On a Saturday night in April, Ron Galloway's friends have all arrived at his Ontario lakeside vacation lodge for a boys' weekend without their wives. But as the night wears on and the host himself doesn't arrive, the party turns sour. Then Ron Galloway's suspicious wife, convinced he is having an affair and trying to track him down, arrives on the scene, followed by the police. It is clear something is very wrong.In the hours and days that follow Ron Galloway's disappearance, the secret of an ugly infidelity comes to light, tearing apart Galloway's circle of friends and destroying two marriages. Did Ron Galloway commit suicide to escape his own unforgivable betrayals? What sinister set of circumstances brought him to his desperate end, and how will his survivors cope with the truth without tearing one another apart?

    from the French "D'entre les Morts" by Geoffrey Sainsbury. First published as "The Living and the Dead" in Great Britain in 1956.

    At least that is what she's always believed.Everyone has secretsUntil the day she arrives at her childhood home to find a house ringing with silence. Her mother is hanging from a tree. Her father is lying in a pool of his own blood, near to death.Especially those closest to you The police are convinced it is an attempted murder-suicide. But Sophia is sure that the woman who brought her up isn't a killer. As her father is too ill to talk it is up to Sophia to clear her mother's name. And to do this she needs to delve deep into her family's past - a past full of dark secrets she never suspected were there . . .What if your parents had been lying to you since the day you were born?

    Few know these characters—and their creators—better than Sarah Weinman. One of today’s preeminent authorities on crime fiction, Weinman asks: Where would bestselling authors like Gillian Flynn, Sue Grafton, or Tana French be without the women writers who came before them? In Troubled Daughters, Twisted Wives, Weinman brings together fourteen hair-raising tales by women who—from the 1940s through the mid-1970s—took a scalpel to contemporary society and sliced away to reveal its dark essence. Lovers of crime fiction from any era will welcome this deliciously dark tribute to a largely forgotten generation of women writers.

    In "The Nigger of the 'Narcissus'" a ship's crew struggles with morale as a black member of the crew lay dying. In the shorter work "The Secret Sharer" a captain on his night watch discovers an officer that has come aboard has been accused of a murder. In both works through the context of a voyage at sea Conrad masterfully explores the psychological and moral issues that are at the heart of mankind.

    A young clerk, Hall Pycroft, consults Holmes with his suspicions concerning a company that has offered him a very well-paid job.

    Within hours Lang is butting heads with a Buddha statue, matching wits with evil billionaires, and putting his life (among other things) in the hands of a bevy of femmes fatales, whilst trying to save a beautiful lady ...and prevent an international bloodbath to boot.

    Young Stan Carlisle is working as a carny, and he wonders how a man could fall so low. There’s no way in hell, he vows, that anything like that will ever happen to him.And since Stan is clever and ambitious and not without a useful streak of ruthlessness, soon enough he’s going places. Onstage he plays the mentalist with a cute assistant (before long his harried wife), then he graduates to full-blown spiritualist, catering to the needs of the rich and gullible in their well-upholstered homes. It looks like the world is Stan’s for the taking. At least for now.

    Our narrator must piece together the history of his blighted existence and discover the agents of its cruel end. What he doesn’t expect is that digging for the truth will demand plenty of lying.

    In a bleak Texas prison Royce, an alcoholic doctor administers Bobby Mencken's last "high," convinced that the convicted killer was innocent. When Royce's marriage crumbles he takes off for Dallas to search for the real killer.Of Nisbet, Germany's Die Welt wrote, "Neither Norman Mailer nor Truman Capote has in their writing been able to produce such an intensity as Nisbet has achieved."With sharp humor and a poet's ear for language, Nisbet's world may be bleak, but it is frighteningly real. Overlook is proud to bring him to a new generation of readers.

    When a prominent New Orleans judge is brutally murdered, former Detroit cop Quentin Archer is handed the case. His enquiries will lead him into a world of darkness and mysticism which underpins the carefree atmosphere of the Big Easy. Interrogating crooked police officers, a pickpocket, a bartender with underground contacts and a swamp dweller, Archer uncovers some troubling facts about the late judge's past. But it's only when he encounters a beautiful young voodoo practitioner that he starts to make headway in the investigation.Voodoo queen Solange Cordray volunteers at the dementia centre where her mother lives. When she starts reading the mind of one of her patients, she learns that a secretive organization known as Krewe Charbonerrie may be behind the murder of the judge. And the second murder. And the third . . .

    But Mrs. Corbett, the rich, eccentric wife of the firm's founder, has it in mind to put George’s skills to a peculiar assignment. With only a few months to live, her one desire is to know the true circumstance of her son Roger's violent death. George's investigation leads him to Roger's mistress, a cagy Czech hand model named Eliska, whose motives for latching on to Mrs. Corbett's son may have gotten him killed. Set against a brilliantly-drawn Manhattan, at once volatile and vivid, Risk is prime Colin Harrison.

    The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law–in the person of aging, disillusioned Sheriff Bell–can contain.As Moss tries to evade his pursuers–in particular a mysterious mastermind who flips coins for human lives–McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph.

    Opening with the exotic Lady Death entering the gumshoe-writer's seedy office in pursuit of a writer named Celine, this novel demonstrates Bukowski's own brand of humour and realism, opening up a landscape of seamy Los Angeles.

    You've been alive about thirty years, been all over the world, know your way around the toughest, biggest cities. You're no pushover. You've had lead dug out of your shoulders, fractured a leg here, and broken an arm there. You're tough, see? No lily-of-the-valley. A real hard guy. And yet with all that, you can be dumb. Real dumb. Like when you shoot off your mouth just because you have a gun in your pocket." --Ed Noon, Private EyeEnter Ed Noon on the world scene. The tallest burlesque queen in the universe hires Noon to find her even taller lover, who has vanished under strange circumstances. He turns up stabbed and dead on the steps of the Museum of Natural History, and sets Noon on a twisted murderous missing diamond-encrusted trail that ultimately leads to the Statue of Liberty. Noon meets Lt. Mike Monks of NY’s Homicide Dept who will become not only a Captain, but also Noon’s greatest ally and friend over the next four decades.