Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she’s there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace.In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace’s old friend. She can’t bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can’t bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace’s death, Gilda may have to finally reveal the truth of her mortifying existence.

    Daughter of Carmen, a Cuban immigrant, she is determined to learn more about her family history from her reticent mother and makes the snap decision to take in the daughter of a neighbor detained by ICE. Carmen, still wrestling with the trauma of displacement, must process her difficult relationship with her own mother while trying to raise a wayward Jeanette. Steadfast in her quest for understanding, Jeanette travels to Cuba to see her grandmother and reckon with secrets from the past destined to erupt.From 19th-century cigar factories to present-day detention centers, from Cuba to Mexico, Gabriela Garcia's Of Women and Salt is a kaleidoscopic portrait of betrayals—personal and political, self-inflicted and those done by others—that have shaped the lives of these extraordinary women. A haunting meditation on the choices of mothers, the legacy of the memories they carry, and the tenacity of women who choose to tell their stories despite those who wish to silence them, this is more than a diaspora story; it is a story of America’s most tangled, honest, human roots.

    His friends are used to his strict routines, like ironing his socks and lighting his fireplace every Sunday (even in the summer). His forlorn mother puts up with his strange "no touching" antics, even though all she wants is a hug from her son. Really, the only problem is the four monsters he has for roommates. This ragtag bunch run his life, determined to create chaos in his orderly world.Then Rebecca, Denis's enigmatic ex-girlfriend from his former life, returns to town. Shocked to meet the new Denis--a broken man, unable to manage even the most basic social interactions--she becomes fixated on bringing back the funny, charismatic man she once loved. As Denis begins to emerge from his sheltered existence and rediscover the person he used to be, the monsters declare all-out war. Denis is finally forced to confront the demons that share his house, and his head.By turns heartbreaking and heartwarming, Me, Myself and Them deftly explores mental illness with compassion and in entirely original terms. With wit and charm, Dan Mooney offers a wholly new perspective on the effects of grief and the power of human connection.

    Her mentor, Dr. Joan Kallas, is the hero of Nell's heart. Nell frequently finds herself standing in the doorway to Joan's office despite herself, mesmerized by Joan's elegance, success, and spiritual force. Surrounded by Nell's ex, her best friend, her best friend's boyfriend, and Joan's buffoonish husband, the two scientists are tangled together at the center of a web of illicit relationships, grudges, and obsessions. All six are burdened by desire and ambition, and as they collide on the university campus, their attractions set in motion a domino effect of affairs and heartbreak. Meanwhile, Nell slowly fills her empty apartment with poisonous plants to study, and she begins to keep a series of notebooks, all dedicated to Joan. She logs her research and how she spends her days, but the notebooks ultimately become a painstaking map of love. In a dazzling and unforgettable voice, Rebecca Dinerstein Knight has written a spellbinding novel of emotional and intellectual intensity.

    Now, with a glamorous job, expensive wardrobe, and handsome blue blood fiancé, she’s this close to living the perfect life she’s worked so hard to achieve.But Ani has a secret.There’s something else buried in her past that still haunts her, something private and painful that threatens to bubble to the surface and destroy everything.With a singular voice and twists you won’t see coming, Luckiest Girl Alive explores the unbearable pressure that so many women feel to “have it all” and introduces a heroine whose sharp edges and cutthroat ambition have been protecting a scandalous truth, and a heart that's bigger than it first appears.The question remains: will breaking her silence destroy all that she has worked for—or, will it at long last, set Ani free?

    But even more shocking is the fact that her drowning was no accident.Once Jenna's best friend becomes a key suspect, Jenna starts to look for answers on her own. As she uncovers scandals inside Preston Prep School leading back to Rookwood reform school, she knows she needs Adam on her side.As a student at Rookwood, Adam is used to getting judgmental looks, but now his friends are being investigated by the police. Adam will do whatever he can to keep them safe, even if that means trusting Jenna.As lies unravel, the truth starts to blur. Only one thing is certain: somebody must take the fall.

    How an unexplained fire ravaged their house, killing four of the five family members. But what people don’t know is who did it. All fingers point at Pearl Haskins’s father, the town drunk, who was the caretaker of the property, but she just can’t believe it. Leave it to a town of rich people to blame “the help.”With her disgraced father now trying to find work in between booze benders, Pearl’s future doesn’t hold much more than waiting tables at the local country club, where the wealthy come to flaunt their money and spread their gossip. This year, Tristan, the last surviving Garrison, and his group of affluent and arrogant friends have made a point of sitting in Pearl’s section. Though she’s repulsed by most of them, Tristan’s quiet sadness and somber demeanor have her rethinking her judgments. Befriending the boys could mean getting closer to the truth, clearing her father’s name, and giving Tristan the closure he seems to be searching for. But it could also trap Pearl in a sinister web of secrets, lies, and betrayals that, once untangled, will leave no life unchanged . . . if it doesn’t take hers first.

    And in the winter, skiers and snowboarders take over the mountains. Season by season, year after year, time passes and the lies, like the aspens and evergreens that surround the town, take root and spread deep.Now, someone has uncovered the lies, and it is his murder that continues a chain of events that began almost forty years ago. Detective Gemma Monroe’s investigation takes her from the seedy grounds of a traveling circus to the powerful homes of those who would control Cedar Valley’s future.Six-months pregnant, with a partner she can’t trust and colleagues who know more than they’re saying, Gemma tracks a killer who will stop at nothing to keep those secrets buried.

    J. Fikry two friends--often in love, but never lovers--come together as creative partners in the world of video game design, where success brings them fame, joy, tragedy, duplicity, and, ultimately, a kind of immortality.Utterly brilliant. In this sweeping, gorgeously written novel, Gabrielle Zevin charts the beauty, tenacity, and fragility of human love and creativity. Tomorrow, and Tomorrow, and Tomorrow is one of the best books I've ever read. --John GreenOn a bitter-cold day, in the December of his junior year at Harvard, Sam Masur exits a subway car and sees, amid the hordes of people waiting on the platform, Sadie Green. He calls her name. For a moment, she pretends she hasn't heard him, but then, she turns, and a game begins: a legendary collaboration that will launch them to stardom. These friends, intimates since childhood, borrow money, beg favors, and, before even graduating college, they have created their first blockbuster, Ichigo. Overnight, the world is theirs. Not even twenty-five years old, Sam and Sadie are brilliant, successful, and rich, but these qualities won't protect them from their own creative ambitions or the betrayals of their hearts.Spanning thirty years, from Cambridge, Massachusetts, to Venice Beach, California, and lands in between and far beyond, Gabrielle Zevin's Tomorrow, and Tomorrow, and Tomorrow is a dazzling and intricately imagined novel that examines the multifarious nature of identity, disability, failure, the redemptive possibilities in play, and above all, our need to connect: to be loved and to love. Yes, it is a love story, but it is not one you have read before.

    The "Red Wolf," as he was dubbed by the press, has been in prison for over twenty years, serving a life sentence for the gruesome and ritualistic murders of several women across the country, although he has always protested his innocence. The police have had no reason to listen, yet Heather isn't the only one to have cause to re-examine the murders. The body of a young woman has just been found, dismembered and placed inside a tree, the corpse planted with flowers. Just as the Red Wolf once did.What did Heather's mother know? Why did she kill herself? And with the monstrous Red Wolf safely locked inside a maximum security prison, who is stalking young women now? Teaming up with DI Ben Parker, Heather hopes to get some answers for herself and for the newest victims of this depraved murderer. Yet to do that, she must speak to Michael Reave herself, and expose herself to truths she may not be ready to face. Something dark is walking in the woods, and it knows her all too well.

    Ray McMillian loves playing the violin more than anything, and nothing will stop him from pursuing his dream of becoming a professional musician. Not his mother, who thinks he should get a real job, not the fact that he can't afford a high-caliber violin, not the racism inherent in the classical music world. And when he makes the startling discovery that his great-grandfather's fiddle is actually a priceless Stradivarius, his star begins to rise. Then with the international Tchaikovsky Competition—the Olympics of classical music—fast approaching, his prized family heirloom is stolen. Ray is determined to get it back. But now his family and the descendants of the man who once enslaved Ray's great-grandfather are each claiming that the violin belongs to them. With the odds stacked against him and the pressure mounting, will Ray ever see his beloved violin again?

    Without it, he’s destined for the roach-infested nursing home down the road—and after wasting the first eighty-eight years of his life, he refuses to waste away for the rest. So, he keeps his shenanigans to the bare minimum with the help of his straight-laced best friend and roommate, Carl Upton.But when Carl’s granddaughter Josie climbs through their bedroom window with booze on her breath and a black eye, Duffy’s faced with trouble that’s sticking around and hard to hide—from Centennial’s management and Josie’s toxic boyfriend. Before he knows it, he’s running a covert operation that includes hitchhiking and barhopping.He might as well write himself a one-way ticket to the nursing home…or the morgue. Yet Duffy’s all in. Because thanks to an unlikely friendship that becomes fast family—his life doesn’t boil down the same anymore. Not when he finally has a chance to leave a legacy. In a funny, insightful, and life-affirming debut, Brooke Fossey delivers an unflinching look at growing old, living large, and loving big, as told by a wise-cracking man who didn’t see any of it coming.

    Homeless and desperate, she flees to an exclusive retreat in upstate New York famous for its outrageous revelries and glamorous artists. And notorious as the place where brilliant young artist Carey Logan - one of her idols - drowned in the lake. But when she arrives, the retreat is a ghost of its former self. No one shares their work. No parties light up the deck. No one speaks of Carey, though her death haunts the cabins and the black lake, lurking beneath the surface like a shipwreck. As the young painter works obsessively in Carey's former studio, uncovers strange secrets and starts to fall--hard and fast--for Carey's mysterious boyfriend, it's as if she's taking her place. But one thought shadows her every move: What really happened to Carey Logan?

    The daughter of Chinese parents who came to the United States to secure the American dream for their children, Joan is intensely devoted to her work, happily solitary, successful. She does look up sometimes and wonder where her true roots lie: at the hospital, where her white coat makes her feel needed, or with her family, who try to shape her life by their own cultural and social expectations. Once Joan and her brother, Fang, were established in their careers, her parents moved back to China, hoping to spend the rest of their lives in their homeland. But when Joan’s father suddenly dies and her mother returns to America to reconnect with her children, a series of events sends Joan spiraling out of her comfort zone just as her hospital, her city, and the world are forced to reckon with a health crisis more devastating than anyone could have imagined. Deceptively spare yet quietly powerful, laced with sharp humor, Joan Is Okay touches on matters that feel deeply resonant: being Chinese-American right now; working in medicine at a high-stakes time; finding one’s voice within a dominant culture; being a woman in a male-dominated workplace; and staying independent within a tight-knit family. But above all, it’s a portrait of one remarkable woman so surprising that you can’t get her out of your head.

    By 2016, their four radically different daughters are each in a state of unrest: Wendy, widowed young, soothes herself with booze and younger men; Violet, a litigator-turned-stay-at-home-mom, battles anxiety and self-doubt when the darkest part of her past resurfaces; Liza, a neurotic and newly tenured professor, finds herself pregnant with a baby she's not sure she wants by a man she's not sure she loves; and Grace, the dawdling youngest daughter, begins living a lie that no one in her family even suspects. Above it all, the daughters share the lingering fear that they will never find a love quite like their parents'.As the novel moves through the tumultuous year following the arrival of Jonah Bendt--given up by one of the daughters in a closed adoption fifteen years before--we are shown the rich and varied tapestry of the Sorensons' past: years marred by adolescence, infidelity, and resentment, but also the transcendent moments of joy that make everything else worthwhile.