She and her eighteen-year-old son, Peter Reilly, lived in a drab one-bedroom house on a desolate stretch of road. An intelligent, lively woman with a wicked sense of humor, Barbara also had dark moods and drank too much. She fought loudly with neighbors and her son, and appeared to have a messy, complicated love life. When Peter came home from the Teen Center one night to discover his mother lying naked on the bedroom floor with her throat slashed, the police made him their prime suspect. After eight hours of interrogation and a polygraph test, Peter confessed. Investigators were convinced they had an open-and-shut case, but the townspeople disagreed. They couldn’t believe that the naïve teenager was capable of such a gruesome crime, and blamed detectives for taking advantage of the boy’s trust. With the help of celebrities including Mike Nichols and William Styron, who contributes an eloquent and persuasive introduction to Joan Barthel’s account of the case, the community of Canaan rallied to Peter’s defense. A gripping murder mystery and an intimate portrait of the loyalties, resentments, and secrets lurking beneath the placid surface of quiet towns across America, A Death in Canaan is a masterpiece of “first-class journalism” (The New York Times).

    This one took 1/250th of a second. The photograph strikes us with visceral force, even years after the instant it captured. A white man, rage written on his face, lunges to spear a black man who is being held by another white. The assailant's weapon is the American flag. Boston, April 5, 1976: As the city simmered with racial tension over forced school busing, newsman Stanley Forman hurried to City Hall to photograph that day's protest, arriving just in time to snap the image that his editor would title The Soiling of Old Glory. The photo made headlines across the U.S. and won Forman his second Pulitzer Prize. It shocked Boston, and America: Racial strife had not only not ended with the 1960s, it was alive and well in the cradle of liberty.Louis P. Masur's evocative biography of a photograph unpacks this arresting image in a tour de force of historical writing. He examines the power of photography and the meaning of the flag, asking why this one picture had so much impact. Most poignantly, Masur recreates the moment and its aftermath, drawing on extensive interviews with Forman and the figures in the photo to reveal not just how the incident happened, but how it changed the lives of the men in it. The Soiling of Old Glory, like the photograph it is named for, offers a dramatic window onto the turbulence of the 1970s and race relations in America.

    It is a tale of death, intrigue, obstruction of justice, corruption and politics." —People Magazine  A young woman leaves a party with a wealthy U.S. senator. The next morning her body is discovered in his car at the bottom of a pond. This is the damning true story of the death of campaign strategist Mary Jo Kopechne at Chappaquiddick and of the senator—37-year-old Senator Ted Kennedy—who left her trapped underwater while he returned to his hotel, slept, and made phone calls to associates. It is the story of a powerful, privileged American man who was able to treat a woman's life as disposable without facing real consequences. And it is the story of a shameful political coverup involving one of the nation's most well-connected families and its network of lawyers, public relations people, and friends who ensured Ted Kennedy remained a respected member of the Senate for forty more years. Originally published in 1988 under the title Senatorial Privilege, this book almost didn't make it into print after its original publisher, Random House, judged it too explosive and backed out of its contract with author Leo Damore. Mysteriously, none of the other big New York publishers wanted to touch it. Only when small independent publisher Regnery obtained the manuscript was the book's publication made possible and the true story of the so-called "Chappaquiddick Incident" finally told. This new edition, Chappaquiddick, is being released 30 years after the original Senatorial Privilege to coincide with the nationwide theatrical release of the movie Chappaquiddick starring Jason Clarke, Kate Mara, Ed Helms, Bruce Dern, and Jim Gaffigan.

    For years their familiar story was of two siblings who took different paths out of South Boston: William "Billy" Bulger, former president of the Massachusetts State Senate; and his brother James "Whitey" Bulger, a vicious criminal who became the FBI's second most-wanted man after Osama Bin Laden. While Billy cavorted with the state's blue bloods to become a powerful political force, Whitey blazed a murderous trail to the top rung of organized crime. Now, in this compelling narrative, Carr uncovers a sinister world of FBI turncoats, alliances between various branches of organized crime, St. Patrick's Day shenanigans, political infighting, and the complex relationship between two brothers who were at one time kings. As the film Black Mass, starring Johnny Depp as Whitey Bulger, hits theaters, take a deeper dive into the story of the Bulgers, and their fifty-year reign over Boston with Howie Carr's The Brother's Bulger.

    14, 1975, eight daring thieves ransacked 148 massive safe-deposit boxes at a secret bank used by organized crime, La Cosa Nostra, and its associates in Providence, R.I. The crooks fled with duffle bags crammed full of cash, gold, silver, stamps, coins, jewels and high-end jewelry. The true value of the loot has always been kept secret, partly because it was ill-gotten to begin with, and partly because there was plenty of incentive to keep its true worth out of the limelight. It's one thing for authorities to admit they didn't find a trace of goods worth from $3 million to $4 million, and entirely another when what was at stake was more accurately valued at about $30 million, the equivalent of $120 million today. It was the biggest single payday in the criminal history of the Northeast. Nobody came close, not the infamous James "Whitey" Bulger, not John "The Dapper Don" Gotti, not even the Brinks or Wells Fargo robbers. The heist was bold enough and big enough to rock the underworld to its core, and it left La Cosa Nostra in the region awash in turmoil that still reverberates more than forty years later. Last Good Heist is the inside story of the robbery and its aftermath.

    Neiberg): baseball star Babe Ruth, symphony conductor Karl Muck, and Harvard Law student Charles Whittlesey.In the fall of 1918, a fever gripped Boston. The streets emptied as paranoia about the deadly Spanish flu spread. Newspapermen and vigilante investigators aggressively sought to discredit anyone who looked or sounded German. And as the war raged on, the enemy seemed to be lurking everywhere: prowling in submarines off the coast of Cape Cod, arriving on passenger ships in the harbor, or disguised as the radical lecturing workers about the injustice of a sixty-hour workweek.War Fever explores this delirious moment in American history through the stories of three men: Karl Muck, the German conductor of the Boston Symphony Orchestra, accused of being an enemy spy; Charles Whittlesey, a Harvard law graduate who became an unlikely hero in Europe; and the most famous baseball player of all time, Babe Ruth, poised to revolutionize the game he loved. Together, they offer a gripping narrative of America at war and American culture in upheaval.

    Through the eyes of seven principal characters including the bombers, the wounded, a cop, and a doctor, Boston Globe reporters Helman and Russell trace the paths that brought them together.

    The new tenants, siblings Caroline and Michael Compton, have recently inherited the run-down estate by the terms of an unusual will. Mysterious accidents and obvious acts of vandalism soon make it evident that someone doesn't want the new owners to ever occupy the house. Although Heather finds herself strongly attracted to Michael, she eventually begins to wonder where his true loyalties lie. Surrounded by strangers and unsure who to trust as the dangers mount, Heather must rely on her own nerve and resources to solve a mystery that is rooted in the dark past of the Compton House.

    An hour and a half later, she killed her father the same way. Although the story has been told by those least qualified to do so -- outsiders and men. Now, for the first time, this famous American crime is examined by someone with all the proper credentials: Victoria Lincoln, a native of Fall River and thus knows the never-revealed 'inside' story of the crime that insular community regarded as its private disgrace; she is a woman, and as she convincingly demonstrates, the Borden murders -- and their solution -- can be fully understood only by a fellow woman.Miss Lincoln comes up with startling new findings in her penetrating analysis of the crime. Among them: the hitherto unknown motive for the killings (a secret no one but an inhabitant of Fall River, Massachusetts, ever could possibly disclose); a startling new hypothesis to account for Lizzie's celebrated 'peculiar spells' that casts new light on how the crime was committed; and the place where Lizzie hid the dress she was wearing at the time of the murders -- a mystery that has been plaguing criminologists for years.

    From the Tsarnaev brothers’ years leading up to the act of terror to the bomb scene itself (which both authors witnessed first-hand within minutes of the blast), from the terrifying police shootout with the suspects to the ultimate capture of the younger brother, Boston Strong: A City’s Triumph over Tragedy reports all the facts—and so much more. Based on months of intensive interviews, this is the first book to tell the entire story through the eyes of those who experienced it. From the cop first on the scene, to the detectives assigned to the manhunt, the authors provide a behind-the-scenes look at the investigation. More than a true-crime book, Boston Strong also tells the tragic but ultimately life-affirming story of the victims and their recoveries and gives voice to those who lost loved ones. With their extensive reporting, writing experience, and deep ties to the Boston area, Sherman and Wedge create the perfect match of story, place, and authors.If you’re only going to read one book on this tragic but uplifting story, this is it.

    An American charmer and art collector, Isabella Stewart Gardner and her husband Jack kept company with the leading men of the day including Henry James, Henry Adams, John Singer Sargent and Whistler. The Stewart Gardners' Boston home, which was modelled after a Venetian

      Drawing on a trove of sealed files and previously classified material, Whitey digs deep into the mind of James J. “Whitey” Bulger, the crime boss and killer who brought the FBI to its knees. He is an American original --a psychopath who fostered a following with a frightening mix of terror, deadly intimidation and the deft touch of a politician who often helped a family in need meet their monthly rent. But the history shows that despite the early false myths portraying him as a Robin Hood figure, Whitey was a supreme narcissist, and everything--every interaction with family and his politician brother Bill Bulger, with underworld cohorts, with law enforcement, with his South Boston neighbors, and with his victims--was always about him. In an Irish-American neighborhood where loyalty has always been rule one, the Bulger brand was loyalty to oneself.                  Whitey deconstructs Bulger's insatiable hunger for power and control. Building on their years of reporting and uncovering new Bulger family records, letters and prison files, Dick Lehr and Gerard O'Neill examine and reveal the factors and forces that created the monster. It's a deeply rendered portrait of evil that spans nearly a century, taking Whitey from the streets of his boyhood Southie in the 1940s to his cell in Alcatraz in the 1950s to his cunning, corrupt pact with the FBI in the 1970s and, finally, to Santa Monica, California where for fifteen years he was hiding in plain sight as one of the FBI's Ten Most Wanted. In a lifetime of crime and murder that ended with his arrest in June 2011, Whitey Bulger became one of the most powerful and deadly crime bosses of the twentieth century. This is his story.

    Mayer's consequential biography will be read for generations to come.

    The question "How did you get out?" has haunted MacDonald ever since. In response he has written this new book, a searingly honest story of reinvention that begins with young MacDonald's breakaway from the soul-crushing walls of Southie's Old Colony housing project and ends with two healing journeys to Ireland that are unlike anything in Irish American literature.The story begins with MacDonald's first urgent forays outside Southie, into Boston and eventually to New York's East Village, where he becomes part of the club scene swirling around Johnny Rotten, Mission of Burma, the Clash, and other groups. MacDonald's one-of-a-kind 1980s social history gives us a powerful glimpse of what punk music is for him: a lifesaving form of subversion and self-education. But family tragedies draw him home again, where trauma and guilt lead to an emotional collapse. In a harrowing yet hilarious scene of self-discovery, MacDonald meets his father for the first time -- much too late. After this spectacularly failed attempt to connect, MacDonald travels to Ireland, first as an alienated young man who has learned to hate shamrocks with a passion, and then on a second trip with his extraordinary "Ma," a roots journey laced with both rebellion and profound redemption.

    An elegant storyteller and expert historian, Esther Forbes paints a memorable portrait of American colonial history and of this most legendary of revolutionary heroes -- "not merely one man riding one horse on a certain lonely night of long ago, but a symbol to which his countrymen can yet turn."