In the Forest is a newly reissued edition of the terrifying novel from one of the greatest writers in the English-speaking world (The New York Times), Edna O'Brien...

    For the women, the contest is deadly serious, a perilous game of economic survival that, if played well, can set them up for life as mistresses of the rich and prominent. There is no room for error, however: erotic power is hard to achieve and harder to maintain, especially in the loftiest social circles. Enter veteran seducer, Magic Gourd, formerly one of Shanghai’s “Top Ten Beauties” and now the advisor and attendant of Violet, an aspiring but inexperienced courtesan. Violet may have the youth and the allure, but Magic Gourd has the cunning and the knowledge without which the younger woman is sure to fail. These ancient tricks of the trade aren't written down, though; to pass them on to her student, Magic Gourd must reach back into her own professional past, bringing her lessons alive with stories and anecdotes from a career spent charming and manipulating men who should have known better but rarely did.The world of sexual intrigue that Tan reveals in "Rules for Virgins" actually existed once, and she spares no detail in recreating it. But this story is more than intriguing (and sometimes shocking) historical literary fiction. Besides inviting us inside a life that few writers but Tan could conjure up, the intimate confessions of Magic Gourd add up to a kind of military manual for the War of the Sexes’ female combatants. The wisdom conveyed is ancient, specific, and timeless, exposing the workings of vanity and folly, calculation and desire that define the mysterious human heart.

    It is truly extraordinary work of fiction, taking readers into a small English seaside town, and into the minds and hearts of its remarkable inhabitants -- a man named Ronny, weed killer by trade, who has some strange things in common with a man he finds dangling from a bridge; Nathan, the son of a pedophile, who toils in the Underground's Lost Property department, endlessly logging missing items; Sara, purveyor of her family boar farm, and Lily, her teenage daughter, tragically born with unformed organs and blood that refuses to clot. Starkly original and at turns hilarious, sad, and hopeful, Wide Open brilliantly displays Nicola Barker's delightfully singular literary talent.

    He despises his negligent mother and her alcoholic boyfriend, Refrigerator Man, and he's indifferent to school and his friends -- though a little less casual about girls and marijuana. His antics have landed him in a North Virginia detention center, where nihilism, freedom, and redemption all take on unexpected guises. In a voice filled with confusion, yearning, and sardonic humor, Jacob narrates his improbably sweet romance with Andrea, an inmate with whom he shares rare glances, melodramatic conversation, and waxy cookies at rigidly chaperoned "socials." But when David, a mysterious, conniving adolescent, handpicks him to assist in a plot to bring about the center's demise, Jacob has to weigh the frail new optimism of his relationship with Andrea against the allure of destruction, rebellion, and escape. In her pitch-perfect debut, Emma Rathbone adroitly captures the drama, both comic and deadly serious, of growing up.

    Maxwell has written a masterpiece on an event of great historical importance. He has shattered many myths and proved that there are no black and whites but only greys in the world of politics. "

    In this desolate, forgotten place, government fighter planes and helicopters make training runs by night using live ammunition. When an anonymous dead body floats in from the sea, Ares, on the cusp of his adolescence, is inspired to enact elaborate fantasies of mortal combat. But it is his troubled family that makes Ares a casualty of a different kind of war. His brother, Malcolm, is mentally handicapped, and his mother, distrusting authorities, chooses not to do anything about it, leaving the burden to Ares to protect his vulnerable brother from a world that sees him as "a retard." As he fights to define himself and to see a future for himself outside of the suffocating box of his home, Ares befriends a dangerous older kid, and what was once play becomes terrifyingly real as violence changes his life forever.

    She hates her job in airport security, making people take their belts off before they fly to exotic locations she can only dream about. She owns a small apartment with large repayments, drinks bargain bin red while she watches Star Trek, and misses her little sister, lost to an exploding sandwich press ten years ago. Scharlette fears she might live out her entire existence without doing anything or mattering to anyone. It still comes as quite a surprise when a handsome time traveller named Tomothy appears out of nowhere and verifies she is correct – that, according to his records, she doesn’t matter at all.Scharlette isn’t sure this news is as wonderful as Tomothy seems to think but, as he explains, since her life was to have no impact on the timeline whatsoever, Scharlette is free to travel time and space, and have amazing adventures with heedless abandon.

    This new selection of Gwen Hardwood's work includes poems from The Present Tense, published shortly before her death in 1995, as well as poems not included in earlier editions of Selected Poems.

    

    Jealous of her beautiful sister, Lady Akane savagely mutilates Orin's face, beginning a spiral of despair ending in the suicides of both lovers at Lake Amada. Akane becomes the caretaker of the lake, now brimming with a strange power.

    First published in 1853, it is dotted with murder and mayhem : graves opening and the dead walking the earth, the animate becoming the inanimate and vice versa, ogres and monsters of lake and wood, human transformations reminiscent of Ovid's Metamorphoses. Written as ballads, Marcela Sulak's new translation perfectly captures the cadence and rhythm in an English that is fresh and energetic. Through the years A Bouquet has come to be regarded as a masterpiece and wellspring of inspiration to artists of all stripes, including Antonín Dvořák, who composed a series of symphonic poems to some of these tales. Of the many illustrators who have contributed to the various editions that have appeared over the past century and a half, Alén Diviš's artwork is generally considered the most powerful. This edition also includes Erben's own notes explaining the origins of many of these tales.

    In a country where patriarchal favoritism and the primacy of sons survived multiple revolutions and an ideological earthquake, this epic novel is first and foremost about women, with the female body serving as the book’s central metaphor. The protagonist, Mother, is born in 1900 and married at seventeen into the Shangguan family. She has nine children, only one of whom is a boy—the narrator of the book. A spoiled and ineffectual child, he stands in stark contrast to his eight strong and forceful female siblings.Mother, a survivor, is the quintessential strong woman who risks her life to save several of her children and grandchildren. The writing is picturesque, bawdy, shocking, and imaginative. The structure draws on the essentials of classical Chinese formalism and injects them with extraordinarily raw and surprising prose. Each of the seven chapters represents a different time period, from the end of the Qing dynasty up through the Japanese invasion in the 1930s, the civil war, the Cultural Revolution, and the post-Mao years. Now in a beautifully bound collectors edition, this stunning novel is Mo Yan’s searing vision of twentieth-century China.

    After he marries a woman he had seen eight years earlier, the story becomes, on one level, an analogy between his temporary sexual impotence and the position of intellectuals. A year later he is ready to abandon his wife and escape from the camp. Cameo appearances by philosophic and literary figures (Marx and Meng-tz, Othello and Song Ji) and discussing China and sex allow the incorporation of non-novelistic elements while indulging in gallows humor.

    But Glorette Picard is dead, and across the canal, out in the orange groves, they’ll gather shovels and pickaxes and soak the dirt until they can lay her coffin down. First, someone needs to find her son Victor, who memorizes SAT words to avoid the guys selling rock, and someone needs to tell her uncle Enrique, who will be the one to hunt down her killer, and someone needs to brush out her perfect crown of hair and paint her cracked toenails. As the residents of this dry-creek town prepare to bury their own, it becomes clear that Glorette’s life and death are deeply entangled with the dark history of the city and the untouchable beauty that, finally, killed her.