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    A short critical essay which considers the significance of the title.

    The play is set in a beach bungalow. The young man who lives there has pulled a lost young woman from the ocean. Soon, she finds herself trapped in his life and torn between her need to come to rest somewhere and her certainty that all human relationships turn eventually into nightmares. The struggle between his tolerant and gently ironic approach to life and her strategy of suspicion and attack becomes a kind of war about love and creation which neither can afford to lose. This is an offbeat, wonderful love story. Note: The play contains a wealth of excellent monologue and scene material.

    His parents retired and moved to Florida. That doesn't mean his family isn't still in Jersey. In fact, he sees both sets of his grandparents every Sunday for dinner. This is routine until he has to tell them that he's been offered a dream job. The job he's been waiting for - marketing executive - would take him away from his beloved, but annoying, grandparents. He tells them. The news doesn't sit so well. Thus begins a series of schemes to keep Nick around. How could he betray his family's love to move to Seattle for a job, wonder his grandparents? Well, Frank, Aida, Nunzio, and Emma do their level best, that includes bringing the lovely - and single - Caitlin O'Hare as bait.

    

    Book annotation not available for this title.

    The eclectic band of citizens that make up this town are portrayed by only two performers, making this satire on life in rural America even more delightful as they depict all of the inhabitants of Tuna -- men, women, children and animals.

    He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. Then it's up to Gillette himself, as he assumes the persona of his beloved Holmes, to track down the killer before the next victim appears. The danger

    Ayckbourn's series of plays for 4-5 actors typify his black comedies of human behaviour. The plays are alternately naturalistic, stylised and farcical, but underlying each is the problem of loneliness. The Mother Figure shows a mother unable to escape from baby talk; in The Drinking Companion, an absentee husband attempts seduction without success; in Between Mouthfuls, a waiter oversees a fraught dinner encounter. A garden party gets out of hand in Gosforth's Fete, whilst A Talk in the Park is a revue style curtain call piece for the five actors. Whether the comedies concern marital conflict, infidelity or motherhood and take place on a park bench or at a village fete, the characters are familiar and their cries for help instantly recognisable. Principally he is respected as a radical re-inventor of form - Dominic Dromgoole.

    With Steffy, his sometime paramour, at his side, Herb decides to take another stab at fatherhood and hopefully this time, get it right.

    But Betty's luck turns to delicious lunacy when this sensible Everywoman gets drawn into the chaotic world of some very unsavory housemates - her friend Trudy, who talks too much; the lewd, seminaked Buck, who tries to have sex with everyone; and Keith, a serial killer who hides in his room with a mysterious hatbox. With sand between her toes, walking a thin line between sanity and survival, poor Betty will leave her summer vacation more terrorized than tan.

    Someone - or something - is leaving bite marks in the avocados, Clay and Kelly's little daughter has an itch, and Carol can't remember who played Gandhi. This work takes a look at phoney liberal values.

    How did we ever find time to go to work. New to Caravanning. Its mishaps. Its pleasures. Its fun. Susie and Jack take early retirement and end up biting off more than they can chew. An unexpected inheritance changes their lives forever.

    FICTION: Poolside at their motel, the Fab Four fell into conversation with a snappy-dressing local named Bert the Shirt, who listened as the band worked out a harmony to the most beautiful song he’d ever heard--and wouldn’t hear again for over half a century. FACT: That night, the Beatles played an unannounced free concert in the motel bar. Everyone was welcome. Local musicians showed up with guitars and keyboards, and had the once-in-a-lifetime experience of jamming with the Beatles till 4 am. This legendary event has forever after been known to Key West locals as THE PARADISE GIG.FICTION: Next day, hung over and exhausted, the Beatles left for the airport, having somehow lost a stained and battered notebook that held a priceless stash of unrecorded songs. NOW CUT TO THE PRESENT: A beautiful woman is doing a yoga headstand on a Key West beach when she’s abducted by a pair of thugs. An aspiring young singer is offered a recording deal that seems a bit too good to be true. Bad things happen to a couple of one-hit wonders…And old Bert hears a new song that is hauntingly familiar, but that he can’t quite place.Could it possibly be the same song he’d heard at poolside so many years before? Could it be that all the present mayhem circles back through the decades to THE PARADISE GIG? Could the precious, even sacred, Beatles notebook possibly turn up after all these years? Could Bert be the hero who would rediscover that stash of unheard songs for music lovers everywhere—and save a young singer’s life in the process? With Nacho, his intrepid Chihuahua, at his side, and with no one but bumbling detective Pete Amsterdam for an ally, the undaunted Bert the Shirt sets out through the Florida haze to piece it all together, learning along the way how much the world has changed—and how much it has not. In equal parts suspenseful and nostalgic, funny and romantic, this time-bending caper celebrates the power of music and the many tricks of memory, the joys of youth and the comforts of age, and the free and funky spirit of Key West.