With its great feasts, its white stone churches, its merchant visitors from many lands, Sadko felt there was no better place to be. Yet he was lonely too, for the rich young ladies who danced to his music would never favor anyone so poor. One night he takes his twelve-string gusli and goes alone to play by the River Volkhov. Suddenly from the water rises the Sea King, who invites the astonished musician to play at his underwater palace. But how will Sadko get there? And how will he get back? And will he want to return at all, when he meets the Sea King's lovely daughter? One of the most popular legends of Russia, Sadko's story is found in medieval epic ballads, as well as in a popular opera by Rimsky-Korsakov. It is retold here in elegant prose, complemented by the entrancing illustrations of a modern Russian master. TEACHERS AND LIBRARIANS -- A READER'S THEATER SCRIPT OF THIS BOOK IS AVAILABLE IN AARON'S BOOK "FOLKTALES ON STAGE," OR FREE ON AARON'S WEB SITE. ///////////////////////////////////////////////// Aaron Shepard is the award-winning author of "The Baker's Dozen," "The Sea King's Daughter," "The Monkey King," and many more children's books. His stories have appeared often in Cricket magazine, while his Web site is known internationally as a prime resource for folktales, storytelling, and reader's theater. Once a professional storyteller, Aaron specializes in lively retellings of folktales and other traditional literature, which have won him honors from the American Library Association, the New York Public Library, the Bank Street College of Education, the National Council for the Social Studies, and the American Folklore Society. Gennady Spirin, with a style he describes as "fairy-tale realism," is one of the world’s most esteemed children’s illustrators. His honors include five gold medals from the Society of Illustrators, the Golden Apple from the Bratislava International Biennial, First Prize at the Bologna and Barcelona international book fairs, and four appearances on the New York Times list of Ten Best Illustrated Books of the Year. Born and trained in Russia before moving to the United States, Gennady already knew well the legend of Sadko and welcomed the chance to contribute his sumptuous art to this retelling.  ///////////////////////////////////////////////// HONORS 1997 New York Times Ten Best Illustrated Books of the Year  1998 American Library Association Notable Children's Books  1998 NCSS/CBC Notable Trade Books in the Field of Social Studies  1997 Aesop Accolade, American Folklore Society  1998 Honor Title, Storytelling World Awards  1997 Cincinnati Enquirer Best Illustrated Children's Books  American Bookseller Pick of the Lists  Starred review, Publishers Weekly  Featured on "CBS This Morning" ///////////////////////////////////////////////// "Emotionally authentic prose and jewel-like illustrations make this an exquisite volume. . . . [A] mood of eloquent enchantment." -- Publishers Weekly, Aug. 25, 1997, starred review "Exquisite." -- The New York Times Book Review, Oct. 26, 1997 "Knock-your-socks-off beautiful. . . . Will stay in a family's library forever." -- Valerie Lewis, "CBS This Morning," Dec. 11, 1997 "Retains the flavor of Old Russia. . . . A fascinating spin on mermaid/human interaction." -- Denise Anton Wright, School Library Journal, Dec. 1997 "The telling is descriptive yet very accessible. . . . The pictures are gorgeous and resplendent with extraordinary details." -- Stephanie Zvirin, American Library Association Booklist, Nov. 15, 1997

    Seuss, an American artist delighted a generation of children and their parents with hilarious, topsy-turvy illustrations and slightly subversive tales told in rhyme. This was illustrator/author Peter Newell.Originally published in 1910, The Slant Book remains as profoundly enjoyable and incredibly popular as ever. The humorous text and funny illustrations are also slanted to create an adventurous tale. This classic work will delight readers of all ages as they follow a go-cart, a newsboy and a careening baby carriage down a hill.Peter Newell (1862-1924) began his career as an artist drawing portraits, using crayons as his medium. In his fantastic humor, many believe, is the first appearance of the gentle humor of the absurd which The New Yorker has subsequently developed to such a high level.

    Based on the wonderfully atmospheric and dramatic Cornish tale of Old Tom, the fisherman, and his cat Mowzer, who braved the wrath of the Great Storm-Cat to save their village.

    Gorey tells the tale of 26 children (each representing a letter of the alphabet) and their untimely deaths in rhyming dactylic couplets, accompanied by the author's distinctive black and white illustrations. It is one of Edward Gorey's best-known books, and is the most notorious amongst his roughly half-dozen mock alphabets.[2] It has been described as a "sarcastic rebellion against a view of childhood that is sunny, idyllic, and instructive". The morbid humor of the book comes in part from the mundane ways in which children die, such as falling down the stairs or choking on a peach. Far from illustrating the dramatic and fantastical childhood nightmares, these scenarios instead poke fun at the banal paranoias that come as a part of parenting.

    Full color.

    As the pages turn, her imagination takes flight and she discovers that the greatest storyteller of all might come from within. A celebration of reading and the power of the imagination, Pamela Zagarenski's debut as an author reminds us that we each bring something different to the same book.

    But everything changes when a stranger arrives at the farm. A new, incredible technology has been discovered in the city of Medlock, where a secretive guild of inventors have developed a way to capture spirits of the dead in animal-like machines, bringing them back to life. Prue knows that the "Ghost Guild" might hold the key to bringing her brother back, so she seizes the stranger's offer to join as an apprentice. But to find her brother, she needs to find a way to get the ghost machines to remember the people they used to be. Yet if Prue succeeds, all of society could come apart...

    Thousands of children have been inspired to weave their own stories to go with his intriguingly titled pictures. And now, some of our most imaginative storytellers attempt to solve the perplexing mysteries of Harris Burdick. Enter The Chronicles of Harris Burdick to read this incredible compendium of stories: magical, funny, creepy, poignant, inscrutable, these are tales you won't soon forget.(front flap)

    When Ivan-Tsarevitch, youngest son of the Tsar, goes on a quest for the amazing bird, he finds himself flying over mountains and woods on a talking wolf, confronting a wicked Baba Yaga, and rescuing an enchanted princess from Koshchei the Immortal. But when he returns from his magical journey, he brings home the most precious treasure of all. Gennady Spirin brings this original version of the Firebird tale from his native Russia and has illustrated it in his trademark rich, luminous style. This retelling of a classic is sure to become the new standard.

    She lives in Ghastly-Gorm Hall with her father, Lord Goth, lots of servants and at least half a dozen ghosts, but she hasn't got any friends to explore her enormous, creepy house with.Then, one night, everything changes when Ada meets a ghostly mouse called Ishmael. Together they set out to solve the mystery of the strange happenings at Ghastly-Gorm Hall, and get a lot more than they bargained for...

    After rattling around the Prince's bedroom, it flies out the window and floats into the dark forest, where it has no business to be. The King decides to do something about it. He orders the Knight to climb on his horse, ride into the forest, and bring back the kiss. But the forest is filled with spooky things that frighten both the Knight and his horse. How will they ever succeed in bringing the kiss back to the castle? This funny story features Daivd Melling's atmospheric and richly colored illustrations on every page. It makes a great bedtime story for kids who are about the same age as the Little Prince. (Ages 4-7)

    Yet singer/songwriter Peter Yarrow and co-composer Lenny Lipton have never allowed a picture book adaptation of this magical tale…until now. With Yarrow’s and Lipton’s blessing, Puff, Jackie Paper, and the land of Honalee finally live on the page. The exquisite package includes a cloth case with a tipped-in illustration and an embossed jacket with foil touches, as well as an exclusive CD featuring not only Puff, but several other songs performed by Yarrow, his daughter Bethany, and cellist Rufus Cappadocia. This is a publishing event sure to attract broad attention and please Puff’s many fans.In richly-hued paintings of the deepest sea blues and greens, Puff and his friend Jackie Paper frolic in the land of Honalee—traveling in a fantastic boat with billowed sails, climbing red castle stairs onto a balcony to meet with noble kings and princes, and watching pirate ships lower their flags for the roaring dragon. Artist Eric Puybaret has brought an entire magical world into being with enthralling landscapes, color, and characters. And everyone will love the way the art cleverly turns the song’s end, which at first seemed so sad, into a surprising and joyful moment.Best of all—this is only the first of many more collaborations with Peter Yarrow to come!

    Now people unquestioningly accept the Tripods' power. They have no control over their thoughts or their lives.But for a brief time in each person's life—in childhood—he is not a slave. For Will, his time of freedom is about to end—unless he can escape to the White Mountains, where the possibility of freedom still exists.

    A fictional editor's note tells of an encounter with an author and illustrator named Harris Burdick, who provided the images and captions as samples, each from a different picture book he had written. He left with a promise to deliver the complete manuscripts if the editor chose to buy the books. Burdick was never seen again, and the samples are all that remain of his supposed books. Readers are challenged to imagine their own stories based on the images in the book.

    She hates her shadow, and thinks her shadow must hate her too. But one cold, dark night, when bandits surprise her in the woods, Hortense discovers that her shadow is the very thing she needs most.