She and her little brother, Tyler, go on the run, living as squatters with their friend Michael and fighting off renegades who would kill them for a cookie. Callie's only hope is Prime Destinations, a disturbing place in Beverly Hills run by a mysterious figure known as the Old Man.He hires teens to rent their bodies to Enders—seniors who want to be young again. Callie, desperate for the money that will keep her, Tyler, and Michael alive, agrees to be a donor. But the neurochip they place in Callie's head malfunctions and she wakes up in the life of her renter, living in her mansion, driving her cars, and going out with a senator's grandson. It feels almost like a fairy tale, until Callie discovers that her renter intends to do more than party—and that Prime Destinations' plans are more evil than Callie could ever have imagined. . . .

    Americans worship their infallible Emperor, and nobody believes that Japan’s conduct in the war was anything but exemplary. Nobody, that is, except the George Washingtons – a shadowy group of rebels fighting for freedom. Their latest subversive tactic is to distribute an illegal video game that asks players to imagine what the world might be like if the United States had won the war instead.   Captain Beniko Ishimura's job is to censor video games, and he's working with Agent Akiko Tsukino of the secret police to get to the bottom of this disturbing new development. But Ishimura's hiding something... He's slowly been discovering that the case of the George Washingtons is more complicated than it seems, and the subversive videogame's origins are even more controversial and dangerous than either of them originally suspected. Part detective story, part brutal alternate history, United States of Japan is a stunning successor to Philip K Dick’s The Man in the High Castle. File under: Science Fiction [ Gamechanger | Area #11 | Robot Wars | Strike Back the Empire ]

    The first half of the book follows the original plot closely, despite transforming the unremarkable protagonist Douglas Quail into a musclebound man of action. Frustrated with his life, Quail decides to purchase a memory of a two-week adventure on Mars because he can't afford the real thing. However, while under heavy sedation preparatory to the installation of the memory, Quail remembers that he actually was on Mars as an intelligence agent and killer. Now that he has recovered the memory which had been suppressed by his employers, his life is in jeopardy. Here the novel deviates from Dick's philosophical original, becoming a more pedestrian if exciting slam-bang chase thriller. Judged on its own terms, the book works and it's fun.Library JournalDouglas Quail's dreams are haunted by images of Mars--a place where he has never been--until his visit to a company that specializes in memory implants catapults him into a conspiracy that overturns the basic premise of his life. Based on the Philip K. Dick story, ''We Can Remember It for You Wholesale,'' this sf adventure (to be released as a movie in 1990) by one of the genre's most prolific and respected authors features fast-paced action and vivid imagery.

    Aging and outdated, most of the ships plummeted back to earth long ago. The only thing keeping the two surviving lifeboats in the sky are Hell Divers—men and women who risk their lives by skydiving to the surface to scavenge for parts the ships desperately need.When one of the remaining airships is damaged in an electrical storm, a Hell Diver team is deployed to a hostile zone called Hades. But there’s something down there far worse than the mutated creatures discovered on dives in the past—something that threatens the fragile future of humanity.

    And like most gamers, he almost spends more time on the VirtNet than in the actual world. The VirtNet offers total mind and body immersion, and it’s addictive. Thanks to technology, anyone with enough money can experience fantasy worlds, risk their life without the chance of death, or just hang around with Virt-friends. And the more hacking skills you have, the more fun. Why bother following the rules when most of them are dumb, anyway?But some rules were made for a reason. Some technology is too dangerous to fool with. And recent reports claim that one gamer is going beyond what any gamer has done before: he’s holding players hostage inside the VirtNet. The effects are horrific—the hostages have all been declared brain-dead. Yet the gamer’s motives are a mystery.The government knows that to catch a hacker, you need a hacker.And they’ve been watching Michael. They want him on their team.But the risk is enormous. If he accepts their challenge, Michael will need to go off the VirtNet grid. There are back alleys and corners in the system human eyes have never seen and predators he can’t even fathom—and there’s the possibility that the line between game and reality will be blurred forever.

    Lovecraft from 1917-1935. Excludes collaborations.The eBook’s table of contents is listed below. It includes the year each story was written.The Tomb (1917)Dagon (1917)Polaris (1918)Beyond the Wall of Sleep (1919)Memory (1919)Old Bugs (1919)The Transition of Juan Romero (1919)The White Ship (1919)The Doom That Came to Sarnath (1919)The Statement of Randolph Carter (1919)The Terrible Old Man (1920)The Tree (1920)The Cats of Ulthar (1920)The Temple (1920)Facts Concerning the Late Arthur Jermyn and His Family (1920)The Street (1920)Celephaïs (1920)From Beyond (1920)Nyarlathotep (1920)The Picture in the House (1920)Ex Oblivione (1921)The Nameless City (1921)The Quest of Iranon (1921)The Moon-Bog (1921)The Outsider (1921)The Other Gods (1921)The Music of Erich Zann (1921)Herbert West — Reanimator (1922)Hypnos (1922)What the Moon Brings (1922)Azathoth (1922)The Hound (1922)The Lurking Fear (1922)The Rats in the Walls (1923)The Unnamable (1923)The Festival (1923)The Shunned House (1924)The Horror at Red Hook (1925)He (1925)In the Vault (1925)The Descendant (1926)Cool Air (1926)The Call of Cthulhu (1926)Pickman’s Model (1926)The Silver Key (1926)The Strange High House in the Mist (1926)The Dream-Quest of Unknown Kadath (1927)The Case of Charles Dexter Ward (1927)The Colour Out of Space (1927)The Very Old Folk (1927)The Thing in the Moonlight (1927)The History of the Necronomicon (1927)Ibid (1928)The Dunwich Horror (1928)The Whisperer in Darkness (1930)At the Mountains of Madness (1931)The Shadow Over Innsmouth (1931)The Dreams in the Witch House (1932)The Thing on the Doorstep (1933)The Evil Clergyman (1933)The Book (1933)The Shadow out of Time (1934)The Haunter of the Dark (1935)

    Uniformity is the defining feature; there is only one language and all ethnic groups have been eugenically merged into one race called “The Family.” The world is ruled by a central computer called UniComp that has been programmed to keep every single human on the surface of the earth in check. People are continually drugged by means of regular injections so that they will remain satisfied and cooperative. They are told where to live, when to eat, whom to marry, when to reproduce. Even the basic facts of nature are subject to the UniComp’s will—men do not grow facial hair, women do not develop breasts, and it only rains at night.

    It gives all the benefits of citizenship. Yet if getting the Mark is such a good thing, then why does it feel so wrong?Set in a future North America that is struggling to recover after famine and global war, "Swipe" follows the lives of three kids caught in the middle of a conflict they didn't even know existed. United under a charismatic leader, every citizen of the American Union is required to get the Mark on their 13th birthday in order to gain the benefits of citizenship.The Mark is a tattoo that must be swiped by special scanners for everything from employment to transportation to shopping. It's almost Logan Langly's 13th birthday and he knows he should be excited about getting the Mark, but he hasn't been able to shake the feeling he's being watched. Not since his sister went to get her Mark five years ago . . . and never came back.When Logan and his friends discover the truth behind the Mark, will they ever be able to go back to being normal teenagers?

    Secret Service agent Ethan Burke arrives in search of two missing federal agents, yet soon is facing much more than he bargained for. After a violent accident lands him in the hospital, Ethan comes to with no ID and no cell phone. The medical staff seems friendly enough, but sometimes feels...off. As days pass, Ethan's investigation into his colleagues' disappearance turns up more questions than answersWHY CAN'T HE MAKE CONTACT WITH HIS FAMILY IN THE OUTSIDE WORLD? WHY DOESN'T ANYONE BELIEVE HE IS WHO HE SAYS HE IS? AND WHAT'S THE PURPOSE OF THE ELECTRIFIED FENCES ENCIRCLING THE TOWN? ARE THEY KEEPING THE RESIDENTS IN? OR SOMETHING ELSE OUT?Each step toward the truth takes Ethan further from the world he knows, until he must face a horrifying fact—he may never get out of Wayward Pines alive.....

    It is the late twenty-first century and a deadly virus has seeped into human kind's genetic make-up. In only a few generations this plague will have wiped us off the face of the planet, but we're not going down without a fight. Teams of scientists, geneticists and programmers race to find a cure, but time is not on our side and our only hope lies in one last, desperate gamble...Eighteen years later and ten individuals are about to come of age. One of them, a young man, is suddenly startled awake. He has no memory. His surroundings mean nothing to him. All he knows for certain is that someone is trying to kill him. Unsure who he can trust, he is reacquainted with his companions, all of whom are being trained at a special establishment run by the elusive Maestro. As he tries to uncover the identity of his would-be killer, it becomes clear that more - so much more - than just his life is at stake...Smart, stylish, terrifying and thrilling in equal measure, Idlewild fuses the fierce imagination of The Matrix with the chilling social vision of Minority Report, and introduces a singular new literary voice.

    The world was being readied for...Close Encounters of the Third Kind. It meant the beginning of the most dramatic event in the history of the world. It will lead to the inescapable conclusion:WE ARE NOT ALONE

    In Paris, a covert agent, a woman who inhabits a twilight of lies and death, is close to cracking a terrorist cell. And just north of the equator, a forty-foot wood-hulled sailboat, manned by a drug runner, a pirate, and two gun-slinging beauties, is witness to the unspeakable. In one instant, all around the world, for politicians and peasants, from Gaza to Geneva, things will never be the same. A wave of inexplicable energy has slammed into the continental United States. America, as we know it, is gone. . . . WITHOUT WARNING Now U.S. soldiers are fighting a war without command or control. A correspondent records horrors for no one. Washington is gone and the line of succession is in tatters; the functioning remnants of government are in Pearl Harbor, Guantánamo Bay, and one desperate, isolated corner of the Northwest. For the jihadists, it’s Allah’s miracle. For Saddam, it’s a chance to attack. Iran declares war on an America that doesn’t exist–except in the hearts and souls of the men and women who want it to.In this astounding work of alternate fiction, John Birmingham hurtles us into a scenario that is unimaginable but shatteringly real: a world of financial ruin where a cloud of noxious waste–from America’s burning cities–darkens Europe, while men and women in offices around the globe struggle to make decisions that cannot hold and opportunists unleash their secret demons.From a slick Texas lawyer who happens to be in the right place at the right time to a hard-working city engineer in Seattle who becomes his terrified city’s only hope, from the cancer-stricken secret agent to a drug runner off the Mexican coast and a U.S. general in Cuba, Without Warning tells a fast, furious story of survival, violence, and a new, soul-shattering reality.

    Burroughs revealed his genius. In The Soft Machine he begins an adventure that will take us even further into the dark recesses of his imagination, a region where nothing is sacred, nothing taboo. Continuing his ferocious verbal assault on hatred, hype, poverty, war, bureaucracy, and addiction in all its forms, Burroughs gives us a surreal space odyssey through the wounded galaxies in a book only he could create.

    Dick AwardSamuil Petrovitch is a survivor.He survived the nuclear fallout in St. Petersburg and hid in the London Metrozone – the last city in England. He’s lived this long because he’s a man of rules and logic.For example, getting involved = a bad idea.But when he stumbles into a kidnapping in progress, he acts without even thinking. Before he can stop himself, he’s saved the daughter of the most dangerous man in London.And clearly saving the girl = getting involved.Now, the equation of Petrovitch’s life is looking increasingly complex.Russian mobsters + Yakuza + something called the New Machine Jihad = one dead Petrovitch.But Petrovitch has a plan – he always has a plan – he’s just not sure it’s a good one.

    This edition contains the original introduction by Theodore Sturgeon and the original foreword by Harlan Ellison, along with a brief update comment by Ellison that was added in the 1983 edition. Among Ellison's more famous stories, two consistently noted as among his very best ever are the title story and the volume's concluding one, Pretty Maggie Moneyeyes.Since Ellison himself strongly resists categorization of his work, we won't call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are sui generis. They could only have been written by Harlan Ellison and they are incomparably original.CONTENTS"I Have No Mouth & I Must Scream""Big Sam Was My Friend""Eyes of Dust""World of the Myth""Lonelyache""Delusion for Dragonslayer""Pretty Maggie Moneyeyes"