Written during the 2020 COVID-19 quarantine, the book is a reflection of what it means to yearn for people who are unavailable and how important it is to focus on self-love and healing.

    It is about the constant hunger for love. It is about feeding that hunger with another person and finding that sometimes it isn’t enough. Salgado creates a world in which the heart can live anywhere; her fat brown body, her parents home country, a lover, a toothbrush, a mango, or a song. It is a celebration of heartache, of how it can ruin us, but most importantly how we always survive it and return to ourselves whole.

    She should be in class, enduring yet another miserable day of her first year of high school. But for once, Ryan isn't thinking about what she should be doing. She's not worried about her lack of friends, or her suffering math grade, or how it's been five whole years since the last time she was really and truly happy. Because she's finally returning to the place that her father loved, where the two of them spent so many afternoons cheering on their team. And on this -- the fifth anniversary of his death -- it feels like there's nowhere else in the world she should be.Ryan is once again filled with hope as she makes her way to the game. Good luck is often hard to come by at a place like Wrigley Field, but it's on this day that she meets Nick, the new kid from her school, who seems to love the Cubs nearly as much as she does. But Nick carries with him a secret that makes Ryan wonder if anyone can ever really escape their past, or believe in the promise of those reassuring words: "Wait till next year." Is it too much for Ryan to hope that this year, this season, might be her comeback season?

    Life is now nowhere Else. Live, live for Today I say, but The moments tick And groan, moan With the dismal passage Of time and I wait Forever for what Cannot be. Poems of feeling and experience, the anthology encompasses all of life and beyond: death, the universe, hopes, dreams, love, loss - all of existence contained in one work. Poetry that captures both moments and lifetimes, memories and hopes, reality and dreams. Poems to identify with, poems of life.

    or her undoing.Tara is gorgeous, affluent, and forty. She lives in an impeccably restored Russian Hill mansion in San Francisco. Once a widow, twice divorced, she's a woman with a past she prefers keeping to herself.Enter Cavin Lattimore. He's handsome, kind, charming, and the surgeon assigned to Tara following a ski accident in Lake Tahoe. In the weeks it takes her to recover, Cavin sweeps her off her feet and their relationship blossoms into something Tara had never imagined possible. But then she begins to notice some strange things: a van parked outside her home at odd times, a break-in, threatening text messages and emails. She also starts to notice cracks in Cavin's seemingly perfect personality, like the suppressed rage his conniving teenage son brings out in him, and the discovery that Cavin hired a detective to investigate her immediately after they met.Now on crutches and housebound, Tara finds herself dependent on the new man in her life—perhaps too much so. She's handling rocky relationships with her sister and best friend, who are envious of her glamour and freedom; her prickly brother-in-law, who is intimidated by her wealth and power; and her estranged mother. However perfect Tara's life appears, things are beginning to get messy.Writing in beautiful prose, Ellen Hopkins unveils a new style while evoking her signature poetic form that readers fell in love with in Collateral and Triangles.

    Playful and yet not so sunny, these poems invite you in with extravagant and surprising imagery, only to reveal the uneasy, Frankenstein world within.

    They are truly delightful and robustly original—a poetic joy."—Tony HoaglandSelected by Bernadette Mayer for the National Poetry Series, these poems engage the structures of family and intimacy, exposing the viscera of the everyday, all its frailties and familiarity rendered absurd and remade through language.Outside there's a world where every love-scenebegins with a man in a doorway;he walks over to the woman and says "Open your mouth."Hannah Gamble has received fellowships from Rice University, The University of Houston, and The Edward F. Albee Foundation. She teaches literature and writing at Prairie State College and is the poet-in-residence at Children's Memorial Hospital in Chicago, Illinois.