Tell Me You're Mine is a story of guilt, grief, and the delicate balance between love and obsession. Where is the line between hope and madness?Three women: one who believes she has found her long lost daughter, one terrified she's about to lose her child, and one determined to understand who she truly is.Stella Widstrand is a psychotherapist, a happily married mother to a thirteen-year-old son. But when a young woman named Isabelle steps into her clinic to begin therapy, Stella's placid life begins to crumble. She is convinced that Isabelle is her daughter, Alice. The baby that tragically disappeared more than twenty years ago on a beach during a family vacation. Alice is believed to have drowned, but her body was never found. Stella has always believed that Alice is alive, somewhere--but everyone around her worries she's delusional. Could this be Alice? Stella will risk everything to answer that question, but in doing so she will set in motion a sequence of events beyond her control, endangering herself and everyone she loves.

    and friendship. Doting wife, devoted husband, cherished child. Merry, Sam, and Conor are the perfect family in the perfect place. Merry adores the domestic life: baking, gardening, caring for her infant son. Sam, formerly an academic, is pursuing a new career as a filmmaker. Sometimes they can hardly believe how lucky they are. What perfect new lives they've built.When Merry's childhood friend Frank visits their Swedish paradise, she immediately becomes part of the family. She bonds with Conor. And with Sam. She befriends the neighbors, and even finds herself embracing the domesticity she's always seemed to scorn.All their lives, Frank and Merry have been more like sisters than best friends. And that's why Frank soon sees the things others might miss. Treacherous things, which are almost impossible to believe when looking at this perfect family. But Frank, of all people, knows that the truth is rarely what you want the world to see.

    They’re a happy little family of three.So what if Simon drinks a bit too much sometimes—Daisy’s used to it. She knows he’s just letting off steam. Until one night at a party things spiral horribly out of control. And their happy little family of three will never be the same again.In Lies, Lies, Lies, #1 Sunday Times bestselling author Adele Parks explores the darkest corners of a relationship in free fall in a mesmerizing tale of marriage and secrets.Don't miss Woman Last Seen from #1 Sunday Times bestselling author Adele Parks!  Looking for more? Check out these other thrilling reads from Adele Parks:I Invited Her InJust My Luck

    Then a terrifying reality sets in: her daughter is missing.Days earlier, Estelle discovered her baby’s crib empty in their Brooklyn apartment. There was no sign of a break-in, but all traces of seven-month-old Mia had disappeared. Her diapers, her clothes, her bottles—all gone. Frustrated and unable to explain her daughter’s disappearance, Estelle begins a desperate search. But when the lack of evidence casts doubt on her story, Estelle becomes the number one suspect in the eyes of the police and the media.As hope of reuniting with Mia becomes all she has left, Estelle will do anything to find answers: What has she done to her baby? And what has someone else done to her?

    Will his daughter pay the price?Former Army Ranger Pierce Hunt is no stranger to violence. Fresh off a six-month suspension, he’s itching to hit a notorious Mexican drug cartel where it hurts, even if that means protecting crime boss Vicente Garcia, a witness in the case against sadistic cartel leader Valentina Mieles. But things spiral out of control when the cartel murders Garcia and kidnaps his granddaughter and an innocent bystander, Hunt’s own teenage daughter.Mieles wants the new head of the Garcia family on a plate—literally. Hunt has seventy-two hours to deliver, or Mieles will execute the girls live on social media. With the clock ticking, Hunt goes off the grid and teams up with Garcia’s daughter, a former lover and current enemy. To save the girls, Hunt will have to become a man he swore he’d never be again: an avenging killer without limits or mercy.

    Ostracised by her colleagues, her family and her partner, she begins to wonder if she really is losing her mind.And then she meets the next victim.So compulsive you can't stop reading.So chilling you won't stop talking about it.A pitch-black and devastatingly original psychological thriller.

    She's an officer in sleepy Woodbury, MA, where a bicycle theft still makes the newspapers. No one there knows she was once victim number seventeen in the grisly story of serial killer Francis Michael Coben. The only one who lived.When three people disappear from her town in three years―all around her birthday―Ellery fears someone knows her secret. Someone very dangerous. Her superiors dismiss her concerns, but Ellery knows the vanishing season is coming and anyone could be next. She contacts the one man she knows will believe her: the FBI agent who saved her from a killer all those years ago.Agent Reed Markham made his name and fame on the back of the Coben case, but his fortunes have since turned. His marriage is in shambles, his bosses think he's washed up, and worst of all, he blew a major investigation. When Ellery calls him, he can’t help but wonder: sure, he rescued her, but was she ever truly saved? His greatest triumph is Ellery’s waking nightmare, and now both of them are about to be sucked into the past, back to the case that made them...with a killer who can't let go.

    The latest is an unidentified female in her early teens, discovered in a local cemetery. More shocking than the girl’s injuries—for Maggie at least—is the fact that no one has reported her missing. She and the detectives assigned to the case (including her cop ex-husband) are determined to follow every lead, run down every scrap of evidence. But the monster they seek is watching each move, closer to them than they could ever imagine. Jack Renner is a killer. He doesn’t murder because he savors it, or because he believes himself omnipotent, or for any reason other than to make the world a safer place. When he follows the trail of this Jane Doe to a locked room in a small apartment where eighteen teenaged girls are anything but safe, he knows something must be done. But his pursuit of their captor takes an unexpected turn.Maggie Gardiner finds another body waiting for her in the autopsy room—and a host of questions that will challenge everything she believes about justice, morality, and the true nature of evil …

    One girl lived. No one believes her story. The police think she’s crazy. Her therapist thinks she’s suicidal. Everyone else thinks she’s a dangerous drunk. They’re all right—but did she see the killer? As the anniversary of the murders approaches, Faith Winters is released from the psychiatric hospital and yanked back to the last spot on earth she wants to be—her hometown where the slayings took place. Wracked by the lingering echoes of survivor’s guilt, Faith spirals into a black hole of alcoholism and wanton self-destruction. Finding no solace at the bottom of a bottle, Faith decides to track down her sister’s killer—and then discovers that she’s the one being hunted. How can one woman uncover the truth when everyone’s a suspect—including herself? From the mind of Wall Street Journal bestselling author Christopher Greyson comes a story with twists and turns that take the reader on a journey of light and dark, good and evil, to the edge of madness. The Girl Who Lived should come with a warning label: Once you start reading, you won’t be able to stop. Not since Girl on the Train and Gone Girl has a psychological thriller kept readers so addicted—and guessing right until the last page.

    A white flour bag encased the little body. Three small faces watched from the window, eyes black with terror. The child in the middle spoke without turning his head. I wonder which one of us will be next?When a woman’s body is discovered in a cathedral and hours later a young man is found hanging from a tree outside his home, Detective Lottie Parker is called in to lead the investigation. Both bodies have the same distinctive tattoo clumsily inscribed on their legs. It’s clear the pair are connected, but how? The trail leads Lottie to St. Angela’s, a former children’s home, with a dark connection to her own family history. Suddenly the case just got personal. As Lottie begins to link the current victims to unsolved murders decades old, two teenage boys go missing. She must close in on the killer before they strike again, but in doing so is she putting her own children in terrifying danger? Lottie is about to come face to face with a twisted soul who has a very warped idea of justice. Fans of Rachel Abbott, Karin Slaughter and Robert Dugoni will be gripped by this page-turning serial killer thriller, guaranteed to keep you reading late into the night.

    He has already claimed three lives, and he won’t stop there. Only this time there is a witness. But she isn’t talking. Enter Kate Conlan, former FBI agent turned victim/witness advocate. Not even she can tell if the reluctant witness is a potential victim or something more troubling still. Her superiors are interested only because the latest victim may be the daughter of Peter Bondurant, an enigmatic billionaire. When Peter pulls strings, Special Agent John Quinn gets assigned to the case. But the FBI’s ace profiler of serial killers is the last person Kate wants to work with, not with their troubled history. Now she faces the most difficult role of her career—and her life. For she’s the only woman who has what it takes to stop the killer . . . and the one woman he wants next.

    the wry wit of The Gold Coast...this is vintage Nelson DeMille at the peak of his originality and the height of his powers.Wounded in the line of duty, NYPD homicide cop John Corey is convalescing in rural eastern Long Island when an attractive young couple he knows is found shot to death on the family patio. The victims were biologists at Plum Island, a research site rumored to be an incubator for germ warfare.Suddenly, a local double murder takes on shattering global implications -- and thrusts Corey and two extraordinary women into a dangerous search for the secret of PLUM ISLAND....

    Small and blond, from a distance she looked vulnerable and slight. . . the perfect bait to catch a killer. But as Quinn got older, she realised she needed to find a protegee, a younger field agent to take her place. So Quinn trains a twenty-two year old and lets her loose in the field. The plan works. Until the Route 66 killer not only takes the bait, but kills the bait too.Years on, Quinn is trying to move past the fact that she has a young woman's death on her conscience. She's now the perfect Stepford Wife - until she gets a knock on her door. The girl's body has finally been discovered. Quinn is pulled back into the case and the more she learns about the killer the more she comes to believe, despite the overwhelming forensic evidence to hand, that they have the wrong man.

    Falling into a downward spiral of prostitution, drugs and drink, she is picked up by a journalist who has discovered that it was a bomb that caused the crash. And it is his murder that pulls her out of herself.The Rhythm Section is not a thriller about the hunt for a terrorist, although that is the path Stephanie takes, and it’s not a story about revenge, although justice for her family is her initial motivation. Rather, The Rhythm Section is the story of Stephanie’s attempt to reclaim herself. She has to rediscover who she is through a series of roles that she is forced to play; she is never herself. As a prostitute, she is Lisa, the chemical blonde. Later, she is Petra Reuter, German anarchist turned mercenary terrorist. Sometimes, she is Marina Gaudenzi, a Swiss businesswoman, or she’s Susan Branch, an American student, or Elizabeth Shepherd, an English management consultant.But whoever she is, she’s never herself because her life depends on her being someone else. This is the way she is trained by the intelligence service that recruits her, but it’s also the way she’s taught herself to be; being someone else has always worked for her and so it does now, until she begins to fall in love for the first time with Frank White. This undermines her completely and poses new questions: which of the many people she has become is the one to have fallen in love? Stephanie? Petra? Or one of the others? With whom has Frank fallen in love? Marina? Or the real Stephanie? More than anything, The Rhythm Section is about a catastrophic crisis of identity.

    A former cop, drummed out of the force because of a scandal, she is an expert at disguise and cool under pressure. But when fellow hitman Jack arrives on the scene, Nadia’s very private existence is seriously challenged.A series of victims are being murdered seemingly at random all over the US — different areas, different walks of life, different MOs. There is nothing to tie them together except a random page torn out of a single book, "Helter Skelter". Does the Helter Skelter killer — as the hysterical media now dub him — have a real connection to Charles Manson? Or is there something even more sinister at work?Is this, in fact — as Jack believes — the carefully planned exit strategy of a fellow professional killer, determined to leave the life, but equally determined to clear up an old mistake or two? And, if so, who is the real victim? Now, the highly suspicious and secretive hitman community will have to break their cover — at least, to each other — and help take down this killer before the cops and the Feds discover his true connection to their own secret, exclusive society.