Commanded by her parents to find herself a husband, the Princess sets tasks for her horde of suitors. All of the potential husbands fail miserably as the gleeful Princess looks on — until Prince Swashbuckle appears. . . .

    The poem first appeared in 1872 in Lewis Carroll’s classic THROUGH THE LOOKING-GLASS AND WHAT ALICE FOUND THERE, and since then, its mysterious and lyrical lines have delighted readers of all ages. With great wit and imagination, illustrator Joel Stewart offers a singular vision of the world of "Jabberwocky" and all its memorable creatures.

    or did they? The Princess can't stand the Prince's froggy habits—the way he hops around on the furniture, or sneaks off to the lily pond. The Prince is unhappy, too, and decides that it would be best if he were changed back to a frog. But finding a witch who will do the job is harder than he expects. They all seem to have other spells in mind...

    When the hen asks a cat, dog, and mouse for help planting some wheat, she gets no takers: "‘Not I!’ said the cat. ‘Not I!’ said the dog. ‘Not I!’ said the mouse." They won’t water, cut, or grind the wheat . . . or help bake a cake with it, either. So guess who eats the cake by herself in the end? The Caldecott Honor artist Paul Galdone’s delightfully detailed ink and wash illustrations—packed with charming details—add plenty of sly humor to the well-loved story that not only offers a sage message but also shows children what it takes to make a cake from the ground up!

    Fairy tales have never been more revolting!

    The world of Pooh is the Thousand Acre Wood of Winnie-the-Pooh and his friends Piglet, Eeyore, Tigger, Kanga, Christopher Robin, and more. He is a whimsical philosopher, staunch friend, plump, and fond of honey. He calls himself a Bear of Very Little Brain, but is wise and loving. Delicate paintings loved by centuries of children.

    

    Through richly detailed full-color paintings and line drawings, magical kingdoms emerge from a sea of dreams. Cassandra Aisling, who is nine years and eleven months old, doesn't care “a jot” about what sensible people think. She likes strange, mysterious, and magical things. So when her world gets tumbled upside down, she boards the H.M.S. Basset, ready to explore the landscape of her imagination. Pledging allegiance to the Basset's motto, “Credendo do Vides...Believing is Seeing,” Cassandra, her skeptical older sister Miranda, and their father, Professor Algernon Aisling, set out in search of the ancient legends. From the flickering flight of fairies and the mermaids' siren songs to a labyrinth-bound Minotaur and a fire-breathing dragon, the Aisling family witnesses firsthand the wonder of mythological worlds. In this lavishly illustrated edition, Cassandra's adventures intertwine with her father's scientific scribblings to present both new tales and the essence of classical myths. From the two voices, readers learn the power of imagination, the importance of believing in oneself, the value of family, and the need for creative, cooperative problem-solving. The story of a magical journey and the exquisite fantasy artwork will appeal to young and old alike.

    The complete retelling of favorite Disney movies in a true read-aloud style.

    bosses her brother Arthur into carrying her on his shoulders at the beach because she maintains that she hates the water, until she gets a big wet surprise.

    A princess doomed by a witch to lose her “gravity” results in a silly heroine that has neither physical nor spiritual weight. George MacDonald’s masterful teaching on the subject of sacrificial love is delivered eloquently in the events and characters of this engaging story.

    With hard work and a few tricks she learned in Young Women's class, she just might make it—but will the prince choose the right?

    In a hotel in Paris one evening in 1879, Mark Twain sat with his young daughters, who begged their father for a story. After the girls chose a picture from a magazine to get started, Twain began telling them the tale of Johnny, a poor boy in possession of some magical seeds. Later, Twain would jot down some rough notes about the story, but the tale was left unfinished . . . until now. Plucked from the Mark Twain archive at the University of California at Berkeley, Twain’s notes now form the foundation of a fairy tale picked up over a century later. With only Twain’s fragmentary script and a story that stops partway as his guide, author Philip Stead has written a tale that imagines what might have been if Twain had fully realized this work: Johnny, forlorn and alone except for his pet chicken, meets a kind woman who gives him seeds that change his fortune, allowing him to speak with animals and sending him on a quest to rescue a stolen prince. In the face of a bullying tyrant king, Johnny and his animal friends come to understand that generosity, empathy, and quiet courage are gifts more precious in this world than power and gold. Illuminated by Erin Stead’s graceful, humorous, and achingly poignant artwork, this is a story that reaches through time and brings us a new book from America’s most legendary writer, envisioned by two of today’s most important names in children’s literature.

    In this modern twist on the classic story, Cinderella, who would rather just be Ella, meets her fairy godmother, goes to a ball, and makes friends with a prince. But that is where the familiar story ends. Instead of waiting to be rescued, Cinderella learns that she can save herself and those around her by being true to herself and standing up for what she believes.

    And they were told the story of a fierce fairy knight who now guarded the woods for the fairy queen. But Janet didn't believe in fairy stories and Janet didn't like being told what to do.