Stalin has been dead for eight years. With the launch of Sputnik, the Soviet Union’s international prestige is at an all-time high. Former CIA agent Frank Weeks, the most notorious of the defectors to the Soviet Union, is about to publish his memoirs, and what he reveals will send shockwaves through the West.Weeks’s defection in the early 50s shook Washington to its core—he had been a beloved member of the OSS and then the CIA, one of the bright young men who’d come out of the war ready to take an early lead in the new American century. His betrayal rippled throughout the State Department, prompting frantic searches for moles and forcing the resignation of Simon, Frank’s former college roommate and best friend.Now, a Soviet agency approaches Simon, a publisher in New York City, with a controversial proposition to publish the memoirs of his old friend, Frank Weeks. Simon knows that there’s no way the US government will approve the publication of a book clearly intended as propaganda for the KGB…yet he finds the offer irresistible.Set against the paranoiac atmosphere of the Cold War, The Defectors is a smart and authentic exploration of espionage and betrayal, perfect for fans of John le Carre, Alan Furst, Philip Kerr, and other masters of wartime and postwar espionage fiction (Library Journal, starred review).

    When McKenna locates a short video snippet that purportedly captures part of the incident, she thinks she has an edge on the competition scrambling to identify the mystery heroine.She is shocked to discover that the woman in the video bears a strong resemblance to Susan Hauptmann, a close friend who disappeared without a trace a decade earlier. Investigating her disappearance, the NYPD concluded that the nomadic Susan-forced by her father into an early military life, floundering as an adult for a fixed identity-simply left town to start over again somewhere else.But McKenna has always believed the truth went deeper than the police investigation ever reached, and sees Susan's resurfacing as a sign that she wants to be found. Yet when she shares the image with her husband, Patrick, who was Susan's classmate at West Point, he isn't convinced.What would have been a short-lived metro story sends McKenna on a dangerous search for the missing woman, a twisting journey through New York City that will force her to unearth long-buried truths much closer to home-to her own husband, who seems to know much more about Susan than McKenna could have ever imagined...Page Numbers Source ISBN: 0062208357

    Yes, there are rumors that she’s having an affair with the architect, but rumors are rumors and people will gossip. But then Bayard is found dead with a knife in his chest on the night of their Twelfth Night Ball, Annabelle goes missing, presumed drowned, and the papers go mad. Bay’s sister, Janie, forms an unlikely alliance with a reporter to uncover the truth, convinced that Bay would never have killed his wife, that it must be a third party, but the more she learns about her brother and his wife, the more everything she thought she knew about them starts to unravel. Who were her brother and his wife, really? And why did her brother die with the name George on his lips?

    Instead, she finds a father she barely knows and a future husband with whom she apparently has nothing in common. One truly horrifying surprise awaits her: the graves of her mother and aunt are enclosed in iron cages outside the local cemetery. Nobody in town will explain why, but Verity hears rumors of buried treasure and witchcraft. Perhaps the cages were built to keep grave robbers out . . . or to keep the women in. Determined to understand, Verity finds herself in a life-and-death struggle with people she trusted.Inspired by a pair of real caged graves in present-day Catawissa, this historical YA novel weaves mystery, romance, and action into a suspenseful drama with human greed and passion at its core.

    Black rocks roll beneath the surface, drowning ghosts. And out of the swell like a finger of light, the salt-scratched tower stands lonely and magnificent.It's New Year's Eve, 1972, when a boat pulls up to the Maiden Rock lighthouse with relief for the keepers. But no one greets them. When the entrance door, locked from the inside, is battered down, rescuers find an empty tower. A table is laid for a meal not eaten. The Principal Keeper's weather log describes a storm raging round the tower, but the skies have been clear all week. And the clocks have all stopped at 8:45. Two decades later, the wives who were left behind are visited by a writer who is determined to find the truth about the men's disappearance. Moving between the women's stories and the men's last weeks together in the lighthouse, long-held secrets surface and truths twist into lies as we piece together what happened, why, and who to believe.In her riveting and suspenseful novel, Emma Stonex writes a story of isolation and obsession, of reality and illusion, and of what it takes to keep the light burning when all else is swallowed by dark.

    She is determined to become a doctor despite the misgivings of her family and society, but Sarah quickly finds plenty of barriers at school itself: professors who refuse to teach their new pupils, male students determined to force out their female counterparts, and—perhaps worst of all—her female peers who will do anything to avoid being associated with a fallen woman.Desperate for a proper education, Sarah turns to one of the city’s ramshackle charitable hospitals for additional training. The St Giles’ Infirmary for Women ministers to the downtrodden and drunk, the thieves and whores with nowhere else to go. In this environment, alongside a group of smart and tough teachers, Sarah gets quite an education. But when Lucy, one of Sarah’s patients, turns up in the university dissecting room as a battered corpse, Sarah finds herself drawn into a murky underworld of bribery, brothels, and body snatchers.Painfully aware of just how little separates her own life from that of her former patient’s, Sarah is determined to find out what happened to Lucy and bring those responsible for her death to justice. But as she searches for answers in Edinburgh’s dank alleyways, bawdy houses and fight clubs, Sarah comes closer and closer to uncovering one of Edinburgh’s most lucrative trades, and, in doing so, puts her own life at risk…An irresistible read with a fantastic heroine, beautifully drawn setting, fascinating insights into what it was like to study medicine as a woman at that time, The Wages of Sin is a stunning debut that heralds a striking new voice in historical fiction.

    Every small town like Fell, New York, has a place like the Sun Down Motel. Some customers are from out of town, passing through on their way to someplace better. Some are locals, trying to hide their secrets. Viv Delaney works as the night clerk to pay for her move to New York City. But something isn't right at the Sun Down, and before long she's determined to uncover all of the secrets hidden…

    But she's still uneasy at Khattak's tight-lipped secrecy when he asks her to look into Christopher Drayton's death. Drayton's apparently accidental fall from a cliff doesn't seem to warrant a police investigation, particularly not from Rachel and Khattak's team, which handles minority-sensitive cases. But when she learns that Drayton may have been living under an assumed name, Rachel begins to understand why Khattak is tip-toeing around this case. It soon comes to light that Drayton may have been a war criminal with ties to the Srebrenica massacre of 1995.If that's true, any number of people might have had reason to help Drayton to his death, and a murder investigation could have far-reaching ripples throughout the community. But as Rachel and Khattak dig deeper into the life and death of Christopher Drayton, every question seems to lead only to more questions, with no easy answers. Had the specters of Srebrenica returned to haunt Drayton at the end, or had he been keeping secrets of an entirely different nature? Or, after all, did a man just fall to his death from the Bluffs?In her spellbinding debut, Ausma Zehanat Khan has written a complex and provocative story of loss, redemption, and the cost of justice that will linger with readers long after turning the final page.

    Recommend this riveting, du Maurier–like novel to fans of Jennifer McMahon.” — Booklist (starred review)From the author of the internationally bestselling The Lake of Dead Languages comes a gripping novel about madness, motherhood, love, and trust.When Daphne Marist and her infant daughter, Chloe, pull up the gravel drive to the home of Daphne’s new employer, it feels like they’ve entered a whole new world. Tucked in the Catskills, the stone mansion looks like something out of a fairy tale, its lush landscaping hiding the view of the mental asylum just beyond its border. Daphne secured the live-in position using an assumed name and fake credentials, telling no one that she’s on the run from a controlling husband who has threatened to take her daughter away.Daphne’s new life is a far cry from the one she had in Westchester where, just months before, she and her husband welcomed little Chloe. From the start, Daphne tries to be a good mother, but she’s plagued by dark moods and intrusive thoughts that convince her she’s capable of harming her own daughter. When Daphne is diagnosed with Post Partum Mood Disorder, her downward spiral feels unstoppable—until she meets Laurel Hobbes.Laurel, who also has a daughter named Chloe, is everything Daphne isn’t: charismatic, sophisticated, fearless. They immediately form an intense friendship, revealing secrets to one another they thought they’d never share. Soon, they start to look alike, dress alike, and talk alike, their lives mirroring one another in strange and disturbing ways. But Daphne realizes only too late that being friends with Laurel will come at a very shocking price—one that will ultimately lead her to that towering mansion in the Catskills where terrifying, long-hidden truths will finally be revealed....

    November, 1943. Weary of his deskbound status in the Royal Navy, intelligence officer Ian Fleming spends his spare time spinning stories in his head that are much more exciting than his own life...until the critical Tehran Conference, when Winston Churchill, Franklin Roosevelt, and Josef Stalin meet to finalize the D-Day invasion.With the Big Three in one place, Fleming is tipped off that Hitler's top assassin has infiltrated the conference. Seizing his chance to play a part in a real-life action story, Fleming goes undercover to stop the Nazi killer. Between martinis with beautiful women, he survives brutal attacks and meets a seductive Soviet spy who may know more than Fleming realizes. As he works to uncover the truth and unmask the assassin, Fleming is forced to accept that betrayal sometimes comes from the most unexpected quarters--and that one's literary creations may prove eerily close to one's own life.Brilliantly inventive, utterly gripping and suspenseful, Too Bad to Die is Francine Mathews's best novel yet, and confirms her place as a master of historical fiction.

    Was the explosion deliberately set? What was Kate—tall, gorgeous, blond, a CPA for one of the biggest accounting firms in the country, and sister of a rising fashion designer—doing in the museum when it burst into flames? Why was Gus, a retired and disgruntled craftsman, with her at that time of night? What if someone isn't who he claims to be?Now Gus is dead, and Kate lies in the hospital badly injured and in a coma, so neither can tell what drew them there, or what the tragedy may have to do with the hunt for a young woman missing for many years, nor can they warn that somebody may be covering his tracks, willing to kill to save himself . . .Step by step, in a novel of dazzling suspense and excitement, Mary Higgins Clark once again demonstrates the mastery of her craft that has made her books international bestsellers for years. She presents the reader with a perplexing mystery, a puzzling question of identity, and a fascinating cast of characters—one of whom may just be a ruthless killer . . .

    But Miss Clifton has met an untimely end—and Ursula is convinced it was not due to natural causes.   Archaeologist and adventurer Slater Roxton thinks Mrs. Kern is off her head to meddle in such dangerous business. Nevertheless, he seems sensible enough to Ursula, though she does find herself unnerved by his self-possession and unreadable green-gold eyes…   If this mysterious widowed beauty insists on stirring the pot, Slater intends to remain close by as they venture into the dark side of polite society. Together they must reveal the identity of a killer—and to achieve their goal they may need to reveal their deepest secrets to each other as well…

    A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature. To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me." Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?

    Genevieve Summerford is used to forging her own path. But when one of her patients is arrested for murder-a murder Genevieve fears she may have unwittingly provoked-she is forced to seek help from an old acquaintance.Desperate to clear her patient's name and relieve her own guilty conscience, Genevieve finds herself breaking all the rules she's tried so hard to live by. In her search for answers, Genevieve uncovers an astonishing secret that, should she reveal it, could spell disaster for those she cares about most. But if she lets her discovery remain hidden, she will almost certainly condemn her patient to the electric chair.

    A secret room...in an obscure museum has become the final resting place of its proprietor, whose dead body lies surrounded by an astonishing collection of Greek antiquities--a treasure once looted from the Nazis.The face of death...A priceless Mycenaean death mask has been taken, along with the bones of a legendary hero thought to exist only in ancient myth.AN UNHOLY GRAIL OF EXTRAORDINARY POWERThe theft draws museum curator Deborah Miller into a terrifying web of murder, mystery, and devastating retribution by those whose dreams of glory remain undefeated...