. . remains a consummate artist, true to her vision of a work that is bleak, truthful, and lacking any overt sentimental overtures. Her eye, a poet's eye, misses nothing."---three candles". . . a touching odyssey of a girl poised between the emotional abyss and the reader's heart."---Minneapolis Star-Tribune"A sensitive, often disquieting book that rings true throughout. . . . It's the skill of an accomplished writer that we see Faina's extraordinary spirit, while simultaneously experiencing her pain and despair. The end result is an uplifting, even inspiring book without any of the sugarcoating often found in stories like this."---California Literary ReviewWhere No Gods Came is author Sheila O'Connor's compelling story of Faina McCoy, a young girl caught in a perilous scheme of elaborate lies created for her own harrowing system of survival. Enmeshed in a tangled family web, Faina is abruptly uprooted against her will from her father and finds herself half a continent away on the doorstep of a mother who abandoned her years before-but who can't live without Faina now. Alone, persecuted, and exploited, Faina must fend for herself as she searches for love and answers, navigating the streets of a strange city and forging bonds of feeling with liars and outlaws.

    Eiko had a heart condition so the news of her death wasn't totally unexpected. But the circumstances of her demise left Tsuneo, a softly-spoken government bureaucrat, perplexed. How did it come about that his wife—who was shy and withdrawn, and only left their house twice a week to go to haiku meetings—ended up dead in a small shop in a shady Tokyo neighborhood?When Tsuneo goes to apologize to the boutique owner for the trouble caused by his wife’s death he discovers the villa Tachibana near by, a house known to be a meeting place for secret lovers. As he digs deeper into his wife's recent past, he must eventually conclude that she led a double life...

    A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn't thought of Lettie in decades, and yet as he sits by the pond (a pond that she'd claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.A groundbreaking work from a master, The Ocean at the End of the Lane is told with a rare understanding of all that makes us human, and shows the power of stories to reveal and shelter us from the darkness inside and out. It is a stirring, terrifying, and elegiac fable as delicate as a butterfly's wing and as menacing as a knife in the dark.

    She works for the huge toy company named PopCo, where she creates snooping kids' kits - KidSpy, KidTec and KidCracker. At the company conference Alice and her colleagues are brought into developing the ultimate product for the teenage girls.

    But when splintering, blood-soaked images start haunting her thoughts, Yeong-hye decides to purge her mind and renounce eating meat. In a country where societal mores are strictly obeyed, Yeong-hye's decision to embrace a more “plant-like” existence is a shocking act of subversion. And as her passive rebellion manifests in ever more extreme and frightening forms, scandal, abuse, and estrangement begin to send Yeong-hye spiraling deep into the spaces of her fantasy. In a complete metamorphosis of both mind and body, her now dangerous endeavor will take Yeong-hye—impossibly, ecstatically, tragically—far from her once-known self altogether.

    Twenty years on, their enigmatic personalities are embalmed in the memories of the boys who worshipped them and who now recall their shared adolescence: the brassiere draped over a crucifix belonging to the promiscuous Lux; the sisters' breathtaking appearance on the night of the dance; and the sultry, sleepy street across which they watched a family disintegrate and fragile lives disappear.

    She expected tranquil gardens and swoopy-roofed houses, not concrete and neon. And everyone assumes that, with her traditional Japanese features, she's a native instead of the naïve Japanese-American that she really is. Even Erik, a gorgeous German student, mistakes Nori for Japanese, and treats her like a personal tour guide. Nori is sure that he'll like her for who she is once he gets to know her, so what harm can come of temporarily pretending to be Japanese? It doesn't take long to realize that she has a lot to learn about Japan, and about herself, before she can pass for a native. But after exploring the karaoke clubs in Tokyo, the peaceful temples in Kyoto, and the tranquil heights of Mt. Fuji, Nori knows she has a good chance of finding the hidden Japanese spirit and Zen mindset within herself.

    So, with great resourcefulness, she advertised for a companion and eventually staked out a corner of her own—one with a view. Mildred Walker's skill as a storyteller never falters in this portrayal of an elderly woman who won't give up.

    Lizzie tries and tries to get the attention of her mother to get it to stop, to get her to help. She is also left with the duty of protecting her sister, Rose from the monster. A man who makes both girls shiver when he comes to babysit them. If only the one person who SHOULD be there to listen, WOULD just be there for them. If only her mother would listen, just once…

    Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin's horrific rampage in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.

    In these haunting stories, two teenagers linked by an obsession with murder and torture explore the recesses of humanity's dark side.

    NOW A NETFLIX ORIGINAL SERIESSome boxes should never be opened.For the first time, the complete A Series of Unfortunate Events is available in one awful package!We can't keep you from succumbing to this international bestselling phenomenon, but we can hide all thirteen books in a huge, elaborately illustrated, shrink-wrapped box, perfect for filling an empty shelf or deep hole.From The Bad Beginning to The End, this box set, adorned with Brett Helquist art from front to back, is the only choice for people who simply cannot get enough of a bad thing!

    Estranged from his family, living alone with only his cat Cabbage for company, he was unprepared for the doctor’s diagnosis that he has only months to live. But before he can set about tackling his bucket list, the Devil appears with a special offer: in exchange for making one thing in the world disappear, he can have one extra day of life. And so begins a very bizarre week . . .Because how do you decide what makes life worth living? How do you separate out what you can do without from what you hold dear? In dealing with the Devil our narrator will take himself – and his beloved cat – to the brink. Genki Kawamura's If Cats Disappeared from the World is a story of loss and reconciliation, of one man’s journey to discover what really matters in modern life.This beautiful tale is translated from the Japanese by Eric Selland, who also translated The Guest Cat by Takashi Hiraide. Fans of The Guest Cat and The Travelling Cat Chronicles will also surely love If Cats Disappeared from the World.

    Faceless creatures haunt an unwary traveler. A beautiful woman — the personification of winter at its cruelest — ruthlessly kills unsuspecting mortals. These and 17 other chilling supernatural tales — based on legends, myths, and beliefs of ancient Japan — represent the very best of Lafcadio Hearn's literary style. They are also a culmination of his lifelong interest in the endlessly fascinating customs and tales of the country where he spent the last fourteen years of his life, translating into English the atmospheric stories he so avidly collected.Teeming with undead samurais, man-eating goblins, and other terrifying demons, these 20 classic ghost stories inspired the Oscar®-nominated 1964 film of the same name.

    After this first encounter, Tsukiko and Sensei continue to meet. Together, they share edamame beans, bottles of cold beer, and a trip to the mountains to eat wild mushrooms. As their friendship deepens, Tsukiko comes to realise that the solace she has found with Sensei might be something more.