Indeed, he sees the fall of Rome as a time of horror and dislocation that destroyed a great civilization, throwing the inhabitants of the West back to a standard of living typical of prehistoric times. Attacking contemporary theories with relish and making use of modern archaeological evidence, he looks at both the wider explanations for the disintegration of the Roman world and also the consequences for the lives of everyday Romans, who were caught in a world of marauding barbarians, and economic collapse.The book recaptures the drama and violence of the last days of the Roman world, and reminds us of the very real terrors of barbarian occupation. Equally important, Ward-Perkins contends that a key problem with the new way of looking at the end of the ancient world is that all difficulty and awkwardness is smoothed out into a steady and positive transformation of society. Nothing ever goes badly wrong in this vision of the past. The evidence shows otherwise.Up-to-date and brilliantly written, combining a lively narrative with the latest research and thirty illustrations, this superb volume reclaims the drama, the violence, and the tragedy of the fall of Rome.From Back Cover:For decades, the dominant view amongst historians has been that the 'fall of Rome' was a largely peaceful transition to Germanic rule, within a period of positive cultural evolution. Now, Bryan Ward-Perkins argues for what you always thought but didn't dare say: the Roman Empire really did fall to violent invasion; the 'transformation' of the Roman world saw a catastrophic collapse of living standards; and the 'Dark Ages' were genuinely sombre.

    The acclaimed biography of Alexander the Great.

    Popular in the Renaissance, these stories have been less familiar in later centuries. Translations of the Greek stories were not readily available in English before B.P. Reardon’s excellent volume. Nine complete stories are included here as well as ten others, encompassing the whole range of classical themes: ideal romance, travel adventure, historical fiction, and comic parody. A new foreword by J.R. Morgan examines the enormous impact this groundbreaking collection has had on our understanding of classical thought and our concept of the novel.

    Over the years these authoritative, critically acclaimed editions have been the preferred choice of more than three million readers for personal libraries and individual study as well as for classroom use.

    Only one man was determined to kill the killers. From the spring of 44 BC through one of the most dramatic and influential periods in history, Caesar's adopted son, Octavian, the future Emperor Augustus, exacted vengeance on the assassins of the Ides of March, not only on Brutus and Cassius, immortalized by Shakespeare, but all the others too, each with his own individual story.The last assassin left alive was one of the lesser-known: Cassius Parmensis was a poet and sailor who chose every side in the dying Republic's civil wars except the winning one, a playwright whose work was said to have been stolen and published by the man sent to kill him. Parmensis was in the back row of the plotters, many of them Caesar's friends, who killed for reasons of the highest political principles and lowest personal piques. For fourteen years he was the most successful at evading his hunters but has been barely a historical foot note--until now.The Last Assassin dazzlingly charts an epic turn of history through the eyes of an unheralded man. It is a history of a hunt that an emperor wanted to hide, of torture and terror, politics and poetry, of ideas and their consequences, a gripping story of fear, revenge, and survival.

    In the Roman Empire no one is safe from the sting of betrayal: man, woman or child.As a boy, Nero's royal heritage becomes a threat to his very life, first when the mad emperor Caligula tries to drown him, then when his great aunt attempts to secure her own son's inheritance. Faced with shocking acts of treachery, young Nero is dealt a harsh lesson: it is better to be cruel than dead.While Nero idealizes the artistic and athletic principles of Greece, his very survival rests on his ability to navigate the sea of vipers that is Rome. The most lethal of all is his own mother, a cold-blooded woman whose singular goal is to control the empire. With cunning and poison, the obstacles fall one by one. But as Agrippina's machinations earn her son a title he is both tempted and terrified to assume, Nero's determination to escape her thrall will shape him into the man he was fated to become, an Emperor who became legendary.With impeccable research and captivating prose, The Confessions of Young Nero is the story of a boy's ruthless ascension to the throne. Detailing his journey from innocent youth to infamous ruler, it is an epic tale of the lengths to which man will go in the ultimate quest for power and survival.

    But in 600 bce, the clay tablets that bore the story were lost--buried beneath ashes and ruins when the library of the wild king Ashurbanipal was sacked in a raid.The Buried Book begins with the rediscovery of the epic and its deciphering in 1872 by George Smith, a brilliant self-taught linguist who created a sensation when he discovered Gilgamesh among the thousands of tablets in the British Museum's collection. From there the story goes backward in time, all the way to Gilgamesh himself. Damrosch reveals the story as a literary bridge between East and West: a document lost in Babylonia, discovered by an Iraqi, decoded by an Englishman, and appropriated in novels by both Philip Roth and Saddam Hussein. This is an illuminating, fast-paced tale of history as it was written, stolen, lost, and--after 2,000 years, countless battles, fevered digs, conspiracies, and revelations--finally found.

    Yet, not a single one of these emperors was the blood son of his predecessor. In this captivating history, a prominent scholar of the era documents the Julio-Claudian women whose bloodline, ambition, and ruthlessness made it possible for the emperors’ line to continue.   Eminent scholar Guy de la Bédoyère, author of Praetorian, asserts that the women behind the scenes—including Livia, Octavia, and the elder and younger Agrippina—were the true backbone of the dynasty. De la Bédoyère draws on the accounts of ancient Roman historians to revisit a familiar time from a completely fresh vantage point. Anyone who enjoys I, Claudius will be fascinated by this study of dynastic power and gender interplay in ancient Rome.

    Its physical remains dot the landscape from Scotland to Syria. Its cities are still the great metropolises of the continent. Its law and institutions have shaped modern practice, and its ideal of a united Europe has haunted politicians ever since. Fully illustrated and featuring more than sixty full- colour maps, this atlas traces the rise and fall of the first great multinational state. It looks at its provinces and cities, its trade and economy, its armies and frontier defences; follows its foreign ward and internecine struggles; and charts its transformation into a Christian theocracy and its fall in 476.

    Michael Crawford's highly praised history is now expanded and revised to accommodate recent discoveries and current thinking.

    His ethical, religious, and existential reflections have endured as an expression of Stoicism, a text for students of that philosophy, and a guide to the moral life.ContentMeditations Book I -XIISpeechesSayingsNote on Christians

    Even his face became more than usually familiar: the imperial coinage displayed his portrait for over 40 years, from the clean-shaven young heir of Antonius to the war-weary, heavily bearded ruler who died at his post in his late fifties.His correspondence with his tutor Fronto, and even more the private notebook he kept for his last ten years, the Meditations, provides a unique series of vivid and revealing glimpses into the character and peoccupations of this emporer who spent many years in terrible wars against northern tribes.In this accessible and scholarly study, Professor Birley paints a portrait of an emporer who was human and just - an embodiment of the pagan virtues of Rome.

    In Sophocles' Oedipus Rex the king sets out to uncover the cause of the plague that has struck his city, only to disover the devastating truth about his relationship with his mother and his father.Medea is the terrible story of a woman's bloody revenge on her adulterous husband through the murder of her own children.

    Completely rewritten and updated to include the further discoveries of the last two decades, it challenges traditional views of Sulla as a tyrant and harsh military dictator and instead delivers a compellingly complex portrait of a man obsessed with the belief that he was blessed with divine favour.Written by a leading authority on the classical world, this lively and entertaining book transports us through Sulla's rise from poverty and obscurity to his dictatorship of Rome, highlighting his dedication and achievements in better ordering the Republic before his decline a generation later.

    As commander he never lost a battle. Yet it is his adversary, Hannibal, who has lived on in the public memory, due mostly to his daring march through the Alps with his elephants. At the Battle of the Ticinus, Hannibal’s initial encounter with Roman arms, young Scipio first tasted warfare, rescuing his dangerously wounded, encircled father, who was also the Roman commander. By nineteen Scipio was the equivalent of a staff colonel and in 210 B.C. he was placed in supreme command. In three years he destroyed Carthaginian power in Spain and, after being made consul, took his forces to Africa, where he conquered Carthage’s great ally, Syphax. Two years later he clashed with Hannibal himself, annihilating his army in the decisive Battle of Zama. For this triumph and his other exploits in the Punic Wars, Scipio was awarded the title Africanus.In his fascinating portrait of this extraordinary commander, B. H. Liddell Hart writes, ”The age of generalship does not age, and it is because Scipio’s battles are richer in stratagems and ruses—many still feasible today—than those of any other commander in history that they are an unfailing object lesson.” Not only military enthusiasts and historians but all those interested in outstanding men will find this magnificent study absorbing and gripping.