In 2005 it won the prestigious Naoki Prize, awarded semiannually for the best work of popular fiction by an established writer.Sayoko, a thirty-five-year-old homemaker with a three-year-old child, begins working for Aoi, a free-spirited, single career woman her own age who runs a travel agency-housekeeping business. Timid and unable to connect with other mothers in her neighborhood, Sayoko finds herself drawn to Aoi's independent lifestyle and easygoing personality. The two hit it off from the start, beginning a friendship that is for Sayoko also a reaffirmation of what living is about.Aoi, meanwhile, has not always been the self-confident person she appears to be. Severe classroom bullying in junior high had forced her to change schools, uprooting her and her family to the countryside; and at her new school, she was so afraid of again becoming the object of her classmates' cruelties that she spent most of her time steering clear of those around her.The present-day friendship between Sayoko and Aoi on the one hand, and Aoi's painful high school past on the other, form a gripping two-tier narrative that converges in the final chapter. The book touches on a broad range of issues of concern to women today, from marriage and childrearing to being single and working for oneself. It is a universal story about both the fear and the joy of opening up to others.

    Aya Kitō was diagnosed with a disease called spinocerebellar degeneration when she was 15 years old. The disease causes the person to lose control over their body, but because the person can retain all mental ability the disease acts as a prison. So in the end she cannot eat, walk or talk.Aya keeps a diary of not only what she does but how she feels and the hardships she must endure. Initially, the diary's purpose was for Kitō to chronicle impressions she had about how the disease was affecting her daily life. As the disease progressed, however, the diary became Kitō's outlet for describing the intense personal struggles she underwent in coping, adapting, and ultimately trying to survive her disease. As she notes in one entry, "I write because writing is evidence that I am still alive."Through family, medical examinations and rehabilitations, and finally succumbing to the disease, Aya must cope with the disease and live on with life until her death at the age of 25.

    Unfortunately, her new school just revived its tankery program and enlists Miho to put together a team so that they may compete in a national tournament.As Miho struggles to overcome her turbulent past with tanks, she must first learn to tread lightly with her eccentric companions. Can Miho possibly plow through the challenges and master the art of tankery, or will she get left behind in the dust?

    Born into the burakumin -- an outcast class shunned in feudal Japan and still suffering discrimination today -- Nakagami depicts the lives of his people in powerful, sensual prose and stark, sometimes horrifying detail. The Cape is his breakthrough novella about a burakumin community in a small coastal city and their struggles with complicated family histories and troubled memories. Poverty, violence, suicide, and the harsh natural conditions of their home constantly disrupt their lives. Two more early stories, "The Burning House" and "Redhead, " continue these themes, relieved by small moments of profound tenderness.

    "Sugoku suki! Mata aeru?"--(I'm crazy about you! Shall we meet again?) Answer this correctly in Japanese and you may be going on a hot date. Incorrectly, and you could be hurting someone's feelings or getting a "slap!" Japanese classes and textbooks tend to spend a lot of time rehearsing for the same fictitious scenarios but chances are while in Japan you will spend a lot more time trying to make new friends or start new romances--something you may not be prepared for. If you are a student, businessman or tourist traveling to Japan and would like to have an authentic and meaningful experience, the key is being able to speak like a local. This friendly and easy-to-use Japanese phrasebook makes this possible. "Making Out in Japanese" has been updated and expanded to be even more helpful as a guide to modern colloquial Japanese for use in everyday informal interactions--giving access to the sort of catchy Japanese expressions that aren't covered in traditional language materials. As well as the Romanized forms ("romanji"), each expression is now given in authentic Japanese script ("kanji and kana" with "furigana" pronunciation clues), so that in the case of difficulties the book can be shown to the person the user is trying to communicate with. This Japanese phrasebook includes: A guide to pronouncing Japanese words correctly. Explanations of basic Japanese grammar, such as, intonation, word stress, and particles. A guide to male and female usage. Romanized forms of words and phrases ("romanji"). Complete Japanese translations including Japanese characters ("kanji") and the Japanese alphabet ("kana"). Useful and interesting notes on Japanese language and culture. Lots of colorful, fun and useful expressions not covered in other phrasebooks.Titles in this unique series of bestselling phrase books include: "Making Out in Chinese, Making Out in Indonesian, Making Out in Thai, Making Out in Korean, Making Out in Hindi, Making Out in Japanese, Making Out in Vietnamese, Making Out in Burmese, Making Out in Tagalog, Making Out in Hindi, Making Out in Arabic, Making Out in English, More Making Out in Korean, and More Making Out in Japanese.

    This "Angel of Death" has a name--Boogiepop. And the legends are true. Boogiepop is real.Told in a non-linear fashion that asks the reader to piece together the sequence of events to solve the mysteries alongside the characters, Kouhei Kadono's first Boogiepop novel took First Place in Media Works' Dengeki Game Novel Contest in 1997 and ignited the Japanese "light novel" trend. Today, there are over 2 million Boogiepop novels in print, a feature film and manga adaptation based on the first book, an original manga entitled Boogiepop Dual, and the unforgettable original anime series Boogiepop Phantom.

    Filled with hundreds of full-color photos and numerous recipes this is the essential box lunch book.

    New Japan Pro Wrestling is the country's most recognisable brand. It attracts scores of fans to annual Tokyo Dome shows, has made household names of its most prominent talent, and is increasingly in demand by a rabid international audience. Yet NJPW's 40+ year history has been a rocky one. The company has endured strong competition, scandals and riots, and for a time it seemed like poor decision making would sink what was once a national institution. For the first time in English, Lion's Pride: The Turbulent History of New Japan Pro Wrestling explores NJPW's triumphs and tribulations. Starting with the origins of pro wrestling in post war Japan, Lion's Pride covers the company's inception in 1972, through its boom in the early 1980s, its influence on the medium at large in the '90s, and its downturn and subsequent revival in the last two decades. Alongside a detailed and informative history are essays detailing the intricacies of Japanese wrestling psychology, how NJPW's key players shaped the company, and much more besides. A crucial reference guide for any wrestling fan, Lion's Pride offers an entertaining and insightful glance behind the scenes of the 'King of Sports'.

    To the Western mind these fearsome warriors-samurai, the masterless ronin, and the assassin ninja-have always been a source of mystery and wonder, combining the idealism of chivalry with military fanaticism. The Ways Of The Samurai digs beneath the myth and reveals a truth even more amazing about the men who practiced a discipline drawn from Zen and Confucian ethics-bushido, the way of the warrior.

    Unfortunately for Tokyo, however, Akechi Kogoro is off on overseas business, so it becomes the job of his 12-year old assistant, Kobayashi Yoshio, to track down the thief and desperately keep him at bay until his mentor returns.In the spirit of Sir Arthur Conan Doyle's Baker Street Irregulars, a classic thriller by Edogawa Rampo, grand master of Japan's Golden Age of crime and mystery fiction. Filled with disguises, tricks, "A-ha!" moments, and spiced with a unique Japanese flair, it is sure to delight readers of all ages. Will Kobayashi's intrepid band of young detectives be able to outwit the nefarious fiend, or will Tokyo be forever at the mercy of the face-swapping phantom?

    Its clear explanations and vivid examples help one naturally to get the "feel" for the basic patterns of Japanese grammar and at the same time to remember vocabulary associated with concrete situations. Besides that, learning with manga is more fun than simply reading page after page of dry prose. The 30 lessons that make up the book include drills, and a small glossary of 160 basic "kanji" is appended as an added bonus.

    Gothic Tales makes available for the first time a collection of stories by this highly influential writer, whose decadent romanticism led him to envision an idiosyncratic world--a fictive purgatory --precious and bizarre though always genuine despite its melodramatic formality.The four stories presented here are among Kyoka's best-known works. They are drawn from four stages of the author's development, from the conceptual novels of 1895 to the fragmented romanticism of his mature work. In the way of introduction, Inouye presents a clear analysis of Kyoka's problematic stature as a great gothic writer and emphasizes the importance of Kyoka's work to the present reevaluation of literary history in general and modern Japanese literature in particular. The extensive notes that follow the translation serve as an intelligent guide for the reader, supplying details about each of the stories and how they fit into the pattern of mythic development that allowed Kyoka to deal with his fears in a way that sustained his life and, as Mishima Yukio put it, pushed the Japanese language to its highest potential.

    Add in a touch of the paranormal, and this noir tale of suspense is on track to garner reviews as glowing as those she's received in the past -- Land to win her a legion of new readers.A fierce typhoon strikes Tokyo one night, flooding the city streets. Someone has unlawfully removed a manhole cover, and a little boy out searching for a lost pet goes missing, possibly drowned in the sewers. Is it murder or accidental? These events bring together a struggling journalist named Kosaka, who is grappling with the ghosts of his past, and two young men who may or may not have psychic powers. The three form an unwilling team not only to search for the lost boy, but also to solve a second mystery involving Kosaka's former fianc�e. Kosaka's career and personal life have stagnated since his breakup with Saeko a few years earlier, and locked him in an emotional impasse. Each of his two reluctant comrades--Shinji and Naoya--is struggling to come to terms with his unique powers ("the dragon within"). While Shinji wants to use his abilities to help others, Naoya seeks to hide his. Kosaka, meanwhile, doubts the young men's ability, all-too-clearly aware that such claims of psychic knowledge of the crimes could in reality mask a criminal culpability. But then all three are forced into an unsteady alliance to try to save the life of someone close to Kosaka.

    . . . So reminisces old Hanshichi in a story from one of Japan's most beloved works of popular literature, Hanshichi torimonocho. Told through the eyes of a street-smart detective, Okamoto Kido's best-known work inaugurated the historical detective genre in Japan, spawning stage, radio, movie, and television adaptations as well as countless imitations. This selection of fourteen stories, translated into English for the first time, provides a fascinating glimpse of life in feudal Edo (later Tokyo) and rare insight into the development of the fledgling Japanese crime novel.Once viewed as an exclusively modern genre derivative of Western fiction, crime fiction and its place in the Japanese popular imagination were forever changed by Kido's unsung Sherlock Holmes. These stories--still widely read today--are crucial to our understanding of modern Japan and its aspirations toward a literature that steps outside the shadow of the West to stand on its own.

    He takes students from the days of the shogunate--the feudal overlordship of the Tokugawa family--through the modernizing revolution launched by midlevel samurai in the late nineteenth century; the adoption of Western hairstyles, clothing, and military organization; and the nation's first experiments with mass democracy after World War I. Gordon offers the finest synthesis to date of Japan's passage through militarism, World War II, the American occupation, and the subsequent economic rollercoaster. But the true ingenuity and value of Gordon's approach lies in his close attention to the non-elite layers of society. Here students will see the influence of outside ideas, products, and culture on home life, labor unions, political parties, gender relations, and popular entertainment. The book examines Japan's struggles to define the meaning of its modernization, from villages and urban neighborhoods, to factory floors and middle managers' offices, to the imperial court. Most importantly, it illuminates the interconnectedness of Japanese developments with world history, demonstrating how Japan's historical passage represents a variation of a process experienced by many nations and showing how the Japanese narrative forms one part of the interwoven fabric of modern history. With a sustained focus on setting modern Japan in a comparative and global context, The Modern History of Japan is ideal for undergraduate courses in modern Japanese history, Japanese politics, Japanese society, or Japanese culture.