Wrapped in plastic. Dumped on the side of the road. She is the first. There will be more.The serial killer thriller that "refuses to let go until you've read the last sentence."The most recent body was discovered in the grease dumpster behind a Burger King. Dismembered. Shoved into two garbage bags and lowered into the murky oil.Now rookie agent Violet Darger gets the most important assignment of her career. She travels to the Midwest to face a killer unlike anything she's seen. Aggressive. Territorial. Deranged and driven.Another mutilated corpse was found next to a roller rink. A third in the gutter in a residential neighborhood.These bold displays of violence shock the rural community and rattle local law enforcement. Who could carry out such brutality? And why?Unfortunately for Agent Darger, there's little physical evidence to work with, and the only witnesses prove to be unreliable. The case seems hopeless.If she fails, more will die. He will kill again and again.The victims harbor dark secrets. The clues twist and writhe and refuse to keep still. And the killer watches the investigation on the nightly news, gleeful to relive the violence, knowing that he can't be stopped.A page-turning thriller packed with heart-stopping suspense. Fans of John Sandford, Jeffery Deaver, Karin Slaughter, and Lisa Gardner should get to know Violet Darger.

    But when it comes to murder, Officer Susan Marlan never trusts a simple explanation, so she's just getting started.Meanwhile, college professor Eric Evans hallucinates a young boy in overalls: a symptom of his schizophrenia - or so he thinks. But when more bodies turn up, Eric has more visions, and they mirror details of the murder case. As the investigation continues, the police stick with their original conclusion, but Susan's instincts tell her something is off. The higher-ups keep stonewalling her, and the FBI's closing in.Desperate for answers, Susan goes rogue and turns to Eric for help. Together they take an unorthodox approach to the case as the evidence keeps getting stranger. With Eric's hallucinations intensifying and the body count rising, can the pair separate truth from illusion long enough to catch a monster?

    She will be on her own, in a new place hopeful to meet new friends. On the night she moves in, she is taken off the street by two masked men. She is placed in a room which is little more than a cell. A pink cell. A room made for a doll. She is now part of their collection.

    But her well-connected husband, Griffin—who is running for governor—is her prime suspect.Just before the attack, Claire was preparing for an exhibit of her shadow boxes, one of which clearly accuses Griffin of a violent crime committed twenty-five years ago. If the public were to find out who her husband is, his political career would be over. Claire’s certain her husband and his powerful supporters would kill her to stop the truth from getting out.When one of Claire’s acquaintances is murdered, the authorities suspect the homicide is linked to the attack on Claire. As the dual investigations unfold, Claire must decide how much she’s willing to lose to take down her husband and the corrupt group of elites who will do anything to protect Griffin’s interests and their own.

    At The Seattle Mirror, he is competing for the single full-time job being offered through the paper's intense intern program. But unlike the program's other young reporters, who attended big name schools and worked at other big metro dailies, Wade put himself through community college, and lacked the same experience. Wade struggles with his haunting past as he pursues the story of Karen Harding, a college student whose car was found abandoned on a lonely stretch of highway in the Pacific Northwest. How could this beloved young woman with the altruistic nature simply vanish? Wade battles mounting odds and cut-throat competition to unearth the truth behind Karen Harding's disturbing case. Her disappearance is a story he cannot give up, never realizing the toll it could exact from him. The Dying Hour is a bone-chilling, mesmerizing page-turner that introduces readers to an all-too-human young hero who journeys into the darkest regions of the human heart to confront a nightmare. The International Thriller Writers (ITW), selected The Dying Hour as a finalist for a Thriller Award for Best Paperback Original, 2006. Rick Mofina is a former journalist who has interviewed murderers on death row, flown over L.A. with the LAPD and patrolled with the Royal Canadian Mounted Police near the Arctic. He's also reported from the Caribbean, Africa and Kuwait's border with Iraq. His books have been published in nearly 30 countries, including an illegal translation produced in Iran. His work has been praised by James Patterson, Dean Koontz, Michael Connelly, Lee Child, Tess Gerritsen, Jeffery Deaver, Sandra Brown, James Rollins, Brad Thor, Nick Stone, David Morrell, Allison Brennan, Heather Graham, Linwood Barclay, Peter Robinson, Håkan Nesser and Kay Hooper. The Crime Writers of Canada, The International Thriller Writers and The Private Eye Writers of America have listed his titles among the best in crime fiction. As a two-time winner of Canada's Arthur Ellis Award, a three-time Thriller Award finalist and a two-time Shamus Award finalist, the Library Journal calls him, “One of the best thriller writers in the business."

    He protects his family from the dangers lurking in the outside world and makes sure that his children will always have a mother to look after them.One day Lena manages to flee--but the nightmare continues. It seems as if her tormentor wants to get back what belongs to him. And then there is the question whether she really is the woman called "Lena," who disappeared without a trace 14 years ago. The police and Lena's family are all desperately trying to piece together a puzzle which doesn't quite seem to fit.

    Strange facts begin to emerge that lead naval investigator, John Clay, to a small group of marine biologists who are quietly on the verge of making history.With the help of a powerful computer system, Alison Shaw and her team are preparing to translate the first two-way conversation with the planet's second smartest species. But the team discovers much more from their dolphins than they ever expected when a secret object is revealed on the ocean floor. One that was never supposed to be found.Alison was sure she would never trust the military again. However, when an unknown group immediately becomes interested in her work, Alison realizes John Clay may be the only person she can trust. Together they must piece together a dangerous puzzle, and the most frightening piece, is the trembling in Antarctica.To make matters worse, someone from the inside is trying to stop them. Now time is running out...and our understanding of the world is about to change forever.

    Both Elliott and Catherine feel like outcasts, yet they find an easy friendship with each other. But when Catherine needs him most, Elliott is forced to leave town.Elliott finally returns, but he and Catherine are now different people. He’s a star high school athlete, and she spends all her free time working at her mother’s mysterious bed-and-breakfast. Catherine hasn’t forgiven Elliott for abandoning her, but he’s determined to win back her friendship…and her heart.Just when Catherine is ready to fully trust Elliott, he becomes the prime suspect in a local tragedy. Despite the town’s growing suspicions, Catherine clings to her love for Elliott. But a devastating secret that Catherine has buried could destroy whatever chance of happiness they have left.

    But when a power-hungry colleague uses a recent run-in between McMurtrie and headstrong student Rick Drake to end his career, he is left unsure what to do next.Meanwhile, a devastating trucking accident in Henshaw, Alabama, leaves a young family dead. Drake, now a fledgling lawyer, takes the case against the freight carrier and soon begins to uncover the truth behind the tragedy that is buried in a tangled web of arson, bribery, and greed. On the eve of the trial and with his case unraveling in the midst of a dangerous cover-up that threatens to silence his star witnesses, Drake realizes that only his estranged mentor, Professor McMurtrie, can help him now.With everything to lose and only justice to gain, will McMurtrie and Drake overcome bad blood to defeat a ruthless adversary? Can the Professor turn back the clock and recover all that he’s lost? Revised edition: This edition of The Professor includes editorial revisions.

    Attempted murder? Inexplicable accident? Either way, a PTA mom struggled for her life in an elementary school cafeteria, poisoned by wolfsbane. Now all eyes are on the accused, the victim, and a woman hired to look deeper.Ambitious defense attorney and single mother Allison Barton is anxious to escape the shadow of the low-down dog of a marquee partner carrying their renowned Virginia law firm. A win for her high-profile new client will give Allison the career she deserves. And PTA president Kira Grant certainly appears innocent—except for the toxic bloom in her backyard and perhaps a bit of a malicious streak. But no one said the innocent had to be likable—or entirely honest. Besides, with an image as carefully cultivated as her garden, Kira would be insane to risk everything on something as outrageous as the attempted murder of one of her closest friends.What about those in Kira’s orbit, a sunny suburb of moms behaving badly? What do they really know about Kira? What does Kira know about them? For Allison, the answers are getting darker every day.

    Nobody knows her father was a notorious serial killer. And she intends to keep it that way.Then Nora discovers one of her young female patients has been murdered. In the same unique and horrific manner that her father used to kill his victims.Somebody knows who Nora is. Somebody wants her to take the fall for this unthinkable crime. But she’s not a killer like her father. The police can’t pin anything on her.As long as they don’t look in her basement.

    After an unspeakable crime shatters her life, she changes her identity and moves to a small town in Illinois, hoping to spare her children from further trauma…or worse. But crime follows her everywhere.When the former mayor winds up dead, Rachel can’t help but get involved. Where local detectives see suicide, she sees murder. They resent her for butting in—especially since she’s always one step ahead. But her investigative genius may be her undoing: the deeper she digs, the harder it is to keep her own secrets buried.Her persistence makes her the target of both the cops and a killer. Meanwhile, the terrifying truth about her past threatens to come to light, and Rachel learns the hard way that she can’t trust anyone. Surrounded by danger, she must keep her steely resolve, protect her family, and stay one step ahead, or else she may become the next victim.

    But when athletic Chloé suddenly drowns, Gabriel is left to grapple with the mysterious circumstances of her death. Brokenhearted, he pours out his grief in a bereavement group and is consoled by photographer Emma. While the two grow closer, Gabriel can’t help but feel Chloé’s presence everywhere he goes. And as revelations about Chloé slowly emerge, he begins to wonder, is Emma really that different?From prize-winning and bestselling author Amélie Antoine comes a dark and evocative novel that will keep readers guessing until the final moments—will Gabriel be able to move on with Emma, or will the mystery of Chloé’s death consume him?

    Sixteen and pregnant, she never returns. But she writes. Once a year, Lily mails a picture of her son, Josh, to Olivia until his thirteenth year. Then it’s Josh himself who arrives at Olivia’s house, alone, terrified, and in possession of a notarized declaration from Lily. It begins, “In the event I go missing…”Josh has difficulty talking. He can’t read or write, but he’s a prolific artist, exhibiting skill beyond his age. His drawings are as detailed as they are horrific. Olivia soon realizes Josh’s artwork tells a story. There’s more to his arrival and to Lily’s untimely disappearance than it seems. Using the drawings as a road map, Olivia traces Josh’s path back to his mom. Each drawing sheds light on Lily’s past and reveals a darkness that forces Olivia to question everything she thought she knew about her family.

    I can honestly say it’s one of the best books I’ve ever read - it is without shadow of a doubt, EASILY up there with Girl On a Train and Eleanor Oliphant.' - Ruth JonesSamuel, the day we met I knew I’d finally found what I’ve been waiting for.You.Happiness, at last.Then you left me.And now I am alone.Everyone I love leaves in the end.But not this time.I’m not giving up on us.I’m not giving up on you.When you love someone, you never let them go.That’s why for me, this is just beginning.