shocking novel.” —Time

    This extraordinarily sensitive and insightful portrait of religious life centers on Philippa Talbot, a highly successful professional woman who leaves her life among the London elite to join a cloistered Benedictine community.

    A henpecked husband copes with the frustrations of his dull life by imagining he is a fearless airplane pilot, a brilliant doctor, and other dashing figures.