Set in an addicts' halfway house and a tennis academy, and featuring the most endearingly screwed-up family to come along in recent fiction, Infinite Jest explores essential questions about what entertainment is and why it has come to so dominate our lives; about how our desire for entertainment affects our need to connect with other people; and about what the pleasures we choose say about who we are. Equal parts philosophical quest and screwball comedy, Infinite Jest bends every rule of fiction without sacrificing for a moment its own entertainment value. It is an exuberant, uniquely American exploration of the passions that make us human—and one of those rare books that renew the idea of what a novel can do.

    A post-World War II society woman marries, mothers, and holds court, little suspecting her solitary fate. A jazz pianist in the age of rock, haunted by his own ghosts, is summoned to appease the house's resident spirits. In the present, a young woman tries to outpace the long shadow of her political past. And in a New Krungthep yet to come, savvy teenagers row tourists past landmarks of the drowned old city they themselves do not remember. Time collapses as these lives collide and converge, linked by the forces voraciously making and remaking the amphibious, ever-morphing capital itself. Bangkok Wakes to Rain is an elegy for what time erases and a love song to all that persists, yearning, into the unknowable future.

    He needs it to keep his audience and his job. And there is no shortage of possibilities: the Gottschalk cartel is fomenting trouble among the knees in order to sell their latest armaments to the blanks; which ties in nicely with the fact that something big is brewing with the X Patriots; and it looks as if the inconceivable is about to happen and that one of Britain's most dangerous revolutionaries is going to be given a visa to enter America. And then there's the story that just falls into his lap. The one that suggests that the respected Director of the New York State Mental Hospital is a charlatan... John Brunner's brilliant and scathing vision of a society disintegrating under the impact of violence, drugs, high-level corruption and the casual institutionalization of the 'insane' was a powerful and important statement in 1969. It remains a compelling and chilling tour de force three decades on.

    At the heart of the narrative -- told from Yunah's intimate, engaging point of view -- is an unforgettable event from their childhood: an accident that disfigured Inah for life, and the overwhelming sadness and guilt Yunah feels at having been spared. Now that Inah and Yunah are adults, each in search of her own identity while trying to remain true to traditional family values, they must find a way to negotiate their past and become the people they dare -- and dream -- to be. Emotionally charged and thought-provoking, Translations of Beauty is an insightful saga of the immigrant experience that will resonate with all readers.

    Cassiopeia. A sister. A Marco Polo. A somnambulist. A documentary on the voyages of Columbus. A cartographer. Star charts. Young intellectuals in black robes. Jean-Michel Basquiat. More birds and still more birds. A mathematician. All these things appear in The To Sound’s beautifully warped cosmology. This is a stunning book that builds its own world, a world of ambiguous relations and loaded words; a lyrical world that explores the unstated connections between things. . . ."

    Collected by Elisa Sampedrin.Lisa Robertson writes poems that mine the past — its ideas, its personages, its syntax — to construct a lexicon of the future. Her poems both court and cuckold subjectivity by unmasking its fundament of sex and hesitancy, the coil of doubt in its certitude. Reading her laments and utopias, we realize that language — whiplike — casts ahead of itself a fortuitous form. The form brims here pleasurably with dogs, movie stars, broths, painting's detritus, Latin and pillage. Erudite and startling, the poems in Lisa Robertson's Magenta Soul Whip, occasional works written over the past fifteen years, turn vestige into architecture, chagrin into resplendence. In them, we recognize our grand, saddened century.

    She soon learns that 600 years prior to her arrival, the earth was struck by a plague, killing over half of the world’s population. Naïve and desperate, Cassie, who longs for home and is having trouble adjusting to the new, dictatorial 31st century government, is comforted by Michael Bennett, the 20-year old lead geneticist at the hospital where she was revived. But why is Cassie in genetics’ hospital in the first place, and why do several of the people around her seem so familiar, including Travel Carson, the hot and edgy boy she is fated to meet? Soon she discovers there is a sinister answer to all of her questions – and that they want something from Cassie that only she can give.

    Expanding the palette of contemporary surrealism while harkening back to the stories and prayers at the origin of poetry, DESTRUCTION MYTH is a series of absurdist myths of creation and destruction that are at times both inventively silly and surprisingly emotionally direct. This book attempts the world again and again, only to find that even the most ridiculous of creations contains the seeds of its own destruction.

    Caitlyn is on the run from government troopers, who can enslave, torture, or even kill her, or make her hunt other Paranormals. When Caitlyn settles down in a city, she falls for Alex, a Normal (someone without Paranormal powers), which is dangerous because he can turn her in. And she discovers renegade Paranormals who want to destroy all Normals. Caitlyn must decide whether she's going to stay in hiding to protect herself, or take a stand to save the world.

    Comic, elegaic, and always formally intricate, using political allegory and painterly landscape, philosophic story and dramatic monologue, these poems describe a moment when something marvelous and unforeseen alters the course of a single day, a year, or an entire life.

     Worlds of achievement out of mind and remembering,           just as the poem lasts. In the concert of being present.                                                           —from “Arriving” Linda Gregg’s abiding presence in American poetry for more than thirty years is a testament to the longevity of art and the spirit. All of It Singing: New and Selected Poems for the first time collects the ongoing work of Gregg’s career in one book, including poetry from her six previous volumes and thirty remarkable new poems.

    Jack would love to forget about Franklin Mills, and about Sam, the girl he fell in love with, who ran off with his best friend, Tony. Except Tony has gone missing.Soon Jack is pulled into the search for Tony, but the only one who seems to know anything is Tony's last patient, a paranoid boy named Cole. Jack must team up with Cole to follow Tony's trail-and maybe save the world. Their journey will lead them to Manhattan and secret facilities buried under the Catskills, and eventually to a forgotten island in the Pacific-the final destination of Malaysia Airlines Flight 370.When Jack learns the details about the program known as the Great Forgetting, he's faced with the timeless question: Is it better to forget our greatest mistake or to remember, so it's never repeated?

    The poems in Accepting the Disaster range from lyric miniatures like "The Crossroads," a six-line sketch of an accident scene, to "The Orange Bottle," an expansive narrative page-turner whose main character suffers a psychotic episode after quitting medication. Mehigan blends the naturalistic milieu of such great chroniclers of American life as Stephen Crane and Studs Terkel with the cinematic menace and wonder of Fritz Lang. Balanced by the music of his verse, this unusual combination brings an eerie resonance to the real lives and institutions it evokes. These poems capture with equal tact the sinister quiet of a deserted Main Street, the tragic grandiosity of Michael Jackson, the loneliness of a self-loathing professor, the din of a cement factory, and the saving grandeur of the natural world. This much-anticipated second collection is the work of a nearly unrivaled craftsman, whose first book was called by Poetry "a work of some poise and finish, by turns delicate and robust."

    How else does Susan Choi so fully inhabit characters from disparate backgrounds, with such brilliant wit and insight? The Foreign Student stirs up great and lovely emotions."  — Francisco Goldman, author of The Ordinary SeamanThe Foreign Student is the story of a young Korean man, scarred by war, and the deeply troubled daughter of a wealthy Southern American family. In 1955, a new student arrives at a small college in the Tennessee mountains. Chuck is shy, speaks English haltingly, and on the subject of his earlier life in Korea he will not speak at all. Then he meets Katherine, a beautiful and solitary young woman who, like Chuck, is haunted by some dark episode in her past. Without quite knowing why, these two outsiders are drawn together, each sensing in the other the possibility of salvation. Moving between the American South and South Korea, between an adolescent girl's sexual awakening and a young man's nightmarish memories of war, The Foreign Student is a powerful and emotionally gripping work of fiction.

    E. Cummings's biographer, include his most popular poems, spanning his earliest creations, his vivacious linguistic acrobatics, up to his last valedictory sonnets. Also featured are thirteen drawings, oils, and watercolors by Cummings, most of them never before published.The selection includes most of the favorites plus many fresh and surprising examples of Cummings's several poetic styles. The corrected texts established by George J. Firmage have been used throughout.