By day, they gather herbs for Auntie’s healing potions; by night, Auntie spins tales of faraway lands and wicked fairies. Clara’s favorite story tells of three orphan infants—Clara, who was brought to Auntie by a stork; Maren, who arrived in a seashell; and their best friend, O’Neill, who was found beneath an apple tree.One day, Clara discovers shimmering scales just beneath her sister’s skin: Maren is becoming a mermaid and must be taken to the sea or she will die. So Clara, O’Neill, and the mermaid-girl set out for the shore. But the trio encounters trouble around every bend. Ensnared by an evil troupe of traveling performers, Clara and O’Neill must find a way to save themselves and the ever-weakening Maren.And always in the back of her mind, Clara wonders, if my sister is a mermaid, then what am I?

    Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on Sword of Truth books.

    A desperate young woman makes a prayer to the Saint of Sidewalks, but the miracle she receives isn’t what she expected. A painter spies a naked man, crouched by the Cathedral of St. John the Divine, transform into a beautiful white bird and decides to paint him, and becomes involved in his curse. Jeanne, a duelist and a sacred blade for God and Her holy saints, finds that the price of truth is always blood. And in the novella “Once, Future” Howard reimagines the Arthurian romance on a modern college campus as a story that is told, and told again, until the ending is right.

    Robots vs. Fairies is an anthology that pitches genre against genre, science fiction against fantasy, through an epic battle of two icons. On one side, robots continue to be the classic sci-fi phenomenon in literature and media, from Asimov to WALL-E, from Philip K. Dick to Terminator. On the other, fairies are the beloved icons and unquestionable rulers of fantastic fiction, from Tinkerbell to Tam Lin, from True Blood to Once Upon a Time. Both have proven to be infinitely fun, flexible, and challenging. But when you pit them against each other, which side will triumph as the greatest genre symbol of all time?There can only be one…or can there?

    It is a place where feasts never end, games of croquet have devastating consequences, and teenagers are punished for growing up. For a select group of Masters, it's a decadent paradise where time stands still. For those who serve them, however, it's a slow torture where their lives can be ended in a blink.In a bid to escape before their youth betrays them, Dora and Thistle--best friends and confidants--set out on a remarkable journey through time and space. Traveling between their world and ours, they hunt the one person who can grant them freedom. Along the way they encounter a mysterious traveler who trades in favors and never forgets debts, a crossroads at the center of the universe, our own world on the brink of war, and a traveling troupe of actors with the ability to unlock the fabric of reality.Endlessly inventive, The Memory Theater takes the reader to a wondrous place where destiny has yet to be written, life is a performance, and magic can erupt at any moment. It is Karin Tidbeck's most engrossing and irresistible tale yet.

    . . for better or for worse.WANTED: The most evil, wicked, abhorrent, vile villain to ever curse this world . . . or any others. A villain acting vile is merely part of the job description . . . but which of Disney’s famed scoundrels is the evilest of them all? Dive into the devilish thoughts of The Evil Queen, Jafar, Ursula, and more as they recall their most wicked achievements. With gatefolds and lift-the-flaps, readers can dive into minds of the best of the worst in this fun read for Disney fans of all ages.Villains Include... Evil Queen (Snow White) Jafar (Aladdin) Mother Gothel (Rapunzel) Lady Tremaine (Cinderella) Ursula (The Little Mermaid) Scar (Lion King) Cruella De Vil (101 Dalmatians) Gaston (Beauty and the Beast) Malificent (Sleeping Beauty) Queen of Hearts (Alice in Wonderland) Captain Hook (Peter Pan) Hades (Hercules) Dr. Facilier (The Princess and the Frog)

    Beginning with Once Upon A Time Is Now, and including The Girl In The Red Hoodie, and Snow White, this collection follows Jake Grimm from troubled teen to manhood as he discovers his destiny and battles the harrowing creatures from the Grimm Tales. It’s all the Grimm you’ll ever need, in one book.

    Nesbit, Diana Wynne Jones, Gahan Wilson, and other literary luminaries. Sales of Unnatural Creatures benefit 826DC, a nonprofit organization dedicated to supporting students in their creative and expository writing, and to helping teachers inspire their students to write.

    They spend their time telling stories to the unborn baby, trying to pass on the lessons they've learned: tales of circuses and stargazing, selkie fishermen and domestic werewolves, child-eating witches and broken-toothed dragons. But each must keep their storytelling a secret from the other, as they've agreed to only ever tell the plain truth. Ruth tells her stories when Liska is at work, to a background of shrieking seabirds; Liska tells hers when Ruth is asleep, with the lighthouse sweeping its steady beam through the window. As their tales build and grow along with their child, Liska and Ruth realise that the truth lives in their stories, and they cannot hide from one another. A Portable Shelter is a beautifully produced collection of elegant, haunting short stories from one of Britain's most exciting new talents. Each story is accompanied by an illustration by award-winning artist Liz Myhill. Produced with the assistance of the Dr Gavin Wallace Fellowship.

    In fact original fairy tales are still being written. Over the last century and a half many well-known authors have used the characters and settings and themes of traditional tales such as 'Cinderella', 'Hansel and Gretel', and 'Beauty and the Beast' to produce new and characteristic works of wonder and enchantment. The Oxford Book of Modern Fairy Tales brings together forty of the best of these stories by British and American writers from John Ruskin and Nathaniel Hawthorne to I. B. Singer and Angela Carter. These tales are full of princes and princesses, witches and dragons and talking animals, magic objects, evil spells, and unexpected endings. Some of their authors, like John Ruskin and Oscar Wilde, use the form to point a social or spiritual moral; others such as Jeanne Desy and Richard Kennedy, turn the traditional stories inside out to extraordinary effect. James Thurber, Bernard Malamud, and Donald Barthelme, among many others, bring the characters and plots of the traditional fairy tale into the contemporary world to make satiric comments on modern life. The literary skill, wit, and sophistication of these stories appeal to an adult audience, even though some of them were originally written for children. They include light-hearted comic fairy stories like Charles Dickens's 'The Magic Fishbone' and L. F. Baum's 'The Queen of Quok', thoughtful and often moving tales like Lord Dunsany's 'The Kith of the Elf Folk' and Philip K. Dick's 'The King of the Elves', and profoundly disturbing ones like Lucy LaneClifford's 'The New Mother', and Ursula Le Guin's 'The Wife's Story'. Together they prove that the fairy tale is not only one of the most popular and enduring forms, but a significant and continually developing part of literature.Uncle David's nonsensical story about giants and fairies / Catherine Sinclair --Feathertop / Nathaniel Hawthorne --The King of the Golden River / John Ruskin --The story of Fairyfoot / Frances Browne --The light princess / George MacDonald --The magic fishbone / Charles Dickens --A toy princess / Mary De Morgan --The new mother / Lucy Lane Clifford --Good luck is better than gold / Juliana Horatia Ewing --The apple of contentment / Howard Pyle --The griffin and the minor canon / Frank Stockton --The selfish giant / Oscar Wilde --The rooted lover / Laurence Housman --The song of the morrow / Robert Louis Stevenson --The reluctant dragon / Kenneth Grahame --The book of beasts / E. Nesbit --The Queen of Quok / L.F. Baum --The magic ship / H.G. Wells --The Kith of the elf-folk / Lord Dunsany --The story of Blixie Bimber and the power of the gold buckskin whincher / Carl Sandburg --The lovely myfanwy / Walter De la Mare --The troll / T.H. White --Gertrude's child / Richard Hughes --The unicorn in the garden / James Thurber --Bluebeard's daugher / Sylvia Townsend Warner --The chaser / John Collier --The King of the elves / Philip K. Dick --In the family / Naomi Mitchison --The jewbird / Bernard Malamud --Menaseh's dream / I.B. Singer --The glass mountain / Donald Barthelme --Prince Amilec / Tanith Lee --Petronella / Jay Williams --The man who had seen the rope trick / Joan Aiken --The courtship of Mr Lyon / Angela Carter --The princess who stood on her own two feet / Jeanne Desy --The wife's story / Ursula Le Guin --The river maid / Jane Yolen --The porcelain man / Richard Kennedy --Old man Potchikoo / Louise Erdrich

    Dwarves are mystical craftsmen, humans are big and strong, and halflings breed explosively, but none of them can match elves for sheer magical firepower.Angrod Veneanar is a young elf. He’s nearing the end of a long apprenticeship and looking forward to going home. As a nobleman he loves wine and women—he doesn’t care at all about shadow conspiracies, forgotten magics, or long-lost royal heirs. Unfortunately, there is a prophecy, and it looks like he’s in it.Now he’s on the run. Accused of murder, what seems like the entire kingdom wants him dead. He has knights, mages, and even arcane assassins on his trail. Worse, something is riding in his head and threatening to take over his body.To survive, Angrod must use all his skill in weapons and wizardry. He must find new allies and uncover fresh strength. And if he is to stand a chance of defeating his greatest enemy, he must rediscover a master spell that’s been lost for centuries. If he doesn’t, he’s just going home—to die.

    Stefan, the future duke of Montmouth, no doubt thought his words were welcomed but he couldn't have been more wrong. Oh, he was handsome as a pagan Norse god, but that was unimportant when her life as well as those of her family hung in the balance. With less than six weeks left, Rosalind has stopped believing in the fairy tale, the prince on the white horse, and the stolen kiss that would awaken her from her worst nightmares. Resigned to her fate, she waits for the inevitable curse to run it’s course. "We must marry at once!" Stefan declared, fully expecting Rosalind to be delighted that he had come to save her, but he was sorely mistaken. Rosalind was no simpering docile female; she was a fiery temptress with a stubborn streak only matched by his horse, Samson. Insulting, infuriating, intoxicating and alluring enough to drive a man mad. Stefan found himself thankful for the curse that required him marry her, thankful for the betrothal contract he had so recently tried to release her from...With the fortitude of a sailor shipwrecked, abandoned, and a solider warring for his life Stefan decides to lay siege to the greatest prize, Rosalind's heart.

    But when you are moonlighting for a secret organisation aiming to destroy all evidence of the paranormal, whilst working as a parapsychologist at the world renowned Diederich Institute of Parapsychology, things are bound to get complicated. Throw into that mix an uncanny ability for mind control, her baffling spirit guide, a fake clairvoyant mother, as well as some naked dead bodies, and mayhem ensues. Iona is forced out of the safe world of Edinburgh academia by her new Texan boss and is suddenly in the field, exploring a small Scottish town that believes the Beast of Badnoch is behind the spate of recent disappearances. Will her dishy colleague Andy find out that the psychic he’s investigating is her mother? And will that change how he feels about her? In this, the first of the Iona Adair Scottish Mysteries, Iona finds out that the supernatural world is far more dangerous and expansive than she could possibly imagine, even if it does have some very charming characters, like blood drinking Henry, a bonafide ancient techno-geek. The supernatural world has never been funnier, sexier or more tartan.

    Suitable for ages 4 to 8 years, this work is illustrated so that the child easily understands the story.

    Frank Baum introduced Dorothy and friends to the American public in 1900, The Wonderful Wizard of Oz became an instant, bestselling hit. Today the whimsical tale remains a cultural phenomenon that continues to spawn wildly popular books, movies, and musicals. Now, editors John Joseph Adams and Douglas Cohen have brought together leading fantasy writers such as Orson Scott Card and Seanan McGuire to create the ultimate anthology for Oz fans—and, really, any reader with an appetite for richly imagined worlds. Stories include: Seanan McGuire’s “Emeralds to Emeralds, Dust to Dust” finds Dorothy grown up, bitter, and still living in Oz. And she has a murder to solve—assuming Ozma will stop interfering with her life long enough to let her do her job. In “Blown Away,” Jane Yolen asks: What if Toto was dead and stuffed, Ozma was a circus freak, and everything you thought you knew as Oz was really right here in Kansas? “The Cobbler of Oz” by Jonathan Maberry explores a Winged Monkey with wings too small to let her fly. Her only chance to change that rests with the Silver Slippers. In Tad Williams’s futuristic “The Boy Detective of Oz,” Orlando investigates the corrupt Oz simulation of the Otherland network. Frank Baum’s son has the real experiences that his father later fictionalized in Orson Scott Card’s “Off to See the Emperor.”Some stories are dystopian... Some are dreamlike... All are undeniably Oz.***No stranger to Oz reinvention himself, Wicked author Gregory Maguire provides the foreword to these outstanding modern stories inspired by the enchanting Land of Oz.