A new village. A new life. But eight-year-old Miro knows the real reason why his family moved from the inland city of Knin to the sunkissed village of Ljeta on the Dalmatian Coast, a tragedy he tries desperately to forget. The Ljeta years are happy ones, though, and when he marries his childhood sweetheart, and they have a baby daughter, it seems as though life is perfect. However, storm clouds are gathering above Yugoslavia.War breaks out, and one split-second decision destroys the life Miro has managed to build. Driven by anger and grief, he flees to Dubrovnik, plunging himself into the hard-bitten world of international war reporters.There begins a journey that will take him ever deeper into danger: from Dubrovnik, to Sarajevo, to the worst atrocities of war-torn Bosnia, Miro realises that even if he survives, there can be no way back to his earlier life. The war will change him, and everyone he loves, forever.(P)2016 Headline Digital

    It is on this night that I dedicate myself - to my self, to who I truly am, to what is invincible and without bondage of time, that predates me, that will outlive me.Ninth century. In Puduvai, a small town in what we now know as Tamil Nadu, young Kodhai is taught to read and to write by her adoptive father, a garland-weaving poet. As she discovers the power of words, she also realizes that the undying longing for a great love that she has been nursing within her - one that does not suppress her desire for freedom - is likely to remain unfulfilled. Then, she hears of a vow that she can undertake that might summon it to her.In deepest winter, the sixteen-year-old begins praying for a divinely sensual love - not knowing that her words will themselves become prayers, and echo through the centuries to come.Rich with the echoes of classical poetry, in The Queen of Jasmine Country, Sharanya Manivannan imagines the life of the devotional poet Andal, whose sublime and erotic verses remain beloved and controversial to this day.

    

    My Bright Abyss, composed in the difficult years since and completed in the wake of a bone marrow transplant, is a moving meditation on what a viable contemporary faith—responsive not only to modern thought and science but also to religious tradition—might look like.Joyful, sorrowful, and beautifully written, My Bright Abyss is destined to become a spiritual classic, useful not only to believers but to anyone whose experience of life and art seems at times to overbrim its boundaries. How do we answer this “burn of being”? Wiman asks. What might it mean for our lives—and for our deaths—if we acknowledge the “insistent, persistent ghost” that some of us call God?

    Michael Theune's breakthrough concept encourages students, teachers, and writers to use structure as a tool to see the fundamental affinities between strikingly different kinds of poetry and radically different literary eras. The book includes examination of the mid-course turn and the elegy, as well as the ironic, concessional, emblem, and retrospective-prospective structures, among others. In addition, 14 contemporary poets provide an example of and commentary on their own work.

    As daughters of a district-court judge father and a politician mother, they are an all-American family—on the surface. Behind the facade each sister has her own dark secret, and that's where their differences begin.For Kaeleigh, she's the misplaced focus of Daddy's love, intended for a mother whose presence on the campaign trail means absence at home. All that Raeanne sees is Daddy playing a game of favorites—and she is losing. If she has to lose, she will do it on her own terms, so she chooses drugs, alcohol, and sex.Secrets like the ones the twins are harboring are not meant to be kept—from each other or anyone else. Pretty soon it's obvious that neither sister can handle it alone, and one sister must step up to save the other, but the question is—who?

    Published 20 years ago, this sequence of poems charts the progress of a love affair from the passionate honeymoon with the milk bottles turning to cheese on the doorstep, through the stage of quarrels, jealousy, recriminations and boredom, to the point where love is as nice as a cup of tea in bed.

    

    

    But Emerson’s world already ended when she ran away from home. Since then, she has lived on the streets, relying on her wits and on her friend Vince to help her find places to sleep and food to eat.The city’s quieter now that most people are gone, and no one seems to know what to do as the end approaches. But then Emerson and Vince meet Carl, who tells them he has been granting people’s wishes—and gives them his wallet full of money. Suddenly, this last day seems full of possibility. Emerson and Vince can grant a lot of wishes in one last day—maybe even their own.

    Lucy is in love with Shadow, a mysterious graffiti artist.Ed thought he was in love with Lucy, until she broke his nose.Dylan loves Daisy, but throwing eggs at her probably wasn't the best way to show it.Jazz and Leo are slowly encircling each other.An intense and exhilarating 24 hours in the lives of four teenagers on the verge: of adulthood, of HSC, of finding out just who they are, and who they want to be.A lyrical new YA novel from the award-winning author of Chasing Charlie Duskin and the Gracie Faltrain series.

    In this sequence of memoir-esque poems, Sierra DeMulder pulls at the threads of a past abusive relationship and the long road to forgiveness. The poems themselves become an act of recovery and reclamation, wherein the poet finds again the voice which was taken from her. These are hard poems, made up of clarity and healing, which attempt to share some of their peace with the world.

    Though made rough-and-tumble on the slum’s streets where gangs, police and U.N. peacekeepers have long battled for control, the murders stir Libète unlike anything she’s seen before. With the dead quickly forgotten as the community limps on in its grinding struggle to survive, Libète resolves to pursue the truth despite the costs, plunging headfirst into an insidious plot that will threaten her and everything she holds dear.A profound journey set against the calamitous backdrop of modern-day Haiti, join Libète as she struggles to find herself and justice in an unjust world in Because We Are: A Novel of Haiti.

    The use of enjambment here is impeccable, giving the entire collection a cadence akin to that of a march through the author's own personal underworld."— Owen Green, The Book Nook Review"One of the most authentic autobiographies told in verse."— Steve Quade, Indies Today"This is a very powerful and inspiring book that will touch the hearts of a lot of readers."— Ria Kataria, The Online Book Club"This is an in-depth essay unravelling through complex human emotions. Their beauty lies in their unadulterated voice."— Amina Thajudeen, The Ultimate Reviewer"The true power of poetry is sharing the struggles of life and this book drives that home."— Rob Alex, Book Promotion Club

    The audacity.I AM THE OCEAN!I got capacity!Depths! Darkness! Delphic power!So his sweet little planWent big-time sourAnd his wife had a sonBorn with horns and a muzzleWho ended upIn an underground puzzle.What is it with you mortals?You just can’t seem to learn:If you play with fire, babies,You’re gonna get burned.Much like Lin-Manuel Miranda did in Hamilton, the New York Times best-selling author David Elliott turns a classic on its head in form and approach, updating the timeless story of Theseus and the Minotaur for a new generation. A rough, rowdy, and darkly comedic young adult retelling in verse, Bull will have readers reevaluating one of mythology's most infamous monsters.