Now, with his third and most ambitious novel, Aciman delivers an elegant and powerful tale of the wages of assimilation—a moving story of an immigrant’s remembered youth and the nearly forgotten costs and sacrifices of becoming an American.It’s the fall of 1977, and amid the lovely, leafy streets of Cambridge a young Harvard graduate student, a Jew from Egypt, longs more than anything to become an assimilated American and a professor of literature. He spends his days in a pleasant blur of seventeenth-century fiction, but when he meets a brash, charismatic Arab cab driver in a Harvard Square café, everything changes.Nicknamed Kalashnikov—Kalaj for short—for his machine-gun vitriol, the cab driver roars into the student’s life with his denunciations of the American obsession with "all things jumbo and ersatz"—Twinkies, monster television sets, all-you-can-eat buffets—and his outrageous declarations on love and the art of seduction. The student finds it hard to resist his new friend’s magnetism, and before long he begins to neglect his studies and live a double life: one in the rarified world of Harvard, the other as an exile with Kalaj on the streets of Cambridge. Together they carouse the bars and cafés around Harvard Square, trade intimate accounts of their love affairs, argue about the American dream, and skinny-dip in Walden Pond. But as final exams loom and Kalaj has his license revoked and is threatened with deportation, the student faces the decision of his life: whether to cling to his dream of New World assimilation or risk it all to defend his Old World friend.Harvard Square is a sexually charged and deeply American novel of identity and aspiration at odds. It is also an unforgettable, moving portrait of an unlikely friendship from one of the finest stylists of our time.

    Jews, lapsed Jews, and their spouses and friends will surely learn a thing or ten while devouring this addictively readable mix of practical information, fun facts and figures, and amusing trivia. Including information on key figures from Saul to Seinfeld, a lesson in proper Jew-fro care, and a basic guide to all those second-tier holidays no one ever celebrates, this engaging compendium is perfect for gifting or for simply learning more while being thoroughly entertained.

    Intersecting Artur’s tale is that of Suzy Kohn, a Toronto teenager whose seemingly tranquil life is shattered when her uncle’s sudden death tears her family apart, leading her into a troubled relationship with a charismatic musician. Their stories eventually come together in Israel following the Six-Day War, where love and understanding become the threads that bind the two narratives together.

    As the religion stands on the brink of becoming irrelevant to the very people who look to it for answers, Nothing Sacred takes aim at its problems and offers startling and clearheaded solutions based on Judaism’s core values and teachings.Disaffected by their synagogues’ emphasis on self-preservation and obsession with intermarriage, most Jews looking for an intelligent inquiry into the nature of spirituality have turned elsewhere, or nowhere. Meanwhile, faced with the chaos of modern life, returnees run back to Judaism with a blind and desperate faith and are quickly absorbed by outreach organizations that—in return for money—offer compelling evidence that God exists, that the Jews are, indeed, the Lord’s “chosen people,” and that those who adhere to this righteous path will never have to ask themselves another difficult question again.Ironically, the texts and practices making up Judaism were designed to avoid just such a scenario. Jewish tradition stresses transparency, open-ended inquiry, assimilation of the foreign, and a commitment to conscious living. Judaism invites inquiry and change. It is an “open source” tradition—one born out of revolution, committed to evolution, and willing to undergo renaissance at a moment’s notice. But, unfortunately, some of the very institutions created to protect the religion and its people are now suffocating them.If the Jewish tradition is actually one of participation in the greater culture, a willingness to wrestle with sacred beliefs, and a refusal to submit blindly to icons that just don’t make sense to us, then the “lapsed” Jews may truly be our most promising members. Why won’t they engage with the synagogue, and how can they be made to feel more welcome?Nothing Sacred is a bold and brilliant book, attempting to do nothing less than tear down our often false preconceptions about Judaism and build in their place a religion made relevant for the future.From the Hardcover edition.

    Her ten children range in age from thirteen to thirty-nine. Her in-laws, postwar immigrants from Romania, live on the first floor of their house. Her daughter Tzila Ruchel lives on the second. She and Yidel, a scribe in such demand that he makes only a few Torah scrolls a year, live on the third. Wed when Surie was sixteen, they have a happy marriage and a full life, and, at the ages of fifty-seven and sixty-two, they are looking forward to some quiet time together.Into this life of counted blessings comes a surprise. Surie is pregnant. Pregnant at fifty-seven. It is a shock. And at her age, at this stage, it is an aberration, a shift in the proper order of things, and a public display of private life. She feels exposed, ashamed. She is unable to share the news, even with her husband. And so for the first time in her life, she has a secret--a secret that slowly separates her from the community.Goldie Goldbloom's On Division is an excavation of one woman's life, a story of awakening at middle age, and a thoughtful examination of the dynamics of self and collective identity. It is a steady-eyed look inside insular communities that also celebrates their comforts. It is a rare portrait of a long, happy marriage. And it is an unforgettable new novel from a writer whose imagination is matched only by the depth of her humanity.

    By turns philosophical, suspenseful, and passionate, this debut novel transports readers into a mystical world and takes them on a journey they won't soon forget.

    In what may be the world’s first religious, scholarly comic book, Waldman tells the epic tale of exile and redemption in graphic form.When Esther, a Jewish woman, is made Queen of Persia she must keep her identity hidden, all the while maneuvering to save her people from annihilation. This is a story familiar to many Jews who have heard it recounted every year on the holiday of Purim. But readers of all backgrounds will be entranced by what artist Waldman depicts in his interpretation of the text. At once traditional and groundbreaking Megillat Esther will challenge secular assumptions about the Bible.Each page of Megillat Esther is a visual tour de force and features the Hebrew text with original English translation, as well as opulent drawings depicting the story of the Persian Queen. Traditional interpretations of the story are woven throughout the panels.Megillat Esther presents the reader with a topsy-turvey world in which fortunes reverse and nothing is what it seems. This vibrant, edgy retelling of a classic Biblical tale is sure to amaze and intrigue scholars and laypeople of all religions and comic book lovers alike.

    Giving detailed instructions for observance—the rituals, prayers, foods, and songs—he shows how celebrating the holy days of the Jewish calendar not only relives Jewish history but puts one in touch with the basic ideals of Judaism and the fundamental experience of life. Insightful, original, and engrossing, The Jewish Way is an essential volume that should be in every Jewish home, library, and synagogue.

      Even as a child, Chaya Deitsch felt that she didn’t belong in the Hasidic world into which she’d been born. She spent her teenage years outwardly conforming to but secretly rebelling against the rules that tell you what and when to eat, how to dress, whom you can befriend, and what you must believe. Loving her parents, grandparents, and extended family, Chaya struggled to fit in but instead felt angry, stifled, and frustrated. Upon receiving permission from her bewildered but supportive parents to attend Barnard College, she discovered a wider world in which she could establish an independent identity and fulfill her dream of a life unconfined by the strictures imposed upon her by a belief system that she had never bought into, a life that would be filled with the secular knowledge and culture that were anathema to her friends and relatives in Crown Heights, Brooklyn. As she gradually shed the physical and spiritual trappings of Hasidic life—the long skirts and long-sleeved blouses, the rules of kashrus, the meticulous observance of the Sabbath and the Jewish holidays—Chaya found herself torn between her desire to be honest with her parents about who she now was and her need to maintain loving relationships with the family that she still very much wanted to be part of.   As she navigated the complexities of her new life, Chaya and her parents eventually came to an understanding that was based on unqualified love and a hard-won but fragile form of acceptance. With honesty, sensitivity, and intelligence, Chaya Deitsch movingly shows us that lives lived differently do not have to be lives lived apart.

    

      The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child. Marking a return to two of Englander’s classic themes, “Peep Show” and “How We Avenged the Blums” wrestle with sexual longing and ingenuity in the face of adversity and peril. And “Everything I Know About My Family on My Mother’s Side” is suffused with an intimacy and tenderness that break new ground for a writer who seems constantly to be expanding the parameters of what he can achieve in the short form.   Beautiful and courageous, funny and achingly sad, Englander’s work is a revelation.

    As a prominent rabbi in the Orthodox Jewish enclave of Lawrence, NY, he and his wife had raised three wonderful children, and his congregation was thriving. If anything, his 30 years of success had found him growing a little restless. That, of course, was before. Before his son came out as gay. Before he and the community learned his daughter was dating a man named Raj, who was rumored to be a Muslim. Before his good friend and strongest ally, real estate mogul Benjamin Marcus, was indicted for fraud. Before his position was on the line. His family now in crisis, his congregation in revolt, Jonathan is forced to square his suddenly chaotic reality with the traditions and beliefs he has practiced and preached his entire life. Facing daunting questions about the true meanings of once-simpler notions—love, family, and faith—he must embark on a path he could never have imagined to encounter a man he might never have known. From Andrew Kane, author of Joshua: A Brooklyn Tale, Rabbi, Rabbi, and The Night, the Day, this latest offering is an emotionally stirring novel that takes the reader on a journey of devotion, discord, despair and discovery.

    It was stolen moments spent with the empowered literary characters of Jane Austen and Louisa May Alcott that helped her to imagine an alternative way of life. Trapped as a teenager in a sexually and emotionally dysfunctional marriage to a man she barely knew, the tension between Deborah’s desires and her responsibilities as a good Satmar girl grew more explosive until she gave birth at nineteen and realized that, for the sake of herself and her son, she had to escape.

    Burg argues that the Jewish nation has been traumatized and has lost the ability to trust itself, its neighbors or the world around it. He shows that this is one of the causes for the growing nationalism and violence that are plaguing Israeli society and reverberating through Jewish communities worldwide. Burg uses his own family history--his parents were Holocaust survivors--to inform his innovative views on what the Jewish people need to do to move on and eventually live in peace with their Arab neighbors and feel comfortable in world at large. Thought-provoking, compelling, and original, this book is bound to spark a heated debate around the world.

    . . . This treasure trove of linguistics, sociology, history and folklore offers a fascinating look at how, through the centuries, a unique and enduring language has reflected an equally unique and enduring culture.”—Publishers Weekly, starred reviewThe main spoken language of the Jews for more than 1,000 years, Yiddish offers a comprehensive picture of the mind-set that enabled them to survive a millennium of unrelenting persecution across Europe. Through the idioms, phrases, metaphors, and fascinating history of this wonderful tongue, Michael Wex gives us a moving and inspiring portrait of a people, and a language, in exile. From tukhes to goy, meshugener to bobe mayse (cok-and-bull story), Born to Kvetch offers a wealth of material, some that has never appeared in English before, on all elements of Yiddish life, including food, nature, divinity, humanity, and even sex.